Midnight Channel unleashes their boldest, most emotionally raw track yet with “Celebration,” an overwhelming, unrelenting jazz composition that captures the chaos, beauty, and relief of simply surviving. Propelled by frenzied percussion, free-form improvisation, and a deep spiritual core, the song is both abrasive and serene – a noisy yet peaceful meditation on being alive.
“‘Celebration’ is celebrating that you’re still here. There’s nothing more important than that,” shares bassist Matthew Erdmann. “It’s about overcoming dark times/suicidal thoughts and accepting yourself. It’s about celebrating missed opportunities, as well as the ones you’re risking everything to take. It’s also about celebrating the end of another album, which always leaves me feeling empty but at peace.”
Written as both a personal anthem and a collective ritual, “Celebration” draws inspiration from church hymns, Pharoah Sanders, Cecil Taylor, and Zach Hill – a spiritual jazz piece meant to feel emotionally overwhelming at first, but comforting the more you sit inside it. The drums are chaotic but compressed, letting the melody float above like a breath of air. “If you separate the drums and melody,” Erdmann notes, “you’d have two completely different songs.”
At its heart, the track celebrates being in the present moment.
“This single is for the freaks,” Erdmann adds. “We chose it because it hits people over the head right away – that this is what we’re doing, and we’re not sorry for it.”
There’s a giddy rush to Kenzy Kyx’s debut EP Glitter that is much like a friend pulling you onto the dance floor before you even finish your drink.
Across four tracks she takes the bruises of her twenties – bad love, self-doubt, tiny wins – and spins them into fizzy and defiant pop. It’s pop, but pop with teeth and personality, full of sly jokes and big choruses.
Listen here:
Kenzy’s voice is the glue. It has that grainy warmth that recalls Stevie Nicks in her prime, but she flips it over sleek modern beats that nod to Sabrina Carpenter and Gwen Stefani.
You can hear the path she’s taken. Scribbling lyrics as a kid, falling for poetry in high school, a formative trip to Nashville that convinced her to jump in with both feet. She writes and composes everything herself, which gives these songs a diary entry honesty even when the production is sparkling.
The opener, “Take It Easy” has an easy breezy flow with shimmering vocal harmonies and sets the tone for the EP.
The title track “Glitter” elevates the collection with its shimmering, euphoric soundscape. Layered synths, groovy bass lines and bold melodies create a playful yet empowering anthem about transformation and embracing change. It’s a song that encourages listeners to dance, shine and revel in the beauty of stepping into their own power, blending current pop hooks with subtle nods to timeless disco.
Then there’s Kenzy’s bold cover of No Doubt’s “Don’t Speak.”Rather than a straight copy, Kenzy reimagines the 90’s classic in her own voice – slower, moodier, but still melodic – giving the track a depth that contrasts beautifully with the EP’s brighter moments. Honoring Gwen Stefani’s original while making it fit her sonic world, it reflects the EP’s recurring theme of letting go and moving forward.
Lead single “I’m So Glad” is the obvious standout. It’s a glittery breakup anthem built for shouting in your car with the windows down. But the other songs on Glitter carry the same playful defiance, mixing hooks with a sly wink that makes you feel like you’re in on the joke.
There’s vulnerability here too, but Kenzy has that skill for turning messy feelings into something you actually want to move to.
Glitter stands out and is not a cautious first step by any means. Kenzy Kyx is not just trying to mimic anyone else’s lane. She is building her own, one glitter coated hook at a time, and inviting listeners to come along for the ride.
Emmy Award-winning musician, songwriter, and actor Scot “Little” Bihlman steps into new territory with the release of “A Loaded Gun and a Wedding Ring,” the latest single from his forthcoming album Heavy Head. Out today via V13 Media Group’s label V13 Music, the track is a searing testament to Bihlman’s ability to weave story, grit, and soul into something that cuts right to the bone.
The single wastes no time setting its tone. A sly slide guitar enters first, curling through the mix like a whisper and a warning. Its lean, deliberate presence creates space for what’s to come—a storm brewing beneath the surface. There’s a swagger here, a simmering confidence in the delivery that evokes both danger and inevitability. Bihlman’s sound pulls equally from blues grit, country soul, and garage rock punch, creating a raw yet refined aesthetic that feels tailor-made for late-night highways and unflinching reckonings.
What makes “A Loaded Gun and a Wedding Ring” compelling isn’t just the instrumentation but the precision with which the story unfolds. Each riff, each pause, each crack of the drum is weighted with meaning, echoing the tale of betrayal and the pursuit of justice. Bihlman’s voice—gravelly, assured, and deeply human—takes the role of witness and judge, guiding the listener through a narrative that’s part confession, part declaration of independence. It’s not a song that races; it moves in deliberate strides, building tension in the spaces between the notes, holding the listener suspended until the final chord resolves.
Thematically, the track resonates with the undercurrent of Bihlman’s forthcoming album, Heavy Head. The record promises to be a meditation on the weight we carry—love, loss, betrayal, redemption—and the ways music can turn those burdens into something transcendent. Where “A Loaded Gun and a Wedding Ring” captures a moment of reckoning, other tracks are set to explore different dimensions of resilience and truth.
Bihlman’s ability to channel storytelling through his music is no accident. Raised between industrial Indiana and the Northern Michigan woods, he carries with him a duality of environments—the hard edges of the city and the raw quiet of nature—that surfaces in his sound. His style, which he calls “motorcycle poetry for truth-seekers,” reflects the restless search for meaning that fuels both his music and his life. Over the course of his career, Bihlman has performed everywhere from juke joints to the White House, leaving his mark alongside a staggering list of collaborators: Jelly Roll, John Fogerty, Pink, Trey Anastasio (Phish), dUg Pinnick (Kings X), and more. He’s also shared the stage with legends like Kid Rock, ZZ Top, Ted Nugent, BB King, and Ray Charles, proving his versatility across genres and audiences.
Beyond live performance, his music has carved its way into popular culture, with more than 30 television placements in shows like Sons of Anarchy, Burn Notice, and All My Children. This multifaceted presence speaks to his ability to craft songs that resonate across mediums—songs that aren’t bound to a single stage but thrive wherever emotion and storytelling are needed.
With Heavy Head on the horizon, Bihlman is preparing not just an album but an immersive artistic chapter. Produced by Miles Fulwider, the record will roll out in a waterfall release beginning August 2025, arriving in tandem with new drops from Bihlman’s vintage-Americana apparel line, Hillbilly Royalty. The pairing underscores his vision of music not just as sound but as lifestyle, culture, and identity.
“A Loaded Gun and a Wedding Ring” is a glimpse of what’s coming—a track that burns slow but leaves a lasting mark. It’s the kind of song that reminds us music can be more than entertainment; it can be a mirror, a witness, a reckoning. For Bihlman, it’s another step forward in a career built on truth, grit, and the unshakable belief that stories matter.
Combining her multifaceted musical talents with her Colombian roots and stunning stage presence, Esther Anaya is a DJ, singer/songwriter, music producer, and classically trained violinist whose innovative performances have captivated audiences worldwide. With over 20 years of musical training and more than a decade of professional experience, Anaya has forged a sound that blends classical roots with pop, Latin, and electronic music, showcasing electric violin, curated DJ sets, and live vocals that resonate across four continents.
This fall, she’s set to release her next dance single, “Baseline” alongside Snoop Dogg, on September 14th. Her upcoming music spans main stage progressive EDM, radio-friendly dance tracks, and sensual afro-house rhythms, all poised to hit global playlists.
Anaya’s career highlights include supporting Rihanna and Kanye West, opening for Maluma on his European tour, collaborations with Lil Yachty, and performances at major festivals such as EDC Mexico, Coca-Cola Flow, and Baja BeachFest. For the past three seasons, she has served as the official DJ for the NFL’s Los Angeles Chargers, performing at SoFi Stadium and appearing at marquee sports events including Super Bowl 2023, Pro Bowl 2023, F1 Mexico City 2024, Anaheim Ducks games, and the PGA’s Waste Management Open 2025.
Her journey from classical conservatory training to the global music scene underscores her versatility, creativity, and dedication. This artistic fluidity has led to branded partnerships with Cadillac and iHeartMedia and DJ residencies at Zouk Nightclub Las Vegas and E11even Miami, where she has shared stages with David Guetta, Calvin Harris, Zedd, DJ Snake, and others.
Esther Anaya is a force in music—a genre-defying talent whose next release promises to electrify dance floors worldwide.
Northern New Jersey-based singer-songwriter Erika Sherger unveils her highly anticipated third studio album, Wrap Me Up in Colored Feathers, a ten-track collection blending indie folk, Americana, and alt-country influences into emotionally rich, soul-stirring storytelling. Out today, the album showcases Sherger’s gift for turning intimate reflections into universally resonant songs that balance tenderness with strength.
Produced and mixed by Damian Calcagne at PineBox Studio amidst the woods of Northern New Jersey, the album features a stellar lineup of collaborators: Caleb Esty on drums, Paul Kuzik on bass, Joe Cirotti on electric guitar, and Calcagne on keys. Special guests Mike Robinson (pedal steel, banjo), Elliott Peck (vocals), and Adam Minkoff (backing vocals) add depth and texture to the album’s lush soundscape, which was mastered by Frederic Kevorkian in Greenpoint, New York.
Wrap Me Up in Colored Feathers follows Sherger’s 2023 full-length Bad Wolf and her 2021 debut EP Like Birds, further establishing her voice as a songwriter unafraid to explore themes of grief, healing, transformation, and human connection. Raised on the music of the 70s, 80s, and 90s, Sherger began writing songs during a cross-country geology trip in college, initially keeping her music private. Her first public performance at a local open mic in 2018 marked a turning point, launching her into the New Jersey music scene and inspiring a series of emotionally resonant releases.
Sherger’s live performances are celebrated for their intimacy and emotional resonance. Whether performing solo or with a full band, she blends original songs with carefully chosen covers from artists like Linda Ronstadt, Bob Dylan, Gillian Welch, The Band, and Bruce Springsteen, creating performances that feel both personal and communal.
Vocally, Sherger has drawn comparisons to Natalie Merchant, Stevie Nicks, Emmylou Harris, and Bonnie Raitt. Influences ranging from Peter Gabriel and Jeff Tweedy to Katie Crutchfield inform her songwriting, resulting in music that is poetic, meditative, and unflinchingly honest. Each song on Wrap Me Up in Colored Feathers functions as a vignette of life’s complexities—sometimes tender, sometimes raw—inviting listeners into her deeply emotional world.
The making of this album marks Sherger’s most ambitious and collaborative effort to date. PineBox Studio’s intimate setting allowed her to expand her sonic palette, combining acoustic warmth with atmospheric textures and intricate instrumental layers. The contributions of her collaborators add dimension without overshadowing the intimacy of Sherger’s voice and lyrics, producing a record that feels both expansive and personal.
For fans of contemporary folk and Americana, Wrap Me Up in Colored Feathers offers a listening experience that resonates on multiple levels—part personal diary, part poetic narrative, part meditation on love, loss, transformation, and renewal. In a music landscape often dominated by fleeting trends, Sherger’s work stands out for its authenticity, depth, and timeless quality.
Wrap Me Up in Colored Feathers is available today on all major streaming platforms, with select live performances to follow in support of the release. Audiences can expect shows that highlight the new material while also celebrating her earlier catalog, offering a full portrait of an artist continually evolving and inspiring.
From the war-torn streets of Ukraine to sold-out arenas across Europe, Artem Pivovarov has emerged as one of the most compelling voices in modern Ukrainian music. Often dubbed the “Post Malone of Ukraine,” Pivovarov’s journey is defined by resilience, purpose, and the unshakable spirit of his homeland.
This weekend, the pop powerhouse brings his voice to New York City for an exclusive orchestral performance at Brooklyn Steel on September 14. Part of his first North American tour, the show promises a unique mix of cinematic arrangements and deeply personal storytelling.
Raised in the small Kharkiv-region city of Volchansk, which was occupied on the first day of Russia’s full-scale invasion, Pivovarov endured profound personal loss—his childhood home destroyed, and his mother and grandmother living under nearly a year of occupation. Yet from the devastation came an unwavering purpose. “Volchansk is gone, but it lives in me — in every word, every note,” he says. “I create not just for myself, but for every Ukrainian whose story needs to be heard.”
Pivovarov has performed over 500 concerts worldwide, amassed 2.6 million Instagram followers, and garnered 1.2 billion YouTube views. He recently delivered a message of resistance to over 20 million viewers during the Usyk vs. Tyson Fury boxing match in Saudi Arabia. His performances for civilians and soldiers in front-line and liberated areas of Ukraine have cemented his status as a cultural voice for his nation.
The North American tour also includes stops in Miami, Toronto, Chicago, Edmonton, Seattle, San Francisco, and Los Angeles, with several shows already sold out.
For New Yorkers, the Brooklyn Steel show is a rare chance to experience Pivovarov’s music with orchestral grandeur—a performance that promises to be both moving and unforgettable.
Tickets and more information for the U.S. tour are available at pivovarovtourusa2025.com.
Modern Mystery 
You must be logged in to post a comment.