VIDEO VOYAGEUR: 3 Q’S WITH KRISTEN RAE BOWDEN

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Kristen Rae Bowden is a singer-songwriter with deep musical roots, hailing from Boone, North Carolina.

Growing up in a family of musicians, Kristen developed a keen ear for harmony at an early age and taught herself to play piano before expanding her skills to include classical flute and earning a BFA in acting and musical theater from Elon University.

Since releasing her debut album in 2019, she has become known for her storytelling and music that blends folk influences with pop and Americana. Her music reflects a balance between vulnerability and strength, turning personal experiences into cathartic, universally relatable songs.

Her latest single, “Skateboard,” captures the exhilarating rush of young love, likening its emotional highs to the thrill of skateboarding.

With lyrics inspired by her own memories and co-written with Joe Lawlor (Dave Matthews Band), Kristen continues to create music that resonates deeply with listeners. In this interview, Kristen shares the story behind the music video to “Skateboard,” offering insights into her creative process and the visual storytelling that brings the song to life.

Watch the music video here:

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

“Skateboard” is a song about the breathless exhilaration of young love in the newfound freedom of college. 

When I was 18 there was a time when I was still with my high school boyfriend, in a long-distance relationship as he’d gone to a different school. He was a skateboarder. (I definitely was not!) We would visit each other on weekends. It was early September, the weather was still very hot in that “dog days of summer” stagnant way, and I remember waiting until late at night for him to arrive, with heavy anticipation. When he did, we’d go out skateboarding together around the lamp-lit streets and brick paths of the campus, enjoying the cooling breeze of movement as the heat radiated off the pavement, still hot from the sun of the day. We’d stop at various parties, sometimes a home-made half pipe in a parking lot, and drink beer or a PJ concoction out of red solo cups. (I could only pretend to skateboard after I’d lost some of my inhibitions.) We were in love and on our own for the very first time. That feeling of freedom and youthful elation is what inspired the lyrics for this song.

Even though this specific experience of mine is what inspired the lyrics, the song is really about the semi-universal experience of that feeling… the rollercoaster high of young love. Skateboarding is a great metaphor for that thrill.

So I chose to visualize the song with all sorts of different young couples, and skateboarders catching air.

My hope is that all sorts of folks can see something in the visuals that resonates with their own experience of being young and unsupervised and in love.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

Instead of telling a narrative story with this video, I wanted the visuals to impart a feeling of euphoria and exhilaration. What could be more exhilarating than flying through the air (or falling in love for the first time)?

Also, this is a lyric video, so I had the opportunity to use different text styles and animation as a visual expression of what I’m singing. 

The verse lyrics, “If you knew me once / then you know me still / Would you still recognize me?” are quiet and intimate, and sung from the present day as I’m looking back and remembering. I chose a cursive script and gave it a glow effect, as if I’m writing an imaginary letter to all my former lovers.

In contrast, the chorus vocal is soaring and expansive: “Feeling so high / when you’re driving all night / to my front door.” This is me living in the memory of that euphoria, so I chose an expansive outline font and made it transparent, so the skateboarders could fly through the lyrics, and the viewers’ eyes can take it all in at once.

Animating the chorus lyrics was really fun… I love how they give you a sense of the rhythmic patterns.

3. What was the process of making the video?

I made this video myself on my iPad. First I chose stock footage and licensed it… which is really fun, making a giant folder of footage that might work to tell the story and capture the vibe, and then going lyric by lyric deciding what works best. This song really lent itself to that… I basically ended up with a folder of badass skateboarding footage! 

Then I used an app called Videoleap to combine and edit… it’s really geared more towards vertical TikTok videos and such, but I found that I could use it to do everything I was picturing in my head. I enjoy using the touch screen of my ipad for a lot of it, as opposed to a mouse. When I animated the lyrics I was literally dragging them with my fingers to wherever I wanted them to go. Something about this makes the process more fun and engaging to me.

When you don’t have the budget to do a big original video production, these are great options for expressing yourself and using your own creativity to expand on your art as an independent musician. I’m so grateful to all the artists out there who captured this footage and made it available to license! And the editing tools these days have almost no learning curve… anybody can get creative with them.

Cheers to that!

Connect with Kristen Rae Bowden:

Website // Instagram // Facebook // Twitter // YouTube // Spotify // Soundcloud

VIDEO VOYAGEUR: 3 Q’s WITH RAY LEVIER

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Ray Levier is a multi faceted drummer, composer, and music producer, and has once again captivated audiences with the release of his new music video for “Uncharted Destiny.”

Known for his precision and versatility across jazz fusion, rock, hip-hop, and singer-songwriter styles, Ray’s latest offering shows unique vision and real artistic creativity.

Inspired by the story of a retired Air Force commander who, after narrowly surviving a near-fatal test flight crash, undergoes a biochemical fusion with an alien spacecraft called “Uncharted Destiny”. The commander’s transformation leads to an epic journey that reveals his true identity and connects him with an alien civilization at the edge of the universe, reflecting Ray’s own exploration of new beginnings and the interconnections of life.

The music video is truly epic and one of a kind, taking viewers far beyond the usual music video sphere into an experience that is completely out of this world. Ethereal and imbued with a spiritual component, it challenges viewers to contemplate what else could be out there in the vastness of the universe.

Created by Ray Levier, with sound design by Ray Levier, Frani Lugo, Mike Dwyer, and Leslie Bloome, the cast features Ray Levier as Commander Ray, David Kopec as Brass, Frani Lugo as Tech, and Zenji the Dog as himself. The musicians include Ray Levier on drums, vibraphones, keyboard synthesizers, lead and backing vocals, Richard Tozzoli on guitars and E-harp, and Tim Lefebvre on bass.

The Audio production was done by RSL Production Studio, The Clubhouse, and Alchemy Post Sound, with audio mix by Mike Dwyer and Neil Dorfsman. Conceptual and environmental design was handled by Frani Lugo and Ray Levier, while cinematography, CGI, graphics, editing, storyboarding, and illustrations were all done by Frani Lugo.

The official video for “Unchartered Destiny” by Ray Levier is now available on Ray’s official YouTube Channel HERE:

We caught up with Ray to talk about the music video to accompany this brand new single release!

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

I came up with the concept during Covid when everybody was sheltering in place and it seemed such a lonely time for me and so many others. It kept reminding me of the loneliness and emptiness of space and being alone for extended periods of time without anyone around. The positive side of the story reflects my accident and that there is always hope after a tragedy.

Just when you think you’re at Rock bottom and your life is over then something magical and beautiful appears unexpectedly. This is always been my thought process to stay positive after my accident being burned in a fire at a young age.

Turning tragedy into triumph, is something I knew I must do if I wanted to heal and be healthy as an individual to keep my spirit intact.

2. What was the inspiration behind this video (visuals, storyline, etc.)?

The inspiration of this video comes from a story I wrote about a man who is part alien but doesn’t realize it until the end of the video.

He is summoned to the other end of the galaxy to take his place as ruler of an alien civilization. There’s a whole backstory I’m working on with a screenplay that explains the journey in greater detail. So stay tuned for that.

3. What was the process of making this video?

The process of making this video was done with CGI (computer generated imagery) and shooting video with a green screen. We would shoot with green screen, then add all the CGI later to create the scene. Frani Lugo is the genius behind taking all my ideas and bringing them to life through this process.

It took us almost 3 years to create this as he was just one man taking on this monumental task. Normally there’s hundreds of people creating individual scenes working within the CGI realm. He pulled it off with amazing skill. He created everything you see on screen. There was no AI used in any of this. Just pure artistic genius on his part.

I hope the viewers enjoy the video and can take something away from it in regards to their own personal journey.

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Listen to “Uncharted Destiny” on Spotify now!

Connect with Ray Levier:

Website // Facebook // Instagram // Spotify // Soundcloud // Apple Music // YouTube Music

VIDEO VOYAGEUR: 3 Q’S WITH MARLA LEWIS

New Jersey’s Marla Lewis is currently captivating listeners worldwide with her latest single, “Te Quiero a Ti.”

This mesmerizing new track, offered in both Spanish and English, showcases Marla’s exquisite bossa nova-inspired vocals, which are perfectly complemented by a rich and sophisticated arrangement.

The song features a lush ensemble of flute, piano, acoustic bass, electric guitar, drums, and backing vocals. The result is an evocative experience that captures the soul of romance, some vulnerability, and the carefree spirit of a holiday with its warm melodious embrace.

Marla has a very diverse set of influences in her music, including Ella Fitzgerald and The Beatles, and she has carved a unique path for herself bringing elements of big band, global folk music and smooth jazz together. A 25 year old tenure as an elementary school teacher ignited her passion for creating fun, educational and engaging songs for children, leading to accolades like featuring on the Grammy award winning album “All About Bullies … Big and Small” with her song “Leap of Faith.”

Transitioning into smooth jazz and American standards, Marla’s recent releases have captivated a global audience, including her latest hit “Te Quiero a Ti,” which has soared with much acclaim on indie music charts.

We caught up with Marla to discuss the music video to accompany her new single release, “Te Quiero A Ti.” The video was created by the talented Melissa Sanley.

Watch and share the Official “Te Quiero a Ti” music video:

https://www.youtube.com/watch?v=S-7vghk7_7A

1.Tell us the story of this song. Why did you choose to visualize it specifically in this way?

This is the story about how you feel when pure love appears in your life, when you find someone who loves you the way you are, and makes you feel as one with every step you take. One look into each other’s eyes and you can see how you have met your match.

I visualized the video with this beautiful feeling in mind, to empower this marvelous song.

2. What inspired this video (visuals, storyline, etc.)?

This video shows different couples from all cultures having the same experience of deep love.

I aimed to awaken this feeling in all who watch it. 

3. What was the process of making this video?

Like with any song, you need absorb yourself in it, choosing the exact image for every phrase, taking the all the time you need, and putting in all your love for the best result.

The first draft of the video had too many people of the same race and culture; it wasn’t until a friend commented on this that I revised it and made it for all the world.

 Listen to “Te Quiero a Ti” on Spotify now!

Connect with Marla Lewis: Website. //  Facebook // Instagram // Twitter // Spotify // Soundcloud // YouTube Music.

Portland, Oregon-based singer songwriter Shelly Rudolph teams up with musician Charlie Hunter to present “I Love LOVE”

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“I Love LOVE” is a soulful and funky track celebrating love in all its glorious forms. A delicious collaboration with jazz-soul legend Charlie Hunter, trumpeter Cyrus Naibipoor, and drummer Reinhardt Wolfgang Melz, Rudolph delivers a song that is delighting music lovers across all genres.

“I Love LOVE” began as a poem and evolved into a glorious song in its own right when Rudolph brought it to life with her vocals. It is a vibrant mix of jazz, soul, funk, and blues, proving these genres remain.

This track builds an interesting jazz-pop identity, highlighted by a contagious rhythm. Undoubtedly, the magic of this song lies in the lyrics and the warm and sensual vocal performance, which guides us through the song. All of this is achieved without losing a playful, fun, accessible, and catchy identity, making it perfect for capturing the attention of diverse audiences.

“I Love LOVE” began as a poem, like many of my songs, but when I approached the microphone, I started to sing! Thus, a song was born. Lyrically, it is playful and sweet, but the message is profound: love, in any flavor, in any combination, should be savored and celebrated.”

Hunter’s soulful guitar adds depth, Naibipoor’s New Orleans-influenced trumpet brings unique flair, and Melz’s dynamic drumming propels the rhythm, elevating “I Love LOVE” to new heights.

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Shelly Rudolph has been a beloved figure in Portland’s music scene for more than two decades now, and she is known for her dynamic live performances. Her music spans genres like jazz, soul, blues, R&B, reggae, and pop.

Her latest album, “The Way We Love,” diverges from traditional jazz, embracing a drum-less, chamber jazz style with “maverick” cellist David Darling.

Rudolph’s genre-blending style and poetic lyricism have earned her a devoted following and critical acclaim, sharing the stage with renowned artists like Tom Grant and Phil Baker of Pink Martini and has made her mark as a solo artist. Her international influence includes placements on Spotify, Pandora, and jazz radio stations across Europe, Japan, Indonesia, and the Middle East.

Deeply rooted in her community, Rudolph has received accolades such as the Professional Development Grant from RACC and has been featured in Mayor Adams’ Listen Local program.

Find out more about Shelly on her Website and connect on social media: Facebook and Instagram.

Listen to music on Spotify, Soundcloud, Apple Music and YouTube Music.

“Crash Course Vol. 2: Tickets To Dreamland” – A Deep Dive into Animals In Denial’s Revolutionary Sound

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Christian Imes, the mastermind behind Animals In Denial, epitomizes the transformative power of music in both personal and artistic realms.

Through his candid revelations, it’s clear that music is more than just a career for Imes. It is a lifeline, a profound means of communication, and a canvas for expressing the depths of his soul.

The evolution of his song “Inside of Me” from a love song to a dedication to music itself underscores his deep connection to his art, using music to articulate emotions that words alone cannot capture.

Imes’s journey is marked by the unique way he uses music to communicate, likening himself to BumbleBee from Transformers, expressing emotions through melodies and lyrics rather than spoken words. This approach has not only defined his relationships but also helped him navigate complex emotional landscapes, as seen in his poignant interactions with his mother through songs like “Disarm.” Music has been his voice, his therapist, and his saving grace, especially as someone on the spectrum who finds verbal communication challenging.

In the brand new album, “Crash Course Volume 2: Tickets To Dreamland”, Animals In Denial takes the unique sound to new heights.

Embracing technology, Imes integrates AI into his music production process, viewing it as an invaluable tool rather than a threat. His innovative use of AI for mixing, mastering, and even generating musical ideas shows his forward-thinking approach, proving that technology can enhance creativity rather than hinder it. This pragmatic view of AI as a team member has streamlined his production process allowing him to achieve a polished and professional sound more efficiently.

Drawing inspiration from iconic bands like Nine Inch Nails, Depeche Mode, and Smashing Pumpkins, Imes has meticulously crafted a sound that is both nostalgic and forward-thinking. His music embodies the self-sufficiency and innovative spirit he admires in these bands, from using drum machines unapologetically to creating dynamic guitar-driven compositions. This deep dive into their work has not only shaped his musical style but also fueled his passion to inspire others through his creations.

The way I integrate it is to keep it natural and to treat it like a member of the team. I have  used it for all of the cover art for the Revisited Series, as well as mixing and mastering for  this series of releases. I tend to start with a base mix and have the AI take a listen and make  suggestions. It’s really like having mixing and mastering engineers in the room with me  from demo to finished product. It has made finishing much faster and we don’t have to  take 15 mixes out to the car to check only to still not be happy. It tends to be only one or  two mixes now and mostly being the first round through the AI. I have just recently started  letting AI suggest a part for a song. So, I’ll have it generate a base beat, or a bass line  and/or drone type of texture. I may elect to tweak it or add to it, but it’s something to trigger  a response from me. I’ll then just build and build like I do with anything else. I would do this  same kind of thing with a Kaos pad, or a sequence on a synthesizer. It’s really not so different from hiring a session musician to play something you’re directing them to play, as  you can also direct the AI to play as you want it to.

As the newest entry in their “Revisited” series, “the album “Tickets to Dreamland” immerses its listeners in a rich and layered musical sound that melds hypnotic melodies with innovative production techniques. Sophisticated mixing which makes use of dynamic shifts in volume and texture, creates an engaging listening experience. Tracks “Inside of Me” and “No Enemy” epitomize this approach, balancing intensity with subtlety and captivating listeners with their intricate soundscapes.

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Imes’ own songwriting journey began with personal experiences, evolving from tales of past relationships to exploring a myriad of subjects that affect and intrigue him. This fearless exploration into various themes has allowed him to write over 100 songs, each reflecting a piece of his life and thoughts.

Collaboration has also played a crucial role; his long-standing friendship and collaboration with Steven Seibold of Hate Dept and Pigface shows his willingness to learn and grow from his peers. This partnership has not only enhanced his production skills but also opened new creative avenues, blending industrial sounds with diverse musical elements.

Looking ahead, Imes remains committed to keep developing his music with a distinct approach. With plans to release more music through the Revisited series and new projects, his creative journey is far from over. His dedication to reviving live performances, despite logistical challenges, underscores his passion for connecting with audiences directly. Additionally, his side projects, MOD CON and The Search Merchants, Imes enjoys exploring diverse genres.

Keep up to date with Animals in Denial here:

Website // Facebook // Instagram // TikTok // Spotify // Soundcloud // Apple Music // YouTube Music

George Collins Brings Upbeat and Joyful Vibes with his New Single “Saving the Best for Last”

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George Collins has recently released his latest single, “Saving the Best for Last”!

This is the last single written for his second EP “Songs for Grown Ups” which is scheduled to hit the airwaves this summer. 

Radiating positivity and a lively vibe, “Saving the Best for Last” wraps up the album’s themes with a hopeful twist. It reflects on the passage of time and the shift into a new chapter of life, where past lessons pave the way for a fulfilling and joyful future.

“I knew I wanted to end this collection with a positive, upbeat, exuberant anthem. For this song, I was inspired by the works of George Harrison, Bruce Springsteen, Van Morrison and Neil Diamond. The song summarises the themes explored in the previous tracks of the EP and reaches the hopeful conclusion that, As I continue getting older and enter into a new phase of existence, I can bring all the lessons I have learned to bear to create a fulfilling and joyful later stage of life.”

Collins shares, “I’ve always believed that, regardless of age, my best days and work are yet to come – and this song is my way of expressing that belief. It’s a counterbalance to “Stop the Sun”, urging listeners to leave regrets behind and embrace life to the fullest within the constraints of being human.

What sets this track apart is its infectious energy, packed with catchy hooks and a nod to 70s-style modulation that adds a surprising twist to the lyrics – a rare find in today’s music scene.

Inspired by Edward Said’s reflections on “Late Style,” the album delves deep into the theme of creativity flourishing in later years. By drawing parallels between legends like Springsteen and Harrison and timeless figures such as Bach, Yeats, Matisse, and Picasso, Collins celebrates the richness of experience and wisdom that comes with age. It is the idea that these iconic artists have a message that can serve as model for us all.

The horn arrangements on the track were crafted by Canadian musician Lou Pomanti, known for his work with Michael Buble. Pomanti’s touch added a special dimension to the song.

Production, mixing, and mastering of “Saving the Best for Last” took place at Sundown Sessions Studio in Nashville, Tennessee with Collins recording his lead vocals at a studio in Prague, and engineering by Derek Saxenmeyer of ENEM Productions.


Connect with George Collins:

Website, // Facebook // Instagram // Spotify