Video Voyaguer: 3 Q’s with Sarah Pillow

Nestled just steps away from the dazzling lights of Times Square and the world-famous Rockefeller Center Christmas Tree, Hell’s Kitchen offers a striking contrast to Midtown Manhattan’s holiday frenzy.

It’s a neighborhood that pulses with history, resilience, and creativity – a vibrant mix of artists, shopkeepers, and locals who form the backbone of its enduring charm.

In her latest holiday single music video, “Hell’s Kitchen at Christmas Time,” Sarah Pillow and the team at Buckyball Music captures the spirit of this unique corner of New York City.

Part love letter, part festive celebration, the video is a heartfelt tribute to the small businesses, quiet streets, and resilient community that make Hell’s Kitchen feel like home. Even as the chaos of the holidays unfolds just a few blocks away.

With playful nods to iconic New York traditions, from the Macy’s Thanksgiving Day Parade to the glittering Fifth Avenue window displays, the video weaves together a narrative that celebrates both the hustle and the haven that define Hell’s Kitchen. Featuring a talented ensemble of musicians, actors, and local shopkeepers, it’s a project that shines a light on the people and places that keep the neighborhood alive.

Watch here:

We asked Sarah to tell us about the inspiration behind the song, the challenges of filming in the heart of Manhattan, and why shopping locally is more important than ever during the holiday season.

1.Tell us the story of this song, why did you choose to visualize this song specifically in this way?

I’ve lived in Hell’s Kitchen since 1996, and while the neighborhood has evolved over the years, it has managed to retain its unique charm. I was reading about how local businesses are struggling due to reduced foot traffic as more people turn to online shopping.

This inspired us to create a fun holiday video celebrating our neighborhood – the artists, the community, and the small businesses that make it special.

The holidays are an especially meaningful time here, as we’re right next door to one of the busiest places in the world during this season.

2.What was the inspiration behind this new video (visuals, storyline, etc.)?

    We were inspired by the juxtaposition of our quiet neighborhood nestled right next to Times Square – the center of the world, especially during the holidays – which led to the lyric, “you’re in it all, but off to the side.” 

    The storyline follows me navigating the chaos of Midtown Manhattan – Times Square, Rockefeller Center, and Saks – while also highlighting the anchors of my neighborhood: Hudson River Park, Restaurant Row, and long-standing local businesses that have been part of the community for decades.

    It’s a celebration of their resilience and enduring spirit.

    3.What was the process of making the video?

      We invited some actor friends to play the roles of crazy holiday shoppers and collaborated with our colleague Eliane Amherd – also a Hell’s Kitchen local – to play guitar and sing with me. For the horn section, we enlisted three excellent horn players who were students at the time (one has since joined the band of Saturday Night Live). The marching at the beginning of the video is a nod to the Macy’s Thanksgiving Day Parade.

      We visited some of our favorite local businesses and asked if they’d like to participate, celebrating the importance of shopping locally.

      We also wanted to feature the musicians, highlighting the artists and performers who make New York City so vibrant. Filming took place in our studio, along the West Side Highway, driving through the streets of Hell’s Kitchen, on our rooftop, and even in front of Saks Fifth Avenue (who were surprisingly cool about it). To add to the festive spirit, we included Manhattan holiday window displays in one segment of the song.

      Hell’s Kitchen at Christmas Time

      Sarah Pillow, vocals

      Marc Wagnon, drums, percussion and vibraphone.

      Eliane Amherd, guitar and vocals

      Summer Camargo, trumpet

      Coby Petricone-Berg, alto sax

      Cole Palensky, tenor sax

      Jonathan Price, bass

      Holiday Shoppers:

      Carol Scudder

      Robert Arthur Altman

      Justin Anderson Taylor 

      Thank you to these Hell’s Kitchen shopkeepers:

      Garden Hardware, 10th Avenue

      Westside Animal Hospital, 10th Avenue

      Poseidon Bakery, 9th Avenue

      Sullivan Street Bakery, West 47th Street

      Thriftway Pharmacy, 10th Avenue

      Spoiled Brats, West 49th Street

      Fine and Dandy, West 49th Street

      Ismael Cruz, West 49th Street Caretaker

      Skyline Deli, 10th Avenue

      Find out more about Sarah Pillow on her Website

      Video Voyaguer: 3 Q’s with The IT City

      This holiday season, The It City bring a fresh take on festive nostalgia with their heartwarming music video for “Christmas At Home”.

      Known for their blend of modern sounds and timeless appeal, the band re-imagines their original orchestral holiday anthem in an intimate, acoustic trio format.

      The result is a cozy stripped-down rendition that perfectly captures the warmth, longing and joy that defines the holiday season.

      In this exclusive interview, we take a deeper dive into the inspiration behind the song, the creative vision for the music video, and the magic of bringing their holiday vision to life with the help of the talented Sean Power of Music City Content Kings.

      Watch here:

      1. Tell us the story of this song, why did you choose to visualize this song specifically in
      this way?

      “Christmas At Home” is a forlorn little love letter to the holidays. We wanted to evoke the warm feelings of nostalgia that sneak in this time of year.

      2. What was the inspiration behind this new video (visuals, storyline, etc.)?

      We love the old Christmas specials and all of the unique and interesting performances from them. It was also an exciting musical opportunity to reimagine the original arrangement, replete with full orchestration, as a simplified acoustic trio!

      3. What was the process of making the video?

      The inimitable Sean Power of Music City Content Kings has a cozy studio here in Nashville. He does incredible work and had the cameras all set up and the stockings hung by the sound baffles with care. It’s always a delight to work with him whenever we can!

      About The It City

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      The It City is a dynamic Nashville-based band known for its eclectic fusion of sounds that blend pop, rock, and soul with the timeless spirit of the city’s musical heritage.

      Formed by a group of talented musicians including DJ Phillips (guitar, vocals), Derrek Phillips (drums, percussion, backing vocals), Rich Brinsfield (bass, backing vocals), and Reed Pittman (keyboards, vocals) the band has quickly become a standout act in the vibrant Nashville music scene.

      With a string of successful releases and collaborations, The It City has received attention both locally and internationally, sharing the stage with music legends such as Elton John, Lana Del Rey, Sting, and Maren Morris.

      The band’s sound is characterized by rich harmonies, infectious melodies, and a deep-rooted commitment to musicianship, evident in their diverse musical influences and creative approach to songwriting.

      Their holiday single Christmas At Home is the latest in a series of releases that explore their familiar sounds while staying true to the heart of what makes their music so universally appealing.

      Connect with The IT City here:

      Website / Facebook / Instagram / Spotify / Apple Music / YouTube Music

      VIDEO VOYAGEUR: 3 Q’s with JASON SINAY

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      Jason Sinay is a name that carries weight in the music world, not just for his collaborations with icons like Keith Richards, Neil Young, and Lucinda Williams, but for his long-standing role as a member of Heartbreaker Mike Campbell’s band, the Dirty Knobs.

      Now, stepping into the spotlight with his solo career, Sinay is carving a new path defined by raw masterful and original songwriting, and a deep connection to his musical roots.

      At the heart of this next chapter is “High Plains Drifter,” the lead single from his upcoming double album, “The Mountain due to be released at the beginning of 2025.

      Inspired by Clint Eastwood’s iconic Western of the same name, the song blends cosmic country-rock with introspective storytelling, painting a vivid picture of self-reckoning. Its jangly guitars and atmospheric grooves capture the timeless spirit of the Old West while reflecting Sinay’s personal journey of confronting inner demons and embracing the complexity of human nature.

      In this exclusive interview, Sinay opens up about the inspiration behind the official music video to “High Plains Drifter”:

      1. Tell us the story of this song. Why did you choose to visualize this song specifically in this way? 

      High Plains Drifter” centers on an ominous character — “Born to be a liar/ Born to be a liar/ Like me” — who turns out to be the man in the mirror. 

      The song is about coming to terms with my own sense of good and evil within myself. I never wanted to look at evil in my life. I always was like, That doesn’t exist. That can’t be true. People aren’t that bad.

      And then I realized, Well, sometimes, I’m not that bad.

      The song is named after Clint Eastwood’s 1973 Western High Plains Drifter — one of my favorite films ever made!

      2. What was the inspiration behind this video (visuals, storyline, etc.)? 

      We approached legendary music video director Woody Ford, who brings fun and compelling imagery to his work. We all are fans of the silent Western/Comedy films of the early 1900’s and thought those masterpiece’s could be a great resource to tell the story of the onimous characters of the old West, outlined in the song. I am thrilled with the results.

      3. What was the process of making this video? 

      Woody and his team spent over 40 hours viewing classic silent films, most over 100 years old, that he could repurpose to bring the storyline to life. I was blown away with the wealth of great footage they uncovered.

      It was amazing how Woody used the lyrics, throughout the video, and kept the integrity of these classic films by making the video in the style of a silent film. He did use some modern AI technology, to incorporate me as one of the characters in the video … see if you can locate my cameo?

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      Keep up to date with Jason Sinay on his Website. 

      Stream music on Spotify and YouTube.

      VIDEO VOYAGEUR: 3 Q’S WITH BUD E. LUV

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      Behind the Scenes with Bud E. Luv’s Re-imagining of “Music to Watch Girls By”

      For over 35 years, Bud E. Luv has been a captivating presence in San Francisco’s music and nightlife scene.

      The charismatic alter ego of singer and showman Bobby Vickers, Bud E. Luv is known for blending humor, nostalgia, and sophistication in his performances. And with a career spanning prestigious venues like The Fillmore, Bimbo’s, and Paradise Lounge, and appearances across the U.S., he has become a fixture of timeless entertainment. His versatility allows him to effortlessly explore various musical genres, from jazz to pop, while maintaining an engaging, larger-than-life persona.

      Recently, Bud E. Luv has turned his attention to reimagining the 1960s classic “Music to Watch Girls By.”

      Known for its catchy melody and lighthearted vibe, the song has been revisited by various artists over the years but Bud’s new rendition brings a fresh and thoughtful perspective. In collaboration with director Tom Donald of hiTrecords, Bud E. Luv has produced a visually stunning black-and-white music video that reflects the complexities of modern society while paying homage to the song’s timeless appeal.

      We got the chance to sit down with Bud E. Luv as he shares the story behind his decision to re-imagine the song, the inspirations behind the video, and the thoughtful message he hopes to convey.

      1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

      “Music To Watch Girls By” was written some 60 years ago, and today it’s regarded in some circles as inflammatory. We disagree.

      To us, it’s a beautifully-written ode to the joys of humanity, in all its forms. Beauty is always in the eye of the beholder.

      2. What was the inspiration behind this new video (visuals, storyline, etc.)?

      We chose Mr. Tipple’s, perhaps the classiest nightclub in San Francisco, for its noir lighting and background. It’s the kind of place where Bud E. Luv performs, but also where the young woman might venture for a night out.

      As we stage the meeting between the two characters, this iconic location was perfect. In like manner, black and white photography seemed the right choice.

      3. What was the process of making the video?

      Our message is one of inclusion; we want to suggest that all of humanity, regardless of age or gender, is beautiful.

      And as such, the simple act of beholding one another is as natural an act as we can undertake.

      Speaking about the music video, Bud E. Luv shares, “Our goal was to send a message of inclusion and shared humanity. It’s not about objectifying – it’s about appreciating people for who they are, in all their forms.”

      The combination of Luv’s timeless persona with Tom Donald’s thoughtful direction elevates this project into a reflection on human interaction, perception, and the beauty of fleeting moments.

      Through thoughtful storytelling and elegant visuals, this new version invites audiences to appreciate the beauty and complexity of human connection. This project shows an enduring creativity and charm and that Bud E. Luv’s legacy will continue to captivate audiences for many years to come.

      Find out more about Bud E. Luv on his Website.

      Watch the video to “Music To Watch Girls By” on YouTube.

      VIDEO VOYAGEUR: 3 Q’S WITH KRISTEN RAE BOWDEN

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      Kristen Rae Bowden is a singer-songwriter with deep musical roots, hailing from Boone, North Carolina.

      Growing up in a family of musicians, Kristen developed a keen ear for harmony at an early age and taught herself to play piano before expanding her skills to include classical flute and earning a BFA in acting and musical theater from Elon University.

      Since releasing her debut album in 2019, she has become known for her storytelling and music that blends folk influences with pop and Americana. Her music reflects a balance between vulnerability and strength, turning personal experiences into cathartic, universally relatable songs.

      Her latest single, “Skateboard,” captures the exhilarating rush of young love, likening its emotional highs to the thrill of skateboarding.

      With lyrics inspired by her own memories and co-written with Joe Lawlor (Dave Matthews Band), Kristen continues to create music that resonates deeply with listeners. In this interview, Kristen shares the story behind the music video to “Skateboard,” offering insights into her creative process and the visual storytelling that brings the song to life.

      Watch the music video here:

      1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

      “Skateboard” is a song about the breathless exhilaration of young love in the newfound freedom of college. 

      When I was 18 there was a time when I was still with my high school boyfriend, in a long-distance relationship as he’d gone to a different school. He was a skateboarder. (I definitely was not!) We would visit each other on weekends. It was early September, the weather was still very hot in that “dog days of summer” stagnant way, and I remember waiting until late at night for him to arrive, with heavy anticipation. When he did, we’d go out skateboarding together around the lamp-lit streets and brick paths of the campus, enjoying the cooling breeze of movement as the heat radiated off the pavement, still hot from the sun of the day. We’d stop at various parties, sometimes a home-made half pipe in a parking lot, and drink beer or a PJ concoction out of red solo cups. (I could only pretend to skateboard after I’d lost some of my inhibitions.) We were in love and on our own for the very first time. That feeling of freedom and youthful elation is what inspired the lyrics for this song.

      Even though this specific experience of mine is what inspired the lyrics, the song is really about the semi-universal experience of that feeling… the rollercoaster high of young love. Skateboarding is a great metaphor for that thrill.

      So I chose to visualize the song with all sorts of different young couples, and skateboarders catching air.

      My hope is that all sorts of folks can see something in the visuals that resonates with their own experience of being young and unsupervised and in love.

      2. What was the inspiration behind this new video (visuals, storyline, etc.)?

      Instead of telling a narrative story with this video, I wanted the visuals to impart a feeling of euphoria and exhilaration. What could be more exhilarating than flying through the air (or falling in love for the first time)?

      Also, this is a lyric video, so I had the opportunity to use different text styles and animation as a visual expression of what I’m singing. 

      The verse lyrics, “If you knew me once / then you know me still / Would you still recognize me?” are quiet and intimate, and sung from the present day as I’m looking back and remembering. I chose a cursive script and gave it a glow effect, as if I’m writing an imaginary letter to all my former lovers.

      In contrast, the chorus vocal is soaring and expansive: “Feeling so high / when you’re driving all night / to my front door.” This is me living in the memory of that euphoria, so I chose an expansive outline font and made it transparent, so the skateboarders could fly through the lyrics, and the viewers’ eyes can take it all in at once.

      Animating the chorus lyrics was really fun… I love how they give you a sense of the rhythmic patterns.

      3. What was the process of making the video?

      I made this video myself on my iPad. First I chose stock footage and licensed it… which is really fun, making a giant folder of footage that might work to tell the story and capture the vibe, and then going lyric by lyric deciding what works best. This song really lent itself to that… I basically ended up with a folder of badass skateboarding footage! 

      Then I used an app called Videoleap to combine and edit… it’s really geared more towards vertical TikTok videos and such, but I found that I could use it to do everything I was picturing in my head. I enjoy using the touch screen of my ipad for a lot of it, as opposed to a mouse. When I animated the lyrics I was literally dragging them with my fingers to wherever I wanted them to go. Something about this makes the process more fun and engaging to me.

      When you don’t have the budget to do a big original video production, these are great options for expressing yourself and using your own creativity to expand on your art as an independent musician. I’m so grateful to all the artists out there who captured this footage and made it available to license! And the editing tools these days have almost no learning curve… anybody can get creative with them.

      Cheers to that!

      Connect with Kristen Rae Bowden:

      Website // Instagram // Facebook // Twitter // YouTube // Spotify // Soundcloud

      VIDEO VOYAGEUR: 3 Q’S WITH SIREN

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      Siren is back with a bang, delivering a potent mix of gritty storytelling and visuals in their latest single, “Dead Beggar.”

      Known for their melodic rock fusion and thought-provoking lyrics, the band takes listeners on a journey into the heart of societal divides, tackling the age-old battle between the wealthy elite and the oppressed.

      Inspired by the epic power struggles of Game of Thrones, “Dead Beggar” paints a raw, emotional picture of the haves and the have-nots, with a triumphant twist- the underdogs finally win.

      To bring this powerful message to life, Siren partnered with acclaimed video director Isaac Deitz, who transformed their vision into a stunning, cinematic masterpiece.

      The video, filmed across Coral Springs, FL, and downtown Atlanta blends striking visuals with a storyline that symbolizes the fight for control and the eventual rise of the downtrodden.

      In this exclusive interview, lead singer Rob Phillips opens up about the creative process, the inspiration behind the song and its striking video, and how the collaboration with Deitz elevated “Dead Beggar” to a whole new level.

      1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

      We wrote the song with a Game of Thrones vibe. It is about the haves and have nots. The visualization was the work of our video director Isaac Deitz. He is extremely talented and has a gift for bringing our music to life on the screen.

      2. What was the inspiration behind this new video (visuals, storyline, etc.)?

      We wanted to show a power struggle between the classes of the wealthy and the poor. The orb in the video represents the power that eventually gets taken by the poor. Isaac did an amazing job delivering a powerful visual representation of the song.

      3. What was the process of making the video?

      The narrator shots were done at our Coral Springs, FL Studio with a black screen. The remaining shots were done in downtown Atlanta, Georgia with the two other actors, the boy and the villain.

      They both did a fantastic performance.

      Siren’s latest single “Dead Beggar” is distributed through The Orchard / SONY via Madison Records.

      Connect with Siren via:

      Website I Instagram I Facebook I Twitter I YouTube I Spotify I Soundcloud