VIDEO VOYAGEUR: 3 Q’S WITH KRISTEN RAE BOWDEN

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Kristen Rae Bowden is a singer-songwriter with deep musical roots, hailing from Boone, North Carolina.

Growing up in a family of musicians, Kristen developed a keen ear for harmony at an early age and taught herself to play piano before expanding her skills to include classical flute and earning a BFA in acting and musical theater from Elon University.

Since releasing her debut album in 2019, she has become known for her storytelling and music that blends folk influences with pop and Americana. Her music reflects a balance between vulnerability and strength, turning personal experiences into cathartic, universally relatable songs.

Her latest single, “Skateboard,” captures the exhilarating rush of young love, likening its emotional highs to the thrill of skateboarding.

With lyrics inspired by her own memories and co-written with Joe Lawlor (Dave Matthews Band), Kristen continues to create music that resonates deeply with listeners. In this interview, Kristen shares the story behind the music video to “Skateboard,” offering insights into her creative process and the visual storytelling that brings the song to life.

Watch the music video here:

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

“Skateboard” is a song about the breathless exhilaration of young love in the newfound freedom of college. 

When I was 18 there was a time when I was still with my high school boyfriend, in a long-distance relationship as he’d gone to a different school. He was a skateboarder. (I definitely was not!) We would visit each other on weekends. It was early September, the weather was still very hot in that “dog days of summer” stagnant way, and I remember waiting until late at night for him to arrive, with heavy anticipation. When he did, we’d go out skateboarding together around the lamp-lit streets and brick paths of the campus, enjoying the cooling breeze of movement as the heat radiated off the pavement, still hot from the sun of the day. We’d stop at various parties, sometimes a home-made half pipe in a parking lot, and drink beer or a PJ concoction out of red solo cups. (I could only pretend to skateboard after I’d lost some of my inhibitions.) We were in love and on our own for the very first time. That feeling of freedom and youthful elation is what inspired the lyrics for this song.

Even though this specific experience of mine is what inspired the lyrics, the song is really about the semi-universal experience of that feeling… the rollercoaster high of young love. Skateboarding is a great metaphor for that thrill.

So I chose to visualize the song with all sorts of different young couples, and skateboarders catching air.

My hope is that all sorts of folks can see something in the visuals that resonates with their own experience of being young and unsupervised and in love.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

Instead of telling a narrative story with this video, I wanted the visuals to impart a feeling of euphoria and exhilaration. What could be more exhilarating than flying through the air (or falling in love for the first time)?

Also, this is a lyric video, so I had the opportunity to use different text styles and animation as a visual expression of what I’m singing. 

The verse lyrics, “If you knew me once / then you know me still / Would you still recognize me?” are quiet and intimate, and sung from the present day as I’m looking back and remembering. I chose a cursive script and gave it a glow effect, as if I’m writing an imaginary letter to all my former lovers.

In contrast, the chorus vocal is soaring and expansive: “Feeling so high / when you’re driving all night / to my front door.” This is me living in the memory of that euphoria, so I chose an expansive outline font and made it transparent, so the skateboarders could fly through the lyrics, and the viewers’ eyes can take it all in at once.

Animating the chorus lyrics was really fun… I love how they give you a sense of the rhythmic patterns.

3. What was the process of making the video?

I made this video myself on my iPad. First I chose stock footage and licensed it… which is really fun, making a giant folder of footage that might work to tell the story and capture the vibe, and then going lyric by lyric deciding what works best. This song really lent itself to that… I basically ended up with a folder of badass skateboarding footage! 

Then I used an app called Videoleap to combine and edit… it’s really geared more towards vertical TikTok videos and such, but I found that I could use it to do everything I was picturing in my head. I enjoy using the touch screen of my ipad for a lot of it, as opposed to a mouse. When I animated the lyrics I was literally dragging them with my fingers to wherever I wanted them to go. Something about this makes the process more fun and engaging to me.

When you don’t have the budget to do a big original video production, these are great options for expressing yourself and using your own creativity to expand on your art as an independent musician. I’m so grateful to all the artists out there who captured this footage and made it available to license! And the editing tools these days have almost no learning curve… anybody can get creative with them.

Cheers to that!

Connect with Kristen Rae Bowden:

Website // Instagram // Facebook // Twitter // YouTube // Spotify // Soundcloud

Jason Sinay Steps Into the Spotlight with “Play It Alone”

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Jason Sinay’s most recent single, “Play It Alone,” marks an exciting shift in his career. 

After parting ways with The Dirty Knobs, Sinay has poured his energy into a solo project that promises to be both deeply personal and musically rich. This new track is the second single from his upcoming double album “The Mountain”.

“Play It Alone” is a compelling blend of heartland rock and introspective lyricism. Sinay’s guitar work is as sharp as ever, but it’s his vulnerable vocals that take the stage. The song’s steady beat and rich instrumentation create a warm backdrop for Sinay’s message about finding independence and navigating life’s rough patches. 

The chorus hits a universal note with lines like “some things you can’t fight but it’s all right… everybody’s got to play alone” to capture the essence of what it is to move on.

The song’s arrangement is both simple and effective. Sinay’s guitar work is a central element, but it’s the way it intertwines with Phil Parlapiano’s contributions on keys, mandolin, and harmonica along with the steady rhythm section featuring Lance Morrison on bass and Matt Laug on drums, that creates such a rich, textured sound. 

This blend of instrumentation provides a warm, engaging backdrop for Sinay’s introspective lyrics.

In discussing his work on The Mountain, Sinay reflects on a period of intense self-examination and creativity:

“I hit a breaking point on the road,” he admits, highlighting the challenges he faced after his departure from the Dirty Knobs. 

This difficult period prompted him to revisit old material and explore new ideas, ultimately leading to the creation of what he considers the most important solo record of his career. 

With the help of producer Martin Pradler, known for his work with Ry Cooder and John Mayer, Sinay has written a song that will resonate his audience with a level of authenticity that is rare in music today: 

“I needed to go and play alone and do my own thing, and have my own journey,” Sinay says. “It’s about leaving a situation unapologetically, but still saying, “Sorry you feel that way. I get it.”

“I’ve been very blessed in my life. I’ve been so fortunate. And there’s so much need in the world right now. Like, more than ever. It’s just beyond belief. I just want people to enjoy the music, and I really, really want to get out there and play this music for people. Because ultimately playing live is where I shine. That’s my favorite medium.”

“Play It Alone” is a sign of Sinay’s evolving solo career. His transition from celebrated guitarist to a standout solo artist together with a talent for creating rich, textured music makes this a stand out track. 

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Los Angeles-based, Sinay has performed with legends like Keith Richards, Neil Young, and Jackson Browne. He’s best known for his 15-year tenure with Mike Campbell’s band, the Dirty Knobs, but has now embraced his solo career with The Mountain, a double album produced by Martin Pradler.

The first disc features a full band, while the second is a stripped-down acoustic version of the same songs.

Inspired by Led Zeppelin, Sinay began playing guitar at age nine and has since gigged with iconic musicians throughout his career. After leaving the Dirty Knobs in 2022, Sinay focused on The Mountain, which he considers his most important solo record. He’s eager to return to the stage and is planning to donate the album’s proceeds to charity.

Keep up to date with Jason Sinay on his Website.

Stream music on Spotify and YouTube.

Awakening the Spirit with Jennifer Harper’s New Single “Soul Alive”

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Singer, songwriter and sound alchemist Jennifer Harper’s latest release Soul Alive”, is something of a vibrational journey.

Listeners are drawn into a musical sound designed to elevate the spirit and open the heart. The song’s infectious energy and Harper’s soulful delivery come together to create an experience that is both uplifting and introspective.

Produced by the talented Matt Anthony, with rhythmic power provided by Tal Bergman on drums, Soul Alive delivers a rich and dynamic sound that balances groove with ethereal beauty.

Harper’s vocals and contributions on keyboard also add a layer of intimacy, inviting listeners to embark on a journey of soulful reflection and limitless potential.

As Harper describes, “Soul Alive” is a call to action. It’s an invitation to awaken the light within and to embrace life in its full vibrancy. The song pulses with positivity and hope, encouraging the listener to shed limitations and step into their highest calling.

“It comes from a feeling of freedom – true liberation, fully thriving in the way that we are designed!! It is an expression of what I’m experiencing in my life right now.

On every level

In every area

Every which way I go

It’s a celebration song for me”

Production is both crisp and powerful, bringing together Harper’s voice with a rich instrumentation that lifts the song to new heights. Bergman’s drumming provides a solid backbone, while Anthony’s multi-instrumental textures add depth and complexity.

Overall, Soul Alive lives up to its title – it makes you feel alive. Whether you’re seeking inspiration, empowerment, or simply a soulful groove to lift your spirits, this track will leave you energized and ready to embrace life’s possibilities.

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Jennifer’s music is known for its soulful compositions infused with wisdom from Gene Keys and Human Design, which offer a roadmap for self-discovery and unlocking one’s potential. This in-depth exploration coupled with a steadfast dedication to Buddhist principles, illuminates a path of inner exploration for all who seek it.

Her past successes include performances at prestigious venues and recognition in songwriting competitions, speak events to her growing presence in the music scene. She has been featured in many leading media outlets, including, No Depression, Vents Magazine, Melodic Magazine and Americana Highways.

Keep up to date with Jennifer Harper on her Website 

Stream music on Spotify and YouTube Music.

“Skateboard’ by Kristen Rae Bowden: A Charlottesville Singer-Songwriter’s Reflection on Youthful Love and Freedom

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Kristen Rae Bowden’s brand new single “Skateboard” is like the equivalent of catching the perfect breeze on a summer evening.

It’s effortlessly cool, fun, and impossible to resist. This indie-pop gem is all about the rush of first love and the carefree freedom of summer nights.

From the moment Joe Lawlor’s guitar riff kicks in, you’re pulled into a dreamy world where guitars shimmer with a mix of clean tones and just enough edge to keep things interesting, creating a backdrop that’s as vibrant as a sunset and as gritty as the pavement under your wheels.

Bowden’s vocals are pure magic – equal parts tender and daring, she’s got that rare ability to make every lyric feel like it’s meant just for you.

Produced with a perfect balance of indie sensibility and pop appeal, “Skateboard” is mixed by music industry heavyweights John Alagia and Pedro Laet. The layered guitars and Bowden’s ethereal vocals creates a dreamy soundscape that is as warm and inviting.

Whether you’re reminiscing about your own youthful escapades or in the thick of them now, “Skateboard” is a track that will have you lost in the heat of summer nights and the timeless thrill of young love.

Kristen Rae Bowden is a singer-songwriter with deep roots in music, growing up in a musically gifted family in Boone, North Carolina. She taught herself piano by ear and later expanded her musical education with classical flute training and a BFA in acting and musical theater from Elon University.

In 2019, she released her debut album, marking the start of her solo career. Collaborations with Joe Lawlor, a guitarist with ties to the Dave Matthews Band, have been a highlight of her recent work, including performances at major events and alongside notable musicians. Kristen’s music is known for its impressionistic storytelling and evolving style.

Keep up to date with Kristen Rae Bowden here:

Website / Facebook / Instagram / Spotify / Soundcloud / YouTube Music

VIDEO VOYAGEUR: 3 Q’S WITH GEORGE COLLINS

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George Collins is a multi-faceted artist whose music, writing, and creative endeavours reflect a life rich with experience and inspiration.

Hailing from Washington D.C., and now based in Prague, Collins has embarked on a musical journey that transcends traditional boundaries as he blends classic rock influences with contemporary themes.

Collins recently released his latest single, “Saving the Best for Last,” a standout track from the eagerly anticipated EP, “Songs for Grown-ups” set to be released this summer. This song serves as a powerful, upbeat anthem about the beauty and potential of aging inspired by musical legends such as George Harrison, Bruce Springsteen, Van Morrison, and Neil Diamond. Wrapping up the EP’s themes, it reflects on the passage of time and the wisdom gained through life’s experiences.

In this interview, Collins delves into the story behind “Saving the Best for Last.” He believes in the possibility of achieving one’s best work at any age, a sentiment that is passionately conveyed through his music.

We also explore the creative process behind the song’s captivating video, crafted by the talented Marta Vorontsova. Utilizing stock footage, AI images, and animation, the video beautifully illustrates the song’s themes and Collins’ vision. From conceptual discussions to iterative feedback, Collins describes how this collaboration brought his ideas to life in a visually stunning manner.

The official lyric video for “Saving the Best for Last” by George Collins is now available on YouTube here:

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

This was the last tune written for my second EP, “Songs for Grown-ups,” and I knew I wanted to end this collection with a positive, upbeat, exuberant anthem about getting better with age.

For this song I was inspired by the work of George Harrison, Bruce Springsteen, Van Morrison and Neil Diamond.

The song summarizes the themes explored in the previous tracks of the EP and reaches the hopeful conclusion that, as I continue getting older and enter a new phase of existence, I can bring all the lessons I’ve learned to bear to create a fulfilling and joyful later stage of life.

I have always believed that, no matter my age, my best days and best work lie ahead of me – and this song attempts to express that belief.

I have also been inspired by iconic artists who did some of their greatest work in their later years such as Bach, Beethoven, Yeats, Eliot, Monet, Matisse and Picasso – masters who can serve as models for us all by fusing youthful energy and passion with the wisdom and perspective of age.

Plus, the track absolutely rocks and is loaded with hooks, including a 1970s-style modulation to emphasize the “surprise” in the lyrics – one doesn’t hear many such modulations these days!

2. What was the inspiration behind this video (visuals, storyline, etc.)?

There were several key images I knew I wanted to focus on in the video to illustrate the themes of the song: confusing maps and road signs (“Figure out the way that I should go”), climbing mountains and overcoming other difficulties (“But I never lost faith in me and all that I could be”), couples working their way through difficulties (“It’s taken us a while to learn to smile”), older men finishing a race and winning trophies (“Here I am, better than ever”), older couples deeply in love and enjoying their Golden Years (“We’re gonna have fun in the days to come”), just to name a few.     


3. What was the process of making this video?

I worked with an extremely talented artist named Marta Vorontsova (Instagram: @_imagikali_), who is specialized in creating music videos using stock footage, AI images, and animation techniques.  She has produced many videos for me, which are all available on my YouTube channel (@GeorgeCollinsBand), and each one is unique.  We had long discussions about the song and my wishes for the video, then she vastly improved on my original ideas with her brilliant, skillful and imaginative visual presentation.  It was an iterative process: She would send me a draft, I would send her my comments, then back and forth until we got it just right and we were both happy with the results.  “Saving the Best for Last” is an extremely important song for me, and I love how the video captures and beautifully expresses the deeply personal yet universal themes of this exuberant, inspiring song.

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Connect with George Collins here:

Website / Facebook / Instagram / Spotify / Soundcloud / Apple Music / YouTube

From Bossa Nova Vibes to Smooth Jazz Bliss in Marla Lewis New Single “Te Quiero A Ti”

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New Jersey born artist Marla Lewis has had a remarkable career as a singer, songwriter, and educator.

Her brand new, original single “Te Quiero a Ti”, offered in both Spanish and English renditions, radiates an enchanting groove and ambience.

Marla’s impeccable vocals, reminiscent of the finest bossa nova melodies, is accompanied by a sophisticated arrangement. With elements such as flute, piano, acoustic bass, electric guitar, drums, and lush backing vocals, the song allows Marla’s voice to shine. 

Originally, Marla had written a really beautiful tune, but could not come up with lyrics to her liking so she asked her friend Dave Kinnoin to write them. Loving what he came up with, the song was recorded on Marla’s first “Songbook” album. As she had always wanted to have it translated into Spanish, it was not until a few more years that she met Melissa Sanley who was able to use the same instrumental tracks as the previous recording: 

“My life was touched by a real life angel — that’s the best way to describe it! I signed up for a Peer Networking program offered by the Grammy organization (I’m a voting member), and they paired me with Melissa Sanley.  Talk about Divine intervention! A superb singer, songwriter, recording artist — she speaks four languages, and now she is my voice teacher! 

But I digress — I played her a song from my first Songbook album to see if she liked it enough to translate it into Spanish.  It had some Spanish words in the lyrics that were written by Dave Kinnoin (I wrote the melody).  She told me the title was not correct Spanish! OMG!  She changed it to “Te Quiero a Ti,” translated the lyrics, coached me on every line, created the cover art, sang backup vocals, and made the lyric video!” 

In essence, the song is warm, very romantic and has a vulnerable vibe too. The powerful and simple message is – New Love, for everyone! 

Taking inspiration from an eclectic array of musical influences including Ella Fitzgerald, big band, folk music from around the world, The Beatles, Laura Nyro, Carole King, James Taylor, Michael Franks, and Phoebe Snow, Marla has made her mark with music that involves different styles and genres. 

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For 25 years, Marla worked as an elementary school teacher, a role which ignited her passion for writing songs that are both educational and entertaining for children. This led to significant achievements, notably her song “Leap of Faith”, co-written with Nancy Schimmel, which was featured on the Grammy-winning children’s album “All About Bullies … Big and Small” in 2011.

Her dedication to children’s music is also evident in her award winning albums “I Love to Talk to Plants” (2009) and “We All Laugh in the Same Language” (2007). Produced by the renowned Bob Stander, both of these albums have earned prestigious awards such as the Parent’s Choice Gold and NAPPA Gold. Marla’s songs have also received First Prize and Finalist honors in various national and international competitions. 

Marla’s career took a new direction with her venture into smooth jazz and American standards; with her first album in this genre, “Songbook”, this was a significant shift and was met with critical acclaim. Produced by two-time Grammy award winning producer / engineer Bob Stander, “Songbook” features 14 original tracks that critics have described as “pure bliss.”

Building on this success, Marla released Songbook Volume 2 (SBV2), which further explores smooth jazz, cabaret, and American standards. This album, also produced by Bob Stander, comprises six original tracks showcasing Marla’s vocal talents alongside an accomplished ensemble: Mike Ricchuiti on piano, Teddy Kumpel on electric guitar, Rob Jost on acoustic bass, Matt Miller on drums, Erik Lawrence on sax, Daniel Sadownick on percussion, and Adam Minkoff and Gabby Scherba on backing vocals influenced by the Manhattan Transfer. The album’s first single, “Enchantée,” has achieved remarkable success, reaching #1 on the World Indie Charts and #2 on the Euro Indie Charts.

Her latest single, “Te Quiero a Ti,” is a fantastic song rich in musical influences as well as vibrant passion. Listen to “Te Quiero a Ti” on Spotify now!

Find out more about Marla Lewis on her Website.

Follow on Facebook, Instagram and Twitter.

Stream music on Spotify, Soundcloud, and YouTube Music.