3x GRAMMY Award/2x JUNO Award-winner Chin Injeti’s cathartic new album, VESSELS: Volume Three, was inspired by the art of collaboration and made through conversations and friendships. Produced mostly by Injeti aside from daysormay (who features on “Make You Understand,” the record’s focus track), a lot of the tracks deal with self-realization and remind its listeners that no one is truly alone.
“Make You Understand” was inspired by a melody Injeti put on TikTok that he then sampled with daysormay. The title is about trying to make someone see you for what’s really happening in your life. Stylistically, the production is all about dynamics on and off/loud and soft in order for the lyrics to shine through.
Growing up in small-town Oklahoma, Gwyn Love (they/them) knew they were destined for something bigger. Now, as the first-ever American artist signed to Vancouver-based 604 Records — they’re ready to take on the world together with the multi-platinum producer and composer, La+ch (best known for the certified 4x platinum hit “2 Heads” with Coleman Hell).
The lyrically heavy dance-pop song, “get over u,” captures the sadness of a breakup and what is portrayed on the outside to other people. It’s the feeling of wanting to stay home and be sad, but also wanting to go out to numb the sadness for a bit although you will still feel it.
Sound Strider’s latest single, “Psychedelic Ritual,” marks a captivating exploration into the realms of electronic music.
The artist, with a musical journey spanning decades and performances across Sydney, Australia, France, and Berlin, Germany, showcases a diverse and eclectic approach that breaks away from conventional norms.
In this new track, “Psychedelic Ritual,” listeners are treated to a mesmerizing fusion of acoustic and digital sounds. The composition includes pulsating rhythms, harmonies from a harpsichord, and spoken word delivered by British independent scholar and shaman, Julian Vayne. The result is a departure from traditional psychedelic music, embracing the avant-garde with a touch of what can be described as “spectral alchemy.”
Kevin from Indies & The Underground aptly describes the music as “deliriously trippy psychedelia,” acknowledging Sound Strider’s departure from the norm in electronic music. The track reflects a creative and imaginative approach to the genre, aiming to transport listeners to a space where reality blurs, and the imagination takes the reins.
“Psychedelic Ritual” effectively captures a sense of creative freedom, showcasing Sound Strider’s commitment to exploring the unknown throughout the track. With its outlandish and boundary-pushing nature, the music invites listeners on a journey where the established boundaries of psychedelic music are transcended.
Artwork for the single cover was designed by Avery Von Ringle, and the track was mastered by Anti-Logic, Berlin.
EMP, the Texas-based instrumental band consisting of Alex Erhardt, Nathan Mays, and Maxx Salazar, is making waves with their latest EP, “Empulsive,” which premieres today.
Distinguished by their unique and eclectic musical approach, EMP seamlessly blends an array of genres and influences to create a distinctive sonic palette. The incorporation of progressive rock, jazz, post-punk, and electronic elements contributes to a rich and diverse musical landscape. The unexpected addition of the vibraphone further sets EMP apart from the musical mainstream.
Having signed with Geodesic Records in 2022, “Empulsive” marks EMP’s inaugural full-length venture into the music industry. Notably, the EP showcases the trio’s diverse musical backgrounds, spanning punk, heavy metal, and upright bass in rock and roll, reflecting a fusion of influences that often leads to innovative and boundary-pushing creations.
The opening track, “Tryst Issues,” introduces listeners to a dynamic combination of the vibraphone, rhythmic electric guitar, and lively percussive elements, setting an adventurous tone for the rest of the EP. “Four on the Flores” follows suit with its bright and forward-looking atmosphere, incorporating electro-pop elements and synth chords that add a futuristic dimension to the track.
“Dr. Fillgrave” takes on a playful and jazzy character, placing the vibraphone at the forefront. The inclusion of dissonant chords introduces an element of tension and unpredictability, keeping the listener engaged throughout the piece.
In a testament to their versatility, all the songs on “Empulsive” are written and performed by EMP, with the exception of “African Flower” (written by Duke Ellington / Temp Music) and “Song of Storms” (written by Koji Kondo / Nintendo of America). The EP was meticulously produced by aCr & EMP, and the mixing and mastering were expertly handled by aCr.
“Empulsive” promises to be a compelling and diverse debut from EMP, showcasing their musical prowess and the boundless possibilities within their inventive sound.
The Color Pink have released a new music video to accompany their latest single “Little Animals” out now.
The song started out as a simple riff which lead singer Mikey Iansito came up with on a synthesizer he purchased a day or two before writing the track. The lyrics to the song explore the idea that we have a deeper, inner instinct that often comes up to the surface, revealing our “little animals.” Mikey says:
“I had these dreamy chords kind of floating around in my head and I just happened to find a perfect patch on the keyboard to play them.”
Some parts of the song are darker than others, while others are brighter and full of sunshine! The lyrics are so risqué and suggestive, but because the music itself is happy and upbeat, it doesn’t sound too dark. The music video reflects this duality.
The idea for the video came about when Mikey thought it would be fun to include his 1974 VW Beetle car in a video and then relate it to the lyrics: “I thought, what if there are these girls in the car who just had a great day at the zoo, and they see this creepy animal playing guitar who is supposed to be so sexy and mysterious, but rather than be excited or impressed, they just drive away with it.”
After years of collecting camera equipment, the moment arrived when Iansito felt confident enough to dive into the world of music video production; the experience was made all the more enjoyable with the enthusiastic participation of friends who all had a hand in bringing the video to life.
Friend and guest guitar player Mike Malinowski was a special guest, who sported a bunny mask, embodying the little animal that becomes the source of laughter, and in a comical turn of events, he even took part in pushing Mikey’s car during the shoot.
The video was co-directed by Marissa DeMarco, who also makes a star appearance, contributing her talents and creativity to the overall success of the project.
Mikey’s musical journey began when exploring the piano at his grandparents’ house, moving to an obsession with synthesizers. Drums were his first instrument, which then turned him into a multi-instrumentalist. He later started recording material after receiving a zip disc recorder as a gift from his Uncle.
Their debut album “Mazes” displays the period of growing up as an teenager, with a vintage element. Seamless production, fun piano chords, synth textures and vocals explore retro-futuristic vibes.
Ariel Arbisser’s latest single, “Bred for This,” marks a significant stride in her evolution as a mature and compelling force in the realm of dramatic electro-pop.
Drawing influences from musical artists such as Sara Bareilles, Adele, Alice Russell, and Laura Nyro, Arbisser skilfully weaves together hypnotic melodies and powerful vocals.
Her latest single, “Bred for This”, shows Arbisser’s musical prowess, featuring strong vocals and a mesmerizing melody. The song is very well crafted with memorable lyrics and a solid professionalism in performance. Arbisser’s vocal discovery adds richness to the rhythm track.
Her musical journey, originating from her middle America roots in Iowa to her current base in Ithaca, New York, reflects her unwavering commitment to her true calling in music. Her debut solo album, “Risk of Love,” released in the face of personal challenges, demonstrates her resilience.
Looking ahead, Arbisser’s upcoming album, “Ingenue Corrupt,” scheduled for January 2024, promises to be a revealing chapter in her evolving narrative. The album explores themes of love, lust, sub/dom relationships, and societal issues, and overcoming these challenges. Through therapy, journaling, and community support, she emerges as a fully embodied, sexy, and energized artist.
“Bred for This” serves as a beautifully crafted prelude to Ariel Arbisser’s transformative journey, leaving listeners eager to delve into the forthcoming album. As she continues to navigate the complexities of human emotion through her music, Arbisser establishes herself as an artist worthy of close attention.
“Bred for This” is out via all digital platforms now.
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