by Jane Lambert

VIDEO VOYAGEUR: 3 Q’s with HAVILAH TOWER

Sometimes, the most resonant songs emerge not from a single moment of inspiration but from a long, quiet process of rediscovery.

“Open Wide” is the latest single from cinematic folk-pop artist Havilah Tower, and it is one such song – a reflective and emotionally charged meditation on what it means to outgrow the life you thought you wanted. Tower explores the quiet reckoning that comes when ambition gives way to presence, and when clarity begins to form in the spaces we often overlook.

The journey to Open Wide began with an unexpected spark: an article about her alma mater, the University of Texas at Austin, hiring their first Songwriter-in-Residence.

That artist, Darden Smith, would go on to mentor Tower through a series of creative breakthroughs, helping her reconnect with her voice in new ways. What followed was a groundbreaking collaboration across borders – Tower and her longtime trio partnered with international music startup Hall Up to bring the track to life, working with UK-based producer David A. Griffiths and Hollywood engineer Adam Freeman to shape the sound.

“Open Wide” marks a shift not just in Tower’s sound, but in her storytelling. It’s the product of reflection, resilience and a willingness to see – and sing – the truth.

1.Tell us the story of this song, why did you choose to visualize this song specifically in this way?

Our newest single, Open Wide, is a cinematic folk-pop song that explores what happens when you’ve built up a “dream life” but it turns out to be different than you thought or want anymore.

Open Wide is a raw, lyrical reflection on trading illusion for truth—and finding the courage to be honest with yourself on what really matters to you, which often are the simple things around you all along.

Or you can stream or buy Open Wide on your favorite music platform: https://distrokid.com/hyperfollow/havilahtower/open-wide

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

For the Open Wide music video, we wanted to bring the core message of the song, showing the contrast of someone leading a seemingly successful life on the surface while also struggling.

In the music video for “Open Wide”, you follow a central character as she rises to fame through her music, a life she worked hard to create. Even though it all looks beautiful on the outside, she is struggling on the inside missing the core, fundamental things in her life she grew up like spending time with family, true connections with friends and a sense of herself.

Central to where we meet the main character in the story is an unraveling of this supposed “dream life”. It’s through this unraveling that she breaks through to something more meaningful, her own truth and direction – all things that take courage to embrace when you’re leading such a seemingly successful life. This shift plays out in the music video as a parallel between her adult self and her childhood memories that she starts to reconnect with.

It’s a reminder that all the glitters is not gold, and that sometimes our hardest moments can be doorways into something more truer and more meaningful. Hence the lyrics: “Unraveling minds open wide”.

3. What was the process of making the video?

In making Open Wide, we wanted to push the envelope of leveraging technology to tell the story. We tend to embrace a “test and learn” mentality so we decided to leverage some of the latest AI tools, like Runway, and build out the narrative portion of the story, which involved a lot of hours of fine-tuning prompts and then of course, editing the clips to tell the story. Through this work, we built out the journey of our central character.

Simultaneously, we wanted to ground the video in this world with a performance from our band so we conducted multiple filmings in order to capture each of us to interweave throughout the video, mainly featuring Havilah Tower as the primary narrator who is singing Open Wide.

There is a subtle moment that happens at the beginning and end of the music video, starting off with what appears to be a forced smile but ending with a more real, authentic smile. The smile bookends the journey of going from a seemingly successful life to truer success of being connected to yourself and making choices that are actually fulfilling.

Find out more about Havilah Tower on her Website

05.30.25

by Jane Lambert

“King Jaymes” Is the Folk Punk Manifesto We Didn’t Know We Needed

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There’s something quietly revolutionary about King Jaymes, the debut album from folk punk singer-songwriter Stephen Jaymes.

It doesn’t arrive in a blaze of hype or with the polished pagenatry of a major label rollout. But instead, it feels more like a notebook that someone has carried across a war zone, frayed and tear stained but full of truths that nobody else dared to say out loud.

Across ten tracks, many of them already familiar to fans of Jaymes’ trickle release of singles over the past two years, King Jaymes assembles a world that feels simultaneously mythic and also intimate. The songs are not just here to impress, but they resemble almost journal entries, roadside sermons and voice memos from a man documenting the collapse and his own quiet resurrection.

What is most striking about the album is not just the songwriting, although this is excellent and has always been Jaymes strong point. But it is the depth of self-examination and transformation on display here. There is a sense that Stephen Jaymes has survived these songs more than just written them.

Opening with one of Jaymes’s most personal songs, “Saving Daylight”, we are immediately thrown in to a noirish soundscape of piano and muted guitar lines.

The new mix of previously released “Chief Inspector” is more spacious and less raw than the original single, revealing the intricacies of Zsolt Virág’s production work. It’s a tone-setter that invites deep listening.

Elsewhere, songs like “The Evidence Against Her” maintain their haunting intensity. They feel more fully realized here, nestled among companion tracks and dressed in album wide cohesion. Jaymes’s voice is soft and cracked a times, then suddenly forceful in other moments and becomes the compass that guides us through shifting emotional terrain.

While the early singles gave listeners a glimpse into Jaymes’s artistic evolution, it is the album’s final track, “When I Was Young” that truly delivers the emotional knockout.

This previously unreleased track is a lament disguised as a lullaby. It deals with aging, not in the abstract sense but in the deeply personal way of someone who’s felt the world pull away from them. The line between resilience and resignation is walked so carefully that it becomes a kind of dance. This track alone justifies the format of an album.

Beyond the music itself, the King Jaymes era represents a conceptual shift for Stephen Jaymes as an artist and public thinker. His VISION2025 initiative and the accompanying Particles blog present a worldview rooted in hope, dignity, and practical utopia not just art for art’s sake, but art as taking action.

Meanwhile, King Jaymes may be Stephen Jaymes’s debut album, but it plays like a legacy statement. It’s a defiant and deeply human record that builds a world you want to live in, even if that world hurts.

Keep up with Stephen Jaymes on his Website

Stream music on Spotify and Apple Music

05.27.25

by Jane Lambert

VIDEO VOYAGEUR: 3Q’s WITH STIGMA

Emerging from the heart of Germany’s modern rock scene, Stigma are not here to chase trends.

With their debut album Second Chance on the horizon, the band is carving out a sound that is both emotionally raw and powerfully cinematic in sound.

Their latest single, “Faraway,” serves as a stunning entry point. It’s a brooding, confessional track steeped in guilt, isolation and that quiet ache of waiting for redemption.

But what sets Stigma apart isn’t just the intensity of their music. It is the honesty behind it. For their first official video, the band turned the camera inward and cpatured not a scripted narrative, but the real-time journey of recording “Faraway” in a remote mountain studio.

We sat down with the band to talk about the origins of “Faraway,” the making of the video, and what fans can expect from Second Chance. What followed was a candid, heartfelt conversation about facing the past, embracing vulnerability, and holding out hope for what’s still to come:

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

Faraway is about guilt, isolation, and the hope for redemption – someone exiled, trapped by both physical walls and inner regrets, holding on to the distant dream of being forgiven. It’s not about escape, but about waiting to be freed. That emotional weight runs through every line of the song.

We wanted to show that tension honestly. The video shifts between two sides: the intense, emotional live performance while recording the track, and the quiet, raw moments behind the scenes. No drama, no acting – just what really happened.

That contrast brings authenticity. It’s not a concept video – it’s a feeling. A haunting pull toward something just out of reach – but with the quiet certainty that the day will come.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

We approached the video like a short documentary – no actors, no script, just what actually happened. The storyline behind the scenes follows our real journey: arriving at the studio in the mountains, stepping out of the car, setting up gear, getting feedback from our producer, tuning, laughing, working. It’s that quiet buildup before the storm – a glimpse into the atmosphere that shaped the song.

Visually, the contrast was key. We alternated these raw, candid moments with close-up shots of us performing Faraway in the studio – not for the camera, but for real.

That mix gives the video its pulse. It’s less about acting out a plot and more about letting the setting, the process, and the people tell the story. The goal was simple: to make you feel the song, not just hear it.

3. What was the process of making the video?

I brought in Mattia Mariotti – a skilled video producer and guitarist for Philipp Burger (Frei.Wild) – to film our time in the studio. I asked him to capture everything without restriction. No script, no posing – just real moments. I trusted his eye and gave him full freedom to document whatever unfolded.

After several days of shooting, he told me, “There’s a lot of material here.” That’s when I had the idea to turn it into our first official video. What made it click was the natural rhythm of the footage – the way the calm, intimate behind-the-scenes shots contrasted with the explosive, emotional performance scenes. It mirrored exactly what Faraway does musically: restrained, confessional verses that build into a powerful, wide-open chorus.

That structure became the backbone of the edit. The camera follows the same emotional arc as the song itself – from inner conflict to a burst of longing and release.

That’s how the video found its form: through truth, not planning.

Follow Stigma on their Website

05.12.25

by Jane Lambert

“Save the World” by Madame Z – A Hymn of Hope in the Face of Planetary Despair

In a world overwhelmed by environmental catastrophe, humanitarian crises and collective heartbreak, Madame Z emerges with a brand new single that’s as musically gripping as it is emotionally necessary.

Called “Save the World,” the single was released intentionally on Earth Day, 20th April, and it’s a powerful, aching anthem that channels personal grief into a global plea for unity, compassion and action.

Listen here:

It opens with a haunting and sparse arrangement that immediately places the listener in a contemplative space.

There’s a steady, pulsing undercurrent, like a a heartbeat, that anchors the track from the start, a subtle metaphor for the planet’s own fragile rhythm. Madame Z’s voice enters with clarity and conviction, rich with emotional texture. And it’s the vocals that elevate everything – a soulful delivery, blending vulnerability and strength into each line. This is not performative pain, but a lived experience transformed into melody.

Written during a time of profound personal overwhelm, the song grapples with the heavy realities of genocide, war, famine, ecological collapse and the slow poisoning of the earth’s most basic life sources: air, water and soil.

But rather than becoming mired in despair, Madame Z creates something rare. It’s a protest song that is simultaneously a mantra for survival. “Save the World” is steeped in sorrow, yes, but it is also a vessel for change.

The song strikes a good balance between introspection and uplift – its layered instrumentation with guitar, atmospheric keys and percussion has a tribal feel and builds gradually, creating a sense of momentum. By the time the chorus fully blooms, the listener is immersed.

But “Save the World” is not just a general statement. It is also intimate. Madame Z is able to make something deeply political feel personal. It’s as if you are listening in on a whispered conversation between her and the earth, or between her and her own soul.

For those who know Madame Z’s earlier work, particularly her debut album ”Down the Rabbit Hole”, this track continues her signature style – unflinching emotional honesty, poetic lyrics and a commitment to turning lived experience into a form of healing.

Her background as a fierce advocate for women’s stories, especially through deeply personal tracks like “Unwanted”, is present here as well reminding us that caring for the earth and caring for each other are deeply connected acts.

In an intense political and cultural moment filled, “Save the World” is a song that cuts through the noise.

Keep up with Madame Z on her Website

Stream music on Spotify and Apple Music

05.06.25

by Jane Lambert

After Hours Alchemy in MASSEY’s latest single “3:00am Funk”

In the quiet chaos of 3am when bars have emptied, streets glisten with after-rain shimmer and the city feels like it’s catching its breath, MASSEY drops a groove that captures the electricity of that fleeting in-between hour.

“3:00 AM FUNK” isn’t just a vibe. It’s a fully formed nocturnal world built from rhythm, introspection and soul.

Listen in here:

It all opens with a steady, low-slung pulse courtesy of Charlie Wooton’s bass and Doug Belote’s hypnotic drums. Together they work to create the heartbeat of the song, which is measured, magnetic and endlessly listenable. This is a groove that knows how to hold space without rushing forwards. It invites you in and makes you stay.

Guitarists Peter Oravetz and Daniel Groover add fire and texture — dueling one moment and swirling the next — creating a mood that shifts between a swagger and a dream. Their use of reversed guitar loops gives “3:00AM Funk” a psychedelic hint. The 504 Horns (Jason Parfait on saxes and Ian Smith on trumpet and trombone) burst into the mix with brass lines that flash like headlights. All bold, stylish and unmistakably alive.

But “3:00AM Funk” doesn’t just skim the surface of party scene; it digs deeper. MASSEY sings about late night wandering, social saturation and emotional absence. Of longing for something genuine in a world built on performance. And yet, the song is not cynical in any way. It does hold space for beauty too. For those fleeting moments of eye contact, laughter or vulnerability that pierces the surface.

The accompanying music video, which was shot on the vibrant pulsing streets of Denver, matches the song’s mood perfectly – part fever dream, part soul search:

With “3:00 AM Funk,” MASSEY gives the listener a soundtrack for dancing and for feeling. For when the party fades and the questions echo louder.

Find out more about MASSEY on his Website

Stream music on Spotify and Apple Music

04.28.25

by Jane Lambert

Roxana Labatt Finds Strength in Vulnerability on Latest Release “Someone to Call”

On her latest single “Someone to Call,” Austin-based singer songwriter Roxana Labatt delivers an achingly beautiful ballad that speaks directly to the heart of human loneliness.

Produced, mixed and mastered by Kfir Gov at Evil Snail Studios, the track pairs intimate, soaring vocals with polished modern pop production.

Drawing from a deeply personal place, “Someone to Call” captures the sharp ache of realizing you have no one to lean on during life’s most pivotal moments. When you look down at your emergency contacts, and realise nobody is there to call on except yourself.

Inspired in part by a moment in Taylor Swift’s Miss Americana documentary and a memory from her own life – waiting alone at a doctor’s office after a frightening diagnosis – Roxana transforms these painful experiences into a universal song for anyone who has ever felt isolated at a time they most needed connection.

The song opens with a gentle, melancholic atmosphere that allows Roxana’s voice to take center stage. The vocal performance is stunning. Rich with emotion but never overdone, carrying a natural weight that makes every lyric feel lived-in. As the track builds, layers of harmonies and instrumental textures swell around her voice, amplifying the emotional stakes without ever drowning the vulnerability that defines the core of the song.

With the lyrics, Roxana exhibits many of the same strengths that have earned her acclaim since her debut in 2020 – vivid storytelling, visceral emotion and a strong ability to articulate complex feelings with clarity. Every word in “Someone to Call” feels purposeful. And it is very much the product of Roxana’s background not just in music, but also in years of expository and creative writing.

“I was inspired to write a song about that feeling. I think it is often during our highest highs and our lowest lows that we feel that lack of someone to call most acutely (that’s the idea underlying the chorus lyric in my song “shouldn’t there be someone to call . . . to cheer me on whenever things got good, and when I thought they never would”). The themes reflected in “Someone To Call” – of feeling alienated/isolated from other people and of being in a lot of pain on the inside when things maybe look pretty great from the outside – recur in a lot of my songs.

As for the production of the track, I had for some time been wanting to produce songs with a more commercial pop sound, without losing the emphasis on lyrical content and dramatic musical moments that are characteristic of my songs. When I wrote this track, I immediately had the feeling that, out of all of the songs that I’d written up to that point, it was the one that had the most potential to achieve that goal. So, I hired a Producer in Austin who I had read had experience in that type of pop production (Kfir Gov at Evil Snails Studio) and we produced this track. Songs I especially looked to for inspiration in deciding how to approach the production of this track were P!nk’s “Turbulence” and “A Million Dreams” and Céline Dion’s “Ashes.”

And while the subject matter of the song is heavy, there is a thread of resilience that runs throughout. By confronting lonliness head on, Roxana ultimately offers listeners a quiet hope, a reminder that feeling isolated doesn’t mean you are truly alone. Also, that the ache for connection is something that binds us all.

“Someone to Call” does showcase a more modern pop sensibility for Roxana , while still staying true to her indie roots. The balance of programmed elements with live instrumentation, especially the clever interplay of rhythmic tectures, creates an expansive backdrop for the emotional narrative to unfold.

With this latest release, Roxana Labatt continues to establish herself as a distinctive voice in indie-pop storytelling. She is not afraid to dig deep, expose the raw places and remind us that even in our loneliest momentswe are seen and heard.

Her next chapter includes new music set for 2025, but for now, “Someone to Call” stands as one of her most moving releases to date.

Keep up to date with Roxana Labatt on her Website

Stream music on Spotify, Apple Music and YouTube Music