Rose Ranger’s new single “Dear Dad” is a poignant, tender reflection on loss, love, and the enduring connection between a daughter and her father. Written as a letter to her late dad, who passed away unexpectedly on his birthday in October 2022, the song offers a raw glimpse into her personal grief and healing. Recorded in Nashville with a lineup of seasoned musicians including multi-JUNO Award winner Steve Dawson on pedal steel, the song showcases a classic Country-Americana sound with a heartfelt narrative at its core.

Inspired by the memories and sentiments she holds for her father, “Dear Dad” is a testament to the complex emotions of losing a loved one, yet holding onto the hope that their spirit continues to evolve in a new journey beyond. The song’s warm, nostalgic tones are steeped in the timeless sounds of Americana and Country music, with gentle folk influences that echo the love and lessons passed down between generations.

My dad was a fan of country music from the 40’s, 50’s, 60’s eras. So this song (and the new collection of songs) I wrote for my dad all have a Country-Americana-Folk sound as a nod and ode to my dad. The lyrics capture a part of my journey and the deep curiosity I still feel about what happens after we leave this earth. It’s about remembering that we are all made of stars, continuing our evolution beyond this stage. This song is also a reminder of how much I miss my dad. It’s an exploration of that relationship, but it’s also about the hope that the ‘show’ doesn’t end when the curtain falls. – Rose Ranger

Blue Pilot, an experimental duo who blend pop and psychedelia, have dropped a new single that’s nothing short of a trip. Inspired by a wild night at Brooklyn’s House of Yes, “Dripping!” fuses the chaos of club energy with unexpected sonic twists, resulting in a listening experience that’s equally mind-bending and groovy. Known for their eclectic influences and genre-bending approach, Blue Pilot deliver their first single with a sample from their friend, Olive, adding an extra layer of depth and uniqueness to the track.

On “Dripping!,” Blue Pilot captures a frenetic club energy that feels both joyful and disorienting. The track gives listeners a taste of the duo’s eclectic style, pushing sonic boundaries while staying accessible. The writing and recording of “Dripping!” was a collaborative process between members Eric Steininger-Frost and Chris Worden, combining long-distance exchanges with obsessive in-person studio sessions.

I think all artists occasionally suffer from an inferiority complex, and when you see someone further along in the journey, it can be discouraging. The idea behind the line, “you can be the artist,” comes from that escapist mindset that I sometimes feel. This song makes me feel like an insane person – hopefully people love feeling insane as well. – Eric Steininger-Frost

MEGGO, the creative project of Montreal-based musician and producer Megan Ennenberg, presents her latest single, “brooklyn pt. 1,” a track that captures both the spirit of New York and the artist’s unique sound – fusing atmospheric layers with raw, acoustic textures. Known for her work with FLEECE and now venturing into an intensely personal soundscape, MEGGO blends indie-folk, jazz, and field recordings, bringing her listeners into a world of delicate observations and heartfelt introspection.

Recorded through an iPhone voice memo on a Brooklyn rooftop, “brooklyn pt. 1” is infused with intimate, found sounds: the murmur of a crowded bar, the intricate chords of a jazz musician, the hum of a busy street. These elements create a textured, nostalgic feel that MEGGO describes as “cathartic as hell.” The track is taken from her forthcoming eavesdropper ;; death stories {chapter1} EP which is set for release in January 2025.

I like naming songs after where most of the collected sounds come from; Brooklyn, New York, where this track was born, feels like its own character in the song. “pt. 1” hints there’s more to the journey – a story that unfolds with time. It’s been a long journey of experimentation. At the end, you’ll hear a raw moment of me working through the song in real time – a reminder that the creative process isn’t always polished. It’s exciting to me to release a song that has an obvious mistake in it. I want people to ask themselves “Why does hearing someone make a mistake make me uncomfortable?” MEGGO is about taking risks and being real, and sharing what that looks like. – MEGGO

Permilla is one of Niagara, ON’s most dynamic up-and-coming bands, bringing a mix of rock & roll, blues, and Americana with a modern twist. Formed by Nicole Cerminara, her brother Joseph “Junior” Cerminara, and close friend Myles Rogers, the group has gained a reputation as a powerhouse in the Niagara/Toronto music scene. After a brief one-off meeting with legendary producer Bob Ezrin (Pink Floyd, KISS, Phish), they recently rebranded under the name Permilla and launched into an ambitious record-and-release schedule in 2024.

Their latest single, “It Ain’t Right,” embodies the heartache and introspection of navigating challenging relationships. Written by Nicole Cerminara, the song grapples with the tug-of-war between head and heart, speaking to anyone who’s ever struggled to walk away from love, even when it’s unhealthy. Departing from their usual live-off-the-floor approach, the band took a more nuanced path in the studio with engineer Mark Rogers. Together, they dissected each part to create a textured, layered sound, aiming for a classic, road trip vibe inspired by artists like Sheryl Crow and Fleetwood Mac.

This song was inspired by the difficult relationships I’ve seen loved ones go through. It’s about that inner conflict – wanting to stay and fight for someone while knowing you need to value yourself enough to walk away. Our goal was to make it feel like a road trip – a song you’d play as you cruise down the scenic route with friends. – Nicole Cerminara

Since 2009, We Found a Lovebird has excelled in creating trance-like, chiming rock, capturing the attention of fans and critics alike. With three albums, one EP, and eight singles to date – including a Polaris Music Prize nomination and consistent radio support from CBC and KEXP – the band has become a respected name in indie rock. Their upcoming album With Friends Like These has seen a steady rollout of several singles, with “Chet” as the latest addition.

Inspired by a poignant moment from the Bruce Weber documentary on Chet Baker, “Chet” captures a scene in which Baker, against all expectations, reflects on his life without regret, expressing only gratitude for the path he has walked. With an unconventional chord progression (blending C, Fm, and E7 in a way rarely seen in rock), the track evokes moody, evocative, and haunting vibes, channeling the wistfulness and mystery of iconic 80s rock groups while paying homage to musical legends.

The lyrics of this song are Chet’s verbatim response when asked if he felt regret. His words resonated deeply with me. He saw only gratitude, no regrets. That perspective is powerful. It’s not unlike the themes that run through many of our songs – nods to iconic artists, life’s moral conundrums, and the ever-present possibility of love. – Larry Lechner (Lead Vocals/Guitar)

Experimental indie pop group Allegories are releasing their first cover following a recent string of original singles, delving into the world of the iconic equal parts experimental and pop group Talk Talk, led by the late Mark Hollis.

Allegories member Adam Bentley has long been skeptical of “It’s My Life,” associating it with the No Doubt cover that he was forced to listen to “almost every day for five years” during his time working at a hardware store.

After Talk Talk’s “It’s My Life” got stuck in bandmate Jordan Mitchell’s head for two months (due to a chronic condition called stuck song syndrome that Jordan suffers from), Jordan began learning and recording “It’s My Life” and prodded Adam to revisit the song to see it in a new light.

The urgency in Mark Hollis’ vocals struck me. And by covering the song, I felt like I was taken back to a place of admiration and passion, and away from Gwen Stefani. Keep Talk Talk away from Gwen at all costs. – Adam Bentley of Allegories

Allegories’ take on the classic is an impassioned plea sung by Bentley, faithful to the original’s marrying of a climbing bass melody and steady beat – both performed by Mitchell, awash in a world of synths and electronics.

I thought it might be therapeutic to learn this song. Recording the music came pretty easily after every part had been playing over and over in my head for so many months.
– Jordan Mitchell of Allegories

The duo uses subtle production effects to lend an otherworldly quality to this classic pop track.