Favours Reveal “Call Me”

Made up of Jacq Andrade and Alex Zen, Favours are readying the release of their Left Behind EP for later this year. Embodying a fresh dream pop, new wave sound inspired by the duo’s shared love of 80’s new wave and DIY post-punk, Left Behind features Brendan Canning (Broken Social Scene) on bass, the engineering chops of Dylan Franklin (Tallies), and the mixing prowess of Alexandre Bonenfont.

The EP’s newest single, “Call Me,” is about life/relationship cycles and the possibilities that come from a new start. Acoustic guitar brightens each verse while the synth becomes the musical through-line of the song. Produced by Mark Andrade, this tune is infused with a harmonious combination of Mark’s pop sensibilities with Alex’s stream-of-consciousness type lyrics. Add a dash of Jacq’s synth-pop sensibilities in the chorus and hook and “Call Me” becomes a blend of dreamy, shoegaze, and 80s inspired sounds.

5omerset Goe the Distance with New Release

5omerset is a genre bending singer-songwriter, producer and multi-instrumentalist creating catchy and unique melodies with memorable lyrics. After years of playing in rock bands and touring, 5omerset started a solo career inspired by songs from the past and sounds from the future.

“SAID TO ME (Feat. J.Roque)” incorporates hip-hop and rap, a breakup song about moving on from your past and cutting ties with any toxic relationships or behaviour that held you back in the past.

Ekelle Comes Alive with “Slide”

Ekelle is a multi-genre artist and songwriter from Toronto who rhymes about what she knows best: her real-life experience. Money, sex, drama and identity stir together to create a style that she calls Hood Pop – popular music with a street edge that combines elements of hip hop, pop music and R&B.

Sexy ‘80s inspired single “Slide” brings back the fun of looking forward to getting together with someone you desire. This is the push to slide into those DMs, send that text, and make your move. 

Howard Lull Brings Brilliant Release to Life

As an Emergency Department Administrator, Christian singer/songwriter Howard Lull is no stranger to pain and the woes of our world. He experiences daily the agony of people who suffer physical, emotional, and spiritual wounds. These connections with people are what have inspired his music and his ministry. With contemporaries such as Keith Green, Paul Clark, Randy Stonehill, Casting Crowns, and Neil Diamond, Howard’s goal in the field of music is to take the classic sounds of worship and share it in all it’s raw and real stories.

His new album, A Blue August Journey, released September 21, contains 14 songs, each about the glory of God and how He not only changed Howard’s life, but how He can affect your life too. As a child, Howard’s father died in Vietnam, leaving a fatherless hole in his life that he has since tried to fill. A large part of the mission of his music is to minister to those who walk in those shoes.  “I had to come to a place of total reliance on God for all areas of my life. I had to live Matthew 6:33. Seeking not only His kingdom, but also His righteousness,” exclaims Howard.

The album opens with a powerful song called “Yeah I Failed,” a Michael Jackson meets rock style of music accompanied by Howards voice, similar to that of Toby Keith. It’s about how he has failed, and failed big. But in the end, God forgave him anyway, even if he didn’t necessarily deserve forgiveness. He sings “Yeah, I failed and found out who I am, fell right in your hands, one more imperfect man” about his own journey to finding his faith. We are all flawed, but that’s what makes us human and that’s why Jesus died.

All of his songs are about Howard’s journey that can translate to other’s paths. To mix it up, every song is a different genre married with the broader Christian genre. You get “Can I Pray For You” and “Transformed” which employ the piano and organ to create more angelic sounds. You get “I Got What I Prayed For” and “Walk This Way” which lean more to country rock. He throws in some pop rock inspired songs with “I Will Die Young” and “Give A Damn” as well. But for those who really like the classic christian music sound, he gives you that too in “Stand Upon Your Knees” and “C’mon Let’s Dance.”

His most interesting song is “You’re Not Alone” as it’s a stark contrast to the rest of the songs on the album. Where every other track is through Howard’s point of view, “You’re Not Alone” is sung through God’s point of view. It’s a ballad to us humans that we are never truly alone, that God is always there.

Howard’s story is one of resilience, perseverance, and strength to find out who he is and what his purpose is. He says “I can now walk with my head held high, having a relationship with a God that accepts me for who I am and who has forgiven me for who I was and uses me to speak of His love, forgiveness, and security to others. This is the essence of my music. I walked everything I sing of.” You can find A Blue August Journey on Spotify now. Be sure to give it a listen.

www.howardlull.com

https://www.facebook.com/howard.lull/

https://www.youtube.com/channel/UCYxyclJiC6-6c1e2haF-0GQ

Video Voyageur: 3Qs with Many Masks

Joseph Dubuc-Lavoie, also known as Many Masks, seems to be most comfortable with all of them when he is left alone to create. 

His new single, “Her Cold Hands,” is a new track in his oeuvre of heartfelt electronic music, exploring the symbolism of a way to lay the blame of Joseph’s own “crappy decision” on someone else’s cold hands. 

The first song he ever created in Ableton Live, “Her Cold Hands” was born in the dead of winter several years ago but later reimagined through refined production.

This electropop track is thoughtful and inquisitive, welcoming listeners to project their own struggles and victories onto the sound of Many Masks.

We caught up with Many Masks for an exclusive Video Voyageur below!


Tell us the story of this song, why did you choose to visualize this song specifically?

Her Cold Hands is actually the first Many Masks song I’ve ever done before Many Masks was even a thing. The one on the album is a total rework. The original was messy and poorly produced, so I redid it 7 years later, and managed to keep its soul I believe.

What was the inspiration behind this video(visuals, storyline, etc.)?

I’m honestly not sure, inspiration to me is hard to put in words, it’s more akin to a feeling or a color. It is pretty hard to describe a color. The feeling of emerging from dark, cold waters and taking a deep breath?

What was the process of making this video?

It was a lot of work. I have zero experience making music videos and feel very lucky I got to work with someone that knew where they were going. I do all my music by myself, from start to finish it is just me. I have total control. It was interesting to just let go of that with the clip, and just trust someone completely. It was a terrifying experience, but a good one nonetheless. 

Parks N’ Rec Come Alive on “Righteous … Right ?!”

Parks N’ Rec is the new project from Canadian singer Marco DiFelice (Supergarage), songwriter, music supervisor (Orphan Black, Lost Girl). In collaboration with several producers at Self Titled Studios, Parks N’ Rec deals with lost love, polarizing societies, and self-renewal. 

“Righteous … Right ?!” is the first release from the “First Take” sessions, a song in which DiFelice questions society’s penchant for absolutism and asks himself how he can do better. He examines how indoctrination into unhealthy living is built into the predicament of social media platforms.