Layers of Light – George Collins Channels Gabriel on Latest Single “Open Up”

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From the opening bars of George Collins’s “Open Up,” there is a sense that something deeper is at play. Not just another well crafted track from a thoughtful songwriter, but a deliberate reaching for something sacred.

And indeed, the song wears its Peter Gabriel influence proudly, especially the spectral fingerprints of Mercy Street , which was one of Gabriel’s most haunting and meditative works.

But Collins doesn’t merely mimic it. He reinterprets, he absorbs, and he builds his own quiet cathedral of sound.

At its core, “Open Up” is about vulnerability — that conscious, often exhausting decision to remain emotionally available as the years add both wisdom and weight.

The chorus is a mantra more than a hook, a repeated invitation inward and outward. It’s no coincidence that the track is driven by keyboards and layered vocals rather than Collins’ familiar guitar. This is definitely a songwriter stepping outside his comfort zone and embracing evolution.

That creative shift was made possible by the collaboration with award winning Canadian producer Rob Wells, who is known for work with some of the biggest names in pop.

And yet, instead of gloss, Wells helps shape the texture. Their work together feels cinematic but never overblown. Moody yes but also very much grounded in humanity.

George says about the song:

“Concerning the story behind “Open Up,” it was definitely intended to be a Peter Gabriel influenced track from the very beginning – he is one of my heroes.

For the new album, I also wanted to expand my songwriting beyond the guitar-based songs I’ve written all my life and tip my hat to other styles and genres that have influenced me over the years.

I had the title and the concept for the song, the chorus, as well as several guitar riffs kicking around in my head for years, but I knew I wanted “Open Up” to be a keyboard driven track with layered vocals,  sonorous textures and exotic instrumentation, like Peter Gabriel’s “Mercy Street.”

As a guitarist with limited production skills, I knew I needed to collaborate on this song with an A-list keyboardist/producer to bring my incipient ideas to life.

I approached one of my Mentors, Rob Wells https://robwellsmusic.com/ an award-winning, multi-platinum selling Canadian songwriter and producer who has worked with Ariana Grande, Justin Bieber, Selena Gomez, and dozens of other notables – and who happens to be one of the nicest guys in the world.”

Exotic instrumentation winds through “Open Up” without calling attention to itself, and the vocals stack shimmer like late afternoon light through stained glass.

You can hear how hard Collins has worked on the vocal performance, singing through the song again and again over two days in a Prague studio with no shortcuts taken. What’s striking though is how much heart is in the details. The production is refined, but the soul of the song comes through in Collins’ voice.

He is offering an important message not to harden – don’t retreat, stay open! Something that many of us could listen to.

“Open Up” is indeed one of those late career songs that is reaching forward into a new phase of creativity, with courage and grace.

Connect with George Collins:

Website / Spotify / Apple Music / YouTube

The Ferocious Revival of Animals In Denial with “Crash Course Volume 3 – Rust Covered Lust”

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With “Crash Course Volume 3: Rust Covered Lust”, Animals In Denial closes the loop on a trilogy of sound, taking long-forgotten demos and raw ideas and forging them into something stronger, sharper and more alive than ever before.

The songs that make up this new EP have been completely overhauled with cutting-edge production techniques, AI assisted enhancements, and a relentless drive to elevate past works into its fully realized form. The result is an album that pulses forwards with electricity, aggression, and a kind of nostalgia that surges forwards with teeth bared.

Listen here:

Opening with “Operator”, this song itself is an impressive evolution, born from a beat that haunted Animals in Denial since age 14 after watching The Matrix. Originally pieced together using a lite version of Ableton Live and a handful of drum samples, “Operator” took on a new life when Steven Seibold (Hate Dept/Pigface) stepped in for additional production and mixing.

His expertise helped sharpen the track’s cold, metallic edges, while subtle tweaks – like a reworked third verse and unexpected backing vocals in the chorus – pushed the song into new territory.

Meanwhile, “Coi” immediately plunges the listener into a world of industrial beats and searing guitars. What was once an abandoned demo has transformed into an undeniable force, with a dark and pulsing energy reminiscent of Pretty Hate Machine-era Nine Inch Nails, fused with the density and controlled chaos of The Fragile. It’s the kind of track that demands movement—whether that’s a rhythmic head-nod or full-body immersion in the beat is up to the listener.

Then comes “Rage”, a track that more than lives up to its name. This is a song that doesn’t just explore anger but embodies it. The layers of heavy guitar, thunderous toms and jagged synths create a soundscape that feels like an explosion caught in slow motion, both destructive and oddly beautiful. Originally conceived as an exploration of rage personified, the final song is raw and unrelenting.

The overall EP has a tension about it, with the songs pushing and pulling between the past and a re-invention, between the person who wrote them years ago and the artist bringing them to life today.

The themes that run through the album – fractured relationships, self-discovery, the scars we carry – are given a new weight through the updated production and evolved vocal delivery.

The title itself, “Rust Covered Lust“, suggests something that was once polished but has been left to decay. And that’s exactly what this album does. Rather than discarding past work, it honors it, stripping away the imperfections while keeping the beating heart intact. Christian Imes is reclaiming the songs, and re-shaping them.

By blending industrial, metal, electronic as well as alternative elements with an arsenal of modern production techniques, “Crash Course Volume 3: Rust Covered Lust” does what all great re-visitations should: it re-defines the past.

Whether you have been following the series from the beginning or you are stepping in to the world of Animals In Denial for the first time, “Rust Covered Lust” is sure to be an undeniable force.

Stay current with everything Animals In Denial on the Website, and Facebook. 

Stream music on Spotify, Soundcloud and YouTube music.

Awakening the Spirit with Jennifer Harper’s New Single “Soul Alive”

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Singer, songwriter and sound alchemist Jennifer Harper’s latest release Soul Alive”, is something of a vibrational journey.

Listeners are drawn into a musical sound designed to elevate the spirit and open the heart. The song’s infectious energy and Harper’s soulful delivery come together to create an experience that is both uplifting and introspective.

Produced by the talented Matt Anthony, with rhythmic power provided by Tal Bergman on drums, Soul Alive delivers a rich and dynamic sound that balances groove with ethereal beauty.

Harper’s vocals and contributions on keyboard also add a layer of intimacy, inviting listeners to embark on a journey of soulful reflection and limitless potential.

As Harper describes, “Soul Alive” is a call to action. It’s an invitation to awaken the light within and to embrace life in its full vibrancy. The song pulses with positivity and hope, encouraging the listener to shed limitations and step into their highest calling.

“It comes from a feeling of freedom – true liberation, fully thriving in the way that we are designed!! It is an expression of what I’m experiencing in my life right now.

On every level

In every area

Every which way I go

It’s a celebration song for me”

Production is both crisp and powerful, bringing together Harper’s voice with a rich instrumentation that lifts the song to new heights. Bergman’s drumming provides a solid backbone, while Anthony’s multi-instrumental textures add depth and complexity.

Overall, Soul Alive lives up to its title – it makes you feel alive. Whether you’re seeking inspiration, empowerment, or simply a soulful groove to lift your spirits, this track will leave you energized and ready to embrace life’s possibilities.

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Jennifer’s music is known for its soulful compositions infused with wisdom from Gene Keys and Human Design, which offer a roadmap for self-discovery and unlocking one’s potential. This in-depth exploration coupled with a steadfast dedication to Buddhist principles, illuminates a path of inner exploration for all who seek it.

Her past successes include performances at prestigious venues and recognition in songwriting competitions, speak events to her growing presence in the music scene. She has been featured in many leading media outlets, including, No Depression, Vents Magazine, Melodic Magazine and Americana Highways.

Keep up to date with Jennifer Harper on her Website 

Stream music on Spotify and YouTube Music.

Sloan “Hit and Run” EP

The Canadian Godfathers of indie pop, Sloan, are back at it again to provide you with some sugary tunes.  Yesterday the band has just released via their official website their newest EP titled Hit and Run (Murderecords). The name is pretty self explanatory, as singer/bass player/sometimes drummer Chris Murphy was involved in a hit and run this summer when a car plowed into him crossing the street in Canada. This is a surprising yet clever title to the record.

One of the most interesting things about Sloan is the fact that they switch instruments and vocals. This creates the ultimate diversity within the band, but somehow they seem to bring it all together. The album starts off with the “Take it Upon Yourself,” which is a Murphy penned song that begins with the classic Sloan keyboard sound and handclaps that automatically want to make you dance around the room. This is a great way to start off the record. For the track “Midnight Mass,” Jay Ferguson takes over lead duties as his voice croons over the piano. The rest of the band comes in filling the song with stellar harmonies that also add a 60’s nostalgia feel. Patrick Pentland heads to the front for the track “It Is Never,” which is filled with sonic guitar sounds and brilliant melodies that he always successfully brings to the table. Murphy returns with another song in tow, “Oh Dear Diary,” which at first glance of the title has the potential to be foolish, but turns out to be a sincere song which brings a bit of old school Sloan back into the mix. With the mixture of voices, piano and the retro sounding drums this is one track that will be stuck in your head for days. Andrew Scott comes from behind the drum kit to take on “Where Are You Now?” which is perhaps his strongest song since the band released Between the Bridges in the late 90s. Infectious guitar riffs fill the song with Scott’s strong voice prominant in the song. Hit and Run takes on a life of it’s own and proves that Sloan shows no signs of slowing down.

Sloan is also embarking on a short North American tour in support of the EP that starts on Saturday. Check out the dates below and come back to Modern Mystery for coverage of their show in Brooklyn next week!

Sloan Tour Dates

November 28th- The Filmore- Detroit, MI
November 29th- Skully’s Music Diner- Columbus, OH
November 30th- Maxwell’s- Hoboken, NJ
December 1st- Jammin’ Java- Vienna, VA
December 3rd- TT The Bear’s- Cambridge, MA
December 4th- The Bell House- Brooklyn, NY
December 5th- Kung Fu Necktie- Philadelphia, PA
December 6th- Grog Shop-Cleveland, OH
December 7th- Lincoln Hall- Chicago, IL
December 9th- The Pyramid-Winnipeg, MB
December 10th- Louis’ Pub- Saskatoon, SK
December 11th- The Gateway- Calgary, AB
December 12th- Starlite Room-Edmonton, AB
December 15th- Commodore Ballroom- Vancouver, BC