Los Angeles pop singer-songwriter Lauren Waller has released a brand new album called Talking to Myself.
Talking To Myself delivers a bittersweet intoxicating cocktail of indie, synth, and pop capabilities, with fresh, forward-thinking sounds. Lauren nails it with playful invention, swagger, lyricism, introspection, and theatricality. From luminous dreamscape pop to catchy dance songs, Lauren’s emotionally generous storytelling and distinctive voice provide an antidote for the run-of-the-mill. Comparisons can be made with the likes of Lorde, Hayley and Kiyoko.
Her choruses are catchy and memorable in each song of this album, with the standout being Lauren’s hooks.
The Los Angeles-based artist bridges the divide between 1980s dark wave and modern electro-textured indie pop. Her aesthetic also encompasses the confessional and poetic intimacy of the singer-songwriter idiom and the thrilling satisfaction of modern pop. Her soulful pop has earned her favorable comparisons to Lorde, Regina Spektor, Sara Bareilles, and Ingrid Michaelson.
Most recently, Lauren has released new single “3-2-1” and we are here for it! The pop creative took the countdown song to a fun and club dance orbit, circling around artists like Gayle and Fletcher, Halsey and even Old School Fergie all rolled into one hit track.
“I decided to write ‘3-2-1’ because I just wanted to have fun. I wanted to have a song that was not just fun to listen to, but also a song that was fun to sing along with to perform!”
The song is a blended mix of new age pop mixed with old school 2000 vibes and is arranged to perfection. This song is definitely a vibe and we can’t wait to hear more from Lauren!
To date, Lauren has released two EPs, and performed on RTE, Ireland’s National Television, at the International Rose of Tralee Festival, and appearances at the Viper Room and the Hotel Café. Waller has opened for many iconic bands such as Wilson Philips, Anna Nalick, A Flock of Seagulls, and most recently: Tower of Power. She was set to open for KT Tunstall prior to COVID-19, but the show has since been postponed.
Lauren Waller is the young pop talent based in Los Angeles. Her musical style bridges that of modern day electronic pop and 80’s dark wave synthpop while her aesthetic encompasses the confessional and poetic intimacy of the singer-songwriter idiom.
She just released her latest single “Lift You Up.” It’s an 80’s inspired synthpop song with an infectious hook and captivating melody. It’s reminiscent of Taylor Swift’s 1989 album, specifically “Welcome To New York” meets “Out of the Woods” and her voice takes on a Taylor Swift meets Ingrid Michaelson quality.
“This song is the ultimate ‘feel good pop’ song,” shares Lauren. “It’s about love that is fun, happy, and lighthearted. I hope that Lift You Up sparks a familiar feeling in listeners, whether that be nostalgia for the past or the joy of a current love.”
Listen here:
To date, Lauren has released two EPs and performed on RTE, Ireland’s National Television, at the International Rose of Tralee Festival, and appearances at the Viper Room and the Hotel Café. Waller has opened for many iconic bands such as Wilson Philips, Anna Nalick, A Flock of Seagulls, and most recently: Tower of Power.
On Tuesday, August 30th, Lauren sat down with BBC’s Linda McDermott on The Linda McDermott Show, and talked about Lauren’s song “Wonderful Life” and “Lift You Up” (skip ahead to 11 minutes for the interview).
Los Angeles based pop artist, Lauren Waller, just released a new single that is sure to keep you coming back for more. “Dopamine” is the song we didn’t know we needed. This dark and textured pop song has a Lorde vibe in the music itself, yet her vocals are very much like Ingrid Michaelson. Her intimate and poetic lyrics in a song about a failed love story has an interesting relationship with the music. She manages to create this interesting space where the music makes the listener feel distant and disconnected, yet the lyrics tell a familiar story.
“Dopamine” is harmonic and melodic while also having an ere of dissonance to show the disconnect between these two people who are not really in love. She gets you moving and singing along while also making you feel out of place. It’s masterful.
Listen to “Dopamine”:
Lauren Waller has already had a strong career in music. Her resume includes performing on RTE, Ireland’s National Television, at the International Rose of Tralee Festival, and appearances at the Viper Room and the Hotel Café. She’s even opened for many iconic bands such as Wilson Philips, Anna Nalick, A Flock of Seagulls, and most recently: Tower of Power. She was set to open for KT Tunstall prior to COVID-19, but the show has since been postponed.
Her collection of work includs two EPs, a Christmas cover song, and a collection of original singles! Her latest EP—her second overall— no names here, blurs the line between the observational and the personal. Themes of relationships course through the five-song EP, and, in tone and lyrical content, Lauren expresses raw truths without feeling the need to tilt narratives in the way of happy endings. no names here is rife with stunning songs that whisk the listener away to sonic hemispheres replete with dizzying sensual vocals, undeniable pop hooks, and sleek electro-tinged atmospherics. Since releasing her second EP, Waller has shared a collection of singles that follow similar tones of mystery and edge, but also embracing the voices, accepting lost love, and playfully toying with the object of her affections.
Most recently, Lauren has shared new singles that mark a stepping stone in Lauren’s arc as a growing writer and singer; Lauren’s has entered this enlightened era with both confidence and swagger in her singles titled “Night Stalker” and “Best Coast.” “Night Stalker” is a sickly-sweet pop single featuring an edgy beat and sinister lyrics that are punctuated with slasher-esque references and harmonies. Between the lyrics, the melodies, and the production: Night Stalker melds culturally relevant, chilling horror with an up-tempo urban dance track. “Best Coast” is a summer anthem highlighting the party lifestyle that some know all too well in California. The lyrics poke fun with a fresh take on party culture. “Best Coast” is reminiscent of catchy 2000s hip hop and pure pop. The beats and production make “Best Coast” catchy, danceable, and relatable because we all know that in California, we like to party.
Modern Mystery 