Lot D is an electronic producer and DJ who primarily focuses on house music production or instrumentals for other artists. Now, he unveils his own EP, Midtown at Midnight. Stream here. He felt inspired by his recent move to Toronto; the new experiences that were juxtaposed by a pandemic. Contrast is the underlying theme of the project, like finding warmth in the cold. 

The dark and melancholic track “Midtown Tempo” elicits that feeling of finding comfort in discomfort. It essentially started with field recordings in varying environments, capturing the sounds of the subway and ambient city, coffee shop noise and random conversations. You’ll hear a heavy nod to the complexity and rule breaking of jazz but also the subtle simplicity of early Chicago House, all under a lo-fi veil. 

Christee Palace is a versatile and vibrant artist whose colourful personality and talent are undeniable. The Toronto-based pop singer/songwriter hails from a large family of musicians in her hometown of Windsor, Ontario. From winning the Jim Beam National Talent Search and an Indie Award, to opening for artists such as Sean Kingston and Walk off the Earth, her polished live show and captivating charisma continue to land her incredible milestones.

She teamed up with Billboard Top 10 artist Kayla Diamond to co-write and produce her latest single, “Love Me Better.” Blaming herself for a break-up, she found self-love in the songwriting process and came to understand what she deserves. She advises taking care of yourself first in order to find someone who is complementary to you.

Helena Li is a Toronto-based singer and songwriter whose musical journey started in Beijing in the 90s, years before she moved to Canada in her late teens. After spending some time in the music industry as a professional, Helena made the bold decision to embark on her dream path as a recording artist, and break boundaries for artists with Asian immigrant backgrounds in North America and beyond — a dream which has come to fruition with her debut single, “Montana.”

To craft her unique, story-driven brand of pop, Helena draws inspiration from Western pop legends including Ali Tamposi, Marina and The Diamonds, Ava Max, Sia, and Florence + The Machine, infusing the synthesis with a unique blend of Eastern elements. 

“Montana” is written about Helena’s unrequited crush – a pharmacist where Helena frequently picked up her prescriptions. Helena went back to China for some time, and when she went back to the pharmacy years later, the pharmacist was gone. She never even knew her name, so she called her Montana. 

For those who may not be familiar, Kane Kalas is a musician on the rise. His latest single and video “I’ve Never Been in Love Before,” out today, is a beautiful take on the classic song by Chet Baker. The song showcases his skillful performing and musicianship.

Kalas’ vocals are strong and confident, and the song’s driving rhythm section provides a solid foundation for his instrumentation work. The heartfelt and catchy song features Kalas’ impressive falsetto vocals and a memorable chorus.

Kane Kalas is a classically trained crooner. His style evokes music’s Golden Age with a contemporary twist. Kalas is a mainstay at Citizens Bank Park, where it has become a tradition for him to sing the Star-Spangled Banner each season at the Philadelphia Phillies’ home opener and when they make the playoffs.

“I’ve Never Been in Love Before,” is a standout track, with a catchy melody that sticks in your head long after the song has ended. Kalas’ lyrics on this song are particularly strong, painting a vivid picture of a relationship.

Kane shares of the release:

“I’ve Never Been in Love Before” portrays the excitement and anticipation of budding love. Our musical cover and official music video capture the essence of Loesser’s perennial ballad but with an interpretation relatable in 2023.

Kalas’ passionate delivery makes the message of the song feel genuine and inspiring. Overall, the song is another strong piece from the artist that showcases his impressive work as a performer and musician. The arrangement is well-crafted and memorable, and Kalas’ vocals are impressive throughout. Whether you’re a fan of rock, blues, or pop, there’s something in Kane’s music for everyone. “I’ve Never Been in Love Before,” is out via all digital outlets today.

Pre-order Kane’s new album: High Hopes https://KaneKalas.com/store

Connect with Kane Kalas via:
Website // Instagram // Facebook // Twitter // YouTube // TikTok // Spotify

Many artists could go on and on about their favorite (or least favorite) bands and records. Jonas Park could write an entire essay on Neil Gaiman’s ‘American Gods’. “I actually watched the TV show first, which provided some colorful imagery for the novel once I dug into it’’ Jonas says.” ‘American Gods’ changed the way I saw characterization and storytelling, and I’ve done my best to pay tribute to those elements, and the story, in my music.” ‘Indie Romeo’ uses catchy pop hooks and witty lyrics to convey the complex emotions Jonas felt during a turbulent period of his life. The title and opening track is a whirlwind of soaring background vocals, growling guitars and driving drumbeats—encapsulating the intoxication of embracing new beginnings. The defiant energy of the more rock leaning tracks ‘King of Anchors’ and ‘Shaky’ belie Jonas’ more vulnerable states, recounting adrenaline-fueled highs and the burnout that follows. ‘Island’ goes into even more detail; Jonas’ goes from being open to everything, to putting walls up in a way that feels like a reluctant choice to mature. “I was relentlessly pursuing a career path without really stopping to think about anything” he recounts, “And once I was sort of forced to pause, my body and mind started to feel the consequences of overwhelming myself really quickly.” But the listener also feels Jonas making a conscious effort to find levity in difficult circumstances. ‘Mad Sweeny & Dead Wife’ is a short fantasy with Gaiman’s titular characters present, deciding between being together and being themselves. The somber piano melody may lead the listener to their decision, no matter how much they may wish it were otherwise. ‘Venus, Venus’ is a straight-forward but rousing punk-pop track that revels in the nonchalant euphoria of casual sex. “This is the only track that I wrote on guitar, so it definitely feels more like an outlier, in the best way possible”. Overall, ‘Indie Romeo’ never lets the listener stay in one place for too long, carrying them though Jonas’ entire emotional landscape. Not quite rock’n’roll, not quite pop and not even entirely romantic as the name might suggest, Jonas’ music draws from several different genres and art-styles to create a rich and illustrious piece of work. “I really hope people can take something meaningful out of my music,” Jonas says. “I purposely put a lot of myself in these songs with the hope that other artists could find some inspiration and comfort, as I’ve been able to find in the artists that I love and respect.”.