08.26.25
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Moments Of Hit Hard with their Latest Single “Threshold”

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With “Threshold,” Portland’s Moments Of come out boldly. It’s their first official single, but it doesn’t feel like a band still figuring out their footing. It sounds like a group that knows exactly what they want to say.

“Threshold” lives in that uneasy space between comfort and collapse, the realization that what once felt safe is now slowly suffocating.

Listen in here:

Ben Wilson’s vocal delivery is heavy with that tension while Jackson Howard and Adam Howarth’s guitars twist and collide in a way that mirrors the push and pull of the lyrics. The verses feel like they are holding something back as they coil tighter and tighter until the chorus cracks everything open.

That’s where the rhythm section really shines. Dan Dunham’s drums thunder underneath, and Kyle Gravel’s bass keeps the whole thing locked to a pulse that is impossible to ignore.

What is striking is how alive the song is. Producer Adam Cichocki lets the edges show and resists the urge to sand everything down. It’s raw but not messy, polished but not sterile – the kind of recording that makes you feel like you are in the room with the band.

There is a late ’90’s / early 2000’s DNA running through it, but it avoids coming off as just another nostalgia trip. Instead “Threshold” feels like a bridge between that era and now.

As far as debuts go, this one is bold. It throws the door open wide and dares you to follow. It’s hard not to wonder just how big Moments Of are about to get.

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About Moments Of

Moments Of are an alt emo five piece from Portland, Maine who balance melody and grit with a skill for writing songs that hit straight at the heart.

What began as frontman Jackson Howard’s solo project quickly grew into a full band with the addition of co-vocalist Ben Wilson, guitarist Adam Howarth, bassist Kyle Gravel and drummer Dan Dunham.

Together they have built a sound that pulls from late ’90s and early 2000s emo and pop-punk while pushing it into sharper and more modern territory.

Their debut single “Threshold” marks a definite turning point. It’s unapologetically honest and sets the stage for their forthcoming album At Least You Found a Way to Disappear.

Keep up with Moments Of on their Website

08.25.25
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Deni Bonet Celebrates Global Sounds in “All Around The World”

Acclaimed American violinist, singer-songwriter, and genre-defying musician Deni Bonet is set to release her vibrant new single, “All Around The World (Music Is Love),” the fifth track from her forthcoming album Off The Record. A celebratory anthem of music’s unifying power, the song traverses cultures, continents, and hearts, highlighting the ways music bridges differences and inspires connection.

The track draws inspiration from Bonet’s 2019 appointment as a U.S. Arts Envoy, when she traveled to Zanzibar to teach violin, songwriting, and rock ‘n’ roll at the Dhow Countries Music Academy. That residency culminated in a nationally televised concert sponsored by the U.S. Embassy in Dar es Salaam, reinforcing music’s extraordinary capacity to bring communities together. Returning to Zanzibar in 2020, Bonet recorded with the renowned Tanzanian band Stone Town Rockerz, blending local rhythms with her own dynamic style.

The recording features a stellar ensemble—including Erasto Omollo, Richard Charahani, Alex Marcel, Christopher Weston, Lumii Lumie, Tim Ouimette, Howard Levy, Sherryl Marshall, Sean Altman, and a choir of accomplished vocalists—creating a jubilant, multi-layered soundscape. Bonet co-wrote the music and lyrics, and produced the track alongside James Frazee and Paul Bevan, with engineering in Zanzibar and New York, and mastering by Scott Hull at Masterdisk.

“All Around The World (Music Is Love)” exemplifies Bonet’s artistry: a fusion of virtuoso musicianship, heartfelt songwriting, and cross-cultural collaboration. It’s both an anthem of hope and a testament to music as a universal language.

The single arrives ahead of her album Off The Record, promising a rich tapestry of global rhythms, collaborations, and celebratory storytelling.

WEBSITES: www.denibonet.com 

FACEBOOK: www.facebook.com/DeniBonet

INSTAGRAM: www.instagram.com/DeniBonet

YOUTUBE: www.youtube.com/denibonet

TIKTOK: tiktok.com/@denibonet_bluviolin

08.25.25
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VIDEO VOYAGEUR: 3 Q’s WITH POEMS

Every band has a song that feels like a turning point, and for San Diego indie group Poems, that moment arrived with “Afterparty”.

Equal parts anxious confession and electrified catharsis, the track has quickly become their live closer and a fan favorite. Now, with a brand new video directed by rising LA filmmaker Christopher Shaibi, the song has taken on a vivid new life, one that mirrors the tension of dressing up for the night, only to feel like an outsider the second you walk through the door.

Poems are a band unafraid to dig into vulnerability, pulling from their own struggles with identity, prescription medication and the heavy fog of anxiety that often lingers around young adulthood. Yet their music never wallows.

Instead, it channels those insecurities into commanding vocals, raw emotion and the kind of guitar driven textures that recall early 2000’s indie icons while carving out something distinctly their own.

We sat down with the band to talk about the making of the Afterparty video, the influences that shaped its story and how this release signals where Poems are heading next.

Watch the Official Music Video for “Afterparty” here:

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

    Afterparty was born from memories of the past, being an adolescent wallflower at every party attended. It’s about that feeling of wanting to break out of your shell and be that person you want to be, but crippling anxiety taking hold of you in every moment. 
    We chose to visualize the song this way to really showcase what it’s like being in that constant state of living in your own head. Imagine dressing your absolute best for the party, only to arrive feeling like you have to pretend to be someone just to get through the night. 

    2. What was the inspiration behind this new video (visuals, storyline, etc.)?

      We definitely pulled some inspiration from some of our favorite music videos. Over the years, we really loved staying up to date with Interpol and The 1975’s style of storytelling through visuals. We didn’t want to divulge too much of the storyline through the visuals alone, but leave a more broad landscape of what they song is trying to convey. 

      3. What was the process of making the video?

        We were able to get in contact with a really awesome video creator by the name of Christopher Shaibi in LA. He has worked with some heavy hitters in the industry as he is really starting to make a name for himself, so we couldn’t pass up the opportunity to work with him. 

        We rented out a studio in LA for the day and dug in. We were able to give Chris a rough outline of how we wanted to final product to look, and he far exceeded our expectations! It was so fun to see our song vision come to life!

        Keep up to date with Poems on the Website

        08.22.25
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        July Talk Drummer & Producer Danny Miles Takes Over with Epic New Single “Not Gonna Fit In”

        Following his evolution as a creative force as drummer of JUNO Award-winning band July Talk, through to the release of his debut solo album, Beautiful Music, and its reinvention as The Ruined Version, featuring collaborations with artists like Shad, Saukrates, Kevin Drew (Broken Social Scene), Moka Only and Aquakultre, Danny Miles has established himself as an eclectic and collaboration focused musician who exists beyond traditional genres.

        “Not Gonna Fit In” finds Miles crashing back on the scene with a wild, inventive, and unapologetically honest track that fuses alternative and experimental rap with fuzzed-out, live-band energy and fearless songwriting.

        Riding a rumbling beat built from vinyl chops, distorted live drums, and even the sampled sound of a power drill, the track is a chaotic-yet-focused anthem that thumbs its nose at conformity—and revels in it. It’s loud. It’s unfiltered. It’s got cat meows buried in the mix. And somehow, it all works.

        “I was feeling that people were following a lot of trends,” says Miles. “It’s always been the case, but I feel like we’ve lost some of our uniqueness. Everything is just kind of being gobbled up like fast food and then forgotten. I wanted to push against that, while still being real about people—their good and bad sides.”

        This striking verse is a gritty commentary on the contradictions of human nature, with Miles blending venom and vulnerability in the same breath. The song also tips its cap to the Beastie Boys with a subtle lyric flip: “Think I’m-a change up my style just to fit in.”

        08.22.25
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        Video Voyageur: 3Qs with Kari Lyn

        Toronto-based, PEI-raised singer-songwriter Kari Lyn returns with “Home,” a roadtrip-ready folk anthem bursting with heart, hooks, and east coast pride. Marking her third single with producer Dan Hosh (Arkells, Wild Rivers), the track blends acoustic warmth with infectious melodies and vivid storytelling, capturing the magic of coming full circle after years of chasing something else.

        Written during a songwriting session with production duo Good Grief as part of Canada’s Music Incubator, “Home” reflects on Kari Lyn‘s six-year journey across 29 countries and the unexpected realization that what she was searching for had always been waiting back in PEI. “I spent years running away from home, traveling the world, just to realize how important it was,” she shares.

        The track’s rich textures – including a sneakily perfect fiddle sample and chantable la-di-da’s – mirror the song’s message: sometimes the pieces don’t make sense until you step back and take it all in. “We wanted it to feel like people were singing along – like a kitchen party in song form,” Kari Lyn explains.

        1. Tell us the story of this song, why did you choose to visualize this song specifically?

        We (myself with Good Grief) wrote this song while I was attending Canada’s Music Incubator and I was feeling very overwhelmed and thinking about when I was done I would get a break and the chance to go visit my family. I was paired with this amazing songwriting duo for a session and I was talking about these feelings and also how I wanted to bring some of the life of the East Coast back into some of my songs when we decided to write this song. The lyrics came very easily as the three of us wrote it together making it the perfect mix of emotion, nostalgia, east coast and happiness. I chose to visualize the video in this way because the videos are quite literally from my hometown and also videos I took as I made the 18 hour drive from Toronto to PEI. I decided to blend them together to represent the nostalgia, excitement and reflection of going home. I can’t wait for people to sing la-di-da in a true PEI singalong way.

        2.What was the inspiration behind this video (visuals, storyline, etc.)?

        I had an idea that I wanted the video to be nostalgic and include scenes from my hometown but the idea didn’t truly form until I was on my drive home from Toronto to PEI, about to start my tour, unable to get this new song out of my head and watching the traffic change out the front window of the car. I started filming out the window and the cars and scenery changed and as the air started feeling fresher the further east we got. I then got my sister to come down to the beach with me when I finally arrived in PEI, getting her to film me as I ran around the beach grooving and singing to the song.

        3.What was the process of making this video?

        The whole concept was actually really easy and low effort. I filmed the car scenes literally in the car on the drive as I mentioned and got my sister to film me singing the song over and running the beach a few different times. I went home and pieced everything together myself to edit it to showcase the nostalgia and fun that the song showcases then added the words in a fun but simple way.

        08.21.25
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        Poems’s “Half-Life” – Wrestling with Anxiety in Sound Form

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        Emerging from the vibrant San Diego indie scene, Poems have created an EP that captures the complex experience of young adulthood, exploring self-discovery, vulnerability and the quiet battles we face with our own minds.

        From the first notes of “Placebo”, lightly fuzzy guitars and nuanced, commanding vocals pull listeners into a world of reflection and emotional honesty. Half-Life conveys a lived experienced, and a sense of wrestling with internal tension and the fragile beauty of confronting one’s own anxieties.

        Listen in here:

        “NFS (Naked For Science)” builds on this foundation, exploring the interplay between identity, medication and personal vulnerability. Sparse and carefully chosen lyrics leave room for reflection, while the vocals have a cool detached energy reminiscent of early 2000’s UK indie rock.

        “Afterparty” is a track that ties the narrative together with more depth. It portrays the inner dialogue of someone navigating anxiety and self expectation, set against shimmering and pulsing guitar lines that underscores the tension inherent in the song. Produced by Billy Foster (Fontaines D.C., Wet Leg), mixed by John Catlin (Inhaler), and mastered by John Greenham (Billie Eilish), Half-Life gives the band’s vulnerability a lot of space to breathe while retaining a crisp and professional sound.

        Poems turn personal struggle into music that resonates beyond just their experiences. Each track is a careful balance of tension, reflection and hope, proving that indie rock can be both introspective and captivating.

        This is a band growing into its identity, unafraid to explore the messy, complicated terrain of the mind.

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        About Poems

        Poems began releasing music in 2021 and expanded in 2022 with two new members, solidifying their sound as a full indie rock outfit.

        The band has performed at venues across California, including Belly Up Tavern in Solana Beach, The Music Box in San Diego, and Brick and Mortar in San Francisco, opening for acts such as The Never Ending Fall.

        Their first EP West Coast was released in 2024, followed by Half-Life in 2025. Poems explore themes of anxiety, identity, and coming of age themes blending UK-inspired indie rock textures with personal storytelling.

        Connect with Poems:

        Website / Instagram / Spotify / Apple Music