Interview: Josh Jones of Univox

Modern Mystery: How did the band form? What is the story behind Univox?

Josh Jones: When we were 15 Kent and I got bored with calling each other gay so we picked up his parent’s instruments and started a band. We met Joe at our first show. His band was better than ours, and way cooler. They were like Sonic Youth and the Stooges. So we became friends and eventually all of our plans and friends abandoned us, leaving only Joe and me in the same area. Rob played drums in a bunch of pop punk and tough guy bands (http://www.youtube.com/watch?v=Tl5_-FBMk8I). Then we met working at the same bookstore and I gave him some tapes Joe and I had made. After that he learned to play bass and clarinet and proved that he was really serious about music. Then we moved to Philly and scraped Kent off the floor of a South Philly basement and chained him to a drum stool.

You are known as a staple in the Philly rock scene. How does it feel when you play in other cities? Was this your first time playing at CMJ?

A staple in the starving flesh of the Philly rock scene, hell yes we are. I personally love playing in other cities, it feels great when you aren’t already on a first name basis with the sound guy. But I bend both ways, familiarity is nice, but it’s extra exciting to be thrust onto a bill and have the opportunity to really excite all new people who aren’t used to the Philly flavor. This was our first time in CMJ.

How does the band write songs? Is it a collaborative effort or does everyone bring in their own ideas?

We don’t have any one process. Some songs are written in dreams, then hastily recorded in the waking world. That’s my favorite. I had a dream where the Rolling Stones were playing this really great song, then I woke up and realized they didn’t ever write a song like that so I figured it out, wrote out the lyrics and recorded it all in 5 minutes, then I had to go to work. We wrote the second half of Conan together based on a jam. Joe wrote Pi when he was sixteen based on a memory of a TV commercial jingle.

Where does the name Univox come from and what made you decide on that name?

Univox is an old amplifier and guitar manufacturer company. When the band was just Joe and I, we started out just doing experimental sound all mixed down and amplified through his Univox U-108. Univox is what Joe wrote on the tape.

Where does the name Univox come from and what made you decide on that name?

The best part is listening to what you’ve recorded for the first time, then hearing the layers build as you track.

What is your favorite part about play live? Where is your favorite place to play?

The only thing that matters when you’re playing live is energy. Everything has to be focused on that. Achieving the kind of energy that will make people bounce around like hot atoms is a life pursuit. And even when you prepare for years and pour over every movement in every song and you’re in the spotlight delivering more than your body can handle, people may still hold still. It’s like a sickness, that stillness. So to answer your question, my favorite place to play is the place where people are ramming their bodies straight into mine, waltzing when we’re not playing in threes and screaming through a broad and genuine smile.

What’s the craziest experience the band has had together while on the road?

There have been a lot. There was the time the K-9 cop was trailing us and we happened to have contraband in the vehicle and Kent said the dog wouldn’t be able to smell it because he hid it in a coffee can. Then there was the time Kent had us stay with a dominatrix who kept her place super dirty so her slave could clean it up the next day and we were supposed to leave before he showed up but ran late and had to hide in a bedroom while it all went on. Or the time Kent started beating on an empty canister of gas with a lead pipe at some dude’s house and then I joined the mob that was going after him so he wouldn’t get caught or beaten. Or the personal concert Kent put on under the El in the middle of the night and then woke up in a pool of blood because a guy broke his skull with one punch for waking up his kids.

What do you love most about being a band?

Making music with my friends and getting close to them through it.

Who are your influences and how do you incorporate them into your music but make them your own?

The Who, Kate Bush, David Bowie, the Stooges, Lou Reed, John Cale, Cat Stevens, King Crimson, everything on Blue Note, Ornette Coleman, the Four Tops, the Clash, Diana Ross, Michael Jackson, New Order, Television, Randy Newman, the Zombies, Marc Bolan, Queen, Sonic Youth, Silver Apples, Suicide, Cody Chestnutt, Baxter Dury, Damon Albarn, the Troggs, the Kinks, Clinic, Koji Kondo, Dave Smolen, the Ramones, Tom Waits and others. The only way to incorporate it all is to let it all out. I don’t think any of us have ever written a song thinking, let’s make it sound like this band. When we’re arranging we might mention a performer to imply a certain affectation, but it’s never forced or contrived.

Now that CMJ is over, what is up next for the band?

We’re going to keep playing 1000 shows and recording tapes and making videos and ripping ourselves apart for the art, but not forever. Never forever.

Thanks for the questions. This was fun. Let us know if you wanna come out to a show sometime, we’ll put you on the list. You’re blog is awesome.

Playtime!: Neil Nathan “California Run” – CMJ 2010

One late afternoon during CMJ, we had the pleasure of stopping by Neil Nathan’s studio that was tucked away in one of the coolest places in Brooklyn. By far one of the nicest guys you’ll ever meet, he played us “California Run,” off of his debut LP The Distance Calls. Playing alongside with him on the banjo is Riley McMahon, a super talented musician. This is one performance you don’t want to miss. Sit back, relax and take it all in.

Concert Photos of CMJ 2010

For a New Yorker such as myself who is deeply into modern music and the direction its headed, there simply is no time greater in the year then CMJ. Last year was my first taste of the five day long Music/Film festival and despite photographing musicians for a full year prior to the festival, never have I experienced such respect, access, and simple gratefulness from musicians for coming out and seeing them perform. What also made this an exciting time was interacting with fellow music fans from all over the world! 2010’s CMJ has ended and though it is sad to imagine such an amazing event being over I was lucky to capture some amazing moments during the concerts of the festival.

For me the festival started on Tuesday (the 19th) where I headed to Music Hall of Williamsburg. Not only did I get to photograph a Kevin Devine headlining gig (who in my opinion is one of the most talented musicians you can find) but since it was CMJ the support list was varied and filled with musicians I’ve never heard of. This gave me the privilege to photograph artists such as:

Oh Land. A Danish electro/pop duo.

Death On Two Wheels. A Georgian hard rock outfit which wears confidence on their sleeves.

River City Extension. An orchestral indie band who make sure their listeners are fully engulfed into their tunes.

Miniature Tigers. Festival favorites who stressed the importance of singing along to their songs.

and of course our hometown favorite, Kevin Devine.

The following day featured me and my girlfriend venturing to Madison Square Garden for a highly anticipated show. Indie heroes Phoenix were to grace the stage to celebrate their widely received album Wolfgang Amadeus Phoenix. To everyones surprise old friends of theirs took the stage with them to everyones delight.

WAVVES kept everyones attention afloat with their infectious garage energy.

Dirty Projectors kept the momentum up with an Arcade Fire esque stage presence.

Phoenix and Daft Punk took the entire arena by surprise!

The excitement of CMJ just ran more rampant within me as a band I have been in love with all year finally made their way to the city. Two Door Cinema Club is the most recent export from Northern Ireland, a country which is considered a personal mecca to me in terms of music. Their Webster Hall gig totally sold out quickly and impressed everyone who attended, and I dare say even amaze also.

Grouplove redefined the word enthusiasm as they played through their set. Its always great to see a band thats truly thankful to be there.

Penguin Prison smoothed the crowd with their jazz toned vocals. Dancing was a must as this band made the stage their own.

"Holy shit New York! I can feel the fucking ground shaking from here from all your dancing!" shouted Alex Trimble as the band went into their hit single "Undercover Martyn"

The exhaustion of CMJ was beginning to seep in as I headed to my final gig of the festival. It also felt fitting having it take place in Music Hall of Williamsburg again. What kept me excited was seeing British newcomers Everything Everything. Their debut album Man Alive is certainly one of the most addictive releases of 2010 so far and highly recommended.

Porcelain Raft

Dominant Legs

Mr.Johnny Flynn definitely wins the award for making the most women swoon during CMJ. His honest and well constructed songs are also a firm plus.

Chapel Club aimed to pave the way for British indie bands in New York and surprisingly enough I'd say they were successful in stirring interest.

I clearly wasn't the only concert goer who was tired from the weeks activities, but the energy and stage presence of Everything Everything made us all forget for 30 minutes how tired we were.

Blood Red Shoes filled the room with smoke and ended the night with an explosive set that no one saw coming (or at least being as wicked as it was!)

And that is my recount of CMJ 2010. This has been my second year of taking part of the festival and it truly is a privilege not only to see these acts perform but to interact with these musicians and help spread the word about them. For more photos be sure to go here to enjoy a full gallery of each show I covered.