Thomas Michael Link’s“I Can’t Wait for Christmas”feels like it was made for that perfect holiday moment. Maybe, when you’re trimming the tree or sharing a warm drink with someone you love.
The track leans into big band nostalgia with a modern spark, blending jazzy brass, a lively rhythm section, and Link’s smooth baritone for a holiday tune that is fresh, catchy and brimming with the kind of joy that makes you want to hit repeat.
The horns pop, upbeat swing, the drums shuffle, and the bass keeps everything bouncing along, laying the foundation for Link’s charismatic vocal. There is a personal touch too – lines like “Every day is Christmas as long as I can hold you near” take the sentiment beyond the season, making the song as much about love as it is about sleigh bells and snowy nights.
The arrangement is where the magic really happens. Collaborating with Studio Pros, Link crafted a sound that’s as full and rich as your favorite holiday spread. The guitar solo, with its Wes Montgomery-style warmth, is a standout moment, while the female backing vocals, added late in the process, give the track a classic 1940s feel that ties it all together.
Link’s musical journey makes this track feel even more authentic. A self-described blender of music genres, he has spent years pulling together elements of rock, jazz, blues, and pop into his own unique sound.
Link says:
“”I Can’t Wait for Christmas” started out as just melody and a chorus and grew from there. I walked around humming it to myself as it grew, and it seemed to organically sprout lyrics inspired by the underlying idea of being in love at Christmas and having that feeling year-round. I was also conceptually inspired by some classic Christmas/holiday songs such as “Baby It’s Cold Outside” and that feeling that you never want the season to end.
He’s not one to stick to formulas, and “I Can’t Wait for Christmas” reflects that spirit of experimentation – it’s a big band tune at heart, with a modern energy that is fresh and inviting.
For fans of Michael Bublé, Harry Connick Jr., or even those old Bing Crosby records, this song has all the makings of a holiday favorite. It’s joyful, romantic, and just the right amount of over the top – a perfect soundtrack to the season’s best moments.
Make sure to save this to your holiday playlists now!
This holiday season, The It City bring a fresh take on festive nostalgia with their heartwarming music video for “Christmas At Home”.
Known for their blend of modern sounds and timeless appeal, the band re-imagines their original orchestral holiday anthem in an intimate, acoustic trio format.
The result is a cozy stripped-down rendition that perfectly captures the warmth, longing and joy that defines the holiday season.
In this exclusive interview, we take a deeper dive into the inspiration behind the song, the creative vision for the music video, and the magic of bringing their holiday vision to life with the help of the talented Sean Power of Music City Content Kings.
Watch here:
1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?
“Christmas At Home” is a forlorn little love letter to the holidays. We wanted to evoke the warm feelings of nostalgia that sneak in this time of year.
2. What was the inspiration behind this new video (visuals, storyline, etc.)?
We love the old Christmas specials and all of the unique and interesting performances from them. It was also an exciting musical opportunity to reimagine the original arrangement, replete with full orchestration, as a simplified acoustic trio!
3. What was the process of making the video?
The inimitable Sean Power of Music City Content Kings has a cozy studio here in Nashville. He does incredible work and had the cameras all set up and the stockings hung by the sound baffles with care. It’s always a delight to work with him whenever we can!
About The It City
The It City is a dynamic Nashville-based band known for its eclectic fusion of sounds that blend pop, rock, and soul with the timeless spirit of the city’s musical heritage.
Formed by a group of talented musicians including DJ Phillips (guitar, vocals), Derrek Phillips (drums, percussion, backing vocals), Rich Brinsfield (bass, backing vocals), and Reed Pittman (keyboards, vocals) the band has quickly become a standout act in the vibrant Nashville music scene.
With a string of successful releases and collaborations, The It City has received attention both locally and internationally, sharing the stage with music legends such as Elton John, Lana Del Rey, Sting, and Maren Morris.
The band’s sound is characterized by rich harmonies, infectious melodies, and a deep-rooted commitment to musicianship, evident in their diverse musical influences and creative approach to songwriting.
Their holiday single Christmas At Home is the latest in a series of releases that explore their familiar sounds while staying true to the heart of what makes their music so universally appealing.
Collin Derrick, the wildly uncool (his words), middle-aged indie pop maestro with a knack for turning life’s quirks into sonic joy, has struck gold with his latest single, “Holiday Hallelujah.”
This track, a centerpiece of his newly released EP Christmas, Vol. 2, is a jubilant celebration of all things festive, bringing classic holiday nostalgia together with Derrick’s signature modern indie pop sound.
Listen in here:
From the first notes, “Holiday Hallelujah” grabs your attention with its vibrant mix of jangly guitars, upright bass grooves, and shimmering sleigh bells. It’s a track that radiates the kitschy charm of Christmas Vacation and the timeless coziness of Burl Ives. The infectious hook, “Holiday Hallelujah,” is impossible to resist, daring you to sing along as the song builds to an exuberant finish.
Derrick wrote, recorded, produced, mixed, and even mastered the track himself, showing his talent as both artist and producer. Notably, Derrick picked up an upright bass for the first time and revisited his long-neglected drum skills to bring this song to life.
Beyond his holiday releases, Derrick has been carving out a unique space in the indie pop world.
He first gained attention with the quirky track “LaCroix LaCroix,” co-written with Grant Michaels (who has worked with Sia, SZA, and Weezer), and followed it up with the synth-laden single “You’re Magic.”
A former member of the prog piano trio The Fire Tonight, he toured the Southeast for 10 years, releasing three full-length albums and three EPs with the band. As a mix engineer, Collin has worked with Grammy-winners Jeff Coffin and Nir Felder as well as prominent artists like Offset, 2KBABY, and Quando Rondo. His production and co-writing credits include collaborations with Allyn Aston (Atlanta), Anne Reburn (Los Angeles), and Ivy Ash (London).
But Derrick’s holiday music holds a special place in his discography – and his heart. Inspired by his wife’s admittedly high standards for Christmas gifts, Derrick began writing her original holiday songs, a tradition that ultimately led to the Christmas series.
With Christmas, Vol. 2, he expands on the themes of joy and nostalgia, delivering a collection that resonates with listeners while still keeping it lighthearted and fun.
In “Holiday Hallelujah,” Derrick captures the essence of what makes the best holiday songs endure – nonsensical yet unforgettable lyrics, unrelenting cheer, and a sense of warmth that can melt even the coldest winter day.
It’s the perfect addition to a seasonal playlist, bringing a dose of indie charm to your holiday celebrations.
“Holiday Hallelujah” and the full EP, Christmas, Vol. 2, are available now on all major streaming platforms.
Lyubov Kay‘s latest single, “cU,” explores the magnetic pull of dreams and memories through a sultry and vibrant pop sound. Known for her soothing vocals and honest storytelling, Kay combines Latin-inspired rhythms with a magnetic danceable beat, creating a track that resonates on both an emotional and physical level. Co-written with Peruvian producer David Cabrera Morillos, the song is a genre-blending journey that surprises and uplifts.
With “cU,” Lyubov Kay invites listeners into a dreamscape where nostalgia meets hope. The song plays on the duality of longing and energy, transitioning from a slow, introspective start to a chorus that demands movement. Through clever production choices like an alarm-inspired melody, Kay draws listeners into her world, creating a relatable experience that feels intimate and universal.
1. Tell us the story of this song, why did you choose to visualize this song specifically?
“cU” is about wanting to see someone you’ve lost in your dreams—there’s a mix of comfort and longing in it, but it’s also a really playful song at its core. I wanted to visualize it because it felt like the perfect song to bring to life. The rhythm and vibe just made me picture this dreamy, colorful world, and I thought it would be so fun to turn that into reality.
2.What was the inspiration behind this video (visuals, storyline, etc.)?
The inspiration was a playful slumber party vibe! I wanted to play with the idea of dreams in a fun and ironic way—like you’re trying so hard to fall asleep because you want to see someone in your dreams, but you just can’t. So, the visuals mix that dreamy, surreal feeling with lighthearted moments, almost like being stuck in this in-between space where you’re wide awake but surrounded by everything that reminds you of them.
3.What was the process of making this video?
The whole process was so much fun! I came up with the concept for the entire set and visuals myself—I wanted everything to feel dreamy but also playful. We shot it in this beautiful high-rise in downtown Toronto, which added such a cool vibe to the whole thing. Tdotcam did an amazing job directing and totally nailed the dreamy aesthetics. And Tamra de la Cruz came through with the choreography—it was so fun and playful, and we rehearsed it ahead of time, which was one of my favorite parts. The whole process was a mix of hard work and just having a great time—it really felt like bringing a dream to life.
Born from the soul of Cape Breton soil, Halifax-based Tyler Mullendore blends rough and tumble roots-rock with the electrified emotion of southern fried Americana. The Canadian Idol finalist proves why he was awarded the top spot in eOne’s National Big Break Songwriting Competition; it’s clear the judges were just as taken with the authenticity of his songs as you’re sure to be.
His much anticipated debut EP, Time Heals Everything (released on November 21st) draws from the bottomless well of inspiration that seems to guide artists who hail from Cape Breton Island. His stories are shaped by his own personal trials, yet made deeply relatable by his lyrical prowess. Time Heals Everything has its share of tales of sorrow and regret, but it ultimately culminates in the promise of positivity as one comes to grips with their own flaws and failures while looking hopefully towards better things to come. As the years pass, wounds close and the pain abates, reminding us to be good to ourselves, and take life’s lessons in stride as challenges are met and overcome.
The EP’s focus track, “Mama Cry,” reads like an intervention letter, a plea for a loved one to better themselves and get their life back on track. The heartfelt single was written after the mother of Tyler‘s friend had called him in desperate worry about her son’s struggles with addiction, leading him to write a handwritten letter to the friend and pen this song.
1. Tell us the story of this song, why did you choose to visualize this song specifically?
Substance abuse and addiction was something that was a part of my life for the better part of a decade… it was the devil on my shoulder, and the shoulders of loved ones. It was the thorn in my side, and the shank in my armor; it was also my crutch, and my best friend at times, so i thought.
When a close friend was struggling in the throes of addiction, it was an easy song to write… it was all too familiar, close to home and a highly emotional time. The song read and played like the movie of my life. I looked at my friend and seen myself, i talked to his sad and desperate mother on the phone, and i heard my own mother’s voice, i wrote him a letter to try and help turn things around; at the same time I was receiving a letter from my own conscious. The vision for the song and music video was crystal clear from the beginning.
2. What was the inspiration behind this video (visuals, storyline, etc.)?
The inspiration for the song & video came from a situation where a close friend was struggling badly with addiction. I received a very emotional phone call from his mother who was desperate and losing hope. The phone call inspired me to write my friend a letter; my best brotherly attempt at helping him turn it around, and that all ultimately inspired me to write this song. That, and the fact that I too have fought some hard battles with addiction… It was both relatable & inspiring.
In the video i wanted to be as real as possible, so i acted out mine & his story as accurately as i could imagine it , and based on my own personal experience. It’s the story of a son struggling in the throes of addiction and a worried and heartbroken mother remembering a simpler and happier time, while longing and hoping for things to change for the better; ultimately ending on the positive note of recovery… That’s basically exactly the story of both my friend, and I. We were a couple of the lucky ones who eventually broke free of the demon.
3. What was the process of making this video?
Well, I had been finessing the story line in my head since I had wrote the song; about 5 years of finessing and obsessing. When I finally had some cash and my ducks in a row all I needed was my band, a space to jam along to and “lip sync” the recording, and a few close friends and family members to donate thier Oscar worthy acting skills and bring my vision to life!
My long time friend and talented videographer, Michael Nikas worked his magic behind the camera and edited to perfection… I borrowed a an old 80s floor model TV from a sweet local elderly lady (RIP, Theresa). On Ebay, i found an 80s TV remote and an old cross stitch piece that read “Today is the first day of the rest of your life”. I was going for a retro vibe, because I’m a retro guy! I put some sugar in a baggie, and had my buddy Curtis throw on a hoodie and drive his Audi down to my mother’s house in Inverness to perform “the drug deal”. I borrowed the local grocery store for an hour to create a nostslgic and emotional scene between the addict son’s mother, and a young mother and son passing in the aisle. My own mother, Brenda was tasked with playing the role of the Mother. The NA meeting scene was chalked full of my friends & family. The video was filmed over 2 dates and 2 locations in February, 2024. The band performances piece was filmed in Halifax at Ocean Floor Recording, The storyline piece was filmed in various locations around Inverness including the CO-OP, Fire Hall, and my mom’s house.
Ash Molloy’s latest single, “Breakdown,” is a raw, introspective exploration of the mental battles we all face. Known for her unapologetic authenticity and powerful vocals, Molloy dives deep into the moments of vulnerability that make us human. A multi-instrumentalist with a background in neuroscience, Molloy draws inspiration from the iconic alt-rock sound of the 90s, reminiscent of legends like Fiona Apple and Alanis Morissette.
With “Breakdown,” Ash Molloy offers a musical reflection on the complexities of mental health, echoing the nostalgic and emotionally charged tones of her influences while maintaining a fiercely modern, individual voice. The single invites listeners to consider their own struggles with self-care, set to the backdrop of Molloy’s evocative instrumentation and unforgettable melodies.
It’s so much easier to let go and go off the rails, even when we know it’s not the right choice. In “Breakdown,” you experience that inner conflict – how we might learn what we need to do to avoid a breakdown, yet still find ourselves slipping back into those old habits. It’s a reminder of how challenging it can be to prioritize our mental well-being, even when we know better. – Ash Molloy
You must be logged in to post a comment.