My Troubled Days Ignite a Fire with “The Burning Clock – Part 1”

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Some music feels like it was made for dimly lit rooms, neon reflections on rainy streets, and the kind of nights that stretch into something surreal.

My Troubled Days taps into that energy with their debut EP “The Burning Clock – Part 1” blending blues-soaked soul, gritty alternative rock and smoky psychedelia into something deeply evocative.

This five track release is lean, atmospheric and full of unexpected twists, never settling into one mood for too long, always pushing forward.

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It all begins with Endless, a slow-burning statement piece that simmers with bluesy guitar work and effortless vocals. There’s a sense of restraint in the verses; it carries the weight of Detroit grit but with a smoothness that recalls the best of ’90s alt-rock.

Crybaby (Day Dreams) flips the script, bringing a dreamlike bounce that somehow manages to feel both carefree and brooding. This is a track that walks the tightrope between light and dark, with sensual vocals leading the way like a whispered invitation to something unknown. The track never loses itself in the haze but it stays sharp, grounded in a groove that makes it impossible to ignore.

Then comes Always This Way (Broken Slowly), the EP’s moment of pure vulnerability. This isn’t a ballad in the traditional sense; it’s more of a slow unraveling. The guitars are delicate, while the vocals lay everything bare. There is a sense of heartbreak in each note, but it never stops to wallow – there is too much truth in storytelling for that.

With High Beams (Time to Go), there is an unapologetic blast of energy. This track struts with a mix of swagger and farewell, like the last drink before heading out into the night. The guitars shimmer, the rhythm section pulses like a heartbeat and the vocals soar in a way that makes it clear: this isn’t an ending, just the beginning of something bigger.

The EP closes with No Chains (Temptation), the band pulls another left turn, diving into a hypnotic swirl of psychedelia. A bit like a late-night hallucination swirling in echoes of classic ’60s rock, it’s moody, intoxicating and a little dangerous.

It’s clear that with “The Burning Clock – Part 1“, My Troubled Days have created a debut that isn’t just an introduction, but one that makes a lasting impression. This is music for the night owls, the seekers, the ones who crave something raw and real with each track telling its own story.

But, together, they create something larger than the sum of their parts. The clock is burning, and My Troubled Days are just getting started.

Find out more about My Troubled Days on the Website

Eric Selby – Crafting Timeless Sounds with a Modern Edge in Latest EP “Starting to Sync In”

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Eric Selby’s latest EP, Starting to Sync In is a masterclass in blending rootsy Americana with psychedelic folk and a splash of rock and soul.

Recorded between Virginia and Nashville, and mastered at Abbey Road Studios, this collection is full of music that is timeless and contemporary too.

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Opening with “Issues” Selby immediately sets the tone with a wry and self aware groove that channels ‘70s funk and white soul. The track’s playful yet introspective lyrics, born out of an offhand moment with his wife, capture the everyday struggles we all face but with a sense of humor that keeps things light. The chorus – instantly catchy and endlessly relatable – makes this an easy standout and opening track.

“Wine Stains” takes things in a more psychedelic direction. Drawing inspiration from the experimental textures of Revolver and Pet Sounds. With its swirling tablas, deep cello lines, and a dreamy vocal delivery the song feels like a lost relic from the golden age of studio experimentation.

The lyrics push back against over-intellectualizing life’s scars summed up perfectly in the chorus: “I don’t need a sommelier to tell me, it’s just wine stains.”

It’s a clever emotionally sound track that highlights Selby’s knack for balancing weighty themes with effortless melodies.

Then there’s “Because of You,” a heartfelt love song that leans into shimmering rock territory. A song about connection in an increasingly disconnected world, it offers the listener a real sense of warmth and hope. The lush instrumentation and earnest delivery make it one of the most poignant moments on the EP, a perfect closer that leaves listeners feeling uplifted.

Selby has always had a gift for crafting songs that feel lived – in yet utterly original. “Starting to Sync In” is an EP that shows not only his musicianship but the ability to create soundscapes that transcend genre.

He has already made a name for himself with award-winning albums, but with its sharp songwriting, rich production, and undeniable heart, this EP is a must-listen for anyone looking for music that moves both the feet and the soul.

About Eric Selby

Hailing from a small town in Maryland and now calling Virginia home, Eric Selby is a singer, songwriter, and multi-instrumentalist whose music defies easy categorization.

Blending elements of Americana, Psychedelic Folk, and roots-driven storytelling, his sound is both deeply personal and universally resonant. Nestled near the Blue Ridge and Appalachian Mountains, Eric draws inspiration from the natural beauty surrounding him, channeling it into songs rich with emotion, texture, and thought provoking lyrics.

His fourth solo release for Soul Stew Records, Starting To Sync In, shows his talent for blending genres. Recorded in Arlington, VA, with his band and in Nashville, TN, the EP features an all-star lineup, including Seth Rausch (drums – Keith Urban, Sheryl Crow, Little Big Town), Luis Espaillat (bass – The Guess Who, Trace Adkins, Jim Messina), and Justin Ostrander (guitar – Luke Bryan, Kenny Chesney, Steven Tyler). The final touch came from Andy Walter at London’s legendary Abbey Road Studios, whose mastering credits include The Beatles, David Bowie, and Radiohead, ensuring the EP’s sonic depth and cohesion.

Eric’s previous album, Dang Fool, landed in the Top 10 National Alternative Folk Albums of the Year (2024), according to Roots Music Report (RMR). His past releases, Do, Baby. and Where You Born At?, were also named among RMR’s Top Contemporary Folk Albums of the Year, further solidifying his reputation as a forward-thinking artist with an ear for both classic and contemporary influences.

Eric is a Soul Stew Records recording artist and a proud endorser of SonoTone Premium Guitar & Bass Strings, Canopus Drums, Soultone Cymbals, and other leading musical brands.

Whether behind the drums, at the mic, or producing, his commitment to authenticity and innovation remains unwavering.

For music, tour dates, and more, visit www.ericselby.com

Laura Baron’s “Beauty in the Broken” is a Mesmerizing Meditation on Vulnerability and Hope

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In a world where music often feels crafted to fit industry molds, chasing trends or filling a commercial void, Laura Baron’s new album Beauty in the Broken stands out for its authenticity and artistic intuition.

Her songs don’t follow any pre-set formulas or calculated gimmicks but, instead, they flow with a natural grace, shaped by genuine emotion and life’s unpredictability.

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Guided by the rhythms of experience, each track feels like a reflection of a specific moment.

From the uplifting energy of “Walking on Water” to the quiet introspection of the title track, Baron lets the music lead her and allows for an organic exploration of joy, heartbreak, and healing.

It’s this sense of freedom – this refusal to cater to anything but the soul of the song – that makes Beauty in the Broken such a compelling listen. Baron’s warm and dynamic vocals have the ability to glide over the upbeat instrumentation.

In the title track, “Beauty In The Broken”, the song marries delicate acoustic guitar and tender strings, creating an atmosphere that is both intimate and expansive. The poeticism in the lyrics conveying a profound sense of healing and acceptance, reminding us of the grace that can emerge from even the most challenging experiences.

Then there’s “Misfits and Renegades,” a celebratory track that pulses with energy and infectious optimism. Blending folk and blues, the song’s vibrant piano lines and vocal harmonies create an empowering narrative about embracing individuality and defying expectations.

Baron also brings a touch of romance and intimacy with “Enchanté,” a lush and atmospheric track that blends folk and jazz in a way that recalls the emotional complexity of early Nick Drake. The song’s soft, tender melodies underscored by rich guitar work and a dreamy vibe that transports you into the world of quiet longing and connection.

Perhaps most surprising is her re-imagining of the 1931 classic “Dream a Little Dream.” With its gentle, stripped-down arrangement, Baron gives the song a new life, elevating it with intricate guitar work and lush vocal harmonies. It’s a beautiful moment on the album, showing an ability to take something familiar and turn it into something completely her own.

Produced with precision by Marco Delmar, the sound is lush and inticate without being over produced.

With the title to guide us, we are swept up in the flow of the album. The great thing about music like this is that the listener can allow the music to conjure our own thoughts, allowing enough space to take its own unique message and arrive at its own conclusions about life.

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As an artist, Laura Baron has always been known for her ability to connect deeply with her audience, and Beauty in the Broken is no exception.

A longtime fixture of the DMV music scene, Baron has earned accolades for her work, including multiple Wammie Awards for her previous album, Heart of the Great Unknown.

But wiith Beauty in the Broken, she builds on this legacy even more and delivers a collection of songs that feel timeless in their emotional honesty and artistic integrity.

Keep up to date with Laura Baron here:

Website Facebook / Instagram / Spotify Soundcloud / YouTube Music

Blonde & Grey’s New Album Release “Drifting Through The Universe” – A Journey Across Decades and Emotions

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Blonde & Grey’s latest album release Drifting Through The Universe” is a thoughtful, immersive dive into classic rock-inspired melodies layered with a contemporary edge.

Kathy Olsen and Neil Friend have created something special here – this is a record that feels as though it’s been lovingly pieced together from the past while gazing firmly toward the future.

The lead single, “All The Time,” is the perfect opener, with Olsen’s soulful vocals and Friend’s effortlessly smooth guitar work creating a sound that is comforting and fresh. It’s a song that sticks with you, warm and melodic, like it’s been waiting on your favorite playlist.

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Friend says about the song:

I started looping a beat and then record 20-30 seconds of some music on top of that and then toss on some lyrics without spending time worrying about what was coming out – just record it! I took 10 of these and asked the Blonde & Grey community which they like best and this one won. 

I used the initial lyrics as the chorus – “All the Time Wondering how it’s gonna be…” I later added verses and a bridge. 

I suppose the thinking is we are always wondering what’s to happen next, based on what/who we’re following, decisions we make, where we’ve gone. And it’s an endless process.

The rest of the album unfolds like a story as it moves through tender reflections and lighter, playful moments.

“Since I Got You” has a breezy sweetness, while “Let’s Jangle” lives up to its name, full of charm and bright energy. Olsen’s flute dances through the arrangements, adding a magical, almost whimsical quality to the songs. It’s a touch that sets them apart and reminds you of the days when rock was unafraid to experiment.

This album feels like a leap forward from their previous release, Face the Music. There’s a stronger sense of identity here, as though Blonde & Grey have really leaned into what makes them unique.

Tracks like “Mud Mills Road” and “Gracie’s Grace” from their earlier work hinted at their potential, but Drifting Through The Universe delivers on it, with a sound that is both cohesive and diverse.

Blonde & Grey have always been about connection, and you can feel that here. Not just in the songs, but in the spirit of the album. They’ve built a reputation as incredible live performers, whether that is in small, cozy venues or online streams, and that authenticity translates beautifully into this record.

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About Blonde & Grey

Blonde & Grey, the dynamic duo of Neil Friend and Kathy Olsen, are a true example of the enduring power of music to bridge time, generations, and genres.

Based in Danbury, Connecticut, the duo bring together their unique musical backgrounds into a sound that’s as heartfelt as it is versatile.

Neil Friend, singer-songwriter and guitarist, brings decades of experience from playing in New York’s iconic CBGB scene to crafting songs that traverse decades. His partner, Kathy Olsen, adds a touch of elegance with her virtuosic flute playing and radiant harmonies and draws on her classical training and years as a music educator.

Together, they have cultivated a style that is equal parts folk, rock, and modern pop, infused with nostalgia and innovation in equal measure.

If you’re a fan of Fleetwood Mac, The Moody Blues, or just music that feels honest and deeply human, then their new album “Drifting Through The Universe” deserves your time.  

Keep up to date with Blonde & Grey on their Website.

Listen to “Drifting Through The Universe” here.

Stream music on Spotify and Soundcloud.

Faint Halos Shines Bright in New Album Release “I can see a million lights”

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Faint Halos latest offering, I can see a million lights“, marks a transformative chapter for singer-songwriter and multi-instrumentalist Paul Hashemi.

This album is a striking blend of folk, rock, and experimental sounds, which also maintains a deeply personal narrative throughout all of its ten tracks.

Opening with “The Miracle Comes,” listeners are greeted with an uplifting vibe straight away. Hashemi’s voice shine against a backdrop of rhythmic drumming and bright instrumentation, setting a hopeful tone that carries through the album.

In contrast, “Last Scenes of the Resistance” explores darker themes of sacrifice and the weight of leaving loved ones behind for a cause. Hashemi narrates the story of a resistance fighter, reminding us of the personal stakes involved in the fight for freedom. The lyrical depth here manages to show how Hashemi brings intricate, poignant stories into his music.

One of the standout tracks, “Something To Lose,” re-imagines a previous rock hit as a delicate acoustic piece.

Stripped away of its original electric energy, the song allows the raw vulnerability to take center stage, particularly in the tender harmonies with Paul Hashemi’s daughter, Cate. Their collaboration adds an intimate layer, transforming it into an exploration of familial bonds and shared experiences.

The use of unconventional instruments, like a re-purposed sofa as a kick drum, shows Hashemi’s creativity and ability to find artistry in the everyday.

“Skyline Hill” is another highlight that captures the essence of nostalgia with its minimalist guitar work and evocative lyrics. Hashemi paints a vivid picture of Philadelphia. The delicate eBow guitar lines create an atmosphere that evokes a warm summer night, while the sparse arrangement allows the listener to immerse themselves in the emotional landscape. Here, Hashemi explores themes of belonging and the transient nature of life, emphasizing how our sense of home is shaped by both the familiar as well as more fleeting moments.

The energy shifts dramatically with “Disaster,” where gentle guitar arpeggios gradually build into an emotional crescendo. This track reflects internal conflict, with Hashemi’s unfiltered delivery bringing raw honesty to lines like, “I’m losing grip, it’s getting hard to stay intact.”

The juxtaposition of softness and intensity shows his remarkable ability to convey the complexities of human emotion.

Another reflective moment arrives in “Wasted on Youth,” a ballad that poignantly captures the bittersweet passage of time. The soaring chorus intertwines themes of regret with hope, embodying the struggle of reconciling youthful choices with the wisdom gained over the years. This theme of looking back while moving forward threads throughout the album.

Paul says about the album:

“I can see a million lights” (encapsulates one of its) major themes – reflection on choices made, promises kept, and promises broken in life. For Gen Xers like me, one of the most important values has always been authenticity. Our society today makes it harder than ever to stay authentic, and I think for anybody, as you get older you look back and see things you could have done differently, things that might have been.”

“I can see a million lights” is a beautifully crafted album that feels both intimate and expansive. Hashemi’s innovative approach to instrumentation, combined with emotive lyrics and storytelling, makes it a rewarding listen.

And with more than 100,000 Spotify streams of the singles combined from this album, “I can see a million lights” is sure to be a standout release of 2024 in music.

Keep up to date with Faint Halos:

Website / Facebook / Instagram / Spotify / Soundcloud YouTube Music

Real Stories, Real Songs in George Collins’s Latest EP “Songs for Grown Ups”

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George Collins’s EPSongs for Grown-ups is a wonderful exploration of adulthood all wrapped up in the comforting embrace of Americana rock.

This EP, which includes six previously released singles along with a new and exclusive bonus track, offers a profound reflection on the themes of family, love, aging, and gratitude, all delivered through Collins’s signature warm and inviting sound.

The EP opens with the vibrant “I Got What I Got,” a feel-good anthem that encourages listeners to appreciate life’s blessings.

This song has an upbeat tempo and a melody that creates an instant connection, setting a positive tone for the journey ahead.

Following this, “Where Have I Been All Your Life” displays Collins’s introspective songwriting at its finest, balancing the competing demands of personal passions and family obligations – a relatable sentiment for many especially in the busy world of today.

One of the standout moments in the collection is “My Wish For You.” This song is a touching tribute to Collins’s daughter that took almost a decade to craft. This song encapsulates the hopes and dreams every parent holds for their child, that each parent wants the absolute best for their child and this shows true sincerity and love.

“Stop the Sun” is a more contemplative reminder of life’s fleeting nature, skilfully bringing together themes of time and existence into its storyline. This is a track that invites the listener to pause and reflect, and it really adds a lot of depth to the overall message of the EP.

As the journey comes to a close with “Saving the Best for Last,” listeners are treated to a saxophone-infused melody that has a contemporary flair.

What makes “Songs for Grown-ups” particularly remarkable is Collins’s ability to tackle complex themes without becoming overly serious. Instead, he creates an experience that is both introspective and celebratory and invites the listener to revel in the joy and wisdom that comes with maturity.

Overall, George Collins’s Songs for Grown-ups is a delightful addition to the Americana rock landscape.

It shows an artist who has embraced life’s myriad of experiences, as well as looking back at all of the crossroads and paths that took one to where they are, today. Through catchy hooks and thoughtful storytelling, Collins delivers a collection that will relate for anyone navigating the ups and downs of adulthood.

George-Collins

Originally from Washington D.C. and currently based in Prague, George Collins blends elements of Americana rock with the introspection of blues and soul. His music nods to iconic artists such as The Beatles, Elvis Costello, Dire Straits, Tom Petty, Otis Redding, as well as James Brown.

Collins is also an experienced writer, having penned two novels, a screenplay, as well as numerous short stories and poems. His artistic journey reflects a deep commitment to authenticity, making him a unique voice in today’s music scene.

Connect with George Collins here:

Website // Facebook // Instagram // Spotify