VIDEO VOYAGEUR: 3 Q’S WITH STEPHEN JAYMES

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The new video for Stephen Jaymes’ latest single release, “Last Predictable Summer,” orchestrates a disconcerting dance of juxtapositions, exploring themes of impending doom and carefree revelry.

Using regular stock photography, Jaymes paints a striking portrait of the zeitgeist, where sun-drenched scenes of frolicking beachgoers and carefree road trips collide violently with the grim spectre of apocalypse. This cinematic manifesto, a punk-ironic folk opera, thrusts the viewer into a kaleidoscope of cognitive dissonance.

The listener is serenaded by William Blake-inspired imagery invoking apocalyptic falcons and gyres. The video morphs seamlessly from blissful ignorance to haunting premonitions, showing diseases seeping from the permafrost and plastics raining down from the heavens, all while an infectious rhythm compels us to sway to the beat of our rapidly approaching doom.

As the world teeters on the edge of a collapse, Jaymes emerges as our reluctant prophet and punk poet laureate inviting us to join him in a danse macabre to face the music.

In this interview, we caught up with Stephen to find out the inspiration behind the new song and the story of the music video.

The official music video for “Last Predictable Summer” by Stephen Jaymes is now available on YouTube here:

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

I’m releasing my first full-length album this fall, and in the process of writing and recording the songs, I realized I had this feeling of urgency. We all know things are seriously out of whack in the world along multiple vectors, but we’re rewarded for ignoring that, numbing out.

So the realization sometimes comes at you sideways. I looked at the feeling, and what I saw was a background belief that next year nothing will feel normal, and nothing will ever really feel normal again. That this is the last year where we can all push our apocalyptic fears to the background. Which means this summer, the season for fun, is the last normal summer.

The last time we can dance obliviously. From here on out we’re going to have to learn how to dance to oblivion. Being oblivious won’t be an option. The devastation that just happened to Houston, the assassination attempt that has left everyone asking what is real – these are the harbingers of our future reality that I sing about in the song. They’re arriving even as I’m trying to promote the single. So it turns out my sense of urgency was founded.

2. What was the inspiration behind this video (visuals, storyline, etc.)?

Once I had the song written, and it wrote itself out pretty quickly, it was pretty obvious to me that the video had to be people having summer fun, oblivious to the doom over the horizon. Originally I was going to make a video with Ross Kolton, my collaborator on the three previous official videos, but Ross got called out of town by a big client on our shoot date.

I had already created the video that eventually became the official Last Predictable Summer music video in a fit of inspiration, feverishly seeking out the perfect stock footage to create a visual equivalent of an infectious, danceable rhythm carrying an apocalyptic message. It was supposed to be a guide for the project with Ross.

But once I started showing it to people whose opinion I trust, the feedback was that I already had the official video in hand, that I should release the stock footage version. The clencher for me was when my partner Christal, who as a professional film editor has worked on big shows like Scandal and Inventing Anna, said that the message played better with me just out of the way. I knew she was right.

3. What was the process of making this video?

Unlike my previous three official music videos, where we meticulously planned out locations and shots, this was a product of an inspirational trance. In one 24-hour period I found all the stock footage I needed, licensed it, and cut it to the song.

Like I said, it wasn’t supposed to be a public video. It was supposed to express the overall mood I wanted to convey in the larger video we were planning. Being in that mode took the pressure off and let me focus on getting it as close as possible to perfect so that Ross would get the visual message I wanted to convey.

Luckily for me, the world of stock video has really modernized in the last couple years, with so many creators wanting to earn passive income from their cool shots. I don’t know that I could have made this a few years ago. I want to personally thank everyone involved in the bus shots. Without that amazing footage it might not have come together so well.

Side note, when you look closely, notice that the driver of the bus isn’t really sharing everyone else’s mood. I couldn’t have asked for something more perfect even from an AI generator. For the actual cutting, I use a variety of different editing softwares, but for this one I just cut it fast in iMovie on my iMac. No filters, almost no transitions. It’s not even color treated. I wanted it raw, like someone shaking you awake.

Once I accepted this as the official version, an ethos of blunt reality was born. Less was more. To be honest, everything about the writing of this song and the making of the video was pretty swift. Like these ideas had been percolating for awhile and were now ready to be poured out fast. It’s not always like that.

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Stay connected with Stephen Jaymes here:

Website // Facebook // Instagram // Spotify // Soundcloud // Apple Music // YouTube Music

VIDEO VOYAGEUR: 3 Q’S WITH GEORGE COLLINS

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George Collins is a multi-faceted artist whose music, writing, and creative endeavours reflect a life rich with experience and inspiration.

Hailing from Washington D.C., and now based in Prague, Collins has embarked on a musical journey that transcends traditional boundaries as he blends classic rock influences with contemporary themes.

Collins recently released his latest single, “Saving the Best for Last,” a standout track from the eagerly anticipated EP, “Songs for Grown-ups” set to be released this summer. This song serves as a powerful, upbeat anthem about the beauty and potential of aging inspired by musical legends such as George Harrison, Bruce Springsteen, Van Morrison, and Neil Diamond. Wrapping up the EP’s themes, it reflects on the passage of time and the wisdom gained through life’s experiences.

In this interview, Collins delves into the story behind “Saving the Best for Last.” He believes in the possibility of achieving one’s best work at any age, a sentiment that is passionately conveyed through his music.

We also explore the creative process behind the song’s captivating video, crafted by the talented Marta Vorontsova. Utilizing stock footage, AI images, and animation, the video beautifully illustrates the song’s themes and Collins’ vision. From conceptual discussions to iterative feedback, Collins describes how this collaboration brought his ideas to life in a visually stunning manner.

The official lyric video for “Saving the Best for Last” by George Collins is now available on YouTube here:

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

This was the last tune written for my second EP, “Songs for Grown-ups,” and I knew I wanted to end this collection with a positive, upbeat, exuberant anthem about getting better with age.

For this song I was inspired by the work of George Harrison, Bruce Springsteen, Van Morrison and Neil Diamond.

The song summarizes the themes explored in the previous tracks of the EP and reaches the hopeful conclusion that, as I continue getting older and enter a new phase of existence, I can bring all the lessons I’ve learned to bear to create a fulfilling and joyful later stage of life.

I have always believed that, no matter my age, my best days and best work lie ahead of me – and this song attempts to express that belief.

I have also been inspired by iconic artists who did some of their greatest work in their later years such as Bach, Beethoven, Yeats, Eliot, Monet, Matisse and Picasso – masters who can serve as models for us all by fusing youthful energy and passion with the wisdom and perspective of age.

Plus, the track absolutely rocks and is loaded with hooks, including a 1970s-style modulation to emphasize the “surprise” in the lyrics – one doesn’t hear many such modulations these days!

2. What was the inspiration behind this video (visuals, storyline, etc.)?

There were several key images I knew I wanted to focus on in the video to illustrate the themes of the song: confusing maps and road signs (“Figure out the way that I should go”), climbing mountains and overcoming other difficulties (“But I never lost faith in me and all that I could be”), couples working their way through difficulties (“It’s taken us a while to learn to smile”), older men finishing a race and winning trophies (“Here I am, better than ever”), older couples deeply in love and enjoying their Golden Years (“We’re gonna have fun in the days to come”), just to name a few.     


3. What was the process of making this video?

I worked with an extremely talented artist named Marta Vorontsova (Instagram: @_imagikali_), who is specialized in creating music videos using stock footage, AI images, and animation techniques.  She has produced many videos for me, which are all available on my YouTube channel (@GeorgeCollinsBand), and each one is unique.  We had long discussions about the song and my wishes for the video, then she vastly improved on my original ideas with her brilliant, skillful and imaginative visual presentation.  It was an iterative process: She would send me a draft, I would send her my comments, then back and forth until we got it just right and we were both happy with the results.  “Saving the Best for Last” is an extremely important song for me, and I love how the video captures and beautifully expresses the deeply personal yet universal themes of this exuberant, inspiring song.

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Connect with George Collins here:

Website / Facebook / Instagram / Spotify / Soundcloud / Apple Music / YouTube

Folk Powerhouse Dave Whitty Shines with Latest Single “Ducks in a Row”

If you listen to Dave Whitty’s music, it won’t take long to hear the pride he has for his home province, capturing Newfoundland’s joie de vivre and beauty. His song, “Ducks in a Row,” was written coming out of the pandemic. It’s about the struggle of an artist during those times, and also as a person ages and matures. The music industry and being an artist is hard, and as one gets older it becomes even more difficult to keep the fire burning, to stay relevant, to keep on top of everything. It’s a coming of age tale about perseverance and pushing through. 

“This song is fun and uplifting,” says Dave Whitty. “A perfect road trip song, when the sun is starting to set and you have the open road ahead of you. I think everyone can relate to the feeling of being a little lost in life and their career, and trying to push through to get to the other side.”

Dave Whitty is a singer/songwriter from St. John’s, NL. He has released three solo albums since 2012, with a fourth underway, and writes and sings about real-life experiences. His folky storytelling style tells tales woven through playful lyrics and infectious melodies about his relationships and his unique perspective. 

Nelson Sobral Entices with Latest Release Hang On”

Nelson Sobral is a singer-songwriter guitarist hailing from Toronto, equally inspired by the vast, wide open spaces of the country he calls home and the labyrinthine maze of the city in which he resides. His music is as much Americana and blues as it is soul and rock ‘n’ roll, perfectly balanced with the energy and sound of each of his respective influences, uniting them all with one, singular mission: to move and energize audiences into an all-night frenzy and travel the world on the might of his song.

His gritty new single, Hang On,” is delta blues shot up with electric rock and roll. This is the third taste of his upcoming full-length album, the follow up to 2022’s Second Arrow.

Hang On” has soulful vocals and bluesy guitar riffs, delivering an anthem of liberation, urging listeners to break free from the past. “It’s a reflection of letting go of people and situations that no longer serve you,” Sobral remarks.

Though clearly inspired by the roots songwriting giants—the Hank Williams and the Gram Parsons of the world—Nelson Sobral’s work deserves a wider scope, a wider breadth, and a wider reach. Through the lens of soul, blues, and rock and roll, Sobral’s songwriting, paired with his incomparable voice and monster guitar playing, is fit for any stage, any night of the week, any audience, anywhere. 

Action Forever Debuts Strong New Release “Stay With You”

Sim Bansal, the bandleader of 4-piece Action Forever, grew up in Brantford, Ontario. His obsession with music began at age 5 and, for the next two decades, his natural talents were fostered by a musical family upbringing and constant exposure to a unique and eclectic mix of influences ranging from ‘80s pop, to progressive rock, to jazz, and indie.

The music of Action Forever, while lively, electric, melodic and danceable, explores darker themes such as loneliness in a digital age, abusive relationships, loss of identity, and mental health. New single, “Stay With You,loosely tells the story of the troubled relationship of two lovers from the point of view of the abused.

Immediately, I feel a sense of tragedy when I hear this song. It’s meant to broadly acknowledge any kind of abusive relationship one might have – could be with a person, a thing, or, as I’m seeing more clearly these days, a society,” Sim explains. “I aimed to capture the spectrum of emotions one feels in this situation and have the listener experience the full weight of it – the naive delusional love, the frustration, the isolation and the denial.” 

Sim had studied business as well as applied music, while gigging as a lead singer and guitarist in many bands including a Police cover band (Blue Turtle) and a progressive-rock tribute act (Bypass Off). Sim won Hamilton’s Brian Lee Griffith Guitar contest for an original composition and a live performance.

With guitar and voice as his primary instruments, he learned drums and bass as well and now plays most of the instruments on his own original work. 

Dan Pallotta Shines Bright with New Single “Kendra’s Pictures”

Folk singer-songwriter Dan Pallotta has a delicate and hopeful new single to share entitled “Kendra’s Pictures.” The Kendra in question was a neighbour of Pallotta’s who “took the most beautiful landscape and nature photographs that were filled with light.”

The song features a gently rolling melody which seeks to transmit a feeling of light and of beauty that transcends mortality. Pallotta took many approaches to the song’s production, experimenting with synthesizers, piano, and upright bass.

“It was when we asked Marc Muller to try a lap steel that it all came together. It gave the song an other-worldly feeling that the story was calling for. It was big without suffocating the negative space we needed for the lyrics to come through.” – Dan Pallotta

American philanthropist and musician Dan Pallotta has been writing songs for forty years, but took about a thirty-year break in the middle to create the AIDSRides, the Breast Cancer 3-Day walks, and the Out of the Darkness Suicide Prevention walks. 182,000 people took part in one of these epic, heroic journeys, which raised nearly $600 million in nine years—more money raised more quickly for those causes than any events in history, and were the subject of a Harvard Business School case study.
In September 2022, the Stephen Gyllenhaal directed documentary film adaption of Pallotta’s book, Uncharitable, was released, which advocates for liberating the nonprofit sector to its true potential. It features Edward Norton, and the heads of TED, the Ford Foundation, the Nature Conservancy, Charity:Water and many other organizations. 

Pallotta’s TED talk on charity is the 16th most commented TED talk of all time. He has written five books, served on two school boards, sang the national anthem at a Los Angeles Rams game, and did not forget the words! 

Pallotta’s music and his commitment to making a difference in the world are inseparable. He tries to write songs about the human condition, as experienced by all kinds of human beings across all manners of circumstance, and songs about the possibility of a world that could work for everyone.