by Jane Lambert

Composer Steven Chesne Releases New Album “Descendants (in 79 languages)” – an Album Celebrating Unity and Interconnectedness for the Modern Age

In a world fraught with division and conflict, Steven Chesne’s new album, ‘Descendants (in 79 Languages)’ offers a refreshing reminder of our shared humanity.

Set to release worldwide on July 19, 2024, “Descendants” (on Brahmasong Records) is an eclectic concept album.

Bringing together World-Beat, Electronica, New Age, and Neo-Classic styles, the core message of “Descendants” is encapsulated in the phrase “We are the descendants,” which is presented in 79 languages, including French, Portuguese, Igbo, Khmer, Xhosa, Korean and Ukrainian.

This ambitious project took Chesne four years to complete—a journey that involved meticulous translation work, unique musical compositions that interweave the 79 languages, and global collaboration with vocalists. The first year was spent obtaining accurate translations from native speakers and crafting melodies for each phrase. Another year was dedicated to recording sessions with vocalists from diverse locales such as Madagascar, Albania, Kenya, and the Netherlands. The remaining two years focused on composing additional tracks and refining the production aspects.

Chesne says, “While there are countless things that various people and cultures disagree about, even to the point of violence, one thing that all of us accept in common is the fact that we all descend from a common source, whatever that may be.”

The lyrics are simple: “We are the descendants,” which function as the unifying building blocks of the songs. The music has an otherworldly beauty, sometimes joyous, other times deep and profound, exploring an eclectic diversity of world beats and contemporary experimentation, without becoming fully ensconced in any style. It excites the soul and nourishes the spirit, honoring cultural heritage worldwide and presenting it in a modern context.

An impressive lineup of artists is featured, including Platinum recording artist rapper Fredo Bang, Uyanga Bold (vocalist in Disney’s “Mulan” and Marvel’s “Spiderman”), Christina Hals (vocalist in Disney’s “Frozen 1&2” and “League of Legends”), Chhom Nimol (lead singer of “Peter Gabriel presents Dengue Fever”), members of the Los Angeles Master Chorale, and two-time Grammy award-winning vocalist Hila Plitmann. These fantastic collaborations bring a rich, authentic sound to the album.

It feels like Disney’s “It’s A Small World” but for the modern age. Descendants (in 79 languages) is a sophisticated, complex, contemporary work that takes the listener on a journey through sounds as unique as they are captivating.

Steven Chesne’s music career spans more than three decades. From scoring prime-time network shows to creating “Sapient: A Cantata of Peace,” Chesne has an extraordinary talent and dedication to fostering unity through music.

The upcoming album “Descendants (in 79 languages)” promises to fascinate listeners worldwide, starting July 19th, 2024.

Check out the album’s video tour here and discover more about Steven Chesne at www.chezworks.com.

06.04.24

by Jane Lambert

George Collins Brings Upbeat and Joyful Vibes with his New Single “Saving the Best for Last”

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George Collins has recently released his latest single, “Saving the Best for Last”!

This is the last single written for his second EP “Songs for Grown Ups” which is scheduled to hit the airwaves this summer.

Radiating positivity and a lively vibe, “Saving the Best for Last” wraps up the album’s themes with a hopeful twist. It reflects on the passage of time and the shift into a new chapter of life, where past lessons pave the way for a fulfilling and joyful future.

“I knew I wanted to end this collection with a positive, upbeat, exuberant anthem. For this song, I was inspired by the works of George Harrison, Bruce Springsteen, Van Morrison and Neil Diamond. The song summarises the themes explored in the previous tracks of the EP and reaches the hopeful conclusion that, As I continue getting older and enter into a new phase of existence, I can bring all the lessons I have learned to bear to create a fulfilling and joyful later stage of life.”

Collins shares, “I’ve always believed that, regardless of age, my best days and work are yet to come – and this song is my way of expressing that belief. It’s a counterbalance to “Stop the Sun”, urging listeners to leave regrets behind and embrace life to the fullest within the constraints of being human.“

What sets this track apart is its infectious energy, packed with catchy hooks and a nod to 70s-style modulation that adds a surprising twist to the lyrics – a rare find in today’s music scene.

Inspired by Edward Said’s reflections on “Late Style,” the album delves deep into the theme of creativity flourishing in later years. By drawing parallels between legends like Springsteen and Harrison and timeless figures such as Bach, Yeats, Matisse, and Picasso, Collins celebrates the richness of experience and wisdom that comes with age. It is the idea that these iconic artists have a message that can serve as model for us all.

The horn arrangements on the track were crafted by Canadian musician Lou Pomanti, known for his work with Michael Buble. Pomanti’s touch added a special dimension to the song.

Production, mixing, and mastering of “Saving the Best for Last” took place at Sundown Sessions Studio in Nashville, Tennessee with Collins recording his lead vocals at a studio in Prague, and engineering by Derek Saxenmeyer of ENEM Productions.

Connect with George Collins:

Website, // Facebook // Instagram // Spotify

05.23.24

by Jane Lambert

Faint Halos Releases Enchanting New Single “Skyline Hill”

Paul Hashemi, the frontman of Faint Halos, has released his new single “Skyline Hill.”

This is the second single from his forthcoming album I Can See a Million Lights, due out in August 2024.

This track beautifully captures the tranquility of a summer evening at the Mann Center for the Performing Arts in Philadelphia, and reflects Hashemi’s inspiration drawn from the city’s unique blend of intimate locales and expansive views.

During his time at the Mann Center, Hashemi observed the city from a distance, gaining a fresh perspective. He remarked on how Philadelphia’s small, familiar places contrast with the vast, unified view seen from afar, which inspired the song’s lyrics.

“Skyline Hill” features a deliberately simple arrangement with acoustic and electric guitars, keys, bass, drums, and vocals. Lead guitar, played with an eBow, highlights Hashemi’s innovation, using a “fluttering” technique to create a unique sound.

This technique involved playing a trill with his left hand while manipulating the eBow to control volume, a process that required extensive experimentation and multiple takes to perfect.

“Skyline Hill” was recorded, produced, and mixed in Hashemi’s home studio in Berwyn, PA, with additional vocal recordings in North Carolina. As one of the first pieces written for the new album, it stands out with its airy, minimalist arrangement and haunting guitar melodies.

Paul Hashemi’s musical journey spans classical training, touring with rock bands in the ’90s, followed by a hiatus to focus on career and family.

The pandemic really reignited his creativity, leading to the formation of Faint Halos and the creation of I Can See a Million Lights. This debut album delves into introspective themes with poignant lyrics and dynamic arrangements, marking an exciting new chapter.

Connect with Faint Halos: Website // Facebook // Instagram // Spotify // Soundcloud // YouTube Music

05.23.24

by Jane Lambert

Galactic Monk Releases Ethereal Pop Anthem “Secretly Admire”

Galactic Monk has released his ethereal new single, “Secretly Admire,” out now!

The track invites listeners to embrace self-love and overcome insecurities, delivering a powerful message wrapped in an ethereal pop sound with hints of Tropical House.

“The inspiration for writing and recording this song stems from my anticipation of a relationship with my Twin Flame. My intuition tells me we will have a fiery relationship supported by the divine. This song is a manifestation of the reality I want to create. As a writer and artist with roots in Hip-Hop, exploring singing vocals was a new venture for me,” says Galactic Monk.

He adds, “Recording, mixing, and mastering the track myself was crucial in achieving the ethereal and upbeat energy I envisioned.”

The story behind “Secretly Admire” is one of true perseverance. After prioritizing his mental health with a leave of absence from work in 2015, Galactic Monk rebuilt his recording studio from scratch in 2022.

“Secretly Admire” is the first song completed in his newly equipped studio, symbolizing a return to his creative roots.

Accompanying the single is a new lyric video. Galactic Monk plans to release one song each month until the full album is unveiled. The aim is to empower listeners to step into their authentic power and shine unapologetically, blending ethereal pop, catchy beats, and lyrical magic.

Galactic Monk has dedicated himself to an unwavering pursuit of self-mastery, honing his skills in recording, mixing, mastering, writing, and producing to develop a unique sound.

Starting as a recording engineer, he wrote and recorded his songs during studio downtime, creating each track as a vessel for powerful mantras, affirmations, and manifestations.

At the heart of his art is a profound commitment to his “Star Mission” – a crusade to save planet Earth and activate enlightenment in all who encounter his work. Galactic Monk’s music is a vehicle for transformation, awakening dormant potentials and unlocking inherent power within each listener.

In an increasingly disconnected world, Galactic Monk stands out as a beacon of hope, showcasing art’s transformative power and the human spirit’s limitless potential.

When not in the studio, he shares daily doses of motivational wisdom on social media platforms and plots world-changing initiatives with fellow truth seekers.

Keep up with Galactic Monk here:

Website / X / Spotify / YouTube Music

05.23.24

by Jane Lambert

Discover the Awakening: Tataetano’s Debut Album “MaloKhali Rising” Redefines California Sound

Solo artist and singer-songwriter Tataetano announces the release of his debut full-length album “MaloKhali Rising.”

Hailing from the Bay Area in California, Tataetano is the stage name of Antonio Palazzo. This new album of songs features a blend of Indie and Adult Alternative music.

The concept of “Malokhali Rising” revolves around the theme of awakening and inspiration:

“I wanted the concept of this album to have a recurring theme of some version of an awakening or an inspiration to achieve something with new possibilities. I decided to name the album “Malokhali Rising.” Khali means space, silence, or empty, as used in Northern Indian music philosophy to describe the pause between two beats. It’s the moment of space (the khali) where rhythm is born. Malo in Tongan means “thank you.” MaloKhali to me, means finding and embracing the empty space between when one part of life (usually negative) ends and another one (positive) begins and being grateful for that. So, Malokhali Rising is the state of mind in which this occurs.”

Most of the tracks on the album have hints of this concept, but the second track on the album, titled “Down Here,” is the most prominent:

A great wide darkness swallows me

There’s a trillion stars above every tree

I’m not yet tame, but I am small

The voice I lost shouts “fuck” em all

A strange new breath I feel

Down here

A sunrise spills light on the night

A spirit’s shook by a thunder strike

Above the ocean of oxygen

Lives worlds our minds have never been

In the first verse, the song depicts a person overwhelmed by the pressures of modern society. They glimpse the awe-inspiring “trillion stars above every tree,” igniting a desire to leave behind their known world in search of something deeper.

The second verse describes the realization of this search, celebrating nature’s beauty with lines like “sunrise spills light on the night” and the awakening of a spirit “shook by a thunder strike.” It ends with recognizing the vast, unexplored realms of existence, expressed in “above the ocean of oxygen, live worlds our minds have never seen.” The chorus reflects a sense of wonder and renewal, presenting a breath of fresh air that feels entirely new to them.

Throughout all of the tracks, Tataetano brings together a delectable blend of alternative rock elements, synths, and electronica. He stands out for his pleasing melodies and thoughtful lyrics, which together create a unique California sound.

Tracks “You Are My Friend” and “A Day In Harmony” carry a more mellow electronica sound, while “The Pain I Take” is punchier, with rock beats and percussion.

“The Joy Will Be Restored” is a standout track on this album for its vocal harmonies, strong rhythms, and catchy refrains.

The album’s overall instrumentation blends modern electronic sounds with organic hand drums and sometimes ancient percussive instruments, creating a really unique sound.

Alongside the album, Tataetano has also released a book of poems titled “Borrowed Eden.” The book echoes the themes of his music’s emotional richness, and the album and poetry work together to show artistic versatility and talent for combining different creative expressions.

Malokhali Track List:

The Next Thousand Thumps
Down Here
Let the Sky Cry
You Are My Friend
Peter Pan Parable
The Pain I Take
Santa Monica
A Day in Harmony
Blossom of Desire
The Joy will be Restored
Wild Freedom

Tataetano wrote and arranged all the songs and lyrics, working with producer Tal Ariel, an incredible musician who helped develop the songs and ensured they sounded their best!

Keep up to date with Tataetano on his Website. Follow Tataetano on Facebook and Instagram.

Listen to music on Spotify, Apple Music, Soundcloud and YouTube.

05.17.24

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’S WITH MAD AGNES

The trio, Mad Agnes, is well known for their captivating on-stage charisma and presence as well as their jaw-dropping musicianship. This unique blend has enchanted listeners worldwide for decades, and the group has built a reputation on their uniquely charming and intriguing sound.

Mad Agnes, (Margo Hennebach, Adrienne Jones, and Mark Saunders), combines elements of folk, Americana, and acoustic styles with intricate harmonies that entice the ear with lyricism and wit, pointing the listener towards internal introspection.

Their latest album release, “Likely Story” shows how each song carries a real intellectual depth, exploring universal themes like love, loss, change and reinvention in a very original way. The arrangements are rich with guitars, mandolin, ukulele, and piano alongside inventive three-part harmonies that infuse each track of this release.

Mad Agnes’ sophisticated vocal harmonies and impeccable musical arrangements have long enraptured music critics, garnering them comparisons to esteemed folk groups such as Steeleye Span and Fairport Convention.

We caught up with Mad Agnes to discuss the music video to accompany their new single release, “Beauty of this World,” written by Margo Hennebach.

Tell us the story of this song. Why did you choose to visualize it specifically in this way?

Because I wrote the song while hiking on the trails around our house in rural CT, I wanted to focus on the beauty I see around me everyday—a beauty that needs no fanfare, flowering trees, sunsets, or dramatic waterfalls. Mark filmed 95% of the video in our backyard on a misty day in early spring. The only scene away from our home is of a group of singers gathered from around the world blessing a table of food, captured from our time in Italy last June. It fit the song’s lyric too perfectly to ignore.

What inspired this video (visuals, storyline, etc.)?

When I take a moment to slow down, I’m inspired by living in such an extraordinary world.

I’m surrounded by beauty, wildlife and flora, and I hear music everywhere. I’m especially grateful for the humans I can share this with including my larger community, dear friends, and my special someone.

What was the process of making this video?

Originally I wanted the video to be artistically animated with watercolors or oils–colorful and lighthearted–but then we had a deadline! Looking out the window and seeing the misty rain, we both knew how great the light would be, so we sprang into action. I grabbed my red top, we went outside for some test videos and realized very quickly that we had what we wanted. For good measure, we brought out the piano and filmed the beginning and end of the song.

Mark moved the camera around me so I could interact with it more naturally and he could capture more of the setting. We worked quickly because of the threat of heavier rain, and we both knew what we wanted. The video was filmed and edited that day.