Cloud Nothings Present New Track From New Album, “Should Have”

January 25th, 2011, the release date for Cloud Nothings’ self-titled album on Carpark, is getting closer and closer and after giving us a first teaser of what it sounds like with the premiere of the the song “Understand At All,” we’re given a second excerpt. This song is called “Should Have” and will be out as a 7″ picture disc single on January 28th, 2011. It sounds like those rock songs you love as a teen, except with a little more whimsy both in the vocals and the arrangements but without that pretend-roughness we took for rebel attitude.
Take a listen below:

Cloud Nothings also have a few dates lined up for the end of the month and January so check out below if they’ll be stopping anywhere near you!
Here are their upcoming tour dates:
12/17 – Akron, OH – Musica (with Herzog)
12/18 – Cleveland, OH – Beachland (with Herzog)
01/12 – Grantham, PA – Messiah College (with Oberhofer)
01/13 – Pittsburgh, PA – Brillobox (with Oberhofer)
01/14 – Columbus, OH – The Basement (with Oberhofer)
01/15 – Chicago, IL – Lincoln Hall (with Handsome Furs & Oberhofer)
01/17 – Toronto, ON – The Drake Hotel (with Oberhofer)
01/18 – Montreal, QC – Casa Del Popolo (with Oberhofer)
01/19 – New York, NY – Mercury Lounge (with Toro Y Moi) 

Indie Christmas Music: Yay or Nay?

It’s past the midway point of December, and in some areas, the Christmas season has already been going on for almost two months (seriously, I thought it only started after Thanksgiving?). We’ve heard carols in the mall, and even here at Modern Mystery, we’ve passed on the holiday cheer with a little selection of the prime indie odes to Santa, his little helpers and the season’s spirit of giving.

Speaking of which, would we have been able to compile such a varied and long list of indie holiday songs a few years ago, in addition to our daily “Christmas Song of the Day” posts? Seeing unsigned YouTube sensations Pomplamousse appear on the TV commercial for a famous car brand covering “Jingle Bells” or finding that Bishop Allen, Best Coast and Wavves appear on a free Target christmas compilation has made me deeply aware and surprised that indie artists have been filling some of their songs with images of snowflakes and mistletoe much more frequently.

I asked Chris Richards, pop music critic of The Washington Post, about what he thought and he seemed to agree with me. “It’s an increasing trend. It signifies in my eyes that indie rock is becoming standardized,” he said. “Everyone, from pop artists to country artists are putting Christmas albums out. They’re money makers. The industry is finding new revenue streams with indie artists.”

So are indie artists “selling out” by treading the Rockefeller Christmas Tree Lighting’s ground? No, and in fact, it may be a well-appreciated breeze of fresh air. “Mariah Carey’s” ‘All I Want For Christmas Is You” is really the only recent stand out holiday classic, so it’s great that indie artists are injecting in new material. If it’s just Arcade Fire covering “Jingle Bell Rock,” it’s not that interesting.”

In the same spirit, Noel Kelly of The Hush Now, who have now released a Christmas single two years in a row, wrote jokingly in an e-mail interview, “I have all the reverence in the world for the classics, but it’s high time we stepped up and stopped hi-jacking another generation’s memories.”

Jof Owen of The Boy Least Likely To, who just released an entire album of holiday songs – covers and originals – called Christmas Special, sees the appeal of writing Christmas music elsewhere. “I suppose indie pop has always been built on an awareness of classic pop traditions, even if they recontextualize them,” he said. “so it’s only natural that the idea of a Christmas record would appeal.”

Not only is writing Christmas songs a new exercise because of how far it stands from the stereotype of the indie artist, it involves a complex songwriting exercise that consists in making your way through the conventions that surround them. Behind the holiday song’s light facade, “It still has to be a strong song.  There’s no room for fat,” Kelly said. “You have to get in fast, establish yourself and get people singing along by the end of the first listen.  That’s what the classics do.  And that’s not the easiest thing to do sometimes.”

In the end, even if you’re an indie artist, Christmas is a fascinating time that allows for reminiscence and reflection, which translates perfectly into song. “I like writing lyrics about Christmas because it seems to be a really magical time but at the same time there’s a lot of sadness in it too,” Owen said. “I often write about the way things change as you grow up and grow out of things, and it seems to be something that I’m always much more aware of at Christmas.”

What looking into this has made me think was that more than a “normalization” of indie rock, the weird element in this discussion is mostly my own surprise at seeing indie artists coming up with Christmas tunes. After all, it’s not because the genre is commercially popular that there is no room for originality. No musician should restrict themselves from touching on any subject in their music. And it seems The Hush Now are on that same wave length.

“We’re even throwing around the idea of doing a holidays album.  A different song for 10 different holidays.  That would be such a blast,” Kelly said. ” We have the Christmas and Halloween tunes down. What’s next…Secretaries’ day?”

The Crystal Ark Premiere New Video, “The City Never Sleeps”

The Crystal Ark, the duo project of singer Viva Ruiz and DFA’s synthesizer master Gavin Russom, premiered the video for their first 12″ release, “The City Never Sleeps,” available now on DFA Records, on FADER.

Viva Ruiz herself directed the video for this hypnotic dance song where zombie-like humans seemed to get resurrected by a goddess of the dance floor for a psychedelic finish. Added bonus: we get to see Gavin Russom show off his moves.

Watch the video below:

 

British Sea Power Announce Release Date For New Album

Mark your calendars: The English outfit British Sea Power will be releasing their fourth album Valhalla Dancehall on January 11th, 2011 via Beggars Group! The album, co-produced by BSP and Graham Sutton, who has worked with the band in the past, was recorded in South East England and on the Isle Of Skye in Scotland. They are suspected to come visit the U.S. for a tour in the spring so be on the lookout.

If you want to have a listen at a protected stream of the record, click HERE .

 

Radio Silence NYC Join Fight Against Bullying in Debut Video, “Renegade”

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The four boys of Radio Silence NYC are adding their voices to the fight against bullying with the help of DoSomething.org in their first music video for the song “Renegade.” The video, directed by Ron Jaramillo, opens with the sad statistic that 6 out of 10 American teens witness bullying at least once a day, and is a valuable call to teens everywhere to do their bit in order for it to stop. The song’s chorus says it clearly, “hatred is the enemy.”

Watch the video below:

If you want to know more about the cause and ways to get involved, go to www.DoSomething.org.

4AD and The Red Hot Organization Donate $1,000,000 Thanks To The Album Dark Was The Night

As World AIDS Day on December 1st reminded us that AIDS is still a threat and continues to kill, good news came to us from the folks of 4AD and the Red Hot Foundation. In February 2009, 4AD released Dark Was The Night, a musical collaboration conceived and produced by Aaron and Bryce Dessner of The National, and Red Hot founder John Carlin, and its sales have now raised $1,000,000 for charity!

The compilation is made up of 32 exclusive tracks by Arcade Fire, Blonde Redhead, Bon Iver, Cat Power, The Decemberists, Dirty Projectors + David Byrne, Grizzly Bear, The New Pornographers, Spoon, and Sufjan Stevens… the list goes on. Each band has recommended a charity to which the funds raised will be donated. This is the 20th album put out by The Red Hot Foundation, which has been working to help fight AIDS since 1989. You can still purchase it HERE.

Here is the list of the charities chosen to receive Red Hot grants:
Advocates For Youth (recommended by The National)
After Hours Project, Inc (recommended by Sharon Jones & the Dap Kings)
AIDS Resource Center of Wisconsin (recommended by Bon Iver)
A Loving Spoonful (recommended by New Pornographers)
Bronx AIDS Services (recommended by The National)
Camp Amerikids (recommended by The National)
Casey House (recommended by Kevin Drew/Broken Social Scene)
Central City Concern (recommended by Decemberists)
Citta (recommended by David Byne)
Housing Works (recommended by Dirty Projectors)
Nebraska Aids Project (recommended by Conor Oberst)
Out Youth (recommended by Iron & Wine)
Partners In Health (recommended by Arcade Fire)
San Francisco AIDS Foundation (recommended by Kronos Quartet)
Tamasha (recommended by Sufjan Stevens)
In addition to Terrence Higgins Trust, PSI/YouthAIDS, and CHAI.