by Jane Lambert

Breaking the Transmission – Animals in Denial’s “Operator” Music Video Is a Cyberpunk Fever Dream

Animals in Denial has never been one to follow convention, and “Operator” is proof of that – a track that pulses with industrial grit, synth-heavy nostalgia and raw emotions.

Now with its newly released music video, “Operator” is something of a cinematic descent into a digital dystopia, where reality warps and emotions twist under the glow of neon lights.

Watch here:

This video is truly gripping with its unsettling and almost nightmarish atmosphere. Christian Imes delivers a haunting performance, as he struggles against unseen forces and finds himself bound and trapped not just physically, but emotionally too.

His desperate attempts to break free mirror the song’s themes of attachment, then detachment, and the realization that love can be just another illusion. Flickering images of his torment intensify which create a sense of claustrophobia that reflects the song’s core.

But it’s not just the human struggle that makes Operator such a striking watch.

The presence of a cobra snake, and flickering frames adds a hypnotic sense of danger. The reptile becomes a symbol of both seduction and control, reinforcing the feeling that this world is a trap. The snake’s eerie presence also suggests that temptation, fear and fate are intertwined in this world of distorted love and shattered connections.

The song itself is born from a beat that haunted Imes since the age of 14 after watching The Matrix. Originally pieced together using a lite version of Ableton Live and a handful of drum samples, Operator took on a new life when Steven Seibold (Hate Dept/Pigface) stepped in for additional production and mixing.

His expertise has helped to sharpen the track’s cold, metallic edges while subtle tweaks like a reworked third verse and unexpected backing vocals in the chorus have pushed the song into new territory. These enhancements have also worked to give it a chilling and almost prophetic resonance.

The final result is a high voltage, emotionally charged cyperpunk anthem that carried the sinister energy of Nine Inch Nails with the pulse of The Prodigy and that brooding intensity of Marilyn Manson.

The video only amplifies this energy, immersing viewers in a visually striking world that feels like a cross between a fever dream and a digital prison. The erratic camera work, rapid cuts, and neon-drenched visuals creating a sense of disorientation, as if the viewer is trapped in the same transmission loop as the protagonist.

With stunning visuals and a chilling atmosphere, “Operator” is truly a story of loss, longing and that crushing realization that some connections exist only as echoes in the void.

Connect with Animals In Denial on the Website

02.21.25

by Jane Lambert

“Singing River Blues” – A Poignant Visual and Musical Masterpiece by Ben Killen

Ben Killen’s “Singing River Blues” is a song built on memory, loss and the timeless pulse of the blues.

With his debut music video, Killen transforms these themes into a striking visual experience – one that feels both deeply personal and universally resonant to many people.

Shot, directed, edited, and produced by the artist himself, the video stands out not only for Killen’s raw talent, but also, his dedication to storytelling through music and film.

Watch here:

The video’s aesthetic is rich and layered, blending high-quality stock footage with intimate, close-up shots of Killen himself.

The result is a seamless interplay between the past and present, re-inforcing the song’s core themes of musical heritage and personal reflection. The presence of the steamboat, which is one of the most potent symbols in the piece, feels like a nod to the blues’ deep Southern roots as well as a metaphor for the journey of loss and remembrance.

Killen’s on-screen performance is captivating. Although he is lip-syncing to his own studio recording, there’s an undeniable authenticity in his delivery. Every glance, every frame carries the weight of the song’s emotional depth, making it impossible for the viewer not to be drawn in.

The decision to shoot these sequences simply, in front of a glass wardrobe in his Brooklyn apartment, adds an unfiltered honesty that grounds the video in reality.

From a technical standpoint, Singing River Blues is an impressive achievement. With limited resources, Killen has created a video that looks as refined as any major-label production. His dedication to achieving full 4K resolution, despite the painstaking rendering process, shows just how much care and passion went into bringing this vision to life. The integration of beautifully choreographed dance sequences and historical footage from collaborators like BDKMG and the lloolk agency elevates the video, making it feel cinematic yet also very personal.

What sets this video apart is its ability to make you feel something.

This is not simply a visual accompaniment to a song. It is more of an extension of the music itself, a living, breathing tribute to those we’ve lost and the traditions that shape us.

For a debut music video, Singing River Blues is excellent. It not only highlights Killen’s skills as a musician but also establishes him as a powerful visual storyteller.

Keep up to date with Ben Killen on his Website

02.14.25

by Jane Lambert

Dan Lowe’s Latest Single “Creatures of the Radio” Is a Rock & Roll Time Capsule

Dan Lowe’s latest single “Creatures of the Radio” is the kind of song that takes you somewhere.

It’s a highway at dusk, headlights stretching out ahead and the radio dial tuned to something that just gets you. It’s a love letter to the days when music crackled through the airwaves and felt like it was speaking directly to you. Because back then, it was.

From the opening bars, there’s an undeniable pull. The guitars shimmer with that unmistakable classic rock warmth, the rhythm section pushes forward with a steady drive, and then there’s that saxophone —rich, full-bodied, a little Springsteen, a little Seger, but entirely its own thing.

Patrick Lamb’s solo tells a story, cutting through like a late-night signal from some distant station.

Dan Lowe’s voice carries the weight of the song. It’s soulful, and with just the right amount of grit. The lyrics capture the magic of growing up with the radio as a constant companion, a lifeline to something bigger. And when the chorus hits it’s anthemic in the best way, built for rolling down windows and belting it out under the stars.

This song is really a reminder of why rock and roll sticks to your bones. And the way it came together makes it even more special.

Lowe recorded “Creatures of the Radio” as part of an “Artist in Residence” program, bringing in students from a digital audio program to be part of the process. That kind of organic, hands-on approach bleeds into the sound; there’s a live energy that makes it feel like it was meant to be heard loud, in a room full of people who just get it.

The timing couldn’t be better for Lowe. He just advanced in Tennessee Songwriters Week after a standout performance at Motif on Music Row, landing himself a spot at the Franklin Theatre showcase on March 1st. If he makes it through, he will perform at the legendary Bluebird Cafe in Nashville. A place where careers are made and stories are told.

“Creatures Of The Radio” is the first of a set of tracks planned to be released monthly during 2025 – capping it off with the release of the full album (also titled “Creatures Of The Radio”) to coincide with the final track release in December.

This is the follow-up to “No Running From The Storm (Songs Of Life, Love, And Loss)” – the previous release by Dan Lowe & The Skeletal Remains.

Lowe is certainly tapping in to the magic of music here, with much more to come.

Keep up to date with Dan Lowe and The Skeletal Remains here:

Website / Facebook / Spotify / Apple Music / YouTube Music

02.14.25

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’S WITH ANDREW STONEHOME

Andrew Stonehome isn’t just making music. He is creating experiences that resonate with the listener on a deeper level. His latest single “Then You Fly” is an introspective conversation with his inner child, capturing the emotional complexities of growth and the power in vulnerability.

As an artist who writes, performs, and produces his own music, Andrew’s dedication to authenticity is evident.

With “Then You Fly”, he takes that honesty a step further, translating the song’s deeply personal message into a striking visual.

In this interview, Andrew opens up about the inspiration behind the track, the challenges of balancing emotion with melody and the creative process behind his latest music video.

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

This song is a conversation with my inner child, whom I’ve tried to protect for so much of my life. Recently, I’ve had to confront some of my deepest fears around vulnerability, and this song feels like a snapshot of my thoughts on that.

When I wrote the lyrics, I dug deep and allowed myself to get emotional, which isn’t usually my approach. Each sentiment in the song feels incredibly personal to me. This is the song I feel most connected to – more than anything else I’ve written. If someone were to ask me for an example of my music, this would be the song I’d share.

Because this song is so personal and important to me, I wanted to create a video for it that I could be as proud of as I am of the song itself.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

I enjoy creating videos and the creative challenges that come with it. I wanted to visually show that I play all of the instruments in my music. My vision was to create the look of an entire band, where I’m every member, performing live on stage. Initially, I had hoped to make it look like there was a large gospel choir, with me as every member, alongside the band. However, due to time and technical limitations, I had to settle for three background singers.

I watched some other videos to see how they approached things, and one that was particularly helpful was Brandi Carlile’s video for “The Story.”

It was useful to notice little details, like how she looked directly at the camera for some shots.

3. What was the process of making the video?

I came up with the concept for the video and asked my friend Vince Radostitz, a talented photographer and videographer, if he’d be willing to film it for me. To test the concept, I filmed a rough version at home and then shared the demo with Vince so he could get a sense of what I was envisioning. We met to brainstorm further, and I visited a few locations to decide where to film. I also created a document with a plan and agenda for the filming day, including a detailed shot list, specifying which outfits I’d wear for each part and how long each segment should take.

We filmed at the Patricia Reser Center for the Performing Arts, which is close to my house.

We started loading in at 10 a.m., and it took a few hours for the crew to set up the lighting, so we didn’t actually start filming until almost 2 p.m. We finished around 6 p.m., and I was relieved that we managed to capture most of what I’d hoped for. It took me a couple of weeks to edit everything, which was fun because Vince did such a great job of getting fantastic footage. I was really happy with how it turned out.

I also created a “Making of” video that offers a behind-the-scenes look at how the video was made, and I’m just as proud of it as I am of the final video itself:

02.13.25

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’S WITH SIREN

Love at first sight. It’s the kind of magic we read about, dream about and sometimes, if we are lucky, experience for ourselves.

For Siren frontman Rob Phillips, that moment wasn’t just a fleeting feeling. It was the spark that ignited their latest single, “Arrow”.

A blend of melodic rock, progressive influences, and Middle America roots, “Arrow” captures the intensity of an instant connection. The kind that defies logic and begs the question: Could this be the one?

With a music video directed by Isaac Deitz (Manchester Orchestra, Grouplove, Switchfoot), the visual storytelling mirrors Phillips’s own love story about two people unknowingly crossing paths until fate finally brings them together.

The video’s unique paper airplane concept ties their connection together making for an unforgettable ending.

We got the chance to sit down with Rob Phillips and find out more about the inspiration behind “Arrow”, the personal love story that shaped it, and what it was like bringing that moment to life through music and film.

From the real-life first meeting with his wife, this is a song and story filled with emotion, fate and rock and roll magic.

Tell us the story of this song, why did you choose to visualize this song specifically in this way?

“Arrow” is first and foremost a love story. I wrote the song about meeting my wife to be. I think that it is ironic that we both lived and worked in the same town only a few steps away from each other and never met. A friend of mine recommended this high end restaurant that had a rock band playing that night so I walked down there to see the band.

When I arrived, I was greeted by the hostess for seating and there was this beautiful woman with brown eyes. She gave me a smile and that was our beginning. We both felt the same instant attraction.

It was like finding a needle in a haystack. We are very blessed to have found love. The video shows the couple passing each other every day and never meeting until the end.

What was the inspiration behind this new video (visuals, storyline, etc.)?

We used the lyrics in the song for the storyline. Isaac Dietz is the Video Producer and he had a vision for the song. He approached me with the paper airplane concept and I thought it was a great idea. We were able to tie in the couples chance meeting with the message in the paper airplane when they meet on the bridge and embrace. A nice bow on the top at the end.

What was the process of making the video?

Isaac filmed the actors in Georgia and the band was not involved with that process.

The band’s performance was filmed in Florida at a local bar called JD’s in Coral Springs. My wife’s father was there for the filming and he is 100 years old and a WW2 Veteran.

It was such an honor to have him there with us. Everyone wanted to get pictures of him. He is a true rock star and as a family we will always cherish these moments.

01.31.25

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’S WITH MASSEY

“Box of Rain” has always been a song that carries an emotional weight, deeply intertwined with themes of love, loss, and the healing power of music.

Originally written by Grateful Dead bassist Phil Lesh as a poignant farewell to his father, it has since become one of the band’s most cherished and resonant tracks.

When Phil Lesh passed away in October of 2024, MASSEY found himself reflecting on the profound connection he has with this song. In collaboration with Vince Herman of Leftover Salmon, he has created a new, rock-infused version of “Box of Rain” that pays tribute to Lesh’s legacy while breathing new life into the timeless classic.

Released today, this re-imagined rendition is much more than a cover. This is a wonderful tribute to one of MASSEY’s all-time favorite songs and a celebration of the enduring spirit of the Grateful Dead.

Working alongside an exceptional group of musicians including Charlie Wooton, Daniel Groover, Peter Oravetz, Michael Lemmler, and Doug Belote, MASSEY brought his vision to life at Dockside Studio, with the track being elevated by the mastery of JoeBaby Michaels and Abbey Road Studios.

But the journey didn’t end with the recording. The release is accompanied by a vibrant music video that allows listeners to experience “Box of Rain” in a new visual context. Directed by Jim Mimna, the video complements the song’s messages of connection and healing while also inviting a new generation of fans to discover the beauty in this timeless piece.

In this interview, MASSEY opens up about the inspiration behind reinterpreting “Box of Rain”, the collaborative process with Vince Herman and the emotional journey of revisiting a song so deeply connected to both personal and wider themes:

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

This is a cover of the Grateful Dead song Box of Rain. It is one of the few Dead songs written by bass player Phil Lesh, who passed away a couple months ago, just as we were preparing to record all the tracks for the upcoming MASSEY debut album: Reason For Being. JoeBaby Michaels, the founder and head of my label, Bent River Records, who is also my producer, had instructed that it would be a good idea to include a cover.

When Phil passed I immediately thought of Box of Rain. It is just about my very favorite Grateful Dead song. It has always struck me in a deeply profound and emotional way. And with Phil’s passing, I thought it was very appropriate. We did agree it should be a more edgy rock version, one of my natural styles, which I feel we accomplished, while still totally respecting and paying homage to the original, and Phil.

It’s important to note that this is a duet with Vince Herman, a founding member of Leftover Salmon. A long time friend of JoeBaby’s, they had never worked together, and they agreed this would be a perfect, heartfelt song for them, and me, to collaborate. Vince is one of the nicest, sweetest, rockstars you’ll ever meet. And I believe our work together on this song shines the light.

2. What inspired this video (visuals, storyline, etc.)?

The song was written by Phil as his dad was dying. I believe it’s a metaphor of love, loss, and the personal peace and healing that’s available to all of us. It’s very beautiful. And I was always emotionally affected by it, as with much of the music I deeply love, from the actual music first, even more than the words.

3. What was the process of making this video?

The video is so excellently done by our videographer Jim Mimna. He combined the studio footage of me and Vince, as well as the amazing players in our band: Charlie Wooton on bass, Peter Oravetz on lead guitar, Daniel Groover on guitar, Michael Lemmler on keys, and Doug Belote on drums; Paired with very effusive illustrated images that, like the song lyrics, suggest deep emotional meaning but allow for interpretation by the viewer.