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Review: Ariel Pink’s Haunted Graffiti – “Mature Themes”

By Kevin Wells
Who is the new Ariel Pink EP for? Scratch that. Who is the new Ariel Pink? On song after song on Mature Themes, he plays one character or another, sometimes inhabiting, without any apparent credit, other songwriters’ personae entirely, as on “Symphony of the Nymph”, where he dresses up and impersonates Of Montreal’s Kevin Barnes for the verse, and Joe Walsh for the chorus. In actuality he’s become the poor man’s Badly Drawn Boy, a competent manager of his sound and a desperate, craven, trendfucking dilettante when it comes to the music’s philosophy… realizing that his genre currently mandates a certain fussy idiocy–defenders would claim the offbeat tradition of Zappa the way unfunny comedians invoke Andy Kaufman’s “anti-comedy”–Pink is operating as a politician.
Yes, he deigns to blow the dog-whistle his fans so badly want to hear–more Casios, more ProTools masturbation–while also making sure to give each track enough of a hook to qualify for some commercials. Don’t flatter yourself, kids … your dad is definitely Pink’s target audience now, so long as your dad is under forty and enjoys being pandered to. Case in point: the final burst of Pink’s personality disorder, excuse me I mean his new album, is a sentimental ballad named “Baby” that’s sung kind of like Smokey Robinson, played a bit like Cat Power’s “Greatest” band, and which features the head-scratching refrain, “Baby, you’re so baby”. I can see Pink now in concert, contorting the melody into something jagged and upsetting, pretending as if the studio version was not a direct bid for some of that sweet GAP airplay.
The standout song is the title track, naturally, a winsome, winning Joe Jackson rip; more appropriate would be the sub-Miss Piggy disco turd “Pink Slime”.
Stephan Nance Surprises with “A Troubled Piece of Fruit”
Stephan Nance is an extremely unique breath of fresh air. Only 10 seconds into his debut release, A Troubled Piece of Fruit, you will find yourself immediately hooked. One of Oregon’s greatest kept secrets, Nance blends the perfect element of charming pianos and a voice that can truly stand on it’s own. Stephan could very well be the lovechild of Jukebox the Ghost and The Decemberists, which is truly a compliment.
Opening the album is the intriguing piece “I Am Not a Stranger Here,” where a jaunty piano perfectly meet melodies combined with Nance’s quirky yet sugary pop voice. The listener will already believe that they are in for something special…and they are. “Cuddlefish,” proves to be a cute love song with the ocean as it’s playground, using different fish as imagery as he pulls in his catch.
The album takes a melancholic turn as the track “Spring,” enters into the picture. The heartbreaking song is gorgeously done and will pull on your heartstrings immediately. As soft strings enter into the piece one can really feel the emotion in Nance’s voice. The love song journeys through time as “Fall” is the next masterpiece on the record. Not as gloomy as the prior, the subject matter is deep as it is full of regrets and a pass that he wishes he can do over. This song speaks to masses as we all have done things we wish we could change in life.
“Firecracker,” picks the pace back up with a prominent guitar which borders on the blues. Nance’s bright piano and harmonious voice enters with a burst of energy, and ends up being a fun play on words throughout. “Made in Vermont,” chimes in with a lovely horn section, as Nance’s voice proves to be beyond infectious in this song.
“Paid By Weight,” starts off heavy and continues throughout, as each note of the piano is felt within, every thump of the drum’s foot pedal sends a shiver down your spine, and every pronunciation of each word lingers on Nance’s tongue. Up next is the catchy tune titled “Immunodeficiency,” which will have you pressing the repeat button more often than not. “The Song I Didn’t Write,” has the quality of a seasoned songwriter, which is very prominent throughout the entire record. One would find it hard to believe that this is Stephan’s first release. Each track is carefully crafted and meticulously thought out, and it shines throughout.
“One-Way Sea,” is a fun tune that is reminiscent of Jamie Cullum, without the jazz, which is beyond ideal if you ask me. Nance’s voice knows it’s limits and he uses it wisely, as it flawlessly fits the piece. “Resurrection,” is a personal favorite on the album, as the choppiness of pianos and guitar, and even vocals at time, are contagious. His vocals standout more so in this track that any other, as he seems to have a bit of fun with them. Thisimpressive piece proves to be a show stopper, as does the following “Japanese Garden/Jardin Japonais,” The song tells an interesting tale about what appears to be a dream of Japan, with an amazing twist, as Nance starts to sing in French! The surprise is exquisite as it appears more than once in this outstanding track and is guaranteed to send chills in your veins.
Closing out the album is the viral sensation, “Song for Losers,” which is the most adorable geeky song that you will ever hear. The track will have you dancing around your room, brush-microphone in hand. This can be the national anthem of geeks everywhere, and it will make them stand up and be proud. This is the perfect end to the record, which I wish would never end.
Stephan Nance is destined to go far with a Trouble Piece of Fruit, as it is a brilliant introduction to this astounding singer and songwriter. Keep an ear out for Stephan Nance. It will be a name that will be making waves very soon, if it hasn’t already by the time that you read this. I urge you to check out this record, as it will change everything that you know about modern music; and that’s a good thing.
R.I.Y.L. : Jukebox the Ghost, The Decemberists
Listen: Stephan Nance Bandcamp
Cymbals Eat Guitars Premiere New Track “Hawkeye”

I still remember seeing Cymbals Eat Guitars as a bright-eyed band playing at Brooklyn Bowl at an Insound Anniversary party co-headlining with Real Estate and The Drums a few years back. The critically acclaimed group are opening for the legendary Bob Mould on a few East Coast dates, kicking it off last night at the Williamsburg Waterfront in Brooklyn. Cymbals Eat Guitars unleashed a new track to the masses yesterday as they premiered “Hawkeye,” on Pitchfork yesterday afternoon. The dreamy track blends just enough sugary twee feel into their unique sound, creating the perfect song to get you in the mood for Fall. Give it a listen, you won’t be sorry.
Listen to Cymbals Eat Guitars “Hawkeye” over at Pitchfork HERE
DATES with Bob Mould
9/10 – The Paradise – Boston, MA
9/11 – Union Transfer – Philadelphia, PA
Get Ready to “Take Off” with GAMBIT – Opens for VHS or Beta – 5/17/12 @ Bowery Ballroom, NYC
Gambit is the brainchild of Lyle Kamesaki, a name that you will soon remember in a matter of one single listen to his flawless album, Take Off and Landing. Already selling out high profile venues
such as the Mercury Lounge and Webster Hall (with Hot Chellae Rae) this year and last, Gambit is literally ready to take off. Graduating from Harvard in 2004 the wiz kid started work at a capitalist real estate firm. Though six-figures and a beach house on Long Island had him living comfortably to say the least, life was not exciting enough for the young Gambit as he took to music; what he says is his “true calling.” Eager to learn how to make himself a great musician, Gambit succeed, and succeeded fast. Learning how to write, play and record, Kameaski will fool even the seasoned of music industry veterans as what you are about to experience is a sound and quality of a musician wise beyond his years. Take Off and Landing took a long three years to complete as Gambit wrote and recorded during his free time after work and into the early hours of the morning. A documentary of a true artist’s struggle with not only life, but perhaps his feelings as well, comes to life in this gorgeous ten song album.
Opening the album is the infectious track “This Town,” which is already a great taste of what is to come. Gambits gorgeous and catchy voice, heavy but bright guitars and unforgettable drum beats takes you on a ride. “Maybe,” is right behind with dreamy pop vocals and charming hand claps. “Wake up and run like hell,” seems to be a bit autobiographical for Gambit, as his honesty begins to shine through the record. Male harmonies accompany his sultry vocals, which blend with fuzzy synths, creating a wall of sound like no other.
A church organ brings in “All the Time in the World,” a charming love story of a boy to New York and to a what may appear to be the love of his life. One of the most beautiful elements of this album is the stories that Gambit tells. Every piece is a new chapter in the record which truly comes from his heart. The listener can automatically tell that he has poured every bit of himself into every song, without doubt.
Strong female vocals chime in for “Lovers in the Basement,” which is a nice surprise that adds an added energy to the album. While the track seems to blend a burst of pop, things turn a full 180-degrees with the gorgeous and string-filled “I’m Sorry,” that takes the listener on a tearful journey.
“Change in the Feel,” lifts the record up again, with it’s dark overtones, slight and bright piano, and Gambit’s echoing vocals. “Things Aren’t So Bad,” is a catchy tune that will have your ass up in dancing in no time. Perfect for a house party, or the Bowery Ballroom. “Ask Yourself,” proves to be your ideal Friday night music. The trance beat and harmonious vocals blend to create your new favorite song for sure. “My, My, My,” is a bit reminiscent of electro pop act VHS or Beta, Gambit’s dreamy synths and harmonic overtones, are surrounded by his lustful voice. With a slight hint of female vocals from behind, the listener will be in awe of what is offered. Closing out the album is “Alibi,” a haunting piece that can sum up this incredible record. Truthful, beautiful and game changing.
For lucky fans in New York, you can see Gambit take the stage at the Bowery Ballroom on May 17th opening for the legendary VHS or Beta. Take Off and Landing is a stunning record that will leave you craving more of what Gambit has to offer. Mark my word, by the end of 2012, Gambit will be a name that everyone will know. Here’s to honest, heartfelt music and an album well done. Get ready to take flight with Gambit.







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