Video Voyaguer: 3 Q’s with Sarah Pillow

Nestled just steps away from the dazzling lights of Times Square and the world-famous Rockefeller Center Christmas Tree, Hell’s Kitchen offers a striking contrast to Midtown Manhattan’s holiday frenzy.

It’s a neighborhood that pulses with history, resilience, and creativity – a vibrant mix of artists, shopkeepers, and locals who form the backbone of its enduring charm.

In her latest holiday single music video, “Hell’s Kitchen at Christmas Time,” Sarah Pillow and the team at Buckyball Music captures the spirit of this unique corner of New York City.

Part love letter, part festive celebration, the video is a heartfelt tribute to the small businesses, quiet streets, and resilient community that make Hell’s Kitchen feel like home. Even as the chaos of the holidays unfolds just a few blocks away.

With playful nods to iconic New York traditions, from the Macy’s Thanksgiving Day Parade to the glittering Fifth Avenue window displays, the video weaves together a narrative that celebrates both the hustle and the haven that define Hell’s Kitchen. Featuring a talented ensemble of musicians, actors, and local shopkeepers, it’s a project that shines a light on the people and places that keep the neighborhood alive.

Watch here:

We asked Sarah to tell us about the inspiration behind the song, the challenges of filming in the heart of Manhattan, and why shopping locally is more important than ever during the holiday season.

1.Tell us the story of this song, why did you choose to visualize this song specifically in this way?

I’ve lived in Hell’s Kitchen since 1996, and while the neighborhood has evolved over the years, it has managed to retain its unique charm. I was reading about how local businesses are struggling due to reduced foot traffic as more people turn to online shopping.

This inspired us to create a fun holiday video celebrating our neighborhood – the artists, the community, and the small businesses that make it special.

The holidays are an especially meaningful time here, as we’re right next door to one of the busiest places in the world during this season.

2.What was the inspiration behind this new video (visuals, storyline, etc.)?

    We were inspired by the juxtaposition of our quiet neighborhood nestled right next to Times Square – the center of the world, especially during the holidays – which led to the lyric, “you’re in it all, but off to the side.” 

    The storyline follows me navigating the chaos of Midtown Manhattan – Times Square, Rockefeller Center, and Saks – while also highlighting the anchors of my neighborhood: Hudson River Park, Restaurant Row, and long-standing local businesses that have been part of the community for decades.

    It’s a celebration of their resilience and enduring spirit.

    3.What was the process of making the video?

      We invited some actor friends to play the roles of crazy holiday shoppers and collaborated with our colleague Eliane Amherd – also a Hell’s Kitchen local – to play guitar and sing with me. For the horn section, we enlisted three excellent horn players who were students at the time (one has since joined the band of Saturday Night Live). The marching at the beginning of the video is a nod to the Macy’s Thanksgiving Day Parade.

      We visited some of our favorite local businesses and asked if they’d like to participate, celebrating the importance of shopping locally.

      We also wanted to feature the musicians, highlighting the artists and performers who make New York City so vibrant. Filming took place in our studio, along the West Side Highway, driving through the streets of Hell’s Kitchen, on our rooftop, and even in front of Saks Fifth Avenue (who were surprisingly cool about it). To add to the festive spirit, we included Manhattan holiday window displays in one segment of the song.

      Hell’s Kitchen at Christmas Time

      Sarah Pillow, vocals

      Marc Wagnon, drums, percussion and vibraphone.

      Eliane Amherd, guitar and vocals

      Summer Camargo, trumpet

      Coby Petricone-Berg, alto sax

      Cole Palensky, tenor sax

      Jonathan Price, bass

      Holiday Shoppers:

      Carol Scudder

      Robert Arthur Altman

      Justin Anderson Taylor 

      Thank you to these Hell’s Kitchen shopkeepers:

      Garden Hardware, 10th Avenue

      Westside Animal Hospital, 10th Avenue

      Poseidon Bakery, 9th Avenue

      Sullivan Street Bakery, West 47th Street

      Thriftway Pharmacy, 10th Avenue

      Spoiled Brats, West 49th Street

      Fine and Dandy, West 49th Street

      Ismael Cruz, West 49th Street Caretaker

      Skyline Deli, 10th Avenue

      Find out more about Sarah Pillow on her Website

      Thomas Michael Link Swings Into the Holiday Spirit with “I Can’t Wait for Christmas”

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      Thomas Michael Link’s “I Can’t Wait for Christmas” feels like it was made for that perfect holiday moment. Maybe, when you’re trimming the tree or sharing a warm drink with someone you love.

      The track leans into big band nostalgia with a modern spark, blending jazzy brass, a lively rhythm section, and Link’s smooth baritone for a holiday tune that is fresh, catchy and brimming with the kind of joy that makes you want to hit repeat.

      The horns pop, upbeat swing, the drums shuffle, and the bass keeps everything bouncing along, laying the foundation for Link’s charismatic vocal. There is a personal touch too – lines like “Every day is Christmas as long as I can hold you near” take the sentiment beyond the season, making the song as much about love as it is about sleigh bells and snowy nights.

      The arrangement is where the magic really happens. Collaborating with Studio Pros, Link crafted a sound that’s as full and rich as your favorite holiday spread. The guitar solo, with its Wes Montgomery-style warmth, is a standout moment, while the female backing vocals, added late in the process, give the track a classic 1940s feel that ties it all together.

      Link’s musical journey makes this track feel even more authentic. A self-described blender of music genres, he has spent years pulling together elements of rock, jazz, blues, and pop into his own unique sound.

      Link says:

      “”I Can’t Wait for Christmas” started out as just melody and a chorus and grew from there. I walked around humming it to myself as it grew, and it seemed to organically sprout lyrics inspired by the underlying idea of being in love at Christmas and having that feeling year-round. I was also conceptually inspired by some classic Christmas/holiday songs such as “Baby It’s Cold Outside” and that feeling that you never want the season to end.

      He’s not one to stick to formulas, and “I Can’t Wait for Christmas” reflects that spirit of experimentation – it’s a big band tune at heart, with a modern energy that is fresh and inviting.

      For fans of Michael Bublé, Harry Connick Jr., or even those old Bing Crosby records, this song has all the makings of a holiday favorite. It’s joyful, romantic, and just the right amount of over the top – a perfect soundtrack to the season’s best moments.

      Make sure to save this to your holiday playlists now!

      Stream “I Can’t Wait for Christmas” on Spotify here.

      Find out more about Thomas Michael Link on his Website.

      Video Voyaguer: 3 Q’s with The IT City

      This holiday season, The It City bring a fresh take on festive nostalgia with their heartwarming music video for “Christmas At Home”.

      Known for their blend of modern sounds and timeless appeal, the band re-imagines their original orchestral holiday anthem in an intimate, acoustic trio format.

      The result is a cozy stripped-down rendition that perfectly captures the warmth, longing and joy that defines the holiday season.

      In this exclusive interview, we take a deeper dive into the inspiration behind the song, the creative vision for the music video, and the magic of bringing their holiday vision to life with the help of the talented Sean Power of Music City Content Kings.

      Watch here:

      1. Tell us the story of this song, why did you choose to visualize this song specifically in
      this way?

      “Christmas At Home” is a forlorn little love letter to the holidays. We wanted to evoke the warm feelings of nostalgia that sneak in this time of year.

      2. What was the inspiration behind this new video (visuals, storyline, etc.)?

      We love the old Christmas specials and all of the unique and interesting performances from them. It was also an exciting musical opportunity to reimagine the original arrangement, replete with full orchestration, as a simplified acoustic trio!

      3. What was the process of making the video?

      The inimitable Sean Power of Music City Content Kings has a cozy studio here in Nashville. He does incredible work and had the cameras all set up and the stockings hung by the sound baffles with care. It’s always a delight to work with him whenever we can!

      About The It City

      It-City-2019-Promo-Black-Suits-2

      The It City is a dynamic Nashville-based band known for its eclectic fusion of sounds that blend pop, rock, and soul with the timeless spirit of the city’s musical heritage.

      Formed by a group of talented musicians including DJ Phillips (guitar, vocals), Derrek Phillips (drums, percussion, backing vocals), Rich Brinsfield (bass, backing vocals), and Reed Pittman (keyboards, vocals) the band has quickly become a standout act in the vibrant Nashville music scene.

      With a string of successful releases and collaborations, The It City has received attention both locally and internationally, sharing the stage with music legends such as Elton John, Lana Del Rey, Sting, and Maren Morris.

      The band’s sound is characterized by rich harmonies, infectious melodies, and a deep-rooted commitment to musicianship, evident in their diverse musical influences and creative approach to songwriting.

      Their holiday single Christmas At Home is the latest in a series of releases that explore their familiar sounds while staying true to the heart of what makes their music so universally appealing.

      Connect with The IT City here:

      Website / Facebook / Instagram / Spotify / Apple Music / YouTube Music

      Collin Derrick’s “Holiday Hallelujah” – Indie Pop Meets Festive Cheer in this Holiday Gem

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      Collin Derrick, the wildly uncool (his words), middle-aged indie pop maestro with a knack for turning life’s quirks into sonic joy, has struck gold with his latest single, “Holiday Hallelujah.”

      This track, a centerpiece of his newly released EP Christmas, Vol. 2, is a jubilant celebration of all things festive, bringing classic holiday nostalgia together with Derrick’s signature modern indie pop sound.

      Listen in here:

      From the first notes, “Holiday Hallelujah” grabs your attention with its vibrant mix of jangly guitars, upright bass grooves, and shimmering sleigh bells. It’s a track that radiates the kitschy charm of Christmas Vacation and the timeless coziness of Burl Ives. The infectious hook, “Holiday Hallelujah,” is impossible to resist, daring you to sing along as the song builds to an exuberant finish.

      Derrick wrote, recorded, produced, mixed, and even mastered the track himself, showing his talent as both artist and producer. Notably, Derrick picked up an upright bass for the first time and revisited his long-neglected drum skills to bring this song to life.

      CDerrick-headshot

      Beyond his holiday releases, Derrick has been carving out a unique space in the indie pop world.

      He first gained attention with the quirky track “LaCroix LaCroix,” co-written with Grant Michaels (who has worked with Sia, SZA, and Weezer), and followed it up with the synth-laden single “You’re Magic.”

      A former member of the prog piano trio The Fire Tonight, he toured the Southeast for 10 years, releasing three full-length albums and three EPs with the band. As a mix engineer, Collin has worked with Grammy-winners Jeff Coffin and Nir Felder as well as prominent artists like Offset, 2KBABY, and Quando Rondo. His production and co-writing credits include collaborations with Allyn Aston (Atlanta), Anne Reburn (Los Angeles), and Ivy Ash (London).

      But Derrick’s holiday music holds a special place in his discography – and his heart. Inspired by his wife’s admittedly high standards for Christmas gifts, Derrick began writing her original holiday songs, a tradition that ultimately led to the Christmas series.

      With Christmas, Vol. 2, he expands on the themes of joy and nostalgia, delivering a collection that resonates with listeners while still keeping it lighthearted and fun.

      In “Holiday Hallelujah,” Derrick captures the essence of what makes the best holiday songs endure – nonsensical yet unforgettable lyrics, unrelenting cheer, and a sense of warmth that can melt even the coldest winter day.

      It’s the perfect addition to a seasonal playlist, bringing a dose of indie charm to your holiday celebrations.

      “Holiday Hallelujah” and the full EP, Christmas, Vol. 2, are available now on all major streaming platforms.

      Connect with Collin Derrick on Instagram, TikTok and YouTube Music.

      Another Week, Another Deerhoof Song

      Indie-rockers Deerhoof have found a way to stretch out a CD release day into…a couple months.

      The band, premiering one song a week until January 25th (when you get the whole CD), released the song “Must Fight Current” today. In addition, the band has given us the details of their upcoming tour which kicks off just after the holidays.

      You can check out the newest song from the album right here.

      You can see Deerhoof playing more than just one song (hopefully!) at the following. I’ve heard tickets make great stocking stuffers.

      dec 05 – Minehead, UK – All Tomorrow’s Parties (Curated by Godspeed You! Black Emperor)
      jan 27 – Sacramento, CA – Harlow’s (w/ Nervous Cop)
      jan 28 – San Francisco, CA – Great AMerican Music Hall (w/ Nervous Cop, Ben Butler and Mousepad)
      jan 29 – Los Angeles, CA – Echoplex (w/ Nervous Cop, Ben Butler and Mousepad)
      feb 01 – Austin, TX – Mohawk (w/ Nervous Cop, Ben Butler and Mousepad)
      feb 02 – Dallas, TX – South Side Music Hall (w/ Nervous Cop, Ben Butler and Mousepad)
      feb 03 – Memphis, TN – The Hi Tone (w/ Nervous Cop, Ben Butler and Mousepad)
      feb 04 – Nashville, TN – Mercy Lounge (w/ Nervous Cop, Ben Butler and Mousepad)
      feb 05 – Athens, GA – 40 Watt (w/ Nervous Cop, Ben Butler and Mousepad)
      feb 06 – Raleigh, NC – King’s (w/ Nervous Cop, Ben Butler and Mousepad)
      feb 07 – Washington, DC – 9:30 Club (w/ Nervous Cop, Ben Butler and Mousepad)
      feb 08 – Brooklyn, NY – Ridgewood Masonic Temple (w/ Nervous Cop, Ben Butler and Mousepad)
      feb 10 – Cambridge, MA – Middle East (w/ Nervous Cop, Ben Butler and Mousepad)
      feb 11 – Philadelphia, PA – Theatre of Living Arts (w/ Nervous Cop, Ben Butler and Mousepad)
      feb 12 – Pittsburgh, PA – Altar (w/ Nervous Cop, Ben Butler and Mousepad)
      feb 14 – Pontiac, MI – The Crofoot Ballroom (w/ Nervous Cop, Ben Butler and Mousepad)
      feb 15 – Chicago, IL – Bottom Lounge (w/ Nervous Cop, Ben Butler and Mousepad)
      feb 16 – Madison, WI – High Noon Saloon (w/ Nervous Cop, Ben Butler and Mousepad)
      feb 17 – Minneapolis, MN – Triple Rock Social Club (w/ Nervous Cop, Ben Butler and Mousepad)
      feb 18 – Iowa City, IA – Blue Moose (w/ Nervous Cop, Ben Butler and Mousepad)
      feb 19 – Omaha, NB – Waiting Room (w/ Nervous Cop, Ben Butler and Mousepad)
      feb 21 – Denver, CO – The Marquis (w/ Nervous Cop, Ben Butler and Mousepad)
      feb 25 – Seattle, WA – Neumo’s (w/ Ben Butler and Mousepad)
      feb 26 – Portland, OR – Holocene (w/ Ben Butler and Mousepad)
      mar 14 – New York, NY – JapanNYC Festival at Le Poisson Rouge (w/ Ichi)
      jul 11 – London, UK – Performing Milk Man at Alexandra Palace (w/ The Flaming Lips performing The Soft Bulletin and Dinosaur Jr performing Bug)