by Jane Lambert

“Save the World” by Madame Z – A Hymn of Hope in the Face of Planetary Despair

In a world overwhelmed by environmental catastrophe, humanitarian crises and collective heartbreak, Madame Z emerges with a brand new single that’s as musically gripping as it is emotionally necessary.

Called “Save the World,” the single was released intentionally on Earth Day, 20th April, and it’s a powerful, aching anthem that channels personal grief into a global plea for unity, compassion and action.

Listen here:

It opens with a haunting and sparse arrangement that immediately places the listener in a contemplative space.

There’s a steady, pulsing undercurrent, like a a heartbeat, that anchors the track from the start, a subtle metaphor for the planet’s own fragile rhythm. Madame Z’s voice enters with clarity and conviction, rich with emotional texture. And it’s the vocals that elevate everything – a soulful delivery, blending vulnerability and strength into each line. This is not performative pain, but a lived experience transformed into melody.

Written during a time of profound personal overwhelm, the song grapples with the heavy realities of genocide, war, famine, ecological collapse and the slow poisoning of the earth’s most basic life sources: air, water and soil.

But rather than becoming mired in despair, Madame Z creates something rare. It’s a protest song that is simultaneously a mantra for survival. “Save the World” is steeped in sorrow, yes, but it is also a vessel for change.

The song strikes a good balance between introspection and uplift – its layered instrumentation with guitar, atmospheric keys and percussion has a tribal feel and builds gradually, creating a sense of momentum. By the time the chorus fully blooms, the listener is immersed.

But “Save the World” is not just a general statement. It is also intimate. Madame Z is able to make something deeply political feel personal. It’s as if you are listening in on a whispered conversation between her and the earth, or between her and her own soul.

For those who know Madame Z’s earlier work, particularly her debut album ”Down the Rabbit Hole”, this track continues her signature style – unflinching emotional honesty, poetic lyrics and a commitment to turning lived experience into a form of healing.

Her background as a fierce advocate for women’s stories, especially through deeply personal tracks like “Unwanted”, is present here as well reminding us that caring for the earth and caring for each other are deeply connected acts.

In an intense political and cultural moment filled, “Save the World” is a song that cuts through the noise.

Keep up with Madame Z on her Website

Stream music on Spotify and Apple Music

05.06.25

by Jane Lambert

After Hours Alchemy in MASSEY’s latest single “3:00am Funk”

In the quiet chaos of 3am when bars have emptied, streets glisten with after-rain shimmer and the city feels like it’s catching its breath, MASSEY drops a groove that captures the electricity of that fleeting in-between hour.

“3:00 AM FUNK” isn’t just a vibe. It’s a fully formed nocturnal world built from rhythm, introspection and soul.

Listen in here:

It all opens with a steady, low-slung pulse courtesy of Charlie Wooton’s bass and Doug Belote’s hypnotic drums. Together they work to create the heartbeat of the song, which is measured, magnetic and endlessly listenable. This is a groove that knows how to hold space without rushing forwards. It invites you in and makes you stay.

Guitarists Peter Oravetz and Daniel Groover add fire and texture — dueling one moment and swirling the next — creating a mood that shifts between a swagger and a dream. Their use of reversed guitar loops gives “3:00AM Funk” a psychedelic hint. The 504 Horns (Jason Parfait on saxes and Ian Smith on trumpet and trombone) burst into the mix with brass lines that flash like headlights. All bold, stylish and unmistakably alive.

But “3:00AM Funk” doesn’t just skim the surface of party scene; it digs deeper. MASSEY sings about late night wandering, social saturation and emotional absence. Of longing for something genuine in a world built on performance. And yet, the song is not cynical in any way. It does hold space for beauty too. For those fleeting moments of eye contact, laughter or vulnerability that pierces the surface.

The accompanying music video, which was shot on the vibrant pulsing streets of Denver, matches the song’s mood perfectly – part fever dream, part soul search:

With “3:00 AM Funk,” MASSEY gives the listener a soundtrack for dancing and for feeling. For when the party fades and the questions echo louder.

Find out more about MASSEY on his Website

Stream music on Spotify and Apple Music

04.28.25

by Jane Lambert

Roxana Labatt Finds Strength in Vulnerability on Latest Release “Someone to Call”

On her latest single “Someone to Call,” Austin-based singer songwriter Roxana Labatt delivers an achingly beautiful ballad that speaks directly to the heart of human loneliness.

Produced, mixed and mastered by Kfir Gov at Evil Snail Studios, the track pairs intimate, soaring vocals with polished modern pop production.

Drawing from a deeply personal place, “Someone to Call” captures the sharp ache of realizing you have no one to lean on during life’s most pivotal moments. When you look down at your emergency contacts, and realise nobody is there to call on except yourself.

Inspired in part by a moment in Taylor Swift’s Miss Americana documentary and a memory from her own life – waiting alone at a doctor’s office after a frightening diagnosis – Roxana transforms these painful experiences into a universal song for anyone who has ever felt isolated at a time they most needed connection.

The song opens with a gentle, melancholic atmosphere that allows Roxana’s voice to take center stage. The vocal performance is stunning. Rich with emotion but never overdone, carrying a natural weight that makes every lyric feel lived-in. As the track builds, layers of harmonies and instrumental textures swell around her voice, amplifying the emotional stakes without ever drowning the vulnerability that defines the core of the song.

With the lyrics, Roxana exhibits many of the same strengths that have earned her acclaim since her debut in 2020 – vivid storytelling, visceral emotion and a strong ability to articulate complex feelings with clarity. Every word in “Someone to Call” feels purposeful. And it is very much the product of Roxana’s background not just in music, but also in years of expository and creative writing.

“I was inspired to write a song about that feeling. I think it is often during our highest highs and our lowest lows that we feel that lack of someone to call most acutely (that’s the idea underlying the chorus lyric in my song “shouldn’t there be someone to call . . . to cheer me on whenever things got good, and when I thought they never would”). The themes reflected in “Someone To Call” – of feeling alienated/isolated from other people and of being in a lot of pain on the inside when things maybe look pretty great from the outside – recur in a lot of my songs.

As for the production of the track, I had for some time been wanting to produce songs with a more commercial pop sound, without losing the emphasis on lyrical content and dramatic musical moments that are characteristic of my songs. When I wrote this track, I immediately had the feeling that, out of all of the songs that I’d written up to that point, it was the one that had the most potential to achieve that goal. So, I hired a Producer in Austin who I had read had experience in that type of pop production (Kfir Gov at Evil Snails Studio) and we produced this track. Songs I especially looked to for inspiration in deciding how to approach the production of this track were P!nk’s “Turbulence” and “A Million Dreams” and Céline Dion’s “Ashes.”

And while the subject matter of the song is heavy, there is a thread of resilience that runs throughout. By confronting lonliness head on, Roxana ultimately offers listeners a quiet hope, a reminder that feeling isolated doesn’t mean you are truly alone. Also, that the ache for connection is something that binds us all.

“Someone to Call” does showcase a more modern pop sensibility for Roxana , while still staying true to her indie roots. The balance of programmed elements with live instrumentation, especially the clever interplay of rhythmic tectures, creates an expansive backdrop for the emotional narrative to unfold.

With this latest release, Roxana Labatt continues to establish herself as a distinctive voice in indie-pop storytelling. She is not afraid to dig deep, expose the raw places and remind us that even in our loneliest momentswe are seen and heard.

Her next chapter includes new music set for 2025, but for now, “Someone to Call” stands as one of her most moving releases to date.

Keep up to date with Roxana Labatt on her Website

Stream music on Spotify, Apple Music and YouTube Music

04.01.25

by Jane Lambert

Earl Patrick Re-imagines “Billie Jean” as a Ghostly Folk Confession

Michael Jackson’s “Billie Jean” is one of the most iconic songs of all time. Its hypnotic groove, pulsing bassline and undeniable energy helped define a generation.

But in Earl Patrick’s hands, the song is reborn as something entirely different: a stark, intimate folk ballad filled with quiet regret and eerie beauty.

Patrick strips away the familiar pop sheen and reveals “Billie Jean” for what it has always been at its core – a tragic story of deception, betrayal, guilt and the weight of consequence. Accompanied only by his nimble acoustic guitar, Patrick’s vocals carry the song with a hushed intensity, letting each lyric linger like a ghost from the past.

“Be careful who you love, be careful what you do, because a lie becomes the truth” no longer feels like a warning. It feels like a lesson learned too late.

Earl says about the song:

“When Thriller came out in 1983, I was seven and Michael Jackson was everywhere. I think that was probably one of the first times I saw someone have pop music success at that level. The second single, Billie Jean, is the one I remember falling in love with. As a kid, I really didn’t connect with the lyrics. It was just the music and the groove. As I got older and would hear the song again from time to time, I think I just connected with the sadness of the lyric which was overshadowed by the production, by the buoyancy and groove of the tune.

To me, the lyrics go deeper than the kind of surface level story. There’s a certain pathos to lines like “my mother always told me be careful who you love, be careful what you say because a lie becomes the truth” and “she came and stood right by me and the smell of her perfume, it happened way too soon….” I started messing with it and trying to find a way to really strip it back. Like what would it sound like if someone had written it on a single guitar without the dancing or the groove in mind. I feel like I found a certain blues quality when it’s all said and done, which makes sense – ultimately, I think it’s a song about longing on several different levels.”

The result is haunting. His fingerpicking gives the melody an almost blues-like quality, transforming the song into something weary and deeply personal.

Recorded in the quiet of his family home after his children had gone to sleep, Patrick’s version of “Billie Jean” carries an almost spectral presence. It’s the sound of someone sitting alone with their memories, reckoning with the past in the stillness of night.

As the lead single from his upcoming album “Smooth Runs The Water” this rendition sets the tone for what’s to come – a collection of re-imagined classics, stripped back to their barest elements and re-shaped through Patrick’s singular artistic lens. His “Billie Jean” is proof that even the most familiar songs can hold hidden depths, waiting for the right artist to uncover them.

“Billie Jean” is available now on all streaming platforms.

Follow Earl Patrick on his Website for updates on Smooth Runs The Water.

03.31.25

by Jane Lambert

Amanda Abizaid’s “Hold On My Heart (Bilingual Remix)” – a Transcendent Journey Through Love and Sound

Amanda Abizaid has always been an artist unbound by borders, whether cultural, linguistic or musical.

Her latest release “Hold On My Heart (Bilingual Remix)” has taken on many forms, evolving across languages and styles. Originally written as a pop folk ballad in English through Sundown Sessions in Los Angeles, the song which was co-written with Lindsay Gillis, has since blossomed into a bilingual marvel.

Winning Best Folk and World Music Song awards from the Indie Music Channel, this track further cemented Abizaid’s place as a global artist. Now, with a fresh remix produced by Dave D’Addario, “Hold On My Heart (Blilingual Remix)” shows Abizaid’s talent for fusing world music with neo-soul and cinematic electronica into a mesmerizing, emotionally charged experience.

With lyrics that seamlessly transition between English and Arabic, this song re-invents the wheel of remixes and transforms it into a re-awakening of passion and purpose.

Listen in here:

https://amandaabizaid.bandcamp.com/album/hold-on-my-heart-bilingual-remix

Abizaid’s ethereal vocals pull you into a dreamy landscape where Middle Eastern melodies intertwine with lush electronic beats.

Producer Dave D’Addario expertly amplifies the song’s intensity, layering hypnotic rhythms with a pulsing and danceable energy that builds towards a climactic release. This is certainly a song that lingers with the listener long after listening with its gorgeous fusion of nostalgia and modernity.

Abizaid, a Lebanese-American singer-songwriter, is no stranger to crafting music that resonates across cultures. Best known for her Emmy-winning theme song A Place in Time from The 4400, she has collaborated with legends like Stephen Stills and performed alongside Herbie Hancock and Wayne Shorter. Her music, which is often a vehicle for storytelling and activism, has found its way into film, television as well as and international humanitarian efforts, where she has used her platform to promote peace and cross-cultural understanding.

“My multicultural upbringing has enabled me to adapt to different types of people. I’ve always had different kinds of friends, inviting them all to my shows and discussions which I love because it creates an international fanbase and audience allowing for a diverse dialog.”

“My hope is to open our minds to accepting our differences by having positive experiences together and to have my fans have an opportunity to experience my native Country Lebanon in a different light than what they might typically hear on the News. After all, don’t we all want to be happy and enjoy the time we have?”

With “Hold On My Heart (Bilingual Remix)”, Abizaid takes another step in that mission, using music as a universal language. This remix breathes new life into an already memorable song, and offers a fresh take where heartbeats of different worlds come together in harmony.

Listen to “Hold On My Heart (Bilingual Remix)” and let it take you somewhere new.

Find out more about Amanda Abizaid and her music on her Website

03.29.25

by Jane Lambert

The Ferocious Revival of Animals In Denial with “Crash Course Volume 3 – Rust Covered Lust”

Animals-In-Denial-Crash-Course-Vol-3-Rust-Colored-Lust

With “Crash Course Volume 3: Rust Covered Lust”, Animals In Denial closes the loop on a trilogy of sound, taking long-forgotten demos and raw ideas and forging them into something stronger, sharper and more alive than ever before.

The songs that make up this new EP have been completely overhauled with cutting-edge production techniques, AI assisted enhancements, and a relentless drive to elevate past works into its fully realized form. The result is an album that pulses forwards with electricity, aggression, and a kind of nostalgia that surges forwards with teeth bared.

Listen here:

Opening with “Operator”, this song itself is an impressive evolution, born from a beat that haunted Animals in Denial since age 14 after watching The Matrix. Originally pieced together using a lite version of Ableton Live and a handful of drum samples, “Operator” took on a new life when Steven Seibold (Hate Dept/Pigface) stepped in for additional production and mixing.

His expertise helped sharpen the track’s cold, metallic edges, while subtle tweaks – like a reworked third verse and unexpected backing vocals in the chorus – pushed the song into new territory.

Meanwhile, “Coi” immediately plunges the listener into a world of industrial beats and searing guitars. What was once an abandoned demo has transformed into an undeniable force, with a dark and pulsing energy reminiscent of Pretty Hate Machine-era Nine Inch Nails, fused with the density and controlled chaos of The Fragile. It’s the kind of track that demands movement—whether that’s a rhythmic head-nod or full-body immersion in the beat is up to the listener.

Then comes “Rage”, a track that more than lives up to its name. This is a song that doesn’t just explore anger but embodies it. The layers of heavy guitar, thunderous toms and jagged synths create a soundscape that feels like an explosion caught in slow motion, both destructive and oddly beautiful. Originally conceived as an exploration of rage personified, the final song is raw and unrelenting.

The overall EP has a tension about it, with the songs pushing and pulling between the past and a re-invention, between the person who wrote them years ago and the artist bringing them to life today.

The themes that run through the album – fractured relationships, self-discovery, the scars we carry – are given a new weight through the updated production and evolved vocal delivery.

The title itself, “Rust Covered Lust“, suggests something that was once polished but has been left to decay. And that’s exactly what this album does. Rather than discarding past work, it honors it, stripping away the imperfections while keeping the beating heart intact. Christian Imes is reclaiming the songs, and re-shaping them.

By blending industrial, metal, electronic as well as alternative elements with an arsenal of modern production techniques, “Crash Course Volume 3: Rust Covered Lust” does what all great re-visitations should: it re-defines the past.

Whether you have been following the series from the beginning or you are stepping in to the world of Animals In Denial for the first time, “Rust Covered Lust” is sure to be an undeniable force.

Stay current with everything Animals In Denial on the Website, and Facebook.

Stream music on Spotify, Soundcloud and YouTube music.