Video Voyageur: 3Q’s with Connie Lansberg

Connie Lansberg has created a world where jazz meets storytelling, and energy healing finds its voice through music. She’s the creator of Transformational Entertainment™, a genre that’s as intriguing as it sounds. 

An accomplished jazz artist, songwriter, and author, Connie’s work is a harmonious blend of wellness and artistry, wrapped up in songs that resonate on multiple levels. And she is one of the most streamed Jazz artists in her home country – Australia.

With a career that spans multiple albums and even a novel, Connie has become a fixture in the Australian jazz scene. Known for her poetic lyrics and elegantly expressive melodies, Connie Lansberg has a knack for capturing the complexities of human emotion in 4-minute musical soliloquies. Today, we delve into the creative process and inspiration behind her latest video, exploring how it adds yet another layer to her already rich tapestry of work.

1. Tell us the story of “Deep End of Love”; why did you choose to visualize it specifically in this way?

“Deep End of Love” with all its gravitas in the music is a little tongue-in-cheek look at the games we play in the name of love and how refreshing it would be to just take the leap without our baggage, our wounds, and our pain. I have a live video of this song, but it seemed too safe. My music is not safe because it isn’t because it is always its own thing and not readily easy to place in a genre. So I searched and found a great lyric video creator and sent him as many images as I could because, at that time, I didn’t know he could draw and I wanted to suggest a certain darkness.

2. What was the inspiration behind this video (visuals, storyline, etc.)?

The song asks the question, do you think it’s possible to give your heart to another fully without fear? So the heroine had to represent the question. I wanted to see her grapple with it and then triumph.

3. What was the process of making this video? (and anything else you want to tell us?) 

When I choose another creator to work with I always let them show me what they’ve got first, without too much direction after the initial brief. However, when I realised, most jazz-based songs don’t have lyric videos because of all the improv, and “Deep End of Love” has two improv sections, middle and end of the song, I knew I had to jump in a little more than normal. I pushed this guy to his limit! We crafted the two improv sections and I asked him to draw and then animate this woman and I was thrilled with the results. She has such a strong nobble face, not like the prettiness you see in Western world women. I do have a confession in that I did recut the video to get that impact at the end, but I think I got the very best out of this guy. He’s done a few more for me that are really good too. I love the freedom of lyric videos as well as the fact that for me, the lyrics are so important. Lyrics are my true gift and so many people pay no attention to them. For me, if you don’t listen to my lyrics, you’re missing the point.

Whether she’s penning a novel or crafting a jazz tune, Connie’s belief that we create our own reality shines through. Her songs are not just melodic expressions but also vehicles for energy healing and wellness. As we await her next project, one thing is certain: Connie will continue to challenge, inspire, and transform us, one note and one word at a time.

WATCH “Deep End of Love” here – 

Stay current with Connie on her Website and social media channels Facebook and Instagram.

Stream music on Spotify and YouTube.

Video Voyageur: 3Qs with DiV and SØ

Emerging from the vibrant Atlanta music scene, rapper Typical DiV and accomplished producer Sean O’Neil, professionally known as SØ, have unleashed their highly anticipated joint venture, “Sounds from the Sunroom.” This musical collaboration, a testament to over two years of unwavering dedication, signifies a pivotal moment in DiV’s career as it marks his inaugural exclusive partnership with a producer for an entire album. Today, the duo unveils the visually captivating video for “Look 4 Yourself,” a kaleidoscopic journey that captivates audiences from the very first frame.

In a candid statement shared on YouTube, DiV reflects on the significance of this release, dubbing it his “4th-quarter drop ever.” He underscores the project’s novelty, emphasizing that it represents the first occasion where he has engaged in a comprehensive collaboration with a producer from the project’s inception to its completion. The evolution of the duo’s creative synergy is palpable, having been previously showcased in hit singles such as “Therapy Or A Bottle?” and “Safe Space,” both amassing nearly 200k Spotify streams and showcasing the duo’s dynamic chemistry.

At the heart of “Sounds from the Sunroom” lies Sean O’Neil’s meticulous craftsmanship, guiding listeners through a sonic odyssey shaped by his profound musical expertise. O’Neil, a sought-after beatmaker with credits including collaborations with industry heavyweights like Metro Boomin, Travis Scott, 21 Savage, and Kodak Black, leaves an indelible mark on each track. Noteworthy is his contribution to Metro’s platinum album, “Not All Heroes Wear Capes,” where he played pivotal roles in writing, producing, and recording the guitar on the track “No More.”

DiV provides further insight into O’Neil’s relentless pursuit of perfection, revealing, “Some of the songs you’re going to hear are like the 6th or 7th iteration. I’ve never taken this approach to music. I kind of come from the trunk — we load up the 2-track, I rap over it, I got a crazy engineer to drop the beat and do little accents. But to work with somebody who cares about what they’re doing so much to be like ’Nah, that’s not it. We gotta elevate it even more.’ I mean, I think it just shows in the music.”

“Sounds from the Sunroom” goes beyond being a mere musical collaboration; it encapsulates the transformative power of a partnership driven by innovation, dedication, and a shared commitment to elevating the artistry. As the album resonates with audiences, it serves as a testament to the creative evolution sparked by the unique synergy between Typical DiV and SØ. Moreover, delve into our exclusive interview with the artists below, offering deeper insights into their collaborative journey and the creative process behind this groundbreaking project.

Tell us the story of this song, why did you choose to visualize this song specifically? 


Div – “Look 4 Yourself” summarizes the entire album for me. If you wanted to know who, what, where and why we’re releasing music now it would be plain Jane in the song. It feels like we’re holding your hand through the moment. 


What was the inspiration behind this video(visuals, storyline, etc.)? 


Sean – We wanted to create something that was true to us.  The skit really embodies our collaborative process.  It doesn’t look like we’re trying too hard.  We’re just being us, and I think it really brings the song to life.


What was the process of making this video?


Sean – We worked with Porter Visuals on this video.  It started with a conversation to really brainstorm the treatment.  He’s truly amazing; he did everything from scouting, to directing, to filming, to photographing, to editing all in the span of a few days.

Video Voyageur: 3Qs with Caméra

Buried deep in Montreal’s lingering winters, a trio of musicians sat in a room together: Francois Jalbert the guitarist, composer and producer; Mélanie Bélair the violinist, arranger and composer; and Aurélien Tomasi the composer, arranger and performer, specializing in wind instruments. Together as Caméra, the trio spent time finding sounds, exploring bizarre ideas, but always seeking beauty.

A philtre is a love potion for which Caméra‘s song is named after; the music is just as intoxicating and passionate. The musicians were inspired by the atmosphere of the French film Betty Blue, when the saxophonist wandered a coastal town.The music of “Le Philtre” evokes sensuality and psychedelia in a playful tone, with a psychedelic turn of the piece after the first chorus.

Tell us the story of this song, why did you choose to visualize this song specifically?

Our new single “Le Philtre”, means love potion in French. It evokes sensuality and psychedelia in a playful tone. It was born in Aurélien’s head and passed through the trio’s mixer adding lush strings, guitars, voice, and a few other sparkles. The song has no message, it is all about the feeling you get while listening to it!

2. What was the inspiration behind this video (visuals, storyline, etc.)?

It has been made by Alina Herta. Every visual are made with film camera, and use of colour filter and double exposure technique. It made sense to work with this artist, and we felt really connected with her work. The visual represent a tree from the city of Guadalajara in Mexico.

3. What was the process of making this video?

We liked the visual so much that we decide to play with it and do some filter effects on it. The video is a simple animation that serves the audio and don’t give too much information for the listener.


Emerging Lofi Rapper Aidan Skira Shows His Worth on New Track “Happy Meals”

A true visionary, 20-year-old Aidan Skira is pushing boundaries and defying expectations. Creating a community around him, he’s leading the pack in the underground music space in Toronto, performing meaningful live sets and growing his fanbase at a rapid rate. A one-man-show, Skira creates his own music, graphics, and videos from his basement. Passionate about connecting in an authentic way, he knows his music is helping kids from a “no attention span generation” find meaning amidst the chaos of the world.


“It’s not always easy to put yourself out there in the way that I do. It’s a really vulnerable position but when you have a vision for yourself or a calling, you’ve gotta go for it head first sometimes,” says Skira. Latest single, “Happy Meals,” is not about saying f*ck the haters, but rather showing those who didn’t believe in you back then that you’re serious and you’re doing this.

With a big headlining show planned for the new year alongside his official merch launch, 2024 has a lot in store for Aidan Skira.

Alt R&B Artist Hua Li Rewrites Past Pain into House Music on “Cherrier”

Hua Li 化力’s project has often worked the fruitful tension between opposing forces, whether being mixed-race, bisexual, or overtly political and softly vulnerable.

New single “Cherrier,” is a song about coming of age in the late noughties in the Montreal neighbourhood, Plateau-Mont Royal. Grounded by a driving synth bass line, the song leaps from 2009 to 2019 and back again as Hua Li attempts to overturn traumatic memories of people and places she tried to avoid but kept getting pulled back to as a performer and DJ. 

“Thankfully, since writing this song, I’ve been able to kiss again on Rue Cherrier and reclaim these parts of the city from a place of healing and celebration,” says Hua Li 化力.

Canadiana singer Tyler Del Pino searches for humanity within new EP, Out of a Clear Blue Sky

Winnipeg’s Tyler Del Pino has a pure passion for songwriting and an honest sound infused with starry-eyed narratives; a hybrid of Rock-Pop, Americana, and East Coast folk-rock that stays true to the roots of timeless tunes. File him beside James Taylor for his classic songwriting, Sam Roberts for his roughed-up Canadiana style, Mumford and Sons for their anthemic sing-alongs, and Strumbellas for their thoughtful themes and rosy melodies, born and bred in Canada. Backed by his new band The Brasstronautz, audiences will leave with earworms in their heads and hearts full of optimism. “The inspiration for ‘The Solution’ was born at a time when I found myself caught in a whirlwind of thought and contemplation, deeply concerned about the state of our world,” explains Del Pino about the focus track from his new EP, Out of a Clear Blue Sky.


“With each passing year, I watch as our planet descends into a more hostile and precarious place to live. From the emergence of regular forest fires to the unsettling escalation of regional conflicts, the relentless rise in inflation, and the growing struggle of individuals to merely stay afloat, I couldn’t help but wonder why our global society is hell-bent on maintaining its addiction to capitalism and yet so quick to forget about and dismiss humanity. Driving home one day I began questioning why, as a global community, we found it so challenging to prioritize the well-being of our fellow humans over the pursuit of prosperity. Most songs I write begin with the music and the melody, but this song actually started with the lyrics, because I had so much to say.”