Toronto-based singer-songwriter and filmmaker David Jane delves into the uncanny experience of returning home to a place that no longer feels familiar with his latest single, “Five and Dime.” Introspective and riveting, the track blends acoustic-driven singer-songwriter stylings with atmospheric indie production, capturing a profound sense of disconnection and longing.

Following the success of his contemplative single, “Garden Out Back,” which reflected on the lingering ache of a love left behind, “Five and Dime” shifts focus to David‘s own journey of re-acclimating to a post-Vancouver reality. It chronicles the often unhealthy coping mechanisms used to navigate this transitional phase, such as immersing oneself in fictional narratives, offering a window into the internal conflict of seeking comfort in escapism versus facing life’s stark realities. The track is a testament to the chemistry between David and producer Sam Arion (Mute Choir), marking their third collaboration.

1. Tell us the story of this song, why did you choose to visualize this song specifically? 

“Five and Dime” might be the most personal song I’ve ever written. It deals with the kind of uncanny feeling that comes with returning to a home that no longer feels familiar and the unhealthy ways of coping, which to a cinephile like me with as much of my heart in film as there is in music, means wiling away countless hours binging classic movies. In this case, I was returning home from the most inspiring year of my life studying film in Vancouver only to find that, while I was gone, most of my friends had moved away and nothing about my home really felt comforting or familiar anymore. Rather than facing that feeling head on, it’s easy instead to slip into these fictional narratives. I think there’s a fine line between drawing inspiration from these incredible artistic expressions and dissociating into them, using them as an escape. “Five and Dime” exists right in that subtle intersection. Mentally, I even built the structure of the song and production around The Hero’s Journey—perhaps the most deeply rooted story structure in all narrative, especially film. These cinematic inspirations and inclinations were just crying out for some visuals to match. 

2. What was the inspiration behind this video (visuals, storyline, etc.)? 

“Five and Dime” is the second single building to an upcoming EP that really captures the transformative feelings of this transition from Vancouver back to my hometown and feeling somehow disconnected from this whole different version of myself I left behind. In the first single’s video, “Garden Out Back,” we see this duality represented through a quiet, disaffected version of myself contrasted with an elevated, desperate, pleading version, both trapped in the same small space. In “Five and Dime,” I again partnered with Chara Ho of ZestyNobody who helped on “Garden Out Back”,  to double down on this idea of duplicity—in this version, there’s the confident, idealized vision you see on the TV contrasted with the dissociative, disaffected reality of sitting at home alone on a Friday night. To tie into this vintage “Five and Dime,” classic Hollywood theme I had going, I wanted the TV performance footage to appear in grainy black & white, like an old Ed Sullivan performance or Dylan in “Don’t Look Back” or something. As previously mentioned, the disaffected version finds a source of light and inspiration in this idealized performance, only to be suckered by the unreality of it once it ends.

3. What was the process of making this video?

“Garden Out Back” was a very simple shoot – Chara and I rented a photo studio for a few hours with a couple cool ideas to capture as much footage as we could. I figured we’d do something similar here, though she suggested we up the ante and find a proper cinematographer to help. Luckily, I know Hayden Salter from my short film “Apnea,” who was happy to hop on board. Within days of Hayden’s involvement, he’d confirmed access to a top line camera and gear, an accessible studio space and a whole light setup, all within our tiny little pocket budget. Suddenly, we had three days to flesh out a full-fledged music video and full-on production with just three people. Safe to say it turned into one of the most frenetic weeks of my life: on set, I’d be loading gear up four flights of stairs, hanging off ladders and shuffling furniture around all within minutes of fixing up my makeup/wardrobe and hopping in front of the camera. My favourite shots from the video might be me sitting in front of a projection of the black & white performance footage. We shot all the black and white performance footage first thing in the morning so that we could quickly apply some colour correction and render out a proper video to project against the blank wall before re-setting the space into the living room. It ended up taking nearly eight hours before this render came out so the three of us had to improvise about four different set ups in the meantime. Nothing went smooth per se, but Chara, Hayden and I were having so much fun capturing something we truly believed in so it was easy to push through any setbacks and keep going. I edited the video myself with colouring support from Marco Leung and about a month after shooting, it was gearing to go.

Hamilton, ON-based band Junestone have dropped their highly anticipated new full-length album, FIRST TRY, featuring the lead single “BRIDGE!” The song and album showcase a fearless leap into a world of genre-defying sounds, blending elements of funk, fusion, and rock with themes of self-discovery, empowerment, and embracing life’s transitions. 

“BRIDGE!” serves as an energetic anthem for overcoming self-doubt, while the album delivers a dynamic exploration of personal growth and transformation, capturing the essence of moving forward in a turbulent world. Musically, the track embraces elements of jazz fusion, funk rock, and psychedelia, blending improvisation with meticulously crafted moments. The single, filled with a punchy bassline and dramatic spoken word over a complex musical backdrop, is one of the standout moments on FIRST TRY, a record that captures evolution and Junestone’s deep connection to one another.

“BRIDGE!” invites you to leave behind your old self and step into something new. It’s about trusting your instincts and pushing past the doubts that hold you back; saying yes to your own potential. It’s a song for anyone who’s ready to cross that bridge to something better. 

– bandleader Olivia Brown

Savelene’s new single, “A New End,” is a deep dive into the complexities of relationships and personal growth. Formed during the COVID-19 lockdowns, Savelene is the brainchild of Rich Sookrah (vocals) and Dallas Toni (guitars), who explore themes of fear, acceptance, and the bittersweet nature of endings. With their latest single, they confront the emotional tension that arises when relationships end and what comes after.

The song was inspired by the navigation of relationships—both past and present—and the lessons learned through them. “A New End” captures the simultaneous sense of loss and hope that comes with endings, layered over a unique blend of rock and alt-metal influences.

Behind the name and the music is Canadian singer-songwriter Dany Horovitz, known for his ability to captivate audiences with memorable melodies and vivid storytelling. Dany’s newest project, Way About You, collects his singles to date, including the album’s title track “Way About You” – a vibrant, banjo-infused pop song showcasing his evolution as an artist.

Produced around an infectious riff reminiscent of Avicii’s “Wake Me Up,” “Way About You” hooks listeners from the start with its joyful banjo, catchy melody, and beautiful harmonies at the chorus. The song began as a casual “throwaway” piece but soon became a standout track thanks to the fresh ears of Dany’s producer, Calvin Hartwick. After a college engineering session where the track was played live, Calvin insisted it had to be recorded and brought in composer Matthew O’Halloran as a co-producer. Now, it’s one of Dany’s favorite songs.

Collaborators on “Way About You” include Sean Royle, a celebrated Toronto studio musician and arranger, and Eric Vanier, whose stellar drumming brought energy to the track. The banjo, played by Sean Royle, added a unique and irresistible layer that completed the song’s sound.

I consider myself a storyteller first and foremost, and in this song, I explore the mysterious “Way About You” through endless, cosmic metaphors. From the first note, this track puts a smile on my face, and I hope it does the same for listeners. – Dany Horovitz

“Daddy’s Girl,” the latest single from Montreal-based artists Dayside & Guffchild, combines smooth pop-inspired melodies, yacht rock production, and fellow Montreal-based hip hop artist Mosez Jones‘ rhythmic rapping. Its sound is vibrant and groovy, yet beneath the upbeat and funky surface lies a dark, introspective narrative that polarizes the listener.

The song seamlessly blends elements of alternative R&B with rich instrumentation and layered production, a hallmark of the duo’s genre-bending style. “Daddy’s Girl” highlights the duo’s ability to craft tracks that are simultaneously catchy, introspective, and timeless, creating a fresh sound for alternative R&B lovers.

1. Tell us the story of this song, why did you choose to visualize this song specifically?

Dayside: Daddy’s Girl was born during one of our weekly 4PM sessions—our music collective featuring me, Guffchild, Pope Silk, and Gioco. Inspired by Pharrell’s VIRGINIA, I pitched the idea of making a “feel-good” yacht rock track with a twist: pairing upbeat sounds with a sad story. Guffchild and I built the beat, Gioco crafted lyrical gems, and Pope Silk freestyled the hook with the line, “That’s when the story gets ugly.” We recorded it all that night.

A week later, Mosez Jones loved the demo so much he wrote his verse while driving to the studio. His part completed the song perfectly, and after sharing it with friends, we knew it needed a video. Guffchild’s friend, Danik Gollain-Bartolini, loved the track and pitched a concept that captured our vision. His team brought the story to life, and Daddy’s Girl is now a testament to collaboration and creativity. We’re proud to share it with the world.

2. What was the inspiration behind this video (visuals, storyline, etc.)?
When we asked Danik Gollain about the inspiration behind the video, he explained:
“The idea was to reflect the story told in the song’s lyrics but with a unique twist. Instead of focusing on a downward spiral into the world of street work, I wanted to create a story of empowerment—a breakthrough rather than a breakdown. Revenge became a central theme, adding a layer of resilience that contrasts with the upbeat tone of the song’s rhythm.

Visually, I approached this as a comeback story with a narrative-driven look. The dark, high-contrast visuals were key to emphasizing the emotional weight of the story while creating a striking juxtaposition with the song’s light and happy vibe. This interplay between visuals and lyrics was designed to give the story depth, making it both engaging and impactful.”3. What was the process of making this video?

When we asked Danik about the process, he shared:
“Creating this video was a mix of challenges and creative fulfillment. Balancing certain clichés while avoiding an overly straightforward approach was tricky, but the song itself was the foundation. I listened to it on repeat during brainstorming sessions, and the lyrics gave me a clear narrative to build on.

The process involved drafting multiple short scripts, treatments, and storyboards, ensuring every shot was meticulously planned to match the vision. With a tight budget and timeline, we had to focus heavily on pre-production to make it work. This groundwork was essential in staying true to the story and delivering something that felt authentic and emotionally resonant.”

Stonehocker‘s latest single, “In Need,” explores the raw, emotional journey of realizing one’s need for a higher power. The song is an introspective reflection on the lows that come with struggling against the challenges of life and the self-awareness that emerges from surrender. A blend of motivational alternative rock with a light, meditative tone, “In Need” is a powerful reminder of the peace and hope that comes when we let go of the need for control.

The track is the third and final release before Stonehocker‘s highly anticipated upcoming album. It embodies the themes that run throughout the record: acknowledging one’s struggles, finding a greater purpose, and surrendering to the process. “In Need” builds on Stonehocker‘s deeply personal songwriting, drawing from his own battles and ultimate surrender to a higher power.

What was the inspiration behind this video (visuals, storyline, etc.)? 

The story in the video is fictional, about a musician and his small team doing a road trip to a show.  I say fictional because the actor playing the manager is actually the drummer on the album; they’re both friends helping out with my crazy production ideas.  Either way, the point of the video is that despite those people trying to help the artist they eventually let him down as a result of their own personal issues.  The sly, little hidden easter egg is the photo inside the van, attached to the wall behind the assistant.  It’s a photo of Jesus, suggesting Jesus is all the artist can rely on.

I call it an easter egg because it’s the same photo (albeit a little larger) that I’m holding in my previous video for “I Am Divided”.  In that video I sing about how “I’m looking for someone” while holding this picture of Jesus, but I never actually focus any shots on the photo because the song doesn’t talk about finding that someone.

What was the process of making this video?

The whole process starts with me brainstorming and then creating a story board.  I always like to give Greg Miller the credit for any good-looking shots because he has a great eye for a great shot; which is precisely why I get him to be the cameraman!  Greg Miller is not only the cameraman, but also the owner of the classic Ford van we used; so a big thank you to him!  Greg and I actually did the first day of filming with just the two of us driving around town.  We used his drone for some shots while I drove.  All the other shots (in all my videos) are filmed on my Samsung phone using a DJI gimbal, then I edit them all using a program called VideoPad by NCH software.

The second day of shooting was the hard one to coordinate because it involved more people.  I was trying to decide whether to shoot the video with the van actually driving or try to setup in a garage and fake it (driving would require another person too).  Alas, the van developed a coolant leak so we were forced to shoot the interior shots inside the garage.  Greg had one foot on the wall while holding the camera so he could shake the van and make it look like we’re driving!  For the final shots where it was just me playing guitar you may have noticed the lighting constantly changing, this is Jeff swinging our lighting around behind Greg while he films!  The story board helps everyone see the final vision, although it is hard being the director while also acting in it.

The videos all come together thanks to people helping me out.  I keep learning new little tricks and gaining more experience with each video I make, much like how I’ve learned about writing music.  I’m glad people are enjoying them!