by Jane Lambert

Dan Lowe’s Latest Single “Creatures of the Radio” Is a Rock & Roll Time Capsule

Dan Lowe’s latest single “Creatures of the Radio” is the kind of song that takes you somewhere.

It’s a highway at dusk, headlights stretching out ahead and the radio dial tuned to something that just gets you. It’s a love letter to the days when music crackled through the airwaves and felt like it was speaking directly to you. Because back then, it was.

From the opening bars, there’s an undeniable pull. The guitars shimmer with that unmistakable classic rock warmth, the rhythm section pushes forward with a steady drive, and then there’s that saxophone —rich, full-bodied, a little Springsteen, a little Seger, but entirely its own thing.

Patrick Lamb’s solo tells a story, cutting through like a late-night signal from some distant station.

Dan Lowe’s voice carries the weight of the song. It’s soulful, and with just the right amount of grit. The lyrics capture the magic of growing up with the radio as a constant companion, a lifeline to something bigger. And when the chorus hits it’s anthemic in the best way, built for rolling down windows and belting it out under the stars.

This song is really a reminder of why rock and roll sticks to your bones. And the way it came together makes it even more special.

Lowe recorded “Creatures of the Radio” as part of an “Artist in Residence” program, bringing in students from a digital audio program to be part of the process. That kind of organic, hands-on approach bleeds into the sound; there’s a live energy that makes it feel like it was meant to be heard loud, in a room full of people who just get it.

The timing couldn’t be better for Lowe. He just advanced in Tennessee Songwriters Week after a standout performance at Motif on Music Row, landing himself a spot at the Franklin Theatre showcase on March 1st. If he makes it through, he will perform at the legendary Bluebird Cafe in Nashville. A place where careers are made and stories are told.

“Creatures Of The Radio” is the first of a set of tracks planned to be released monthly during 2025 – capping it off with the release of the full album (also titled “Creatures Of The Radio”) to coincide with the final track release in December.

This is the follow-up to “No Running From The Storm (Songs Of Life, Love, And Loss)” – the previous release by Dan Lowe & The Skeletal Remains.

Lowe is certainly tapping in to the magic of music here, with much more to come.

Keep up to date with Dan Lowe and The Skeletal Remains here:

Website / Facebook / Spotify / Apple Music / YouTube Music

02.13.25

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’S WITH SIREN

Love at first sight. It’s the kind of magic we read about, dream about and sometimes, if we are lucky, experience for ourselves.

For Siren frontman Rob Phillips, that moment wasn’t just a fleeting feeling. It was the spark that ignited their latest single, “Arrow”.

A blend of melodic rock, progressive influences, and Middle America roots, “Arrow” captures the intensity of an instant connection. The kind that defies logic and begs the question: Could this be the one?

With a music video directed by Isaac Deitz (Manchester Orchestra, Grouplove, Switchfoot), the visual storytelling mirrors Phillips’s own love story about two people unknowingly crossing paths until fate finally brings them together.

The video’s unique paper airplane concept ties their connection together making for an unforgettable ending.

We got the chance to sit down with Rob Phillips and find out more about the inspiration behind “Arrow”, the personal love story that shaped it, and what it was like bringing that moment to life through music and film.

From the real-life first meeting with his wife, this is a song and story filled with emotion, fate and rock and roll magic.

Tell us the story of this song, why did you choose to visualize this song specifically in this way?

“Arrow” is first and foremost a love story. I wrote the song about meeting my wife to be. I think that it is ironic that we both lived and worked in the same town only a few steps away from each other and never met. A friend of mine recommended this high end restaurant that had a rock band playing that night so I walked down there to see the band.

When I arrived, I was greeted by the hostess for seating and there was this beautiful woman with brown eyes. She gave me a smile and that was our beginning. We both felt the same instant attraction.

It was like finding a needle in a haystack. We are very blessed to have found love. The video shows the couple passing each other every day and never meeting until the end.

What was the inspiration behind this new video (visuals, storyline, etc.)?

We used the lyrics in the song for the storyline. Isaac Dietz is the Video Producer and he had a vision for the song. He approached me with the paper airplane concept and I thought it was a great idea. We were able to tie in the couples chance meeting with the message in the paper airplane when they meet on the bridge and embrace. A nice bow on the top at the end.

What was the process of making the video?

Isaac filmed the actors in Georgia and the band was not involved with that process.

The band’s performance was filmed in Florida at a local bar called JD’s in Coral Springs. My wife’s father was there for the filming and he is 100 years old and a WW2 Veteran.

It was such an honor to have him there with us. Everyone wanted to get pictures of him. He is a true rock star and as a family we will always cherish these moments.

01.31.25

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’S WITH MASSEY

“Box of Rain” has always been a song that carries an emotional weight, deeply intertwined with themes of love, loss, and the healing power of music.

Originally written by Grateful Dead bassist Phil Lesh as a poignant farewell to his father, it has since become one of the band’s most cherished and resonant tracks.

When Phil Lesh passed away in October of 2024, MASSEY found himself reflecting on the profound connection he has with this song. In collaboration with Vince Herman of Leftover Salmon, he has created a new, rock-infused version of “Box of Rain” that pays tribute to Lesh’s legacy while breathing new life into the timeless classic.

Released today, this re-imagined rendition is much more than a cover. This is a wonderful tribute to one of MASSEY’s all-time favorite songs and a celebration of the enduring spirit of the Grateful Dead.

Working alongside an exceptional group of musicians including Charlie Wooton, Daniel Groover, Peter Oravetz, Michael Lemmler, and Doug Belote, MASSEY brought his vision to life at Dockside Studio, with the track being elevated by the mastery of JoeBaby Michaels and Abbey Road Studios.

But the journey didn’t end with the recording. The release is accompanied by a vibrant music video that allows listeners to experience “Box of Rain” in a new visual context. Directed by Jim Mimna, the video complements the song’s messages of connection and healing while also inviting a new generation of fans to discover the beauty in this timeless piece.

In this interview, MASSEY opens up about the inspiration behind reinterpreting “Box of Rain”, the collaborative process with Vince Herman and the emotional journey of revisiting a song so deeply connected to both personal and wider themes:

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

This is a cover of the Grateful Dead song Box of Rain. It is one of the few Dead songs written by bass player Phil Lesh, who passed away a couple months ago, just as we were preparing to record all the tracks for the upcoming MASSEY debut album: Reason For Being. JoeBaby Michaels, the founder and head of my label, Bent River Records, who is also my producer, had instructed that it would be a good idea to include a cover.

When Phil passed I immediately thought of Box of Rain. It is just about my very favorite Grateful Dead song. It has always struck me in a deeply profound and emotional way. And with Phil’s passing, I thought it was very appropriate. We did agree it should be a more edgy rock version, one of my natural styles, which I feel we accomplished, while still totally respecting and paying homage to the original, and Phil.

It’s important to note that this is a duet with Vince Herman, a founding member of Leftover Salmon. A long time friend of JoeBaby’s, they had never worked together, and they agreed this would be a perfect, heartfelt song for them, and me, to collaborate. Vince is one of the nicest, sweetest, rockstars you’ll ever meet. And I believe our work together on this song shines the light.

2. What inspired this video (visuals, storyline, etc.)?

The song was written by Phil as his dad was dying. I believe it’s a metaphor of love, loss, and the personal peace and healing that’s available to all of us. It’s very beautiful. And I was always emotionally affected by it, as with much of the music I deeply love, from the actual music first, even more than the words.

3. What was the process of making this video?

The video is so excellently done by our videographer Jim Mimna. He combined the studio footage of me and Vince, as well as the amazing players in our band: Charlie Wooton on bass, Peter Oravetz on lead guitar, Daniel Groover on guitar, Michael Lemmler on keys, and Doug Belote on drums; Paired with very effusive illustrated images that, like the song lyrics, suggest deep emotional meaning but allow for interpretation by the viewer.

01.09.25

by Jane Lambert

Finding Movement in the Stillness in Stephen Jaymes’s Latest Single “Stranded”

Stephen Jaymes returns with a brand new single out called “Stranded.”

In this single Jaymes turns the everyday experience of feeling stuck into a song for real reflection. As he is known for his poeticism and folk punk sensibilities, Jaymes once again delivers a song that captures the universal tension of being ready to move forward but held in place.

Listen in here:

The song opens with a delicate glockenspiel. As layers of acoustic and electric instrumentation build, a driving rhythm emerges, which mirrors the restless energy that inspires the song. J

Jaymes’s unmistakable voice anchors the track, as he captures a sense of vulnerability and determination. The vocal delivery makes the listener feel as though they are sharing a collective moment of realization.

But it’s the lyrics that are so striking; “Stranded” is packed with clever observations and truths with Jaymes able to turn stagnation into something touching as he explores the act of waiting not as wasted time but as an opportunity to find meaning.

While the mood feels overall light hearted on the surface, there is a lingering depth and a reminder of the strange beauty in life’s pauses. The track doesn’t offer easy solutions of empty optimism, yet it does acknowledge the frustration while urging the listener to embrace the rhythm of running in place.

“Stranded” feels more like a conversation, a shared laugh, and a comforting hand on the shoulder. A reminder perhaps that the act of staying still can be its own kind of progress.

Keep up with Stephen Jaymes on his Website.

12.26.24

by Jane Lambert

The Flip Phones Strike Gold with Whimsical Indie-Pop Gem “It’s a Sign”

With their effervescent new single, “It’s a Sign,” The Flip Phones have created an indie-pop delight brimming with charm, quirk, and an unexpected dose of introspection.

Inspired by Los Angeles’ iconic Happy Foot/Sad Foot sign – a whimsical podiatry advertisement once used by locals to divine their daily fortunes – the track explores the thin line between taking charge of our lives and surrendering to fate and superstition.

Listen in here:

The duo, Lindsey and Ryan, blend instrumental talent with an unpretentious energy to create a sound that feels as timeless as it is refreshing.

Lindsey’s background as a classically trained pianist and flutist shines through in the lush textures of melodica and electric piano that weave throughout the song. Her lyrical storytelling brims with vibrant imagery and clever wit, while Ryan’s self-taught guitar stylings, steeped in influences like The Beatles and Blur, add a jangly, upbeat undercurrent that grounds the song’s playful tone.

This isn’t the first time Lindsey and Ryan have made musical magic together. Their earlier collaboration in North of Canada laid the foundation for the unique synergy that defines The Flip Phones.

Since forming their new project in 2013, they’ve honed their craft, releasing the well-received EP Better in the Dark in 2022 and building a reputation for vibrant live shows at festivals and celebrated mid-Atlantic venues like Jammin Java and Songbyrd.

Produced by Dave Mallen at Innovation Station Music, “It’s a Sign” radiates the energy of their live performances, while also showcasing a shift toward a more playful sound palette.

Influences from the B-52s and Gorillaz are clear, with the melodica lending a whimsical edge, yet the track retains the narrative depth and layered arrangements that have become their signature.

As the lead single for their upcoming EP Spinning Adrift (set to drop in spring 2025), “It’s a Sign” is both an irresistible and thought-provoking anthem for those caught between luck and intention. With its buoyant melodies and clever interplay between Lindsey and Ryan’s vocals, this is indie-pop at its finest.

Connect with The Flip Phones:

Website / Facebook / Instagram / Spotify / Soundcloud / YouTube Music

12.18.24

by Jane Lambert

Animals In Denial Deliver Pulsing Industrial Rock with Single “Operator”

Animals in Denial’s new single “Operator” is an exploration into heartbreak, wrapped up in a gritty industrial-electronic sound.

The story behind “Operator” is as compelling as the song itself. The beat has been living in the artist Christian Imes’s head since they were 14, back when they were cruising the streets of Canton, NC, and obsessing over The Matrix.

At the time, they didn’t even have a synth – just a guitar and a lot of ideas. Years later, using a lite copy of Ableton Live and some old-school drum samples, the track finally started to take shape. It came together fast at first with the initial demo finished in just 30 minutes, but the final version was elevated thanks to a collaboration with industrial icon Steven Seibold (Hate Dept, Pigface).

Seibold’s fingerprints are all over the production. From tweaking the vocal delivery on the third verse to suggesting subtle backing harmonies in the chorus, he brought a fresh perspective to the track.

Listen here:

The pair even recorded the vocals in Seibold’s home studio, which was a full-circle moment for the artist, who’s been a longtime fan of Seibold’s work. The result is sleek and dynamic, with just the right amount of edge.

Musically, “Operator” is a study in restraint. An earlier version included guitar parts, but the final mix strips them away to let the synths and beats carry the weight. That choice gives the track a sharp, metallic vibe that feels perfectly in line with its themes of emotional distance and digital disconnect. The song pulses with a hypnotic rhythm, pulling you in as layers of sound build and shift. It’s dark, atmospheric, and relentlessly captivating.

But the heart of “Operator” are the lyrics, which draw from a relationship that left its mark. The “operator” in the song is a nod to late-night phone calls and AIM chats with an ex who once felt like a lifeline, but who eventually became a source of pain. It’s brutally honest and deeply relatable especially for anyone who’s navigated the murky waters of young love.

Whether drawn to its cyberpunk aesthetic, its honest lyrics, or its sheer force, this is definitely a song that grabs your attention.

Keep up to date with all things Animal In Denial on the Website.