Brooklyn-based duo Blue Pilot (songwriter Eric Frost and producer Chris Worden) deliver a hauntingly introspective new single, “Anyu,” a psychedelic exploration of melancholy and triumph. Inspired by the throes of a quarter-life crisis, the song reflects on the exhausting sense of permanence that comes with being “in-between.” With an uncanny blend of acoustic and electronic elements, “Anyu” captures the disorienting yet hopeful journey of emerging from a phase of uncertainty and longing.
The track’s title, “Anyu,” is a nod to a friend who seems to have it all together—offering a symbolic contrast to the chaos at the song’s core. The duo embraces their unique approach, fusing years of evolving influences into a sound unlike anything else.
There’s definitely a careful balancing act here between acoustic and electronic drums. We wanted them to have the energy that a drummer might bring to a band, but also sound unlike a traditional kit or something anyone would actually play. There’s also kind of a dialogue between two versions of my voice. The more robotic one started as a placeholder, but the contrast turned into a great way of emphasizing the feeling of being pulled in two directions. – Eric Frost
Ben Killen’s“Singing River Blues” is a song built on memory, loss and the timeless pulse of the blues.
With his debut music video, Killen transforms these themes into a striking visual experience – one that feels both deeply personal and universally resonant to many people.
Shot, directed, edited, and produced by the artist himself, the video stands out not only for Killen’s raw talent, but also, his dedication to storytelling through music and film.
Watch here:
The video’s aesthetic is rich and layered, blending high-quality stock footage with intimate, close-up shots of Killen himself.
The result is a seamless interplay between the past and present, re-inforcing the song’s core themes of musical heritage and personal reflection. The presence of the steamboat, which is one of the most potent symbols in the piece, feels like a nod to the blues’ deep Southern roots as well as a metaphor for the journey of loss and remembrance.
Killen’s on-screen performance is captivating. Although he is lip-syncing to his own studio recording, there’s an undeniable authenticity in his delivery. Every glance, every frame carries the weight of the song’s emotional depth, making it impossible for the viewer not to be drawn in.
The decision to shoot these sequences simply, in front of a glass wardrobe in his Brooklyn apartment, adds an unfiltered honesty that grounds the video in reality.
From a technical standpoint, Singing River Blues is an impressive achievement. With limited resources, Killen has created a video that looks as refined as any major-label production. His dedication to achieving full 4K resolution, despite the painstaking rendering process, shows just how much care and passion went into bringing this vision to life. The integration of beautifully choreographed dance sequences and historical footage from collaborators like BDKMG and the lloolk agency elevates the video, making it feel cinematic yet also very personal.
What sets this video apart is its ability to make you feel something.
This is not simply a visual accompaniment to a song. It is more of an extension of the music itself, a living, breathing tribute to those we’ve lost and the traditions that shape us.
For a debut music video, Singing River Blues is excellent. It not only highlights Killen’s skills as a musician but also establishes him as a powerful visual storyteller.
Eric Selby’s latest EP, “Starting to Sync In“ is a masterclass in blending rootsy Americana with psychedelic folk and a splash of rock and soul.
Recorded between Virginia and Nashville, and mastered at Abbey Road Studios, this collection is full of music that is timeless and contemporary too.
Listen in here:
Opening with “Issues” Selby immediately sets the tone with a wry and self aware groove that channels ‘70s funk and white soul. The track’s playful yet introspective lyrics, born out of an offhand moment with his wife, capture the everyday struggles we all face but with a sense of humor that keeps things light. The chorus – instantly catchy and endlessly relatable – makes this an easy standout and opening track.
“Wine Stains” takes things in a more psychedelic direction. Drawing inspiration from the experimental textures of Revolver and Pet Sounds. With its swirling tablas, deep cello lines, and a dreamy vocal delivery the song feels like a lost relic from the golden age of studio experimentation.
The lyrics push back against over-intellectualizing life’s scars summed up perfectly in the chorus: “I don’t need a sommelier to tell me, it’s just wine stains.”
It’s a clever emotionally sound track that highlights Selby’s knack for balancing weighty themes with effortless melodies.
Then there’s “Because of You,” a heartfelt love song that leans into shimmering rock territory. A song about connection in an increasingly disconnected world, it offers the listener a real sense of warmth and hope. The lush instrumentation and earnest delivery make it one of the most poignant moments on the EP, a perfect closer that leaves listeners feeling uplifted.
Selby has always had a gift for crafting songs that feel lived – in yet utterly original. “Starting to Sync In” is an EP that shows not only his musicianship but the ability to create soundscapes that transcend genre.
He has already made a name for himself with award-winning albums, but with its sharp songwriting, rich production, and undeniable heart, this EP is a must-listen for anyone looking for music that moves both the feet and the soul.
About Eric Selby
Hailing from a small town in Maryland and now calling Virginia home, Eric Selby is a singer, songwriter, and multi-instrumentalist whose music defies easy categorization.
Blending elements of Americana, Psychedelic Folk, and roots-driven storytelling, his sound is both deeply personal and universally resonant. Nestled near the Blue Ridge and Appalachian Mountains, Eric draws inspiration from the natural beauty surrounding him, channeling it into songs rich with emotion, texture, and thought provoking lyrics.
His fourth solo release for Soul Stew Records, Starting To Sync In, shows his talent for blending genres. Recorded in Arlington, VA, with his band and in Nashville, TN, the EP features an all-star lineup, including Seth Rausch (drums – Keith Urban, Sheryl Crow, Little Big Town), Luis Espaillat (bass – The Guess Who, Trace Adkins, Jim Messina), and Justin Ostrander (guitar – Luke Bryan, Kenny Chesney, Steven Tyler). The final touch came from Andy Walter at London’s legendary Abbey Road Studios, whose mastering credits include The Beatles, David Bowie, and Radiohead, ensuring the EP’s sonic depth and cohesion.
Eric’s previous album, Dang Fool, landed in the Top 10 National Alternative Folk Albums of the Year (2024), according to Roots Music Report (RMR). His past releases, Do, Baby. and Where You Born At?, were also named among RMR’s Top Contemporary Folk Albums of the Year, further solidifying his reputation as a forward-thinking artist with an ear for both classic and contemporary influences.
Eric is a Soul Stew Records recording artist and a proud endorser of SonoTone Premium Guitar & Bass Strings, Canopus Drums, Soultone Cymbals, and other leading musical brands.
Whether behind the drums, at the mic, or producing, his commitment to authenticity and innovation remains unwavering.
Toronto-based singer-songwriter and filmmaker David Jane delves into the uncanny experience of returning home to a place that no longer feels familiar with his latest single, “Five and Dime.” Introspective and riveting, the track blends acoustic-driven singer-songwriter stylings with atmospheric indie production, capturing a profound sense of disconnection and longing.
Following the success of his contemplative single, “Garden Out Back,” which reflected on the lingering ache of a love left behind, “Five and Dime” shifts focus to David’s own journey of re-acclimating to a post-Vancouver reality. It chronicles the often unhealthy coping mechanisms used to navigate this transitional phase, such as over-immersing oneself in fictional narratives, offering a window into the internal conflict of seeking comfort in escapism versus facing life’s stark realities. The track is a testament to the chemistry between David and producer Sam Arion (Mute Choir), marking their third collaboration.
“Five and Dime” exists in the breaking point between inspiration and dissociation. Dreaming of a “Five and Dime” symbolizes an idealized haven from a romanticized past—like the alluring veneer of a classic Hollywood movie—where life appeared simpler and more connected. For an acoustic-driven song, there are so many unique parts—the epic bridge with Arctic Monkeys- esque lead guitar, a nostalgic breakdown with cinematic strings—and yet, after hours of experimentation, what tied everything together was simply adding another rhythmic acoustic. It was a beautiful reminder that sometimes less is more. – David Jane
Hailing from Maple, Ontario, and now dividing his time between Toronto and Los Angeles, emerging indie-pop artist Julian Daniel returns with his latest single, “Northern Lights.” Known for blending meaningful lyrics with upbeat instrumentals, Julian offers a fresh fusion of indie pop and rock, drawing inspiration from artists like Charli XCX, Troye Sivan, and Gus Dapperton.
“Northern Lights” redefines the awe of natural wonders as it shifts focus to the phenomenon of love in the least expected places.
I know what you may be thinking: “does he know the Northern Lights can’t be seen above Rodeo Drive?” To which I say yes, but I don’t need to see a natural wonder to know that it’s sitting right beside me gently humming our favourite songs with wind-swept hair. – Julian Daniel
MEGGO, the creative project of Montreal-based musician and producer Megan Ennenberg, invites listeners into an intimate world with her debut EP, eavesdropper ;; death stories, a masterclass in capturing the raw beauty of life’s fleeting moments. Standout track, “sylvia’s place ;; tricks,” serves as a poignant meditation on love, loss, and presence, blending acoustic roots with experimental soundscapes to create a piece that feels both nostalgic and timeless.
Recorded during a deeply personal period of grief, “sylvia’s place ;; tricks” came to life at the piano in a friend’s home shortly after MEGGO’s beloved dog, Laika, passed away.
I wrote this song right after we had to put Laika down. She was the best little friend– came to every band practice, was such an epic buddy, and taught me so many tricks; how loving, and loving well, feeds us; how innately we understand and respond viscerally to love; how it helps us be healthy. I hardly play the piano, but I sat down at one at my friend Sylvia’s place and wrote, and the tune opens with the moment I found the melody. The track is full of sounds from a goodbye party we threw for her, with friends laughing and crying and jamming, sometimes all three at once, with Laika right in the middle eating spaghetti smothered in bacon fat, seeming quite content and completely oblivious. That raw real visual is the heart of this song, and the EP as a whole – it’s about being present enough to notice fleeting moments, about holding sadness and joy in the same breath. – MEGGO
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