Growing up in small-town Oklahoma, Gwyn Love (they/them) knew they were destined for something bigger. Now, as the first-ever American artist signed to Vancouver-based 604 Records — they’re ready to take on the world together with the multi-platinum producer and composer, La+ch (best known for the certified 4x platinum hit “2 Heads” with Coleman Hell).
The lyrically heavy dance-pop song, “get over u,” captures the sadness of a breakup and what is portrayed on the outside to other people. It’s the feeling of wanting to stay home and be sad, but also wanting to go out to numb the sadness for a bit although you will still feel it.
Sound Strider’s latest single, “Psychedelic Ritual,” marks a captivating exploration into the realms of electronic music.
The artist, with a musical journey spanning decades and performances across Sydney, Australia, France, and Berlin, Germany, showcases a diverse and eclectic approach that breaks away from conventional norms.
In this new track, “Psychedelic Ritual,” listeners are treated to a mesmerizing fusion of acoustic and digital sounds. The composition includes pulsating rhythms, harmonies from a harpsichord, and spoken word delivered by British independent scholar and shaman, Julian Vayne. The result is a departure from traditional psychedelic music, embracing the avant-garde with a touch of what can be described as “spectral alchemy.”
Kevin from Indies & The Underground aptly describes the music as “deliriously trippy psychedelia,” acknowledging Sound Strider’s departure from the norm in electronic music. The track reflects a creative and imaginative approach to the genre, aiming to transport listeners to a space where reality blurs, and the imagination takes the reins.
“Psychedelic Ritual” effectively captures a sense of creative freedom, showcasing Sound Strider’s commitment to exploring the unknown throughout the track. With its outlandish and boundary-pushing nature, the music invites listeners on a journey where the established boundaries of psychedelic music are transcended.
Artwork for the single cover was designed by Avery Von Ringle, and the track was mastered by Anti-Logic, Berlin.
EMP, the Texas-based instrumental band consisting of Alex Erhardt, Nathan Mays, and Maxx Salazar, is making waves with their latest EP, “Empulsive,” which premieres today.
Distinguished by their unique and eclectic musical approach, EMP seamlessly blends an array of genres and influences to create a distinctive sonic palette. The incorporation of progressive rock, jazz, post-punk, and electronic elements contributes to a rich and diverse musical landscape. The unexpected addition of the vibraphone further sets EMP apart from the musical mainstream.
Having signed with Geodesic Records in 2022, “Empulsive” marks EMP’s inaugural full-length venture into the music industry. Notably, the EP showcases the trio’s diverse musical backgrounds, spanning punk, heavy metal, and upright bass in rock and roll, reflecting a fusion of influences that often leads to innovative and boundary-pushing creations.
The opening track, “Tryst Issues,” introduces listeners to a dynamic combination of the vibraphone, rhythmic electric guitar, and lively percussive elements, setting an adventurous tone for the rest of the EP. “Four on the Flores” follows suit with its bright and forward-looking atmosphere, incorporating electro-pop elements and synth chords that add a futuristic dimension to the track.
“Dr. Fillgrave” takes on a playful and jazzy character, placing the vibraphone at the forefront. The inclusion of dissonant chords introduces an element of tension and unpredictability, keeping the listener engaged throughout the piece.
In a testament to their versatility, all the songs on “Empulsive” are written and performed by EMP, with the exception of “African Flower” (written by Duke Ellington / Temp Music) and “Song of Storms” (written by Koji Kondo / Nintendo of America). The EP was meticulously produced by aCr & EMP, and the mixing and mastering were expertly handled by aCr.
“Empulsive” promises to be a compelling and diverse debut from EMP, showcasing their musical prowess and the boundless possibilities within their inventive sound.
The Color Pink have released a new music video to accompany their latest single “Little Animals” out now.
The song started out as a simple riff which lead singer Mikey Iansito came up with on a synthesizer he purchased a day or two before writing the track. The lyrics to the song explore the idea that we have a deeper, inner instinct that often comes up to the surface, revealing our “little animals.” Mikey says:
“I had these dreamy chords kind of floating around in my head and I just happened to find a perfect patch on the keyboard to play them.”
Some parts of the song are darker than others, while others are brighter and full of sunshine! The lyrics are so risqué and suggestive, but because the music itself is happy and upbeat, it doesn’t sound too dark. The music video reflects this duality.
The idea for the video came about when Mikey thought it would be fun to include his 1974 VW Beetle car in a video and then relate it to the lyrics: “I thought, what if there are these girls in the car who just had a great day at the zoo, and they see this creepy animal playing guitar who is supposed to be so sexy and mysterious, but rather than be excited or impressed, they just drive away with it.”
After years of collecting camera equipment, the moment arrived when Iansito felt confident enough to dive into the world of music video production; the experience was made all the more enjoyable with the enthusiastic participation of friends who all had a hand in bringing the video to life.
Friend and guest guitar player Mike Malinowski was a special guest, who sported a bunny mask, embodying the little animal that becomes the source of laughter, and in a comical turn of events, he even took part in pushing Mikey’s car during the shoot.
The video was co-directed by Marissa DeMarco, who also makes a star appearance, contributing her talents and creativity to the overall success of the project.
Mikey’s musical journey began when exploring the piano at his grandparents’ house, moving to an obsession with synthesizers. Drums were his first instrument, which then turned him into a multi-instrumentalist. He later started recording material after receiving a zip disc recorder as a gift from his Uncle.
Their debut album “Mazes” displays the period of growing up as an teenager, with a vintage element. Seamless production, fun piano chords, synth textures and vocals explore retro-futuristic vibes.
Ariel Arbisser’s latest single, “Bred for This,” marks a significant stride in her evolution as a mature and compelling force in the realm of dramatic electro-pop.
Drawing influences from musical artists such as Sara Bareilles, Adele, Alice Russell, and Laura Nyro, Arbisser skilfully weaves together hypnotic melodies and powerful vocals.
Her latest single, “Bred for This”, shows Arbisser’s musical prowess, featuring strong vocals and a mesmerizing melody. The song is very well crafted with memorable lyrics and a solid professionalism in performance. Arbisser’s vocal discovery adds richness to the rhythm track.
Her musical journey, originating from her middle America roots in Iowa to her current base in Ithaca, New York, reflects her unwavering commitment to her true calling in music. Her debut solo album, “Risk of Love,” released in the face of personal challenges, demonstrates her resilience.
Looking ahead, Arbisser’s upcoming album, “Ingenue Corrupt,” scheduled for January 2024, promises to be a revealing chapter in her evolving narrative. The album explores themes of love, lust, sub/dom relationships, and societal issues, and overcoming these challenges. Through therapy, journaling, and community support, she emerges as a fully embodied, sexy, and energized artist.
“Bred for This” serves as a beautifully crafted prelude to Ariel Arbisser’s transformative journey, leaving listeners eager to delve into the forthcoming album. As she continues to navigate the complexities of human emotion through her music, Arbisser establishes herself as an artist worthy of close attention.
“Bred for This” is out via all digital platforms now.
Brazilian DJ icon ALOK, popularly known for chart-topping collaborations with James Arthur, John Legend, Tove Lo, Ellie Goulding, The Chainsmokers and Ava Maxdrops his latest banger, “LET’S GET FKD UP” via B1 Recordings/Ministry Of Sound/RCA Records. Sparked by singer CERES’ TikTok challenge, Polish DJ & Producer TRIBBS crafted a techno vibe, followed by Belgium DJ and producer Mondello’s version. Witnessing the viral sensation, ALOK stepped in, melding their brilliance into this hot new track.
A story of digital collaboration, this song embodies global music synergy sure to set dance floors on fire worldwide and is available now on all DSPs and streaming platforms HERE.
“LET’S GET FKD UP” is a surefire hit, showcasing a powerhouse quartet of artists boasting a combined monthly Spotify audience of over 25 million. With an fast-paced, infectious beat and catchy lyrics, the track creates an enthralling musical experience for listeners. The highly collaborative song seamlessly fuses the unique styles of all the artists involved, from CERES’ mesmerizing vocals to ALOK’s global house influences, followed by TRIBBS techno style, and Mondello’s infectious production. This release follows ALOK’s recent hit single, “Jungle,” featuring the global DJ duo The Chainsmokers and vocalist Mae Stephens. Meanwhile, CERES, is a Brazilian powerhouse singer-songwriter, DJ, and producer blending her European and Brazilian styles together. She recently released her biggest hit “U&ME” together with Dezko, which has over two million plays. TRIBBS has been emerging as a new face to the DJ scene, but behind closed doors he’s already been collaborating with some of the most popular artists in the scene – from Oliver Heldens to R3HAB. Mondello’s latest track with LAUWEND & Gaullin “Can’t Get You out of My Head” is one of his biggest hits with over two million plays on Spotify.
“I couldn’t be happier to be a part of this collaborative project. The experience of building on TRIBBS’ and Mondello’s sounds, along with CERES’ amazing vocals was so great and the result is something I’m proud to be involved with. We’re all excited for this release and for the world to hear it!” – ALOK
2023 has been quite the year for ALOK. Coming off a massive summer tour, he dropped his latest chart topping release “Jungle” with GRAMMY Award-winning & RIAA Diamond-certified duo The Chainsmokers and 20-year-old English singer & songwriter Mae Stephens, along with “Car Keys” with global pop sensation Ava Max, and its official remix by dance music legend Tiësto. In August, ALOK had his recent birthday celebration performance labeled “The Show of the Century” at the iconic Copacabana Palace Hotel in Rio de Janeiro for a record-breaking crowd. He continues pushing boundaries in the dance music community, paving the way for even more mind-blowing performances and opportunities in the future. The #1 most-listened-to Brazilian artist in the world on Spotify and #1 DJ in Latin America recently traveled to New York to host his second annual Future Is Ancestral climate change event at the United Nations headquarters with multiple panels, speakers, and a performance of his upcoming album featuring indigenous Amazonian artists on the UN rooftop. In May 2023 Alok was honored with a prestigious award at the Better World Fund Gala during the Cannes Film Festival for his charity work with his Alok Institute in conjunction with the Amazônia Fund Alliance program for the Brazilian Federation of UNESCO.
CERES is known for her powerful and soulful voice that captivates audiences. She quickly gained recognition for her dynamic performances and catchy melodies. Her songs reflect her personal experiences, touching on themes of love, empowerment, and self-discovery. In addition to her vocal talents, CERES is a skilled songwriter and music producer. With a unique blend of European and Brazilian influences, CERES is carving her own path in the industry. She pushes boundaries and explores new sounds, always striving to create music that resonates with listeners. Her main releases, “U&ME,” “Synthetic,” “Body Bend”, and “Take a Bite,” have garnered over 5 million plays on Spotify and 500,000 views on YouTube. CERES has signed releases with Spinnin’ Records, Actuation, Sony Music, Youth Energy, and Reven Beats, solidifying her as one of the main bets for 2023.
TRIBBS may be a fresh presence in the DJ world, but behind the scenes, he has already been working with some of the industry’s top talents, including Oliver Heldens and R3hab. 2023 is the year of TRIBBS jumping into the spotlight, very quickly becoming the No.1 streaming DJ in his homeland Poland, as well as the No.1 Polish airplay artist with singles like “Ghost,” “Future Champ” and the summer hit “Ostatni raz zatańczysz ze mną.” On stage he’s supported major DJs like Tiësto, Acraze and Mike Williams – playing crazy mash-ups like you’ve never heard before. With some exciting collaborations with Major DJs / Singers in the pipeline, TRIBBS should definitely be on everyone’s radar for upcoming yet dominating artists.
“At first, the song didn’t become popular right away, but when we posted it on TikTok it went viral. We got in touch with Ceres, the vocalist, to release the track. Things moved so fast that we ended up working on the song with the 4th best DJ in the world, ALOK – which is amazing! We’re really thankful to be working together with Tribbs to make it even more awesome! Let’s make it happen!” – Mondello
Mondello is a Latin DJ, formerly from the duo ‘Linka & Mondello’ having tracks played by Hardwell, Dimitri Vegas & Like Mike, Quintino and many more. After leaving the duo group, Mondello is still going strong in the game. He’s continuously investing in new tracks and is slowly building up his own community. He’s also hosting his own parties : ‘Soirée Carnage’ and ‘Project X’ which are attracting thousands of people. His latest track with LAUWEND has been one of his biggest hits. This is only the
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