“Crash Course Vol. 2: Tickets To Dreamland” – A Deep Dive into Animals In Denial’s Revolutionary Sound

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Christian Imes, the mastermind behind Animals In Denial, epitomizes the transformative power of music in both personal and artistic realms.

Through his candid revelations, it’s clear that music is more than just a career for Imes. It is a lifeline, a profound means of communication, and a canvas for expressing the depths of his soul.

The evolution of his song “Inside of Me” from a love song to a dedication to music itself underscores his deep connection to his art, using music to articulate emotions that words alone cannot capture.

Imes’s journey is marked by the unique way he uses music to communicate, likening himself to BumbleBee from Transformers, expressing emotions through melodies and lyrics rather than spoken words. This approach has not only defined his relationships but also helped him navigate complex emotional landscapes, as seen in his poignant interactions with his mother through songs like “Disarm.” Music has been his voice, his therapist, and his saving grace, especially as someone on the spectrum who finds verbal communication challenging.

In the brand new album, “Crash Course Volume 2: Tickets To Dreamland”, Animals In Denial takes the unique sound to new heights.

Embracing technology, Imes integrates AI into his music production process, viewing it as an invaluable tool rather than a threat. His innovative use of AI for mixing, mastering, and even generating musical ideas shows his forward-thinking approach, proving that technology can enhance creativity rather than hinder it. This pragmatic view of AI as a team member has streamlined his production process allowing him to achieve a polished and professional sound more efficiently.

Drawing inspiration from iconic bands like Nine Inch Nails, Depeche Mode, and Smashing Pumpkins, Imes has meticulously crafted a sound that is both nostalgic and forward-thinking. His music embodies the self-sufficiency and innovative spirit he admires in these bands, from using drum machines unapologetically to creating dynamic guitar-driven compositions. This deep dive into their work has not only shaped his musical style but also fueled his passion to inspire others through his creations.

The way I integrate it is to keep it natural and to treat it like a member of the team. I have  used it for all of the cover art for the Revisited Series, as well as mixing and mastering for  this series of releases. I tend to start with a base mix and have the AI take a listen and make  suggestions. It’s really like having mixing and mastering engineers in the room with me  from demo to finished product. It has made finishing much faster and we don’t have to  take 15 mixes out to the car to check only to still not be happy. It tends to be only one or  two mixes now and mostly being the first round through the AI. I have just recently started  letting AI suggest a part for a song. So, I’ll have it generate a base beat, or a bass line  and/or drone type of texture. I may elect to tweak it or add to it, but it’s something to trigger  a response from me. I’ll then just build and build like I do with anything else. I would do this  same kind of thing with a Kaos pad, or a sequence on a synthesizer. It’s really not so different from hiring a session musician to play something you’re directing them to play, as  you can also direct the AI to play as you want it to.

As the newest entry in their “Revisited” series, “the album “Tickets to Dreamland” immerses its listeners in a rich and layered musical sound that melds hypnotic melodies with innovative production techniques. Sophisticated mixing which makes use of dynamic shifts in volume and texture, creates an engaging listening experience. Tracks “Inside of Me” and “No Enemy” epitomize this approach, balancing intensity with subtlety and captivating listeners with their intricate soundscapes.

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Imes’ own songwriting journey began with personal experiences, evolving from tales of past relationships to exploring a myriad of subjects that affect and intrigue him. This fearless exploration into various themes has allowed him to write over 100 songs, each reflecting a piece of his life and thoughts.

Collaboration has also played a crucial role; his long-standing friendship and collaboration with Steven Seibold of Hate Dept and Pigface shows his willingness to learn and grow from his peers. This partnership has not only enhanced his production skills but also opened new creative avenues, blending industrial sounds with diverse musical elements.

Looking ahead, Imes remains committed to keep developing his music with a distinct approach. With plans to release more music through the Revisited series and new projects, his creative journey is far from over. His dedication to reviving live performances, despite logistical challenges, underscores his passion for connecting with audiences directly. Additionally, his side projects, MOD CON and The Search Merchants, Imes enjoys exploring diverse genres.

Keep up to date with Animals in Denial here:

Website // Facebook // Instagram // TikTok // Spotify // Soundcloud // Apple Music // YouTube Music

VIDEO VOYAGEUR: 3 Q’s WITH SHELLY RUDOLPH

Portland’s own Shelly Rudolph is back with her latest single release, “I Love LOVE”.

This soulful and funky track celebrates the universal power of love. Shelly teamed up with jazz-soul artist Charlie Hunter, trumpeter Cyrus Naibipoor, and drummer Reinhardt Wolfgang Melz, to deliver a rich, layered sound that’s sure to make you groove.

“I Love LOVE” started as a poem before transforming into a song, capturing the playful and sweet essence of love in all its forms.

Hunter’s groove-driven guitar/bass hybrid sets a compelling foundation, while Rudolph’s sultry vocals twist and shimmy over it, creating an infectious and heartfelt anthem. Following her drum-less, chamber jazz album “The Way We Love,” this new track marks a departure in sound but not in spirit, maintaining her core mantra of celebrating love always.

1. Tell us the story of this song. Why did you choose to visualize it specifically in this way?

”I Love LOVE” began as a poem, as many of my songs do, but when I stepped up to the mic I started singing! Thus, a song was born. 

Lyrically, it is playful and sweet but the message is deep: love in any/every flavor, in any/every combination is to be savored and celebrated.  

As a follow up to my album “The Way We Love” this unabashedly sassy number has a decidedly different sound but my mantra and life mission remain the same: LOVE always, always. That’s all we are here for.  

I wanted the video to express this feeling of joyful flow, freedom of expression and unabashed celebration, which I think the ecstatic-dance element captures. The multi-layer effects represent the myriad “flavors” of love being expressed and celebrated, all at once. 

2. What inspired this video (visuals, storyline, etc.)?

The iconic videos by Desrée – “You Gotta Be” -and D’Angelo – “How Does It Feel? – were the initial inspiration for this video. I love the way their solo presence invites the audience in, invoking an experience of immediacy, intimacy, vulnerability and power; all qualities that love demands and inspires. 

The color-palette was inspired by night-blooming flowers and late night dancing… vibrant and dark, embracing and sensual.  

3. What was the process of making this video?

I collaborated with the wonderful Derich Hartfeil of Fortem Films on this project.

A few ago he created an amazing, ethereal aerial dance video for my song “Butterfly Heart,”, and I knew I wanted to work with him again. We seemed to be on the same page artistically and easily. After sharing the music, lyrics and mood-conveying images with him we met up at a cool studio in industrial Portland for the shoot. It was a bit nerve-wracking at first to dance around by myself with a flurry of cameras around me but soon enough I swept away with the fun of it all and I love how Derich edited the footage to convey this sense getting swept away in the swirling dance of love. 

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“I Love LOVE” was recorded by Sacha Muller, mixed by Bob Stark and mastered by Nick Moon.

Vocals and songwriting by Shelly Rudolph, Charlie Hunter on hybrid guitar, Reinhardt Wolfgang Melz on drums and the trumpet arrangement and performance by Cyrus Nabipoor.

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With a music career spanning over two decades, Shelly Rudolph has become a firm fixture in Portland’s music scene, with a devoted following who enjoy her dynamic performances and soul-stirring vocals.

Her influence has also grown internationally, with placements on Spotify and Pandora, and airplay on jazz radio stations across Europe, Japan, Indonesia, as well as the Middle East!

Don’t miss out on this fresh, soulful take on the timeless theme of love — listen to “I Love LOVE” now on Spotify

Keep up to date with Shelly Rudolph on her Website.

Follow on Facebook and Instagram.

Music can be streamed on Spotify, Soundcloud, Apple Music and YouTube Music.

From Bossa Nova Vibes to Smooth Jazz Bliss in Marla Lewis New Single “Te Quiero A Ti”

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New Jersey born artist Marla Lewis has had a remarkable career as a singer, songwriter, and educator.

Her brand new, original single “Te Quiero a Ti”, offered in both Spanish and English renditions, radiates an enchanting groove and ambience.

Marla’s impeccable vocals, reminiscent of the finest bossa nova melodies, is accompanied by a sophisticated arrangement. With elements such as flute, piano, acoustic bass, electric guitar, drums, and lush backing vocals, the song allows Marla’s voice to shine. 

Originally, Marla had written a really beautiful tune, but could not come up with lyrics to her liking so she asked her friend Dave Kinnoin to write them. Loving what he came up with, the song was recorded on Marla’s first “Songbook” album. As she had always wanted to have it translated into Spanish, it was not until a few more years that she met Melissa Sanley who was able to use the same instrumental tracks as the previous recording: 

“My life was touched by a real life angel — that’s the best way to describe it! I signed up for a Peer Networking program offered by the Grammy organization (I’m a voting member), and they paired me with Melissa Sanley.  Talk about Divine intervention! A superb singer, songwriter, recording artist — she speaks four languages, and now she is my voice teacher! 

But I digress — I played her a song from my first Songbook album to see if she liked it enough to translate it into Spanish.  It had some Spanish words in the lyrics that were written by Dave Kinnoin (I wrote the melody).  She told me the title was not correct Spanish! OMG!  She changed it to “Te Quiero a Ti,” translated the lyrics, coached me on every line, created the cover art, sang backup vocals, and made the lyric video!” 

In essence, the song is warm, very romantic and has a vulnerable vibe too. The powerful and simple message is – New Love, for everyone! 

Taking inspiration from an eclectic array of musical influences including Ella Fitzgerald, big band, folk music from around the world, The Beatles, Laura Nyro, Carole King, James Taylor, Michael Franks, and Phoebe Snow, Marla has made her mark with music that involves different styles and genres. 

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For 25 years, Marla worked as an elementary school teacher, a role which ignited her passion for writing songs that are both educational and entertaining for children. This led to significant achievements, notably her song “Leap of Faith”, co-written with Nancy Schimmel, which was featured on the Grammy-winning children’s album “All About Bullies … Big and Small” in 2011.

Her dedication to children’s music is also evident in her award winning albums “I Love to Talk to Plants” (2009) and “We All Laugh in the Same Language” (2007). Produced by the renowned Bob Stander, both of these albums have earned prestigious awards such as the Parent’s Choice Gold and NAPPA Gold. Marla’s songs have also received First Prize and Finalist honors in various national and international competitions. 

Marla’s career took a new direction with her venture into smooth jazz and American standards; with her first album in this genre, “Songbook”, this was a significant shift and was met with critical acclaim. Produced by two-time Grammy award winning producer / engineer Bob Stander, “Songbook” features 14 original tracks that critics have described as “pure bliss.”

Building on this success, Marla released Songbook Volume 2 (SBV2), which further explores smooth jazz, cabaret, and American standards. This album, also produced by Bob Stander, comprises six original tracks showcasing Marla’s vocal talents alongside an accomplished ensemble: Mike Ricchuiti on piano, Teddy Kumpel on electric guitar, Rob Jost on acoustic bass, Matt Miller on drums, Erik Lawrence on sax, Daniel Sadownick on percussion, and Adam Minkoff and Gabby Scherba on backing vocals influenced by the Manhattan Transfer. The album’s first single, “Enchantée,” has achieved remarkable success, reaching #1 on the World Indie Charts and #2 on the Euro Indie Charts.

Her latest single, “Te Quiero a Ti,” is a fantastic song rich in musical influences as well as vibrant passion. Listen to “Te Quiero a Ti” on Spotify now!

Find out more about Marla Lewis on her Website.

Follow on Facebook, Instagram and Twitter.

Stream music on Spotify, Soundcloud, and YouTube Music.

CeCe Teneal Delights A Global Audience with the Release of Her New Single “Try”

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CeCe Teneal hails from the small town of Osteen, just outside Orlando, and she has become a global musical sensation!

Her soulful, funky original songs have touched hearts worldwide, captivating audiences across six continents. She’s had the chance to share the stage with music legends and has built a devoted following that spans generations.

At first, CeCe never saw herself as a performer. But she embraced her natural talent and rich musical heritage, moving from local venues to performing arts centers and entertaining onboard luxury cruise ships around the world.

Her new single, “Try,” is filled with nostalgia and hope, reflecting on cherished moments and shared laughter, and reminding us of a love that once was:

‘Try’ is a testament to my musical evolution, and I hope it touches the hearts of my audience, especially those in the LGBTQ+ and other marginalized communities,” CeCe says. The song mixes vibes of 90’s R&B with the soul of the 70’s.

“Try” is the lead single from CeCe’s upcoming album, “Side B,” set to release on August 23, 2024.

Fans can expect a deeply personal and soulful exploration of love, and self-discovery, with CeCe’s signature blend of funk, R&B, and soul in every track. This album is especially significant to the LGBTQ+ and marginalized communities who see CeCe as both ally and an icon.

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CeCe has performed with music greats like Buddy Guy, Joe Cocker, Johnny Lang, Betty Wright, Cameo, Robert Randolph & the Family Band, Jazmine Sullivan, Fantasia, Maze & Frankie Beverly, and B.B. King. Her tribute to the great Aretha Franklin has achieved a devoted following with fans coming to see CeCe sing in her unique style.

CeCe has been nominated for four Independent Music Awards, winning Best Gospel Song, Best R&B Album, and Best Soul/Funk/Fusion Song. She was named Orlando’s Best Live Band, received the Orlando Music Trailblazer Award, and headlined the halftime show at the Citrus Bowl. September 22, 2022, was even declared CeCe Teneal Day in Orlando and Orange County!

With her powerful vocals and ability to connect deeply with audiences, CeCe Teneal is a true force in soul and funk, leaving a lasting impact on listeners worldwide.

Keep up to date with CeCe on her Website and social media Facebook , TikTok and Instagram

Listen to her music on Spotify , Apple Music , SoundCloud and YouTube Music.

Composer Steven Chesne Releases New Album “Descendants (in 79 languages)” – an Album Celebrating Unity and Interconnectedness for the Modern Age

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In a world fraught with division and conflict, Steven Chesne’s new album, ‘Descendants (in 79 Languages)’ offers a refreshing reminder of our shared humanity. 

Set to release worldwide on July 19, 2024, “Descendants” (on Brahmasong Records) is an eclectic concept album.  

Bringing together World-Beat, Electronica, New Age, and Neo-Classic styles, the core message of “Descendants” is encapsulated in the phrase “We are the descendants,” which is presented in 79 languages, including French, Portuguese, Igbo, Khmer, Xhosa, Korean and Ukrainian. 

This ambitious project took Chesne four years to complete—a journey that involved meticulous translation work, unique musical compositions that interweave the 79 languages, and global collaboration with vocalists. The first year was spent obtaining accurate translations from native speakers and crafting melodies for each phrase. Another year was dedicated to recording sessions with vocalists from diverse locales such as Madagascar, Albania, Kenya, and the Netherlands. The remaining two years focused on composing additional tracks and refining the production aspects. 

Chesne says, “While there are countless things that various people and cultures disagree about, even to the point of violence, one thing that all of us accept in common is the fact that we all descend from a common source, whatever that may be.” 

The lyrics are simple: “We are the descendants,” which function as the unifying building blocks of the songs. The music has an otherworldly beauty, sometimes joyous, other times deep and profound, exploring an eclectic diversity of world beats and contemporary experimentation, without becoming fully ensconced in any style. It excites the soul and nourishes the spirit, honoring cultural heritage worldwide and presenting it in a modern context. 

An impressive lineup of artists is featured, including Platinum recording artist rapper Fredo Bang, Uyanga Bold (vocalist in Disney’s “Mulan” and Marvel’s “Spiderman”), Christina Hals (vocalist in Disney’s “Frozen 1&2” and “League of Legends”), Chhom Nimol (lead singer of “Peter Gabriel presents Dengue Fever”), members of the Los Angeles Master Chorale, and two-time Grammy award-winning vocalist Hila Plitmann. These fantastic collaborations bring a rich, authentic sound to the album. 

It feels like Disney’s “It’s A Small World” but for the modern age. Descendants (in 79 languages) is a sophisticated, complex, contemporary work that takes the listener on a journey through sounds as unique as they are captivating. 

Steven Chesne’s music career spans more than three decades. From scoring prime-time network shows to creating “Sapient: A Cantata of Peace,” Chesne has an extraordinary talent and dedication to fostering unity through music. 

The upcoming album “Descendants (in 79 languages)” promises to fascinate listeners worldwide, starting July 19th, 2024.

Check out the album’s video tour here and discover more about Steven Chesne at www.chezworks.com.

George Collins Brings Upbeat and Joyful Vibes with his New Single “Saving the Best for Last”

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George Collins has recently released his latest single, “Saving the Best for Last”!

This is the last single written for his second EP “Songs for Grown Ups” which is scheduled to hit the airwaves this summer. 

Radiating positivity and a lively vibe, “Saving the Best for Last” wraps up the album’s themes with a hopeful twist. It reflects on the passage of time and the shift into a new chapter of life, where past lessons pave the way for a fulfilling and joyful future.

“I knew I wanted to end this collection with a positive, upbeat, exuberant anthem. For this song, I was inspired by the works of George Harrison, Bruce Springsteen, Van Morrison and Neil Diamond. The song summarises the themes explored in the previous tracks of the EP and reaches the hopeful conclusion that, As I continue getting older and enter into a new phase of existence, I can bring all the lessons I have learned to bear to create a fulfilling and joyful later stage of life.”

Collins shares, “I’ve always believed that, regardless of age, my best days and work are yet to come – and this song is my way of expressing that belief. It’s a counterbalance to “Stop the Sun”, urging listeners to leave regrets behind and embrace life to the fullest within the constraints of being human.

What sets this track apart is its infectious energy, packed with catchy hooks and a nod to 70s-style modulation that adds a surprising twist to the lyrics – a rare find in today’s music scene.

Inspired by Edward Said’s reflections on “Late Style,” the album delves deep into the theme of creativity flourishing in later years. By drawing parallels between legends like Springsteen and Harrison and timeless figures such as Bach, Yeats, Matisse, and Picasso, Collins celebrates the richness of experience and wisdom that comes with age. It is the idea that these iconic artists have a message that can serve as model for us all.

The horn arrangements on the track were crafted by Canadian musician Lou Pomanti, known for his work with Michael Buble. Pomanti’s touch added a special dimension to the song.

Production, mixing, and mastering of “Saving the Best for Last” took place at Sundown Sessions Studio in Nashville, Tennessee with Collins recording his lead vocals at a studio in Prague, and engineering by Derek Saxenmeyer of ENEM Productions.


Connect with George Collins:

Website, // Facebook // Instagram // Spotify