Vibi is the alias of Canadian-born pop singer and dynamic vocalist, Valerie Borghesi, who has been making a statement through her intense energy performance, red hot aesthetic, and impressive vocal abilities. Championed by her hometown, VIBI took home awards in the “Best Female Vocalist” and “Adult Contemporary Artist” categories at the 2020 Niagara Music Awards. 

Her new single, “Nights Like This,” has already had a huge impact ahead of its official release. VIBI performed it in front of 60k people when she opened for Bryan Adams, it won in the Pop Category for the John Lennon Songwriting contest, and it got her accepted with a scholarship into the LAAMP (Los Angeles Academy for Artists and Music Production) program.

At the end of summer 2019, Vibi was commuting 2 hours to and from Toronto for various co-writing sessions. It had been a whirlwind summer, new friends, a new fling and very little sleep. On one particular night, the writing session she had booked was canceled due to the producer having a scheduling conflict. Not about to let that roadblock put out her fire, she opened up my laptop to test her production skills. 

From that session, she ended up writing “Nights Like This” in about 30 minutes and sent a bounce to her drummer, Daniel Nicoletti. When he sent back the groove with more drums and bass, they knew they had something special. It’s crazy to think that this song almost didn’t happen – sometimes good things come from canceled plans! 

“I want this song to feel like a good cry,” Vibi explains. “While you’re in it, it’s intense and you might even pity yourself a bit, but by the end of it you feel empowered in owning your feelings.”

Grimelda (fka The Faps) is the collaborative art-punk meets freak-rock project of Blair Colwell and Skyler Cafferata. This new name, taken from their 2018 album, symbolizes a shift into further exploration – from punishing noise-rock anthems to math-y future-punk ragers. Their loud-yet-catchy compositions and gregarious, interactive stage presence (often handing instruments to total strangers, for better or worse) has landed them alongside an array of notable acts like Single Mothers, TEKE:TEKE, Obnox, JOHN, The Dirty Nil, and Shannon & the Clams.

Their new single “George Thorogood,” named after the American musician, is for living in the moment and rocking out! Grimelda’s aim was to make their own fun version of a radio-friendly rock song that mixes modern, classic, and DIY aesthetics.

Check out the official video, for which they explain: “We’re all George Thorogood. It’s about embracing your inner George.”

Expect to be pleasantly annoyed and excited by a louder, weirder, and wilder duo that forever lurks in plain sight. “[Grimelda] follow in the footsteps of outsiders like The Cardiacs and Primus, not necessarily musically, but in the context of bands who always trod their own eccentric path, regardless of commercial appeal.” –ThePunkSite

Mixed-race musicians Brava Kilo & Annie Sumi are tracing their histories through Kintsugi, a new anti-racist, interactive, multi-disciplinary art installation which reflects on racial identity, healing ancestral trauma, and the fragmented history of the Japanese Canadian internment.

The duo are sharing “Chattels,” taken from the collaborative Kintsugi EP, inspired by archival documentation which listed their ancestors’ belongings that were confiscated and auctioned off during that period of time. This song acknowledges the impact of stolen heirlooms and the process of healing ancestral trauma. 

The experimental track combines spoken word over playful beats, melodies, and rhythms, juxtaposing the weight of the lyrical content, which lists items from the collection of Kilo and Sumi’s lost family heirlooms which were auctioned.

The Kinstugi installation can be experienced at the Japanese Canadian Cultural Centre in Toronto, Ontario, beginning October 14. Learn more about the installation here: https://kintsugi-installation.com/about

Get ready New York City!

The Americans stroll into town for a night of Americana Rock n’ Roll that you will not soon forget, this Sunday, November 6. Head out to the show for an incredible evening of music, storytelling and good vibes at The Bitter End.

Showcasing an undeniably fresh approach to a tried-and-true genre with unparalleled proficiency the group who hails from Los Angeles is one to watch.

Upon hearing their new album “Stand True” — the band’s latest 11-song, sophomore studio LP (via Loose Music) — it’s evident why revered producer T Bone Burnett raved, calling them, “genius twenty-first century musicians that are reinventing American heritage music for this century. And it sounds even better this century.”

The band’s distinctive, powerful works have captured the attention of a number of stars. They’ve backed Nick Cave, Lucinda Williams, Ashley Monroe, and Devendra Banhart, and twice joined Ryan Bingham on national tours. They worked closely with Jack White and T Bone Burnett, joining Nas, Elton John, and Alabama Shakes in the PBS primetime series American Epic. Their live show, honed over many hundreds of performances, is something to behold.


Show Details:

November 6, 2022 – 8:30 PM

The Bitter End NYC
Get Your Tickets here:
https://bitterend.com/#/events?event_id=63151

https://www.theamericansmusic.com/

Uplifting, reflective, and liberating: Across the span of Feel, a new five song EP, the Southern California-based rock band Happy to Be Here delivers potent perspectives on life, love, and the emancipation of casting off the chains of addiction. 

Showcasing the uplifting clarity of the band’s striking melodies, vocalist and songwriter Greyson Grimes and guitarist James Hamilton create an extraordinary alchemy underscored with a vital authenticity. Sensitivity and truth are keys to the artistry of Happy To Be Here, as the title track “Feel,” illustrates with these lines: “I could kill to feel what you feel/A piece of your serenity/A cure for my instability.”

The project was tracked at Revolver Recordings by multi-platinum producer Mikal Blue (OneRepublic, Five for Fighting,) and Dean Dinning, producer, composer, and bassist for Toad The Wet Sprocket. The arrangements highlight essential elements, framing Grimes’ poignant voice with evocative keyboards and layered guitars floating above the fire of a rock solid rhythm section.  

All of the instruments are stripped away on “Heroin,” with Grimes’ imploring narrative stark against deep piano chords as he recalls a romance destroyed by drugs. “It was crazy what the drugs did to you/Everything they say about heroin/I know it to be true.” Both Grimes and Hamilton exemplify a hard-won sobriety, and their songs pull no punches as they share. “Every song we’re recorded has deep elements of heartbreak, trauma, drums, alcohol, recovery, broken homes and abuse.”

As riveting live performers with a commanding onstage presence, Happy To Be Here is sharing their message in select live shows, highlighted by a recent headlining spot at the legendary Whisky a Go Go on the historic Sunset Strip.  The themes, the songs, and most of all the truth in their music are transcendent connecting points that now resonate with a post- pandemic audience. “The beauty of music is it boils down to emotion,” explains Greyson Grimes. “Even if you’re not an addict, you’ve had the lowest moments of your life. But if you kept going, you got through it. James and I found our sound, our rhythms, and our message.”