Singer-songwriter Odd Marshall officially arrives with his debut album Sand & Glue, a compelling exploration of life’s crossroads, inspired by a harrowing moment that sparked a return to his craft. Featuring 11 songs shaped by stories of near-misses, chance encounters, and timeless memories, Sand & Glue captures the raw, rollicking energy of Marshall’s unique journey. Produced by Canadian music mainstay Don Kerr (Ron Sexsmith, Dan Mangan, Bahamas) and recorded with renowned session musicians Mike O’Brien (Zeus, Dan Mangan) on guitar and Jason Haberman (Dan Mangan, Jason Collett, Tim Baker) on bass, the album channels the gritty, authentic storytelling and heart-thumping beats that make Odd Marshall a standout.
Marshall’s life took an unexpected turn when a car accident after a snowstorm jolted him into songwriting once again. From that moment, he rediscovered his passion and slowly rebuilt his voice, resulting in Sand & Glue – an album of travels, trials, and triumphant returns.
“London,” the album’s lead single, celebrates Marshall’s musical roots in London, England, where he moved for a brief stay after film school and stayed for six years. The track is a love song to the city that shaped him. Listeners will hear the rhythm of a bustling city in its pulse, paying homage to formative years when Marshall crafted his first EP with friends he met on the Tube.
I stopped writing songs for 10 years until I flipped my truck in a snowstorm. I was fine. But I crawled out the passenger window and, while sitting in the back of a cop car, a song came on the radio and it reminded me… I used to do that. For how much I enjoy playing music now, I can’t understand how I gave it up for so long. – Odd Marshall
The music video for Pacifico’s latest single, “Stagnant,” delivers a visually striking narrative that perfectly encapsulates the song’s central themes of inertia and emotional stasis. Shot in black-and-white, the video opens with Matthew Schwartz seated on a chair on a bustling urban sidewalk, surrounded by the ceaseless movement of city life. Cars pass by, and pedestrians weave through the frame, creating a powerful contrast between the external world’s relentless motion and the internal stillness Schwartz embodies. This opening sets the tone for a song deeply rooted in the frustration of feeling stuck despite genuine connections.
As the video unfolds, the setting shifts from the chaos of the city to quieter, more contemplative environments, like a serene park. These transitions highlight the duality between external noise and internal stagnation, reinforcing the song’s exploration of love and life’s complexities. The stark simplicity of the video’s concept places the focus squarely on Schwartz’s heartfelt performance, allowing his raw emotion to resonate deeply with viewers. It’s an artful visual companion to the candid lyrics and infectious indie rock-pop melody that define “Stagnant.”
The track, from Pacifico’s latest EP, Moving On or Standing Still, dives into the tension of a relationship caught in limbo. Schwartz’s earnest vocals and introspective songwriting tap into the universal experience of yearning for progress while feeling trapped. The video’s everyday settings, from busy streets to tranquil parks, serve as poignant metaphors for this emotional push-and-pull, inviting listeners to reflect on their own struggles with love, frustration, and personal growth.
Pacifico, originally a full band formed in 1999, has evolved under Schwartz’s leadership into a dynamic solo project, embracing collaborations and exploring new creative directions. With a history of placements in films, TV shows, and video games, Pacifico has cultivated a loyal following that eagerly anticipates each new release. “Stagnant” marks a compelling chapter in this journey, offering both a deeply personal narrative and a universally relatable message.
As the video for “Stagnant” hits platforms, it serves as a powerful introduction to Pacifico’s new EP. Keep an eye out for more from Schwartz and co. as they continue to explore themes of change, progress, and the emotional weight of standing still.
Tell us the story of this song, why did you choose to visualize this song specifically? Out of all the songs on our upcoming Moving On Or Standing Still EP this song felt the most commercial and universal with its theme of inertia. It was written in 2008, when I was dating someone and the relationship wouldn’t move forward. I went to the piano and “Stagnant” came out. But rather than it see the light of day, the song had to wait sixteen years until it it was time for it to “Move On” rather than “Stand Still”
What was the inspiration behind this video(visuals, storyline, etc.)? For this video the director, Michael Friedman, suggested the concept with the chair and the world passing quickly around me to symbolize how sometimes, no matter how fast the world is moving around us, we are stuck. The only creative note I added is for the music video to be black and white to match all the rest of the EP’s artwork and photography. I am very happy with how it turned out.
What was the process of making this video?
We shot it all in one day between filming in downtown College Park, on the Push Push Arts campus, and at the Westside Reservoir park in Atlanta, GA. We filmed the song at half speed and then sped it up in post to match the recording. The only part of the video in true time would be the bridge, in which I donned a guitar and they projected fast stock footage over me. The video was then edited, and color corrected and is what you see today
With their effervescent new single, “It’s a Sign,”The Flip Phones have created an indie-pop delight brimming with charm, quirk, and an unexpected dose of introspection.
Inspired by Los Angeles’ iconic Happy Foot/Sad Foot sign – a whimsical podiatry advertisement once used by locals to divine their daily fortunes – the track explores the thin line between taking charge of our lives and surrendering to fate and superstition.
Listen in here:
The duo, Lindsey and Ryan, blend instrumental talent with an unpretentious energy to create a sound that feels as timeless as it is refreshing.
Lindsey’s background as a classically trained pianist and flutist shines through in the lush textures of melodica and electric piano that weave throughout the song. Her lyrical storytelling brims with vibrant imagery and clever wit, while Ryan’s self-taught guitar stylings, steeped in influences like The Beatles and Blur, add a jangly, upbeat undercurrent that grounds the song’s playful tone.
This isn’t the first time Lindsey and Ryan have made musical magic together. Their earlier collaboration in North of Canada laid the foundation for the unique synergy that defines The Flip Phones.
Since forming their new project in 2013, they’ve honed their craft, releasing the well-received EP Better in the Dark in 2022 and building a reputation for vibrant live shows at festivals and celebrated mid-Atlantic venues like Jammin Java and Songbyrd.
Produced by Dave Mallen at Innovation Station Music, “It’s a Sign” radiates the energy of their live performances, while also showcasing a shift toward a more playful sound palette.
Influences from the B-52s and Gorillaz are clear, with the melodica lending a whimsical edge, yet the track retains the narrative depth and layered arrangements that have become their signature.
As the lead single for their upcoming EP Spinning Adrift (set to drop in spring 2025), “It’s a Sign” is both an irresistible and thought-provoking anthem for those caught between luck and intention. With its buoyant melodies and clever interplay between Lindsey and Ryan’s vocals, this is indie-pop at its finest.
Animals in Denial’s new single “Operator” is an exploration into heartbreak, wrapped up in a gritty industrial-electronic sound.
The story behind “Operator” is as compelling as the song itself. The beat has been living in the artist Christian Imes’s head since they were 14, back when they were cruising the streets of Canton, NC, and obsessing over The Matrix.
At the time, they didn’t even have a synth – just a guitar and a lot of ideas. Years later, using a lite copy of Ableton Live and some old-school drum samples, the track finally started to take shape. It came together fast at first with the initial demo finished in just 30 minutes, but the final version was elevated thanks to a collaboration with industrial icon Steven Seibold (Hate Dept, Pigface).
Seibold’s fingerprints are all over the production. From tweaking the vocal delivery on the third verse to suggesting subtle backing harmonies in the chorus, he brought a fresh perspective to the track.
Listen here:
The pair even recorded the vocals in Seibold’s home studio, which was a full-circle moment for the artist, who’s been a longtime fan of Seibold’s work. The result is sleek and dynamic, with just the right amount of edge.
Musically, “Operator” is a study in restraint. An earlier version included guitar parts, but the final mix strips them away to let the synths and beats carry the weight. That choice gives the track a sharp, metallic vibe that feels perfectly in line with its themes of emotional distance and digital disconnect. The song pulses with a hypnotic rhythm, pulling you in as layers of sound build and shift. It’s dark, atmospheric, and relentlessly captivating.
But the heart of “Operator” are the lyrics, which draw from a relationship that left its mark. The “operator” in the song is a nod to late-night phone calls and AIM chats with an ex who once felt like a lifeline, but who eventually became a source of pain. It’s brutally honest and deeply relatable especially for anyone who’s navigated the murky waters of young love.
Whether drawn to its cyberpunk aesthetic, its honest lyrics, or its sheer force, this is definitely a song that grabs your attention.
Keep up to date with all things Animal In Denial on the Website.
Vikki Minor, an award-nominated neo-90s alt-rock artist, unveils her latest single, “The Labyrinth.” Inspired by gothic fairytales and the grunge music she grew up loving, Minor delivers a cinematic, emotionally charged track exploring themes of depression and resilience. With its intense melodies and raw vocal performance, “The Labyrinth” marks a powerful evolution in her discography, blending the energy of her live shows with a sound reminiscent of 90s alternative icons like Alice in Chains and Garbage.
Minor collaborated with producer Zachary Zanardo (ZZ) to bring this track to life. The writing process for “The Labyrinth” was deeply personal, using the metaphor of a dark, gothic maze as a way to process her own struggles with depression. The result is a dynamic grunge anthem with dramatic shifts and an emotional journey packed into just over three minutes.
“The Labyrinth” was my way of conveying a dark time in my life through the lens of a mythical place. The metaphorical lyricism and intense melodies I get to belt out in the song is really cathartic. It’s a way to process emotions while creating something that’s deeply personal yet universal. – Vikki Minor
Rose Ranger’s new single “Dear Dad” is a poignant, tender reflection on loss, love, and the enduring connection between a daughter and her father. Written as a letter to her late dad, who passed away unexpectedly on his birthday in October 2022, the song offers a raw glimpse into her personal grief and healing. Recorded in Nashville with a lineup of seasoned musicians including multi-JUNO Award winner Steve Dawson on pedal steel, the song showcases a classic Country-Americana sound with a heartfelt narrative at its core.
Inspired by the memories and sentiments she holds for her father, “Dear Dad” is a testament to the complex emotions of losing a loved one, yet holding onto the hope that their spirit continues to evolve in a new journey beyond. The song’s warm, nostalgic tones are steeped in the timeless sounds of Americana and Country music, with gentle folk influences that echo the love and lessons passed down between generations.
My dad was a fan of country music from the 40’s, 50’s, 60’s eras. So this song (and the new collection of songs) I wrote for my dad all have a Country-Americana-Folk sound as a nod and ode to my dad. The lyrics capture a part of my journey and the deep curiosity I still feel about what happens after we leave this earth. It’s about remembering that we are all made of stars, continuing our evolution beyond this stage. This song is also a reminder of how much I miss my dad. It’s an exploration of that relationship, but it’s also about the hope that the ‘show’ doesn’t end when the curtain falls. – Rose Ranger
Modern Mystery 
You must be logged in to post a comment.