Video Voyageur: 3Q’s with Connie Lansberg

Connie Lansberg has created a world where jazz meets storytelling, and energy healing finds its voice through music. She’s the creator of Transformational Entertainment™, a genre that’s as intriguing as it sounds. 

An accomplished jazz artist, songwriter, and author, Connie’s work is a harmonious blend of wellness and artistry, wrapped up in songs that resonate on multiple levels. And she is one of the most streamed Jazz artists in her home country – Australia.

With a career that spans multiple albums and even a novel, Connie has become a fixture in the Australian jazz scene. Known for her poetic lyrics and elegantly expressive melodies, Connie Lansberg has a knack for capturing the complexities of human emotion in 4-minute musical soliloquies. Today, we delve into the creative process and inspiration behind her latest video, exploring how it adds yet another layer to her already rich tapestry of work.

1. Tell us the story of “Deep End of Love”; why did you choose to visualize it specifically in this way?

“Deep End of Love” with all its gravitas in the music is a little tongue-in-cheek look at the games we play in the name of love and how refreshing it would be to just take the leap without our baggage, our wounds, and our pain. I have a live video of this song, but it seemed too safe. My music is not safe because it isn’t because it is always its own thing and not readily easy to place in a genre. So I searched and found a great lyric video creator and sent him as many images as I could because, at that time, I didn’t know he could draw and I wanted to suggest a certain darkness.

2. What was the inspiration behind this video (visuals, storyline, etc.)?

The song asks the question, do you think it’s possible to give your heart to another fully without fear? So the heroine had to represent the question. I wanted to see her grapple with it and then triumph.

3. What was the process of making this video? (and anything else you want to tell us?) 

When I choose another creator to work with I always let them show me what they’ve got first, without too much direction after the initial brief. However, when I realised, most jazz-based songs don’t have lyric videos because of all the improv, and “Deep End of Love” has two improv sections, middle and end of the song, I knew I had to jump in a little more than normal. I pushed this guy to his limit! We crafted the two improv sections and I asked him to draw and then animate this woman and I was thrilled with the results. She has such a strong nobble face, not like the prettiness you see in Western world women. I do have a confession in that I did recut the video to get that impact at the end, but I think I got the very best out of this guy. He’s done a few more for me that are really good too. I love the freedom of lyric videos as well as the fact that for me, the lyrics are so important. Lyrics are my true gift and so many people pay no attention to them. For me, if you don’t listen to my lyrics, you’re missing the point.

Whether she’s penning a novel or crafting a jazz tune, Connie’s belief that we create our own reality shines through. Her songs are not just melodic expressions but also vehicles for energy healing and wellness. As we await her next project, one thing is certain: Connie will continue to challenge, inspire, and transform us, one note and one word at a time.

WATCH “Deep End of Love” here – 

Stay current with Connie on her Website and social media channels Facebook and Instagram.

Stream music on Spotify and YouTube.

San Francisco’s Beloved Crooner Russ Lorenson Dives into the Holidays with the Release of “Standard Time: Live in New York.”

Renowned as “San Francisco’s Favorite Crooner,” Russ Lorenson has emerged victorious over cancer, showing his dedication with the release of a never before heard live jazz-cabaret album, “Standard Time: Live In New York.”

Published under the independent label LML Music, Lorenson celebrated the album’s launch on December 4th at The Triad Theater in New York, presenting an exceptional line-up of singers including Billy Stritch, Mary Foster Conklin, Lennie Watts, Jennifer Roberts, and #1 Billboard Artist Spencer Day. All proceeds from the event were to support the American Songbook Association.

A devoted advocate of The Great American Songbook, Lorenson has charmed audiences across the United States and Europe with his rich tenor and warm charisma. With three critically acclaimed albums under his belt, including two Christmas albums still enjoying a heavy radio rotation nearly two decades later, Lorensen faced a life-altering diagnosis of HPV-positive tonsil cancer in 2021.

Overcoming this health challenge through early detection, he now finds himself in remission. While cancer may have taken his ability to sing, it hasn’t silenced his voice. With deep gratitude and a renewed purpose, Lorenson is channeling his creative energies into various projects, including reintroducing his back catalog, a children’s book inspired by his fan-favorite holiday track “Jingles, The Christmas Cat,” and notably, his first album in 8 years, “Standard Time: Live in New York.”

“Standard Time: Live in New York” offers a captivating glimpse into Lorenson’s live performances at the iconic Metropolitan Room in New York, recorded in 2008. The album demonstrates Lorenson’s vision that The Great American Songbook continues to evolve, featuring a “modern classics” program of songs.

Throughout his musical career, Lorenson masterfully interprets a range of compositions, from a haunting rendition of Lionel Richie’s “Hello” to heartfelt performances like “How I Will Say I Love You,” “Diamond In The Sky,” and the beautifully nostalgic “It’s Raining Memories.” Each track carries versatility and a deep connection to jazz’s profound history.

“Raise the Roof” stands out as a dynamic and energetic musical piece, crafted by composer Andrew Lippa. Infused with a lively, rhythmic melody and spirited jazzy undertones, the song radiates infectious enthusiasm.

“Standard Time: Live in New York” serves as a seamless bridge between the classics of the past and the potential classics of the future, influenced by contemporary greats like Michael Feinstein, Harry Connick Jr., Tony DeSare and John Pizzarelli.

Reflecting on the album, Lorenson remarks:

“Many have deemed that The Great American Songbook is going extinct. But in 2008, I saw it differently. I put together a show of “new standards,” demonstrating that songs with soul and depth were still being crafted. My show, “Standard Time,” was a tribute to love and relationships, shedding light on the fresh pages being added to The Great American Songbook of the New Millennium.”

Beyond the album, Lorenson has exciting plans, including a series of children’s books, starting with his Christmas book in 2024, and other special offerings. His career, and music, have been fuelled by his desire to leave a lasting, positive legacy, and these future endeavors show this lasting commitment.

Standard Time: Live in New York” is a reminder of the timeless appeal of classic song-writing and performances. Lorenson invites listeners to embark on this soulful musical expedition, rekindling their love for The Great American Songbook’s perennial charm, while embracing the promise of tunes that resonate with today’s audiences.

“While initially recorded with the intention of a 2009 release, this album of songs from the sorely missed Metropolitan Room nightclub had been shelved. But now, 15 years later, these rediscovered gems validate my belief: many have indeed evolved into the new generation’s standards.”

Standard Time: Live In New York was co-produced by René Wieland, Dutch music producer, engineer and radio host of The Great American Songbook Radio Station.

Listen to “Standard Time: Live in New York” on Spotify.

Stay current with Russ Lorenson on his website, and follow him on Facebook and Instagram.

Subscribe to his official YouTube channel to watch the latest videos.

Download and stream his music on Spotify, Apple Music and YouTube music.

About Russ Lorenson

Since making his breakthrough club debut in 2005, Russ Lorenson has solidified his standing as one of the foremost interpreters of jazz standards in the San Francisco Bay Area. Whether gracing the stage of a grand concert hall or engaging an audience in the more intimate setting of a cabaret, Lorenson’s singing prowess shines.

Drawing comparisons to the likes of Tony Bennett, Mel Tormé, and Chet Baker, his voice is both memorable and savored, earning him the title of “San Francisco’s Favorite Crooner.”

Lorenson’s musical finesses has not gone unnoticed. Downbeat magazine hailed him as “a showman of taste and discretion,” recognizing his sophisticated command of musical language. The Los Angeles Times commended his “supple voice and strong sense of characterization,” noting his ability to infuse each song with depth. The San Diego Union-Tribute praised his “relaxed, easy deliveries,” deeming them natural and heartfelt. In simpler terms, the Coronado Journal deemed him nothing short of “irresistible.”