The latest release from Night Wilds, the progressive alt-rock band, is their track “Control,” a charged addition to their eagerly awaited debut album, “All That Should Have Been,” set for release in Spring 2024. This musical piece plunges into the intricate corridors of the human mind, weaving a captivating tapestry of light and shadow while expanding on the album’s enthralling storyline.

“Control” guides listeners through a gripping narrative of a fractured mind in search of peace. The song unfolds a haunting dialogue between a young boy and the shattered facets of his inner self, grappling with an offer of solace that comes at an extraordinary cost. It’s a profound tale of decisions made for survival and the haunting echoes of those pivotal choices.

Much like their previous track “Confusion,” this song embodies the band’s commitment to storytelling through music, blurring the boundaries between entertainment and enlightenment.

Night Wilds’ debut album, ‘All That Should Have Been,’ a 17-track rock opera, narrates the story of a boy trapped in a brutal circus, performing under the command of a deranged ringleader. It’s a cathartic journey of healing and self-discovery, echoing the band and lead songwriter Seth’s dedication to authenticity and personal growth, akin to the themes explored in “Control.”

In “Control,” the music resonates with cinematic drama, offering an intense and captivating experience. The rock ‘n’ roll energy propels the narrative forward, inviting listeners to immerse themselves in the grandeur of the music.

“Control” by Night Wilds transcends being just a song; it’s an immersive experience, a poignant testament to music’s power in exploring the intricacies of the human mind and offering hope, even in the darkest moments.

Sound Strider creates a unique sonic art form, drawing from a diverse tapestry of waveforms meticulously chosen from expansive data forests. With artistic finesse, these carefully selected sonic components are intricately woven together, offering an auditory journey unlike any other. This wizardry of sound transcends boundaries, effortlessly blending organic analog elements with intricate digital complexities.

In the newly released single “Psychedelic Ritual,” Sound Strider emerges as a enigmatic sound maestro, conjuring elaborate sonic tapestries adorned with ethereal beats and captivating glitched-out melodies.

Driven by an unyielding passion for sonic exploration, Sound Strider fearlessly ventures into unexplored territories, unveiling a captivating spectrum of unearthly sounds. In this sonic expedition, acoustic and digital sources seamlessly intertwine, creating pulsating rhythms that transport listeners to a realm where reality and imagination blend, allowing the latter to take center stage.

Within Sound Strider’s spectral alchemy, the result is nothing short of magical—an entrancing auditory voyage that whisks the listener to extraordinary soundscapes. His compositions are adorned with mesmerizing polyrhythms that guide the mind through uncharted territories. It’s akin to weaving a musical tapestry that takes the audience on a customized, psychedelic, and ethno-funk odyssey tailored for the information age.

Sound Strider’s sonic craftsmanship showcases the boundless potential of manipulating sound, where data forests serve as an endless wellspring of inspiration and the fusion of analog and digital elements leads to an ever-evolving sonic cosmos. Within this realm, he is a sonic sorcerer, conjuring auditory experiences that captivate the imagination and offer a sonic journey unlike any other, leaving an enduring mark on the landscape of contemporary music.

The trio EMP, rooted in the heart of Texas, is a musical force formed by the exceptional talents of Alex Erhardt, Nathan Mays, and Maxx Salazar. Their sound is a dynamic fusion, drawing from a diverse mix of influences such as progressive rock, jazz, post-punk, and electronic music. EMP’s music is a collision of rhythm, energy, immersive ambience, and an unyielding passion for unexplored musical territories. They bring a vibraphone to a knife fight, consistently emerging victorious and leaving behind a trail of sonic marvels. Their latest release, “Tryst Issues,” encapsulates the essence of their musical journey.

Each EMP composition is a musical expedition, inviting listeners along on a thrilling adventure. Their unique sound is crafted from vintage tones, intricately woven from collective imagination and fervent musical intensity. “Tryst Issues” came to life swiftly, inspired by a mix of a Dead Kennedys melody, elements from a favorite book (“Seven Footprints to Satan” by A. Merrit), and an ominous recording using an old telephone mic.

EMP’s music is an auditory odyssey, painting vibrant sonic landscapes and pushing the limits of instrumental expression. Their goal isn’t just making music but crafting an immersive experience where every note and rhythm carries emotion and invites exploration.

In the ever-changing realm of music, EMP stands as a symbol of artistic innovation, blending diverse influences into a captivating tapestry of sound. Their performances and compositions showcase the infinite possibilities within instrumental music, evolving their melodic language and promising more thrilling adventures for their audience.

David Lotey-Goodman, better known as Lowgo, is a fast rising 23-year-old electronic music producer whose background as a jazz pianist sets him apart from the crowd. His deep passion for music began at two years old, when his parents offered him a small toy keyboard as a gift. This set him on a lifelong path of musical exploration. His experimentation with music software has led him to develop a unique style, using both traditional and innovative musical techniques.

His notable released collaborations include Lou Phelps, Veggi, Speng Squire, Mosey (Pierre Sarkozy), Kris the $pirit, Benita, Jayde, Tibe, Jonathan Emile and more. Lowgo continues to collaborate with various artists around the world such as Zach Zoya, PT, CJ Flemmings, Clerel and Joseph Tilley, with no plans on stopping.

Highlighted single, “Soap Opera Pretty” (with Zach Zoya), comes off the sophomore self produced EP From Here as track one to set the tone of an EP delving into other moods as Lowgo explains: I’ve rarely delved into themes of heartbreak and darker subject matter. This EP represents an effort to change that.

The four track EP features a different vocalist on each single and is produced in Lowgo’s purposeful style of tension and release in song structure, and more retrospective lyricism. 

Toronto-based singer-songwriter Julian Taylor has released Anthology Vol. 1, his first career spanning collection of songs which reflect on his decades as an artist, fronting Staggered Crossing and the Julian Taylor Band, as well as developing a celebrated solo career.

In addition to the 15 vintage tracks which feature on Anthology Vol. 1, Taylor has added a trio of all-new songs exclusive to the release, which serve to bridge the gap between those historical roots of yore and the forward-leaning songwriting template he forged during the making of his two most recent solo LPs, 2020’s highly acclaimed The Ridge (which garnered Taylor’s anointing as Solo Artist of the Year at the Canadian Folk Music Awards) and 2022’s equally lauded Beyond the Reservoir. Each of these three new tracks — the reflective singalong drive of “Georgia Moon,” the transient travelogue that is “City Song,” and the plaintive acceptance of “Long Time Ago” — confirm Taylor’s ever-upward creative trajectory. The gentle folk rock of “Long Time Ago” was composed many years ago in collaboration with Taylor’s friend, artist Robert Priest. Taylor reflects on the song’s meaning: It conveys themes of lasting impact, continuity, and the influence of past actions. Whether those actions were positive or negative, they all have a lasting effect. Sometimes our choices can be deemed right or wrong, but their effects continue to affect the individual. “Long Time Ago” speaks to the idea that these effects remain, even if they might not always be immediately apparent.

FKB is a high-energy, four-piece, indie pop band based in Edmonton and Nashville, influenced by the mystique, glamour, and excess of the 1960s-1980s entertainment business.  The band is fronted by JUNO Award-nominated songwriter (2019) Drew Shalka (lead vocals/bass), and features Travis Topylki (lead guitar), Derek Chalut (drums), and Alex Fedorouk (rhythm guitar). 

The band won the Jim Beam National Talent Search (2023), which culminated in a performance at the Indies Awards at History (Toronto). Since 2017, they have performed over 300 shows across North America.

FKB’s infectious, disco-inflected single “Color Blind” is produced by Shalka who says:
“Color Blind” is us finding a way to connect our influences from the past, like The Beatles, Elvis Presley, and The Beach Boys, with the modern sounds of Foster The People, Portugal the Man and The Weeknd. We wanted to draw from the excitement of our live shows and give people something they can dance to.