VIDEO VOYAGEUR: 3 Q’S WITH STEPHEN JAYMES

Saving-Daylight-Stephen-Jaymes

We are thrilled to sit down with Stephen Jaymes to talk about the music video to his new single “Saving Daylight.”

Stephen is an artist who tells bold stories through his music and visuals. The new single comes with an evocative video, taking us on a journey that merges personal memory with a sense of solitude and reflection.

Taking inspiration from his own childhood experience as well as recent life events, Stephen explores the theme of isolation, the passage of time, and the emotions tied to being alone.

In this exclusive Video Voyageur we find out how AI was used to create a video that beautifully mirrors the song’s theme:

1. Tell us the story of this song, why did you choose to visualize this song specifically in
this way?

The story of Saving Daylight begins with a young child waiting in the dark predawn hours for his school bus to arrive. Waiting alone, in the cold, surrounded by snow, with a cold face pointed toward the end of the street where the headlights would show. Staring and silently waiting. But most of all, waiting for the sun to appear and feeling like time doesn’t really exist, or doesn’t exist yet.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

Saving Daylight explores the feelings that come from being left alone and being told it’s good for you. It’s about all the thoughts and memories that spring from that experience. Last year my partner had to attend to her dying father, and she spent some time away.

We said it was a silver lining that I could have some time to focus on finishing the album. But after she’d gone, I felt this strange echo back to childhood, and the first times I was told that being alone was good for me. There’s a lot of my personal story in this song and in the video.

3. What was the process of making the video?

I knew I wanted to explore overlaps between my performance of the song and images that represent both the Los Angeles me now and the Michigan me as a child. I found a lot of resonant stock footage to serve as a sort of a continuous dreamworld establishing shot, pinging back and forth between California palm trees and the tall pines of my childhood.

I used a series of art pieces in the video that I created with the help of AI. They help to tell the story of a midwest boy who is lonely in California, thinking about when he was lonely as a child. I wanted the art to be dreamlike, and to have the quality of art you might see as a child in a school or doctor’s office. I had to do a lot of experimentation with different prompts to get what I wanted.

After I had finally got the art right and licensed the stock footage, I cut it all together on my iPad Pro using the Videoleap app.


“Saving Daylight” was written, performed, engineered, recorded, and produced by Stephen Jaymes. Mixed and mastered by Zsolt Virag. Cover art by Stephen Jaymes.

Stay connected with Stephen Jaymes here:

Website // Facebook // Instagram // Spotify // Soundcloud // Apple Music // YouTube Music

Apryll Aileen Debuts New Single + Video for “Take Me”

Apryll Aileen is a classically trained pianist turned dynamic pop artist, captivating global audiences for over a decade. She was a finalist in the Juno Wavemakers Tour and recently showcased her talent at the VIVA Sounds Music Festival in Sweden, representing Women in Music Canada.

Get ready to dance with “Take Me,” a high-energy pop disco anthem that fuses the introspective essence of Madonna’s Ray of Light era with Dua Lipa’s modern flair and features powerful vocals, profound lyrics, and innovative production. Pulsing with electrifying beats, the brand new single delivers a message of playful confidence with lyrics like “gonna make you love me in the dark.” It describes finding passion in the shadows of the dance floor and was written between Apryll, Lazermortis (Monika Ouellet) and Assteroidz (Philip Clark). 

I wrote this song to inspire others to open up and express themselves, especially in romantic partnerships. Ever meet someone and feel like they were holding back their true feelings and acting reserved? This song is meant to embolden the listener to take charge in their love life and open up to new possibilities of what the future can offer.Apryll Aileen

Sam Weber Releases Subtle and Poetic New LP, Clear and Plain, Featuring “Tamarindo Sunsets”

Emerging from the bright, wide skies of Canada’s west coast, Sam Weber has spent the last decade variously honing his craft as a singer-songwriter, multi-instrumentalist and producer. Now based in Los Angeles, he is set to release a new collection of solo work with Clear and Plain, a group of simple and beautiful folk and jazz inflected songs which lean into sensory experiences and underscore Weber’s values.

Clear and Plain features the focus track, “Tamarindo Sunsets,” what Weber calls a “social media song.” “Tamarindo Sunsets” couples Weber’s gentle vocals with warm upright bass, searching piano, and understated acoustic guitar playing. “If I stay at home, can I still get free? If there’s something new, can you text it to me? ‘Cause I’m going offline, I’m going offline, I’m going offline until the end of time,” he asserts.

[It’s] about staring into the digital abyss and being confronted with greener and greener grass. Reckoning with what it means to find that beauty, peace, satisfaction in your heart.
Sam Weber

Havelin Intrigues on Alt-Country Single “Rodeo Clown”

Havelin, also known as Alex Zaichkowski, is an acclaimed (unofficially) singer-songwriter (allegedly) whose passion for music began at a young age and will continue until his untimely demise (which will likely come at the hands of some great warrior or foul beast…or, more likely, slipping on a banana peel). 

Five to six years of getting kicked around by life’s ups and downs culminated in Havelin almost hanging up his hat as a songwriter, until a fortuitous spark of creativity struck him while driving by a rodeo grounds in his home province of Alberta. 

That moment birthed “Rodeo Clown,” a forlorn and melodic reflection on toxic relationships in all their forms: business, platonic, and romantic. Its plaintive organ, guitar, and piano provide the backdrop to an earnest song that speaks of Havelin’s inner turmoil when feeling the need to perform a role within these unhealthy dynamics.

This song’s definitely cathartic for me. It brings up a lot of the emotional baggage and exhaustion that I’ve felt trying to get my music out there over the last decade… but at the same time, it also gets me really excited. It represents the start of something new. Something more honest, more sincere – a record that really feels like me. Havelin

Toronto Singer-Songwriter Mike Evin Releases Genuine & Loving Something Stirs When You Sing LP feat. Inspirational “Outside With A Guitar”

Piano pop songwriter Mike Evin is sharing an earnest and hopeful new album by the name of Something Stirs When You Sing, featuring a collection of songs whose characters long to find joy and feel alive. Working with producer Chris Stringer (Rose Cousins, Abigail Lapell), Evin and Stringer prioritized emotion and vibe over precision and perfection, handpicking from a batch of about 120 songs, mostly written during the early pandemic years.

The album’s focus track, “Outside With A Guitar,” was inspired by the community of musicians that Evin was a part of led by Ken Whiteley who performed on Toronto’s Roxton Road during that time. Every night for almost two years, they made music outside. The jovial song took root one night after seeing the abandon with which one of the street’s couples sang a song. It alludes to difficult times but is ultimately about the catharsis of making music.

This song is noteworthy also because the album title comes from one of the lyrics, “something stirs when you sing.” It encapsulates my raison d’etre for making music, and it ties in with a theme that is in a lot of my work – the search for joy and connection through music. This was the first song we recorded for the album, and it’s fitting that it’s also the opening track on the album. I feel it sets the tone nicely – joyous, yet also hinting at dark times (“now that seems like a dream”) and the need to uplift ourselves to a more lively state of being. Mike Evin

Toronto Singer-Songwriter Julian Taylor Shares Title Track from Upcoming LP, Pathways, a Hopeful and Meditative Ballad feat. Grammy Award Winner Allison Russell

4x JUNO nominee Julian Taylor has teamed up with Grammy Award winning singer-songwriter, Allison Russell, for a stately new ballad entitled “Pathways,” taken from Taylor’s upcoming record of the same name out on September 27th.

Pathways” was written by Taylor with Toronto songwriters Robert Priest and Rosanne Baker Thornley, created to be a duet with Russell. Its understated Americana production provides the bedrock for Russell and Taylor’s rich vocal harmonies.

The journey of life puts us all on our own respective pathways to find out who we are and how we can strive to overcome any of the inner doubts and struggles we all experience. This song is meant to be a letter from a person who has gone through many trivial experiences and who is trying to be there for someone younger like their child and protect them and guide them through the hard points in life. When we wrote the song, each writer felt as if they were speaking to their children. Julian Taylor