by Jane Lambert

Animals In Denial Release Powerful New Single “COI”!

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Christian Imes, the driving force behind Animals In Denial, delivers a potent blend of industrial rock and electronica with latest single “Coi.”

“Coi” is a track that has been a long time in the making. Initially composed in 2003, it began with electronic sequences created using Acid Pro 4, a tool that allowed Christian to stitch together the core of what would become a powerful and compelling piece.

The track was initially intended as a pitch for one of his earlier bands, but the project was shelved when the band’s singer felt there wasn’t enough room for lyrics. However Christian knew there was something special within the track’s groovy, hard-hitting beats and dark atmosphere, so he tucked it away for years until the timing felt right to revisit it.

Listen in here:

“Coi” channels the spirit of Nine Inch Nails and takes much of its inspiration from albums like The Fragile and Pretty Hate Machine. These influences are clear in the driving, industrial beats which are combined with a massive wall of sound created by searing guitar lines that cut through the electronic undercurrent. Imes explains that he wanted the track to be something that rocked as hard as metal but still had a danceable, rhythmic groove.

The result is a track that balances heaviness and energy, perfect for both head-banging and losing yourself in its hypnotic rhythm.

One of the standout elements of “Coi” is its guitar work. Christian used his Epiphone Les Paul Special 2 to lay down both the rhythm and lead tracks, capturing a raw, gritty sound that perfectly complements the song’s darker vibe. His 85 Gibson Les Paul Studio, which was a cherished birthday gift from his mother, was used to add more depth and richness to the lead lines in the chorus, as well as fatten up the rest of the sound to give a sense of power. The guitar parts came naturally, with many of the recordings being first takes.

While the bass lines were created using a sample pack and a keyboard, they blend in and add a weighty low-end that helps to anchor the frenetic energy of the drums and guitars.

Christian’s attention to detail in production, even when using non-traditional instruments, shines through in every aspect of the song.

Recorded with a Shure SM58 microphone and enhanced using the Nectar plugin and a mic modeler plugin, Imes delivers a raw and emotionally charged performance.

The lyrics reflect his feelings of betrayal, frustration, and emotional turmoil after a toxic relationship. Imes recounts how the relationship, marked by manipulation, dishonesty, and infidelity which left him feeling used and lost. Lines like, “I’m sick on the in, you’re sick on the out,” capture the disconnect between his efforts to heal and his ex-partner’s refusal to confront her own demons. At the time, Christian was navigating challenges related to PTSD and ASD, which added to the complexity of the situation.

“Lyrically, this is another one that was about one of my ex-girlfriends. It’s not nice but she treated me about as bad as you can possibly treat someone. From the hot and cold, to endless lies about stuff you should never lie about. She was my first after school serious relationship and I got really invested, and in retrospect the signs, flags, whatever, were there. I was also seeing doctors and therapists to deal with PTSD and ASD and trying to figure out “me” is why I think I missed some clear signals that we would’ve been better as friends.”

Reflecting on the lyrics today, Imes acknowledges that both he and his ex-partner were dealing with unresolved pain, but at the time of writing “Coi,” he was still deeply hurt. He now sees the relationship from a more mature perspective, recognizing that it was a combination of their struggles that led to its unraveling.

Christian Imes, the brain behind Animals In Denial, is an artist who defies boundaries and challenges the status quo. His music merges elements of alternative rock, industrial, electronic, and even pop. As a neurodivergent artist, Christian shares a unique perspective and experience with Asperger’s syndrome, creating songs that speak to the human existence in profound and innovative ways.

A devoted family man, Christian can often be found jamming with his sons, passing on his love for music and creativity. His ethos can be summed up in his own words: “I just want to live my life surrounded by music.”

As the latest addition to the Animals In Denial discography, “Coi” solidifies Christian’s place as a visionary in the alternative and industrial rock music genres.

“Coi” is now available on all streaming platforms, including Spotify, Apple Music, and YouTube.

Stay up to date with Animals In Denial on the Website, and Facebook.

Stream music on Spotify, Soundcloud and YouTube music.

09.26.24

by Jane Lambert

Gretta Ziller’s Latest Release “Hell’s Half Acre” is Brought Back to Life with a Modern Twist

Singer songwriter Gretta Ziller’s re-imagining of her decade-old track, “Hell’s Half Acre,” breathes new life into the song with a sense of maturity and emotional depth.

First released on her debut EP, this song has always held a special place in Gretta’s heart, as it marked the beginning of her journey into the music industry. 10 years later, she revisits the song with a fresh perspective.

The track tells the story of leaving a toxic relationship – a tale of realizing that the rebellious allure of someone who seemed exciting at first was damaging. The lyrics evoke a sense of regret and resolve, with lines like “You’re a wild horse running, but I can’t keep up anymore,” echoing the feeling of moving on from something that no longer serves you.

Gretta’s voice is earthy and full of heart, carrying the weight of the song’s message with an acoustic driven Americana sound. Reflecting on her decision to bring this song back, Gretta says:

“I didn’t get to make a video for the original recording, so this time I wanted to create something that hinted at the story but also allowed the listener to connect emotionally.”

The video to accompany the single is filmed in a DIY style by Gretta and her partner. It captures a raw, organic feel that complements the song’s themes of escape and self-discovery. Shot on the west side of Melbourne with landscapes and shrines providing the backdrop, the visuals contain both a physical and emotional journey.

“I wanted layered visuals to suggest the feeling of leaving, without being too literal. I want people to fill in the blanks and connect with the story in their own way.”

This new rendition of “Hell’s Half Acre” re-visits and re-shapes the song and offers listeners a powerful reflection on how much can change in ten years. With this re-release, Gretta Ziller proves that some songs, like the emotions they capture, are timeless.

About Gretta Ziller

Gretta Ziller is no stranger to blending genres in her music. She often incorporates elements of country, rock, pop, and blues into her unique brand of Americana.

The Melbourne-based singer-songwriter has made a name for herself with her powerful vocals and thoughtful lyrics, earning praise for her ability to convey raw emotion and authenticity in every performance.

Ziller has a background that includes training in classical music. But it’s her exploration of Americana that has brought her widespread acclaim.

“I wanted to push the boundaries of what Americana could be, mixing in all the styles that have influenced me over the years.”

With the re-release of “Hell’s Half Acre” Gretta Ziller proves that some songs, like the emotions that they capture, are timeless.

Stay up to date with Gretta Ziller on her Website, Facebook and Instagram.

Stream music on Spotify, Apple Music and YouTube Music.

09.25.24

by Jane Lambert

STEREO DIVE FOUNDATION’s Latest Release “HIKARI” Illuminates Global Connections with Electro-Pop Magic

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STEREO DIVE FOUNDATION’s latest single, “HIKARI”, marks another stunning release from R.O.N. highlighting his signature blend of electronic and pop elements.

The song was written as the theme for the HIKARI Festival 2024 in Poznan, Poland, and it perfectly embodies the festival’s ethos of connection and unity through music. Influences from both Poland and Japan are brought together to create a sound that is truly unique:

The production is immaculate; the song opens with an atmospheric intro that layers various sound recordings captured in Poland. It immediately sets the tone and evokes the excitement and anticipation of a live performance. As the track progresses, R.O.N. mixes a mid-tempo electro-pop beat with a dreamy melody. It’s a subtle, soothing track, yet its emotional gravity is undeniable.

The chorus, with its repetitive “la-la-la-la-la” chant, stands out as the heartbeat of the song. This simple, yet evocative refrain elevates HIKARI, giving it a haunting, ethereal quality that’s hard to shake.

“HIKARI” reflects on themes of connection and distance, resonating with R.O.N.’s comment that “Even though we are far apart, we are still connected.” The song’s message is universal and timely, making it especially powerful in a world where music is one of the few things that can truly bridge gaps between people and cultures.

HIKARI is a beautifully composed and thought-provoking track that embodies STEREO DIVE FOUNDATION’s ability to craft music that can connect with its audience.

STEREO DIVE FOUNDATION is the music project of R.O.N., an acclaimed producer known for his sleek, digital-forward sound.

He has composed theme songs for internationally popular anime series like Beyond the Boundary, Food Wars!, Moriarty the Patriot, and That Time I Got Reincarnated as a Slime. R.O.N.’s distinct style, blending electronic elements with a modern, stylish edge, has earned him a strong following both in Japan and abroad.

Connect with STEREO DIVE FOUNDATION:

Website // Facebook // Instagram // X // Spotify // Apple Music // YouTube

09.23.24

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’S WITH SIREN

Siren is back with a bang, delivering a potent mix of gritty storytelling and visuals in their latest single, “Dead Beggar.”

Known for their melodic rock fusion and thought-provoking lyrics, the band takes listeners on a journey into the heart of societal divides, tackling the age-old battle between the wealthy elite and the oppressed.

Inspired by the epic power struggles of Game of Thrones, “Dead Beggar” paints a raw, emotional picture of the haves and the have-nots, with a triumphant twist- the underdogs finally win.

To bring this powerful message to life, Siren partnered with acclaimed video director Isaac Deitz, who transformed their vision into a stunning, cinematic masterpiece.

The video, filmed across Coral Springs, FL, and downtown Atlanta blends striking visuals with a storyline that symbolizes the fight for control and the eventual rise of the downtrodden.

In this exclusive interview, lead singer Rob Phillips opens up about the creative process, the inspiration behind the song and its striking video, and how the collaboration with Deitz elevated “Dead Beggar” to a whole new level.

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

We wrote the song with a Game of Thrones vibe. It is about the haves and have nots. The visualization was the work of our video director Isaac Deitz. He is extremely talented and has a gift for bringing our music to life on the screen.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

We wanted to show a power struggle between the classes of the wealthy and the poor. The orb in the video represents the power that eventually gets taken by the poor. Isaac did an amazing job delivering a powerful visual representation of the song.

3. What was the process of making the video?

The narrator shots were done at our Coral Springs, FL Studio with a black screen. The remaining shots were done in downtown Atlanta, Georgia with the two other actors, the boy and the villain.

They both did a fantastic performance.

Siren’s latest single “Dead Beggar” is distributed through The Orchard / SONY via Madison Records.

Connect with Siren via:

Website I Instagram I Facebook I Twitter I YouTube I Spotify I Soundcloud

09.22.24

by Jane Lambert

Bud E. Luv’s Timeless Take on “Music to Watch Girls By”

Bobby Vickers, performing under his iconic alter ego Bud E. Luv, delivers a striking revival of the classic “Music to Watch Girls By” that both honors the song’s history and reframes it for modern times.

In his new interpretation, Bud E. Luv expertly balances nostalgia with fresh, sophisticated flair, crafting a rendition that feels both familiar and entirely new.

Watch the music video here:

Bud E. Luv is no stranger to reinventing classic tunes. Created by Vickers more than 35 years ago, the character has become a fixture in San Francisco’s vibrant music scene, with performances at legendary venues like Bimbo’s, The Fillmore, and Paradise Lounge.

Bud E. Luv’s alter ego allows Vickers to explore an array of musical genres, from jazz and swing to pop, all while remaining timeless. His extensive career has taken him to stages across major cities like New York, Los Angeles, Seattle, and Boston, where he’s performed for prestigious audiences, including at events like the MTV-televised Osbourne vow renewal and Super Bowl Eve celebrations.

The black-and-white music video accompanying this release is directed by Tom Donald, the founder of San Francisco’s hiTrecords.

Set in the elegant Mr. Tipple’s Jazz Club, the sparse backdrop of empty seats evokes a sense of introspection, drawing the viewer into Bud E. Luv’s contemplative performance.

The mysterious figure of Ilana Niernberger, who is Luv’s only member in the audience, adds a layer of intrigue. Her eventual disappearance is most reminiscent of an Ingmar Bergman film and gives us a symbolic and haunting touch, suggesting that what we admire often exists only in fleeting moments.

Vocally, Bud E. Luv offers a smooth, nuanced performance that strips away the kitsch associated with some earlier versions of the song.

This includes Andy William’s popular but often overly polished rendition. Luv’s phrasing, rich with emotion and subtlety, brings out the layers of complexity within the song, making it clear that his version is not merely about watching or objectifying but also about celebrating people in all of their diversity.

Tom Donald’s direction also plays a pivotal role in modernizing the piece. By focusing on the respectful recognition of beauty rather than its objectification, Donald transforms “Music to Watch Girls By” from a product of its era into a meditation on human connection.

He smartly acknowledges the original’s historical context without being confined by it, presenting a version that speaks to contemporary sensibilities:

“The world is there and meant to be recognized, valued, and respected,” Donald says. “Mr Luv understands the essential dynamic between people; he’s lived long enough and seen enough of the world to know that it’s not about degrading the visage, but instead honoring and celebrating it in all its forms.”

This project reinforces Bud E. Luv’s status as a timeless entertainer. His ability to adapt to changing times while maintaining the integrity of his performance persona is impressive.

For fans of classic standards as well as newcomers, this is a definitive version of “Music to Watch Girls By” that deserves attention.

Keep up to date with Bud E. Luv on his Website.

09.20.24

by Jane Lambert

Jason Sinay Steps Into the Spotlight with “Play It Alone”

Jason Sinay’s most recent single, “Play It Alone,” marks an exciting shift in his career.

After parting ways with The Dirty Knobs, Sinay has poured his energy into a solo project that promises to be both deeply personal and musically rich. This new track is the second single from his upcoming double album “The Mountain”.

“Play It Alone” is a compelling blend of heartland rock and introspective lyricism. Sinay’s guitar work is as sharp as ever, but it’s his vulnerable vocals that take the stage. The song’s steady beat and rich instrumentation create a warm backdrop for Sinay’s message about finding independence and navigating life’s rough patches.

The chorus hits a universal note with lines like “some things you can’t fight but it’s all right… everybody’s got to play alone” to capture the essence of what it is to move on.

The song’s arrangement is both simple and effective. Sinay’s guitar work is a central element, but it’s the way it intertwines with Phil Parlapiano’s contributions on keys, mandolin, and harmonica along with the steady rhythm section featuring Lance Morrison on bass and Matt Laug on drums, that creates such a rich, textured sound.

This blend of instrumentation provides a warm, engaging backdrop for Sinay’s introspective lyrics.

In discussing his work on The Mountain, Sinay reflects on a period of intense self-examination and creativity:

“I hit a breaking point on the road,” he admits, highlighting the challenges he faced after his departure from the Dirty Knobs.

This difficult period prompted him to revisit old material and explore new ideas, ultimately leading to the creation of what he considers the most important solo record of his career.

With the help of producer Martin Pradler, known for his work with Ry Cooder and John Mayer, Sinay has written a song that will resonate his audience with a level of authenticity that is rare in music today:

“I needed to go and play alone and do my own thing, and have my own journey,” Sinay says. “It’s about leaving a situation unapologetically, but still saying, “Sorry you feel that way. I get it.”

“I’ve been very blessed in my life. I’ve been so fortunate. And there’s so much need in the world right now. Like, more than ever. It’s just beyond belief. I just want people to enjoy the music, and I really, really want to get out there and play this music for people. Because ultimately playing live is where I shine. That’s my favorite medium.”

“Play It Alone” is a sign of Sinay’s evolving solo career. His transition from celebrated guitarist to a standout solo artist together with a talent for creating rich, textured music makes this a stand out track.

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Los Angeles-based, Sinay has performed with legends like Keith Richards, Neil Young, and Jackson Browne. He’s best known for his 15-year tenure with Mike Campbell’s band, the Dirty Knobs, but has now embraced his solo career with The Mountain, a double album produced by Martin Pradler.

The first disc features a full band, while the second is a stripped-down acoustic version of the same songs.

Inspired by Led Zeppelin, Sinay began playing guitar at age nine and has since gigged with iconic musicians throughout his career. After leaving the Dirty Knobs in 2022, Sinay focused on The Mountain, which he considers his most important solo record. He’s eager to return to the stage and is planning to donate the album’s proceeds to charity.

Keep up to date with Jason Sinay on his Website.

Stream music on Spotify and YouTube.