Josh Ottum “It’s Alright”

There has been a buzz about singer/songwriter Josh Ottum for quite a while now. Known for being a little wacky and also having a stockpile of his own songs. Finally it is time for him to share them all with the world. Ottum will release his highly anticipated debut record Like the Season (Cheap Lullaby) on October 21st.  For his first record he’s already pulling out some big names. Appearing on the album is James McAlister (Sufjan Stevens) Casey Foubert (Pedro the Lion, Sufjan Stevens) and engineer Jon Ervie (Modest Mouse). The first single “It’s Alright” shows his influences new and old from Randy Newman and Stevie Wonder to Phoenix and Ben Folds. Check out the tune below!

Download Josh Ottum “It’s Alright”

Ivan & Alyosha ‘Easy to Love’

Seattle has always been known for great music, and Ivan & Alyosha are no exception. The duo that formed in 1997 will be releasing their first EP on October 20th titled The Verse, The Chorus (Cheap Lullaby). The band made up of Tim Wilson and Ryan Carbary have been making quite name for themselves with their smooth 60’s sounding rock. The first single titled “Easy to Love” is a brilliant song with spacey harmonies. This is one of the catchiest songs we’ve heard all year. I guess Ivan & Alyosha really are easy to love.

Download Ivan & Alyosha “Easy to Love”

Sufjan Stevens @ Bowery Ballroom, New York – October 5, 2009

Going into the Sufjan Stevens show last night, I must admit I didn’t know what to expect. Having heard great things about his live set, the bar was set pretty high for him. This was his second date in New York as there are two sold out nights in Williamsburg to follow. The show opened with Asthmatic Kitty labelmates, Cryptacize who were a pleasant surprise. Singer Nedelle Torrisi has a soft angelic voice that’s not afraid to mix dark with poppy. The band seemed well recieved by the crowd.

Then, it was Sufjan time. No matter how big this guy gets, he still comes on stage to set up his own equipment. Fans in the front of the stage were sneaking pictures of him getting ready with smiles on their faces. With a band of over ten people it’s amazing how they even fit onto the Bowery stage.

Stevens greeted the crowd and launched into the set with banjo in hand. The setlist was mostly a cross between new songs and Come on Feel the Illinoise which made for a stellar lineup. Seeing Stevens play live is every bit as amazing as hearing his records. He sings with little effort because it comes so natural to him. The backup singers who included Nedelle from Cryptacize sounded heavenly behind the mixture of trumpets and assorted wind instruments that appeared throughout the night.

One thing I learned about Sufjan last night is that he is a bit of a joker. He said he is ‘”not very good talking onstage,” before he announced a string of songs, giggling “this one’s by Sufjan Stevens!” A lot of the new songs that he played last night strayed away from his orchestral sound that we’ve come to know and love. The new tracks with titles like “Impossible Soul” and “There is Too Much Love in Here,” are a bit electronic based but not in a cheesey way that feels forced. Somehow these songs still fit in with the likes of his banjo/acoustic songs like “Casimir Pulaski Day” which was one of the highlights of the night. Another surprise Sufjan had up his sleeves was the track “The Man of Metropolis Steals Our Hearts,” which they hadn’t played it in so long that he admittedly had to write out the words to keep onstage. Stevens and the band played it flawlessly though, just like the other songs in the set. The show closed with a short encore: a low key version of “Chicago” and the earlier mentioned new tune “There is Too Much Love in Here,” as Sufjan stated that the encore had to end ‘just right and louder.’ It did just that.

Photos by Ivy Weir

Check out MORE Photos of Sufjan’s Show AFTER THE JUMP

Budian’s Beast Travels the Sea of Minds

As you and I both know, there is always a sound that depicts every moment of our lives. Much like a soundtrack, but more personal and passionate. Sounds know us more than we know each other. The sound that we hear keeps our minds creative. In all instances, in all happenings, there is a sound. Has there ever been a moment in your life that felt so still? Everything remained motionless, but your soul and mind wandered off to far places. Lights, bright lights, filled the air and the sky. It could almost be compared to how a rainbow would look if it were to explode in a million pieces.

In this big city of San Antonio (Texas), there reigns four talented individuals who know the sound of wandering silence. Budian gives the mind and the soul the chance to escape this dirty world and enter this field of stillness and beauty. Budian just released their newest record this September, The Beast. The Beastis a 10 track record full of nothing but beautiful harmonies and melodies. Budian consists of Janiene Bishop, Joshua D. Bishop, F. Sott Andreu, Stephen B. Andreu, and a special guest Ruben Benavidez for the ‘Get Up’ track. The very first song, ‘Please To Meet You, ‘is the perfect introduction to a beautiful work. Purely instrumental on this first track, hearing the violin autmatically brings this comfort to the mind. It’s very mesmerizing as it leads to the next track, ‘Dreams.’ ‘Dreams’ has to be one of the most beautiful, soothing tracks I have ever listened to. As I first heard this song, I felt powered to close my eyes. This is where the imagination takes the lead. A dream is, indeed, what Budian is all about. They are the dream of calmness and creativity. They give the listener the chance to just sway back and forth and loose themselves within the sound. The vocals in The Beast may very well be the key ingredient to this beautiful, calming product. Janiene Bishop has the voice of an angel and knows exactly how to project it in each track. However, each individual in this band brings forth the perfect amount of talent and passion to make their sound so unbelievably beautiful. I can ramble on and on about each track on this record, but you, the listener, will have to experience the beauty of all this on your own. It is a record worth listening to and buying. Give your mind the chance to explore on a level it has never explored before. Let Budian become the soundtrack to your precious life.
Krista De La Rosa

Check out Budian on MYSPACE 

Secondhand Sunday: The Moldy Peaches “Lucky Number Nine”

Today is a special edition of Secondhand Sunday that is close to our hearts. The Moldy Peaches ‘Lucky Number Nine.’ I remember the first time I saw the band performing on a local NY show called The Daily Beat. From what I recall, they performed this song and ‘Hulkamaniac’ while wearing rabbit hats and/or footed pajamas and/or capes. Learning the band actually was from the town over and that Kimya Dawson worked at my favorite record store and my mom worked for Adam Green’s dad, my friends and I were blown away. They are hometown heroes if you will. Both have went on to very successful solo careers and a lot of attention from Juno, but sometimes we wish ‘Lucky Number Nine’ would waltz it’s way back onto the stage. Footed pajamas and all.

Watch The Moldy Peaches’ ‘Lucky Number Nine’…..(hooray!)

Shining Bright with Erin from the Headlights

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This week indie darlings, Headlights just released their third, highly anticipated album, Wildlife (Polyvinyl). The album shows a new side of the band but still manages to obtain those great Headlights hooks and sound that we all know and love. Recently I had the chance of interviewing the lovely Erin Fein who gave us some insight on what makes Headlights shine.

How did everyone in the band initially meet?

Let’s see, we’ve known each other for a long time. I’ve known Tristan, our guitarist since I was in high school. Originally we were a three piece and met at the University of Illinois and that’s where we went to college. And then we met our bass player, Nick, just through playing music since we had already started the band at that point. We stole him for us.

 Your third album, Wildlife is coming out. Are you nervous since Some Racing, Some Stopping was so successful?

Yea I think you’re always nervous just because your putting something out there that’s very personal so it’s kind of a vulnerable feeling. But I’m looking forward to it, I’m excited about it. I can’t wait to be back on tour and see what adventures lay before us.

 What is the inspiration behind the songs on the new album?

 It really comes from a lot of places but meanwhile we just tend to write about things that we’re going through and things that we feel. So Tristan and I particularly had some a big year as far as shifting family health issues and some people passing away. That kind of stage of life comes to people at different times and so it’s difficult. I guess probably what we went through definitely affected the mood of the record.

 Had did you come up with the title of the record?

 Well actually, it’s been a long time trying to think of what we wanted to call the record. It didn’t come very fast but we wanted some sort of way of expressing this kind of general idea we were feeling. It’s not particularly original, just the idea of kind of like this song that’s on the record called ‘We’re All Animals,’ just is sort of a personal realization sometimes that you’re not in control, people can be cruel, life can be cruel. But also the positive side of that too. So I think maybe Wildlife has the idea of animals and how we’re probably closer to that than we’ve wanted. But that’s what it means, I think, to me anyway! You may get a different answer from someone else in the band.

 What’s your favorite song on the new record?

 I will say my favorite is the one called ‘Secrets,’ because I just love the melody and I love every time we play it. It’s personal so it feels meaningful when I sing it, particularly meaningful, not that the other ones aren’t meaningful. That one is very close to my heart.

 What’s it like being the only girl in an all boy band?

 Sometimes it’s overwhelming, a little overwhelming. I grew up with brothers so I’m kind of used to that dynamic anyway so I think it’s fairly natural for me to be around a bunch of guys, since that’s how it worked growing up. Sometimes I urn for a female friend when I’m out on the road. Every now and then I get to go on tour with other bands that have girls and that’s always a delight.

 Do you think it’s harder for women in indie rock in general to have to prove themselves as great musical forces?

 I don’t know if it’s harder for women that it is men, but women are definitely outnumbered. I think doing anything when you’re kind of up against a lot of other guys, maybe it can be a little intimidating at times. For me personally which is probably the best way to speak about it, I think I feel like I wish I had a man’s voice. Because I really love sort of scratchy voices like Bob Dylan, the guy’s voice from The National, so many examples. So many male voices that I love, but there’s a lot of female voices that I love too. I always feel that everytime I sing it’s very ‘pretty’ and I like my voice a lot, but it doesn’t have that deep dark thing that it seems that male voices can do. But then again you go to somebody like Stevie Nicks, she has a great, strange, dry voice. Maybe I just need to smoke a lot of cigarettes.

 How does the songwriting process occur for the band?

It is somewhat collaborative. Basically we don’t have one way we stick to necessarily but generally it happens that either Tristan or I write a song and record a demo to give it flavor. Then we’ll bring the demos we made to the guys and we’ll knock it out and be like ‘here it is, does it do anything for you?’ And so the one we tend to gravitate to we record it downstairs in our basement and just trying to open them up and making them a Headlights song, not just a Erin song or a Tristan song.

What’s your favorite part about recording in general?

At least with modern technology you’re limitless as far as with what you can do. You can put 15 keyboard tracks, no problem. I really love arrangements like that with lots of melody and tons of keyboards, I’m a keyboard player. I also enjoy pulling back every now and then but really I tend to just want to keep putting more and more onto a song to our drummer’s dismay because the does all the recording. He has to tell me to stop usually! I love the aspect that you can just dive into your song and create this musical landscape and that’s unique to recording for me.

 What’s your favorite part about being on tour?

I like traveling. We live in Champaign, well Tristan and I live in Champaign, it’s a lovely little town but it does get boring. When we leave it’s the feeling of ‘Yes I got out!’ so I get to see the world again. I love traveling and particularly like going to the west coast just because the drive there is so beautiful, and I love New York City that’s always an exciting place to be. I think the traveling and the performing every night, the waiting part is a little bit hard when you’re sitting in the van and there are so many hours of nothing to do. But once we get to have a drink and then we play it’s really fun.

What inspires you to write music?

 I don’t really know. I don’t know why I started writing music, except I always gravitated towards playing music. Even when I was very little I always wrote my own little songs on the piano so I guess it’s hard to say. The music just sort of comes to you I guess.

 Did you record Wildlife yourself?

 We recorded it ourselves, but actually the credit should go mostly to our drummer. He’s really the brains behind the recording operation.

 How would you describe the difference between the new record and the first two albums?

I think that this one is a little darker, sonically and lyrically. At least something we try to do, or like doing are kind of writing songs that straddle sort of hopefulness with a darker edge. I think that remains. We try to just go into a recording studio with an open mind and see what comes out. Having some basic idea set before we go in and because of that each record is pretty different from the last record, and that’s kind of what we like to do. It’s boring to do the same thing over and over again.

 Who are your influences?

 They’re so many of them. Harry Nilsson, you know the song ‘The Point’? ‘Me and My Arrow,’ I love that one. I’m a big Stevie Nicks fan and Fleetwood Mac. I really love Emmylou Harris. It’s so hard for me to narrow this down especially using the rolodex of musician’s in your mind and you don’t know where to stop. Most I’m drawn to really neurotic music, edging towards that. There are so many fantastic band’s I’ve loved over the years like The Kinks, Bob Dylan, Neil Young. I kind of tend to listen to a lot of older stuff. Carole King, newer bands, I really love the new Grizzly Bear record. Influences just come from so many different places. Some of it’s musical, some of it’s lyrical. It’s a person or something you have done, so it’s hard to say it comes from one place only. Definitely it’s centered around a lot of melody.

 Are you excited about playing the new songs on the road?

Yes very much so! After you play 200 or something shows a year, the same songs over and over again it’s exciting to put new flavors into your setlist. It’s nice and fresh to play for people.

What’s your favorite song to play live?

Right now, honestly, I love playing the new song ‘Secrets.’ I love playing that song, it really seems to go over well everytime we play it. It’s a very dynamic song.

If you weren’t in The Headlights, what would you be doing?

Riding a horse off into the sunset! Am I allowed to say that? I have no future ahead of me as you can see. I’m a musician first and riding horses into the sunset second. There’s no health insurance in my future unless Obama gets his way, which I’m crossing my fingers. To anyone reading this just know I like the public option. Selfishly!

 Where do you see The Headlights in 10 years from now?

We’re all be fat! If the guys read that I’m going to be in trouble

Best answer ever.

Except for me!

Check out Headlights on MYSPACE

Order Wildlife at POLYVINYL RECORDS