Since earning his Bachelor’s degree in jazz performance from the University of Montreal in 2017, Canadian singer-songwriter, guitarist and producer Marcus Lowry has worked with a wide array of Canadian and international jazz, folk and pop artists. His debut solo album, Time, Time, Time, produced by Juno-nominated musician Joe Grass, is set to be released this coming fall.
Like the morning haze that recedes to reveal a calm and clear day, Lowry’s intimate folk musings on “Leaving the Shore” drift and buoy through waves of delicate chamber music, subtle electronics and nautical field recordings. “Leaving the Shore” offers calm and serenity to the inevitability of change and the challenges that often come with it.
To really enhance this feeling of a sea voyage, the song incorporated actual nautical field recordings from the personal collection of his producer, the great Joe Grass. In the song’s climax you can hear seaport bells and the sounds of rolling tides, which were recorded by Grass near his hometown in New Brunswick.
“I struggle with anxiety and Hurry Sickness, so the feeling of time always slipping away is a recurring fear of mine,” says Lowry. “The whole album, really, speaks to this feeling. Each song depicts a type of journey that grapples with similar anxieties and choices, and each one has become a personal reminder that my own fear of change can threaten my ability to explore all of life’s richness and beauty.”
Watch the live-off-the-floor acoustic performance video here:
Tired Kid, the moniker of Toronto musician Thomas Kelly, creates music inspired by 90s alt rock bands that meet classic bands of the 60s and 70s. His lush and sentimental song, “Scotch,” was produced by Aaron Goldstein.
The song was inspired by Kelly’s walks to coffee shops, his friends, and guitar tones by the band TOPS.
Jason Kent has been making music his whole life as a frontman with his band Sunfields, and has recorded and toured as a sideman in an array of Montréal bands. His debut album was released in 2006, and his sophomore album Soft Commotion, fifteen years later. Now he brings us his latest album, Common Tongues (out June 2nd), which delves into the caverns of song with grainy vocals, acid-laced guitars, boisterous pianos and swampy undertones of vintage folk rock.
“Fake Those Blues” captures a moment in time of a singer banging away at his piano. The whole time Kent was writing this song, he was just trying to keep up with it because it was literally written and recorded in two days.
Kent and his engineer/mixer, Sam Gemme agreed that the song dictated that it wanted to be “live” sounding and natural. Some might categorize it as ‘70’s sounding. One can almost picture Harry Nilsson and John Lennon snorting lines off the console, cranking the master fader and singing along at the tops of their lungs!
This weekend The Mitte Cultural District Announces their First Time Dynamic Art Festival which features RJ Mitte.
This exciting festival is a celebration of the vibrant and diverse arts community in the city of Brownsville while bringing talent from Hollywood and other places in the country to learn from and foster relationships and opportunities.
Each of their special guests will offer a one hour workshop in their respective field, along with performances from our local artists and performers. This festival is a testament to the creativity and passion of their community, and they look forward to sharing it with visitors from near and far. Come and join the foundation for a day of art, film, music and culture that you won’t want to miss.
RJ Mitte, the award winning actor best known for playing Walter “Flynn” White Jr. on the AMC series Breaking Bad, will open up the festival on Saturday April 29. The exciting festival is a celebration of the vibrant and diverse arts community in Brownsville, while bringing talent from Hollywood to learn and foster relationships and opportunities. From acting coach David Wells who has taught actors like RJ and Mila Kunis, to Jordan Ansel who has produced films like The Unseen, the guests are bringing an extraordinary lost of accomplishments and knowledge to the community.
The Mitte Foundation provided a grant to be able to bring the special guests to Brownsville, Texas. RJ is working to fulfill his grandparents’ Roy F and Joanne Cole Mitte dream, to promote and enhance historical, culture, and educational activities with the Mitte Cultural District.
The San Francisco Bay Area artist Dwayne Jarrell’s music is instantly comforting. Threads of Americana, folk, country and alt-country’s storytelling traditions, along with some deep blues, are woven deep into his musical fabric. His songs recall artists such as Wilco, Uncle Tupelo, and Son Volt—he named his studio band “Truer Sound” after a lyric in Son Volt’s “Windfall.”
His new single, the southern rock and americana “Indiana,” is more than just a break up song, but a story of a man at a physical and metaphorical crossroads, forced to reckon with the mistakes he’s found himself repeating. As the song progresses, the character realizes that change and redemption only comes with action and continued passivity keeps him in the same rut.
We asked Dwayne Jarrell about his video that depicts iconography of his poetic ideas:
Tell us the story of this song, why did you choose to visualize this song specifically in this way?
The song is about a man who’s found himself at a proverbial crossroads in his life. The relationship that drove him to move to a foreign and unfamiliar state has ended, and he’s forced to decide how to move forward. In the midst of this process, he begins to recognize the negative patterns of his actions, and tries to summon the energy to move forward on a new path.
The song is set in Indiana as a play on its state motto: The Crossroads of America. Anyone who’s spent any time in Indiana (good or bad) knows that it’s full of miles and miles of corn and soybean fields, and I felt like the image of driving through endless cornfields was a good representation of the limbo of the narrator’s situation. The video includes a right turn at a T stop, providing a visual decision point in reference to the lyrics.
What was the inspiration behind this video?
I originally tried to find a video with a foreboding sky like the opening of the song (“The morning sky was like polished steel, a painting done all in flats”), but that turned out to be difficult to capture. I then realized that the tedium of driving through endless cornfields was an even better way to capture the feel of the song, and the pace of this video seemed to match the tempo of the song well.
The bonus from this particular video was the inclusion of a T stop/decision point to stand in for the “crossroads” of the chorus. When syncing the video with the lyrics, I made sure to have the car arrive at the T stop sign every time I sang ‘I’m at a crossroads in my life”. The car then turns to the right before transitioning to the next part of the song. To further indicate the passage of time, I switched the lighting from day to night at a good friend’s suggestion.
One subtle point that the casual viewer likely misses is that the car finally turns left at the end of the song. This was an attempt to tie a glimmer of hope to the final lyric of “Can you show me to the light?”
What was the process of making this video?
The footage is stock video, so the whole process started with stock video searches across multiple sites, using a variety of terms. As noted above, I started by searching for the perfect sky before landing on the idea of driving through cornfields. Once I had the final idea, it took a while to find the right sequence with a balance of monotony and variety, and then I discovered the intersection that could be aligned with the lyrics.
From there, it was splicing various lengths of the video using iMovie to align the words and visuals. Then I added the lyrics via title cards, a process my neurodivergent brain actually enjoys getting just right.
Connect with Dwayne Jarrell and the Truer Sound via:
As longtime members of Blue Sky Miners, the musical duo of Eric “The Duke” Duquette and Jena “Goldie” Gogo had released two albums, toured North America, and enjoyed national radio play. Still there seemed to be uncharted musical waters on the horizon.
The rag tag pirate-like community of (aptly named) Protection Island turned out to be the perfect coastal environment for the pair’s musical evolution to take place. Fire lit jams, a newfound connection to nature and deep reflection on their roles as settlers in this land gave spark to a collection of new songs that the now Vancouver-based twosome are proud to present as Duke & Goldie on May 12th, 2023.
Following on the heels of their debut single, “Courage,” Duke & Goldie are now unveiling “Rocky Mountain Feeling.” While mostly a straight-ahead rocker kind of song, the descending chord changes at the end of each chorus alter the song’s key in a chromatic descent. It adds a bit of complexity to the overall tone and hints at the deeper, more nuanced nature of the lyrics.
Modern Mystery 
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