Roxercat To Release Highly Anticipated Debut EP “PEARLS” on January 13, 2023

Nashville rock band, Roxercat debuts their new EP PEARLS via 9 Dog Records. The album will be available on all major streaming platforms JAN. 13th and offers progressive rock sounds.

Following the release of two well-received singles, Roxercat debuts their six-song EP “Pearls.” Roxercat is a progressive rock band based in Nashville, Tennessee, led by singer and songwriter Price Jones, guitarist Stan Lassiter, and bassist Bill Francis. Various guest musicians also appear on the recordings. Roxercat’s sound features the imaginative storytelling and stellar musicianship expected from such a seasoned group of Nashville creatives. Recorded at Nashville’s Sound Emporium Studios with overdubs at Cat Tracks Studio, the EP was co-produced by Price Jones and Grammy® award- winning engineer and producer Clarke Schleicher.

Price’s gift for storytelling and composition and the band’s polished musicianship come together to provide a very satisfying listening experience. The songs touch on many themes, including life’s challenges in a digital age, love, relationships, the paradigm shifts of life, and living through uncertain times. The title song, Pearls, embodies Price Jones’ worldview as a simple message: no matter the current status of relationships with the people who come and go throughout your life, you can still wish them happiness. “Life is about surrounding yourself with people that believe in you – and you in them – and always holding on to your dreams,” says Price. With each lyric, Price takes us on an emotional journey through life, constantly reminding us to stay in our

power. Walk away from relationships that don’t serve you, stand firm in your beliefs and resist outside influence, be aware of inevitable changes coming throughout your life and meet them with positivity in the knowledge that our hearts can and will heal. “That’s just life.”

Price Jones began making music as a young girl growing up in Kentucky. She spent summers performing musical theatre professionally across the metro Louisville area. By her late teens, she would discover the classical guitar and move to Nashville, TN, to deepen her studies at Belmont University. Her relocation to Nashville in 1982 marked the beginning of decades-long songwriting, recording, producing, and composing careers. When Jones was not on the road, she owned and managed Cat Tracks studio in Nashville, where she spent ten years producing and engineering. It was there, in 1997, that Jones composed the rock opera, The Fortunate Few.

Stan Lassiter is a native of Nashville and a classically-trained guitarist. Considered by many to be the city’s premier jazz guitarist, he is committed to the expression and expansion of music. He has performed with some of the best musicians of our time, including the legendary saxophonist Sonny Stitt. He has opened for Spyro Gyra, Bela Fleck and the Flecktones, Eric Johnson, Stevie Ray Vaughan, and numerous others.

Bill Francis, a Pennsylvania native, first picked up the bass at 12 years old and two years later was playing out professionally with local rock bands. After graduating high school, he toured throughout the United States and Central America with the internationally known company “Up With People.” Bill earned a degree in Jazz Performance at North Texas State University and, since then, has played and toured in a multitude of bands. He has also participated at the Bass Collective in New York City and studied privately with John Patitucci. Bill’s true music passion is jazz, but he enjoys playing almost all genres.

Stan, Bill, and Price have been playing together since 2017. After finishing up a rock opera project they were all involved in (The Fortunate Few: the rock opera written and produced by Price), they decided to pool their talents once again to form an original rock band, Roxercat.

Roxercat also filmed two music videos for their first single releases. View them on their YouTube channel here.

For more information on Roxercat, visit www.roxercat.com.

Pearls Track Listing:
1. Pearls
2. Crime
3. Baby I Tried
4. I Will Not Lie
5. I Changed Today 6. 2020

JOCELYN & CHRIS Will Usher You Into 2023 with Modern Retro-Funk Anthem “Sugar and Spice”

Harvard-grad sibling rockers Jocelyn & Chris return with “Sugar and Spice,” “a bluesy romp showing off their knack for classic song-craft” (American Songwriter) and their first release since the world health crisis took hold last year. This is a taste of their forthcoming eighth studio album. Channeling the powerhouse-style vocals of iconic female rockers like Janis Joplin and Stevie Nicks blended perfectly with guitarwork calling back to greats like Jimmy Page and Jimi Hendrix, Jocelyn & Chris deliver a psychedelic 70s style on this funk-driven track about realities of a hot and cold relationship.

Accompanying the rocking, retro-funk anthem is the official music video. With a kaleidoscope of colors, the track’s retro influences are on full display with Jocelyn’s vocals taking center stage supported by Chris’s organic, riff-driven guitar.

Eight albums, continual touring, and their “millennial spin on classic rock” (NBC TODAY) has earned Jocelyn & Chris three consecutive commercial radio singles in the Billboard AAA Top 40 and two #1 records on the Relix Jambands Top 30 Album Chart. Their 2019 album The Fun in the Fight landed them their national TV debut with The TODAY Show and features with Huffington Post, NowThis, Paste, The Daily Beast, People, Hollywood Reporter, and numerous others.

Following “Sugar and Spice,” Jocelyn & Chris released “Run Away,” an anthemic pop-rock track that channels the all-too-relatable feeling of losing hope – and then finding it again through a fresh perspective and a musical escape. “Run Away” premiered with Relix and has quickly garnered press and adds from MTV, Celebrity Access, Guitar World, and more. The infectiously powerful track impacts Triple A radio on June 14th.

Jocelyn & Chris and their band will showcase music from the new record on the road this summer with tour dates across the US for their “Favorite Ghosts” tour, including a first-time appearance at Bourbon & Beyond in Louisville, KY, and a return to Milwaukee’s Summerfest.

“Sugar and Spice” PR.docx

ABOUT JOCELYN AND CHRIS

Sibling rockers Jocelyn & Chris learned long ago that every cloud, no matter how dark, may just have a silver lining – and as they prepare to release their eighth album Favorite Ghosts, they’ll emerge from a world on pause with a ferociously original work that might just be bottled modern-rock lightning. Instead of falling idle during the dark clouds of 2020, the siblings embraced the chance to create the most authentic, meaningful songs of their career. The album’s producers, long-time Jocelyn & Chris collaborator David Bourgeois and seven-time Grammy winner Joel Moss, were happy to facilitate the chaos, resulting in a varied, dynamic work that always chooses the power of telling a story over the temptation to conform to any one genre or style. From anthemic single “Run Away” to emotionally stark closer “My Favorite Ghost,” these songs reflect on the memories and emotions that refuse to let us go, suggesting that while we can’t change what haunts us, we can welcome it as part of who we are. For Jocelyn & Chris, who have been making music together since they were children, Favorite Ghosts is a powerful, undeniable set of songs that carries these siblings forward into a new chapter as they continue to chase their shared dream.

FOLLOW JOCELYN & CHRIS:

Official website: http://www.jocelynandchrismusic.com/

Facebook: https://www.facebook.com/JocelynandChris/
Instagram: https://www.instagram.com/jocelynandchrismusic/
YouTube: https://www.youtube.com/channel/UC_AenhmVbsJWLG1qjWpAN3A
Tiktok: https://www.tiktok.com/@jocelynandchris
Twitter: https://twitter.com/jocelynandchris
Spotify: https://open.spotify.com/artist/2haWKVf4SjBUrihzS4ul3R?si=gcoF2ws7T4OdX3zahqLVGA
Apple Music: https://music.apple.com/us/artist/jocelyn-chris-arndt/1067985739

PETITSOLEIL Are In the Mood with “Haïkulélé Songs”

Ukulele. Literally, “leaping flea”, probably from the Hawaiian nickname of Edward Purvis, who was short and quick and popularized the instrument brought to Hawaii by the Portuguese in 1879.

To extend the summer, PETITSOLEIL offers you ten swaying Latin songs joyfully painted in pop colors in the language of Molière!

Supported by the swaying swing and the crystalline sound of the “Ukulele”, by the percussions of Japy Lo Pinto, and the “tremolo-twangy” electric guitar of Piero Bégot as talented accomplices, the songs of Roberto Lozano take us from “La Grande Bleue ” (Southern France, Spain) and Latin America (Brazil, Colombia, Mexico, Peru, Argentina, Havana, Dominican Republic). On heady refrains that celebrate life, love and the intoxication of Latin fiestas, the three boys, their heads in the sun, delight us with their songs without age and without borders (between original compositions and covers from Latin folklore ) …All performed with heart and soul!

Ukulele. Literally, “leaping flea”, probably from the Hawaiian nickname of Edward Purvis, who was short and quick and popularized the instrument brought to Hawaii by the Portuguese in 1879.

To extend the summer, PETITSOLEIL offers you ten swaying Latin songs joyfully painted in pop colors in the language of Molière!

Dive into the new release below!

Video Premiere: The Flip Phones Debut Their Music Video for “Man Made Moon”

The Flip Phones are the folk rock duo making waves with their debut EP, Better in the Dark, now streaming.

They’ve just released the music video for their thought provoking single “Man Made Moon.” The intimate setting of the video, with Ryan and Lindsey performing for the viewer in a single shot, allows the viewer to really become enveloped in the song. The camera almost acts like the eyes of the viewer, going back and forth between the two. Because the camera never stops rolling and it’s just the one shot, it flows quite well with the atmosphere of the song.

They play with light in the video as well, fitting seeing as the song was initially inspired by a man made moon they read about. The camera being on the move the whole time also adds an interesting effect with shadow, some shots are more lit than others and some shots you can’t really see the artist’s faces. It’s actually quite brilliant in it’s simplicity.

We got the opportunity to speak with the folk rock duo about their video and the song:

Tell us the story of this song, why did you choose to visualize this song specifically in this way?   

“Man-Made Moon” was inspired by an article about an artificial moon meant to help illuminate cities and light up the night sky. It made us wonder: Is more light, specifically human-created light, really a good thing? Or should we sometimes embrace the darkness?

This song is the EP opener and lead single, and it asks the question “Are we better in the dark?” “Man-Made Moon” sets the stage for the lyrical themes throughout Better in the Dark, which explore topics such as humans vs. nature and darkness vs. light.

Given the subject matter of the song, we aimed to contrast the natural darkness of the filming location with the artificial lighting behind us to reflect the dark and light themes in the song.

What was the inspiration behind this video (visuals, storyline, etc.)?

The idea with this video was to capture the energy of our live performance in a studio environment while using light and dark textures to create the atmosphere. 

What was the process of making this video?

We made this video with Luke Justin Roberts from LJR Creative as part of his Amplify events, which provide the opportunity for local artists to shoot videos in music studios in the DC area. This video was filmed at Ivakota studio in DC and was shot in a single take with no post-production editing. Luke did a great job of working with us to capture the energy of the song while showcasing the change in vocalists on each verse before singing the choruses together.

Connect with The Flip Phones

Website / Instagram / Twitter / Facebook / YouTube / Spotify

Your New Favorite Song….Chrome Daphne and Bobby Freemont Share New Release”Little Bit”

Bobby Freemont & Chrome Daphne have teamed up for a cool new collab. Melding Bobby Freemont’s bedroom pop with Chrome Daphne’s slick production.

The song “Little Bit” is about those times when you think things are getting better until your friends leave and you’re alone. A summer day can feel like a winter night pretty quickly. At the same time, you can zoom out and look at it as saying things are good now but you never know what’s around the corner. Life is full of good times and bad and that line encompasses both of them. There’s beauty in that.

This is just the beginning of a beautiful partnership – Bobby and Chris from Chrome Daphne are frequent collaborators at their studio and have been amassing a backlog of great music together, so be sure to look out for more!

TEEN BLUSH x skagboy Share “FALL TIME” – Taken from the Amazing IS IT ALREADY FALL TIME?’ EP

TEEN BLUSH is the solo artist and production project from Chicago-based musician Ken Foss. With a sound that traditionally glides through elements of dreampop, shoegaze, new wave and true alternative rock, Foss creates an experience that is both familiar and refreshing.

He broadens his sonic palette through a collaboration with fellow Chicago-based artist/producer skagboy who takes the songwriting prowess he has established throughout the existing catalogue and brings it into a new electronic alt-pop soundscape. 

Released on indie record label Everything Forever, IS IT ALREADY FALL TIME? combines elements of different genres of electronic dance music and hyperpop/glitchcore. The EP explores themes such as being haunted, ghosts, space, late-night adventures, and what it feels like to want to fall in love with someone – all through the lens of the season of autumn. 

The latter is captured in the focus track “FALL TIME” which is both about the excitement of fall approaching and the ache to be close to someone who is far away, while fully knowing they only want the parts of you that they find convenient. Ultimately, it’s about being foolish enough to convince yourself that somehow that might change.