Johnny Polygon’s Latest Release “Step 1” Goes The Distance



Johnny Polygon’s latest release, “Step 1,” is a profound and transformative hip-hop track marking a pivotal moment in his career. This powerful track delves into the most crucial step of his 12-step recovery process: admitting powerlessness over drugs and alcohol. With a career defined by his refusal to conform to industry norms, Johnny continues to push boundaries with his music, using his personal battles as fuel for his artistic expression.

“Step 1” captures the raw essence of Johnny’s journey towards sobriety. The song opens with a haunting melody that mirrors the introspection and vulnerability required to confront one’s addictions. Johnny’s lyrics are brutally honest, detailing his years spent indulging in vices and the eventual realization that his lifestyle was unsustainable. The line “the drugs didn’t get me high no more” poignantly encapsulates the moment when he hit rock bottom, a turning point that led him to seek help and embark on the path to recovery.

In Johnny’s words:
“‘Step 1’ is about the most crucial step in my 12-step recovery process, admitting that I’m powerless against drugs and alcohol. I spent the majority of my life indulging my vices and taking advantage of my access to excess. Eventually, it all caught up with me, and the ‘drugs didn’t get me high no more.’”

Johnny Polygon’s journey is one of resilience and unwavering determination. Born in Ohio and raised in Oklahoma, Johnny’s musical roots are as diverse as his geographical upbringing. In 2004, he embarked on a life-changing journey to Los Angeles with just $297 in his pocket and a dream of becoming a rockstar. Over the next 15 years, he navigated the highs and lows of the music industry, living in New York and Los Angeles, and touring with legendary artists like Nas and Kid Cudi. His rockstar lifestyle, however, came with a heavy price.

In 2018, Johnny was diagnosed with heart disease, a diagnosis that exacerbated his struggles with mental health and substance abuse. This period was marked by near-death experiences and a desperate attempt to maintain control over his life. Initially, the idea of sobriety was met with denial and defensiveness, as Johnny feared losing the creative spark that defined his music. However, facing the brink of death forced him to reconsider, leading to his decision to enter rehab and commit to a life of sobriety.

Since his decision to get clean in 2023, Johnny has channeled his experiences into his music, documenting his recovery journey through powerful and evocative tracks. “Step 1” is the first release from his forthcoming conceptual album, which centers around themes of recovery, sobriety, and the ongoing battle with addiction. Recorded in his home studio, this album represents a significant milestone, marking his first project created and released during his first year of recovery.

Johnny Polygon’s refusal to compromise his unique sound has resonated with audiences worldwide. His music remains as innovative and authentic as ever, proving that his creative essence shines even brighter in the absence of substance dependency. His accolades include signing with DJ Green Lantern, featuring on Nas’ album with the song “Black President,” performing at the Presidential Inauguration and the Rock the Bells Concert, and collaborating with artists like Dead Prez and Kid Cudi. He has also toured independently across the US and Canada, been featured on NPR’s Heavy Rotation, voiced a kids show on National Geographic, and co-starred on an FX pilot. His Grammy nomination for work on Nas’ Untitled album is a testament to his enduring talent and influence in the music industry.

His music serves as an inspiration to anyone facing similar battles, offering hope and a reminder that it’s never too late to seek help and turn one’s life around. As Johnny continues to share his story through his music, he remains a beacon of authenticity and strength in an industry often characterized by excess and superficiality.

With a stellar rollout planned for his new album, Johnny Polygon is poised to make a significant impact with his honest and raw portrayal of addiction and recovery. “Step 1” is a bold and poignant introduction to this new chapter in his career, offering a glimpse into the profound transformation that has shaped his music and his life.

Debra-Jean Creelman delivers an uplifting track “Heavy Blow,” the centerpiece of her jazz and blues-infused, horn-filled album Ego Death

Vancouver experimental pop singer-songwriter Debra-Jean Creelman is releasing Ego Death, her brand new LP which is a musical odyssey of soul and jazz that transcends both time and space. 

Penned and recorded amidst the final days of the COVID-19 lockdown period, this album emerged from a place of true collaborative spirit. 

After coming up with the concept of horns to provide the main harmonic foundation in lieu of typical band instrumentation, Creelman sent a few song ideas to renowned experimental trumpeter JP Carter (Destroyer, Dan Mangan). Together with producers Jo Hirabayashi (Jo Passed) and Sean Cronin (Very Good), they created the foundational demos.

Ego Death features the focus track, “Heavy Blow,” an optimistic and buoyant song which includes R&B infused vocal arrangements.

I was obsessed with the Al Green song “So Glad You’re Mine,” the drum groove in particular. So I sent it to Ian Browne (Matthew Good / The Pierce Kingans), and asked him to make a loop that emulated it, for me to write over. I came up with the melody for the verse and chorus. Jo Hirabayashi came up with the rest of the parts. The bridge melody and chorus were all him too. Before I had finished writing all of the lyrics I asked Jasmin Parkin to sing co-lead.  I had her in mind when I was finishing the lyrics, and I’m so happy she was able to bring her singular magic to this track. Debra-Jean Creelman

Everybody’s Side Project unveils a high-energy pop-punk anthem “I Hate Where We Started” featured on their EP Searching For a Ray of Hope

Daryl Uhrin, originally from Windsor, Ontario, is making a remarkable comeback to the music scene with his latest work, Everybody’s Side Project. His musical journey began in the early 2000s, where he was the lead vocalist and keyboardist for Amid Morning Sky, and later became the lead singer, synth, and keyboard player for We Were Thane. His experiences in Windsor solidified his passion for music and performance. However, he took a 15-year hiatus from the music world to focus on his career in manufacturing.

Now residing in Saskatoon, Saskatchewan, Daryl is releasing a three-song EP on July 11th titled Searching for a Ray of Hope which embodies the essence of Everybody’s Side Project.

I Hate Where We Started,” taken from the EP, reflects on the tumultuous beginning to a relationship of Daryl’s with a girl who pursued him without revealing that she had a boyfriend. The intense and driving pop punk tune blends spoken word and sung sections, featuring vulnerable lyrics which capture the messiness of true emotions, like “the heart on your sleeve is dripping all over.” 

This was the easiest song I have ever written; the vibe and lyrics have been on the tip of my tongue for ages. It’s a true story that I have been waiting to tell all my friends. It serves as a long overdue release, helping me process past emotions and remind me of my growth. Daryl Uhrin

Petunia & The Vipers Incite a Fun Time with Dancy Single“Bible Preacher”

Louis Armstrong was once asked what his favorite kind of music was, and his response was simple: “good music.” Petunia & the Vipers’ sound may not sit comfortably in one certain genre, but “good music” describes it well. “Traveling musicians and Bible Preachers may have a lot in common,” Petunia & The Vipers suggest. 

Their dancy new single, “Bible Preacher,” was inspired by death and the afterlife, love and humanity; overarching themes heard in much of their music.

“Hank Williams on acid, Tom Waits meets Elvis at Woody Guthrie’s Hobo junction, Avant-Country night club scene music. One of the best bands in the world today, of any kind; hillbilly-flavoured-swing inflected-ragtime-goodtime-thunderously-rolling-one-of-a-kind-you-don’t-want-to-miss-this-sort-of-a-show; A new music that springboards off of music of the past and jumps into the present day, left with only echoes of the past; Something in between 1920’s and steam punk. It’s good for your mind…” These are just a few of the words uttered by folks around the globe trying to pin down a description of all that is Petunia & The Vipers.

Brock Geiger releases a kinetic single “Steps Taken,” co-produced with Will Maclellan

Brock Geiger is a songwriter, multi-instrumentalist, and producer unveiling a vibrant new single, “Steps Taken.” Featuring a two-take drum performance by Matt Chamberlain, “Steps Taken was co-produced by Geiger and GRAMMY Award winner Will Maclellan (Boy Genius, Phoebe Bridgers, The Killers).

Steps Taken” was written as a reflection on the intricacies and fragility of relationships, ecosystems built on trust, losing oneself to someone or something, and finding regeneration and a way forward by looking inwards. I’m a big fan of juxtaposition and extremes in art and “Steps Taken” achieves this with its energetic-spazzy, K-Pop inspired foundation for heavier lyrical themes.Brock Geiger

The concept explores the relationship artists have to their work, their identity attached to their art, and how these things that are intended to be beautiful can ultimately consume them.

VIDEO VOYAGEUR: 3 Q’s with STEREO DIVE FOUNDATION

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R.O.N., the creative genius behind STEREO DIVE FOUNDATION, recently released new single “KATAWARA” which is the opening for the anime “Sengoku Youko: The Thousandfold Chaos Arc”.

This new track is an amazing mix of authentic Japanese sounds and modern rock, encapsulating a profound message about living life with purpose and without regrets.

It’s the perfect opening theme, intertwining haunting melodies of the shakuhachi, the resonant strings of the koto, and the dynamic presence of the shamisen instrument creating a contemporary sound that perfectly complements the fast-paced and evolving storyline of “Sengoku Youko.”

STEREO DIVE FOUNDATION also discusses the importance of synchronizing the lyrics with the animation, making sure that the video not only tells a story the lyrics tie in so closely with the story because they worked with the director to make this song:

1. Tell us the story of this song, why did you choose to visualize this song specifically in
this way?

This song says, “It is important to live your life without regrets when you look back on it at the end of your life. It is very important to have a firm sense of purpose at the present time, and to have the will to always grasp the principles of your actions. If you are able to do this, then you must accept everything.”

I often attend events abroad these days.

There, I am experiencing firsthand the influence of anime. That’s why I made the video to let people around the world know more about this song.


2. What was the inspiration behind this video (visuals, storyline, etc.)?

I wrote the lyrics with an awareness of the beauty of the Japanese language while staying close to the content of the anime “Sengoku Yokou”, so I created a video with the lyrics on the anime image.

3. What was the process of making this video?

I asked them to match the timing of the lyrics with the animated images and to make the video something that I would never get tired of watching.

I asked them to keep in mind the flow of the story of  anime  “Sengoku Yokou”.

In many ways, STEREO DIVE FOUNDATION’s new single “KATAWARA” represents a new milestone in anime music. The meticulous attention to detail in synchronizing the music with the animation and the thoughtful integration of traditional Japanese instruments showcase R.O.N.’s exceptional artistry and dedication.

Through this groundbreaking video, the viewer is invited to embrace life’s journey with purpose and to appreciate the timeless beauty of Japanese culture, re-imagined for a modern world.

Connect with STEREO DIVE FOUNDATION: 

Website // Facebook // Instagram // X // Spotify // Apple Music // YouTube

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