Emi Jean Shares Insightful Release

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Emi Jeen’s songs tell a tale – at once hopeful and nostalgic; wistful and urgent; raw and graceful. The Montreal singer/songwriter recently shared the second single from her upcoming EP which is due later this year. “West Of The Blue” showcases Emi’s raw and emotional vocals over an evocative, catchy pop track.

 

Jessa Goes into “Airplane Mode”

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Having already made a name for herself through her signature rhythmic and harmonically adventurous art pop, Jessica Stuart joined forces with producers Robyn Dell’Unto (LU KALA, Good Lovelies etc.) and Devon Henderson (Valery Gore, Running Red Lights etc.) to become JESSA, smashing layers of playful guitars and vocals into an indie-pop package, singing about trying to keep the joy in everyday life while navigating the world and all of its curve-balls.

 

JESSA’s newest single “Airplane Mode” comes ahead of the project’s debut full length, Simple Songs, out September 2020. JESSA wanted the track to have a laidback summertime vibe and to tell a story many of us can relate to about what it feels like at the beginning of a new romance.

 

The Accents Reveal Crisp New Release

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What began as a collaborative passion project between Mathijs Kriebel + Rich Weller, two like-minded creatives, turned into something much more substantial, refined and recognized as something that needed to be pursued as a full-time project. With that, The Accents were born; an infectious blend of electronic indie-pop gliding through a reel of Ektachrome vintage film before hitting your ears.

 

Good things take time to develop and The Accent’s forthcoming Still On Film EP is no exception. Co-produced by Mike Brandolino (of rising Canadian indie-pop group Valley), the EP is a collection of stories navigating self-doubt set to shimmery synth lines and punchy samples that weave in and out of driving 808 beats.

 

Still On Film’s first single, “Life In A Video,” explores the strands of uncertainty we have within ourselves and how living life through old formats could make for an easier experience.

 

Catch “Life In A Video” on SoundCloud + watch the accompanying visuals on YouTube, as well!

 

Chemical Dreams Cozy Up with “Look to the Moon”

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Chemical Dreams was started by Martha Johnson of Martha and the Muffins as a creative outlet for her and her partner Mark Gane as well as other artistic people they know and those they haven’t met yet.

 

Look to the Moon,” the new single from Chemical Dreams, is a collaboration with John Orpheus that can best be described as a pan-cultural summer driving song.
A while back, Johnson was having trouble sleeping so she decided that, instead of wasting the night away staring at the ceiling, she’d get up and write songs. Several nocturnal explorations later, she came up with this new entity called Chemical Dreams. Johnson and Gane agree that, “The music should speak for itself. We don’t want the past to define the music of Chemical Dreams. Chemical Dreams is what it becomes.” Their new single, Look To The Moon, is a collaboration with John Orpheus and is described as “a pan-cultural summer driving song”!
The project is as unpredictable as your dreams will be tonight. There is no set theme or style and, like dreams, a song can come out of the blue from somewhere beyond their imagination.

 

Video Voyager: 3 Q’s from International Show

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International Show is an amazing producer and artist based in Boston, MA. With years of experience in the industry and trials and tribulations that led to a spiritual awakening he has now dedicated his life to educating youth and bringing Christian music to a more mainstream audience. With a remarkable flow and incredibly production, we certainly think he’s right on track! Read more to find out about the process of creating the video for his latest release “Rise” featuring The Eagle Rock Gospel Singers.

Tell us the story of this song, why did you choose to visualize this song specifically in this way?

We wanted to capture the isolation that many people are feeling in the current pandemic. When I thought of Rise, I think of being above the clouds and just gaining momentum. Airplanes use that momentum to rise and fly above everything. So we wanted to tie that to the various emotions that COVID has forced us to feel, and remind everyone that you can remain strong and rise above all the weight that tries to keep us on the ground.

What was the inspiration behind this video (visuals, storyline, etc.)?

A main thing i wanted to be focused on was showing homage/gratitude to the frontliners and remind them that their sacrifices do not go unnoticed. I also wanted to provide some encouragement to those who don’t know how to channel how they feel about the current times, and offer an alternative to the negative reports we see on the news which can be overwhelming. When we supporting each other we all are moving forward and hope is possible.

What was the process of making this video?

We had to find a desolate place that had a big open feeling. This place put us in the vibe of social distancing because it was so empty. Also the drone gave the aerial views that simulate a “take-off” feeling, which was intentional to help the viewers feel empowered that their view is truly changing when you shift your thoughts. My videographer ( IG: @shotbytanj) is so creative and the slo-mo and smoke give the dramatic effect that channels the emotions that many are feeling at this time.

Check out “Rise” below:


Connect with International Show:

http://intlshowmusic.com/

https://www.facebook.com/InternationalShow/

https://www.instagram.com/intlshow/

Video Voyager: 2 Q’s with Len Seligman

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Len Seligman is an award-winning singer/songwriter and multi-instrumentalist whose goal is to raise your spirits and get you dancing. His latest release “Our Turn Now” is motivational and a statement on the current status of society calling us to step up. Read more to find out his inspiration!
Tell us the story of this song, why did you choose to visualize this song specifically in this way? What was the inspiration?
In January, I made a pilgrimage to landmarks of the civil rights struggle, including Selma and Montgomery, Alabama. I was moved to tears by the backstory of the 1965 Selma-to-Montgomery march, including the murder of Jimmie Lee Jackson, and the near-martyrdom of John Lewis, who nearly died on the Edmund Pettis Bridge, while making a stand for voting rights for all. I could really feel the enormity of their bravery and sacrifice as I walked across the bridge where the events of “Bloody Sunday” took place. My takeaway: if they could act bravely in face of unimaginable oppression and violence, then certainly I can step up and do more to fight for the rights of all. This led to the recurring line in the song: “They showed us how. It’s our turn now.”
Visually, I knew right away that the Edmund Pettus Bridge had to be at the center of the video. I had taken several photos and videos of it, and used some of those. In addition, I wanted to include archival video footage of the events of Bloody Sunday and the Selma-to-Montgomery march. I am especially indebted to the powerful footage of the march filmed by Stefan Sharff.
What was the process of making this video? 
First, we made the audio recording. My drummer (my brother Jon Seligman) and bass player (JP Coley) recorded their tracks at Burnt Orange Studio in Bradenton, Florida. I then recorded my vocal and guitar tracks. The wonderful Moksha Sommer from the band HuDost provided gorgeous backing vocals. Finally, it was all mixed by Chris Murphy in Virginia. Everything other than the rhythm section tracks (which were done pre-COVID), were done while maintaining physical distancing. Music making in the time of COVID!
The video was entirely filmed and produced by me. I filmed myself in front of a grey backdrop but also did a couple of scenes in front of a green screen, so I could insert myself in some contemporary marches and in some scenes in Selma, Alabama. I also did a bunch of research to locate still images and video clips of the historical events. To weave it all together using Cyberlink’s Power director software.
 
One thing that I felt powerfully during the filming was the presence of John Lewis. If at any point, it started to feel like I was acting, I would imagine myself being back on the bridge and remember his example. That would instantly return me to the emotion of the song and the vision of a kinder, more compassionate world.
Watch “Our Turn Now” below:

 

Connect with Len Seligman: