Secondhand Sunday: Someone Still Loves You Boris Yeltsin “Pangea”

I’m in a very Someone Still Loves You Boris Yeltsin mood over here today. The boys are starting to line up some tour dates for early December, including a show at Brooklyn’s Bell House on December 7th. What a lovely holiday treat this will be! In other news, Polyvinyl Records recently posted that we should be on the lookout for a compiliation of the band’s unreleased, b-sides and alternate version songs due out sometime soon. This edition of Secondhand Sunday is the video for “Pangea” which reminds me so much of autumn and falling leaves and everything being so beautiful. There is nothing more comforting on a cold fall day than some SSLYBY. Enjoy!

Polyvinyl Records Showcase @ CMJ, Bell House, NY- October 23, 2009

Polyvinyl Records is undoubtably one of the best indie labels out there today, if not of all time. With a roster that includes everyone from Of Montreal to Headlights, they held a stellar showcase at the Bell House during CMJ where every performer seemed to be more brilliant than the one before. The venue, which was packed to near capcity, was one of the must sees on Friday night.

I arrived just as the band Owen, also known as one of Mike Kinsella’s many projects, was about to hit the stage and I wasn’t sure what to expect. I have heard both good and bad things about their live performance, but I never thought I would experience what I did. Owen played none of their own songs but instead performed nearly all of the Oasis album, (What’s the Story?) Morning Glory (Epic), which was a confusing yet brilliant surprise. Not all of the fans in the crowd were pleased with this fact, but Kinsella and company couldn’t care less as they laughed it off saying “Hey, it took a long time to learn these songs!” There was no end in sight to their madness and they pulled it off well.

Up next was Aloha frontman, Cale Parks who was showcasing his solo work. Taking a far different approach from what he does with his band, Parks stuck to playing digital drums and singing, bringing a very interesting performance to the stage. One ongoing trend of CMJ this year seemed to be the use of digital drums though Parks mastered them like no one else did at the festival.

Also to take the stage was James Husband, the glam drummer from Of Montreal. Husband is currently showcasing his new solo project, joined by Dottie Alexander and Davey Pierce also from Of Montreal. This was one of the first of his solo performances and he did it like an old pro. A stretch from the glitz and glitter of his regular gig, he brought a bit of retro, garage and twee to the stage, and though most people would not have expected it from him, it fits him like a glove.

I stayed just long enough to catch Headlights who displayed a variety of tracks from their newest album,Wildlife (Polyvinyl). With three shows in two days at CMJ, Headlights lit up the stage with their male and female counterpart vocals. They come off sweet and sugary on their albums but onstage they unleash the lions, and the crowd seemed to like it. Singer Erin Fein’s voice is heavenly and it fills the room, taking the songs to a whole new level live.

In all, it was a fantastic night of music. Polyvinyl has proven itself to be a label that can stand the test of time, as we wait in excitement for more good things to come.

Headlights’ Live Webcast Tonight!

The Modern Mystery crew currently has Headlight’s fever over here! Not only is the band playing three shows at CMJ next Friday and Saturday in  Brooklyn, but they are also embarking on a lengthy U.S. tour that kicks off tomorrow in Iowa City, IA. To give fans a taste of what is coming (and what Wildlife is sounding like live), Headlights are doing a special Webcast performance from their rehersal studio, TONIGHT AT 9PM EST TIME (6PM PAC). 

Be sure to catch the whole performance at their WEBSITE ! This is something you won’t want to miss!

In other Headlights’ news, the band is premiering their first music video off of Wildlife for “Get Going” over at Spin Earth. Check out Headlight’s tour dates below and in case you missed it the first time, give our interview with front woman Erin Fein a read!

Headlights Tour Dates

10/15 Iowa City, IA The Mill
10/16 Dekalb, IL The House
10/17 Chicago, IL Apple Store on Michigan Ave. 2pm
10/17 Chicago, IL Empty Bottle *#
10/18 Pontiac, MI The Pike Room *#
10/19 Rochester, NY Bug Jar *#
10/20 New London, CT The Oasis *#
10/21 Allston, MA Great Scott *#
10/23 Brooklyn, NY Knitting Factory *
10/23 Brooklyn, NY The Bell House / Polyvinyl CMJ Showcase $
10/24 Brooklyn, NY Music Hall of Williamsburg / AAM CMJ Party 1:45pm
10/24 Philadelphia, PA Kung Fu Necktie *#
10/25 Washington, DC DC9 *#
10/26 Chapel Hill, NC Local 506 *#
10/27 Atlanta, GA Drunken Unicorn #
10/28 Orlando, FL Will’s Pub #
10/29 Birmingham, AL Bottletree #
10/30 Memphis, TN Hi Tone Cafe #
10/31 Urbana, IL The Iron Post #
11/04 Omaha, NE The Waiting Room #%
11/05 Denver, CO Hi Dive #%
11/06 Salt Lake City, UT Kilby Court #%
11/07 Boise, ID Neurolux #%
11/08 Seattle, WA Sunset Tavern #%
11/10 Portland, OR Berbati’s Pan #%
11/12 San Francisco, CA Cafe Du Nord #%
11/13 Los Angeles, CA Spaceland #%
11/14 San Diego, CA Soda Bar #%
11/15 Tucson, AZ Plush #%
11/17 San Antonio, TX Rock Bottom #%
11/18 Austin, TX Emo’s #%
11/19 Denton, TX Rubber Gloves #
11/20 Hot Springs, AR Maxine’s Pub #
11/21 St. Louis, MO Firebird #
12/11 Milwaukee, WI Bay View Brew Haus
12/12 Madison, WI Der Rathskellar at Univ. of Wisconsin

* = w/ The Shaky Hands
# = w/ Pomegranates
% = w/ Anni Rossi
$ = w/ Japandroids, James Husband, Cale Parks

Secondhand Sunday: Matt Pond PA “Locate the Pieces”

Matt Pond PA is undoubtably my favorite band to listen to in the Fall. There is something about their music that just goes perfect with every autumn day. The colors of the leaves, the chill in the air, the overcast sky…they go so well with the music. Pond has one of the greatest voices in indie rock. A little bit scruffy, a little bit smooth, a lot of brillance. For today’s Secondhand Sunday we share with you Matt Pond PA’s “Locate the Pieces.” Enjoy this lovely Fall afternoon!

Shining Bright with Erin from the Headlights

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This week indie darlings, Headlights just released their third, highly anticipated album, Wildlife (Polyvinyl). The album shows a new side of the band but still manages to obtain those great Headlights hooks and sound that we all know and love. Recently I had the chance of interviewing the lovely Erin Fein who gave us some insight on what makes Headlights shine.

How did everyone in the band initially meet?

Let’s see, we’ve known each other for a long time. I’ve known Tristan, our guitarist since I was in high school. Originally we were a three piece and met at the University of Illinois and that’s where we went to college. And then we met our bass player, Nick, just through playing music since we had already started the band at that point. We stole him for us.

 Your third album, Wildlife is coming out. Are you nervous since Some Racing, Some Stopping was so successful?

Yea I think you’re always nervous just because your putting something out there that’s very personal so it’s kind of a vulnerable feeling. But I’m looking forward to it, I’m excited about it. I can’t wait to be back on tour and see what adventures lay before us.

 What is the inspiration behind the songs on the new album?

 It really comes from a lot of places but meanwhile we just tend to write about things that we’re going through and things that we feel. So Tristan and I particularly had some a big year as far as shifting family health issues and some people passing away. That kind of stage of life comes to people at different times and so it’s difficult. I guess probably what we went through definitely affected the mood of the record.

 Had did you come up with the title of the record?

 Well actually, it’s been a long time trying to think of what we wanted to call the record. It didn’t come very fast but we wanted some sort of way of expressing this kind of general idea we were feeling. It’s not particularly original, just the idea of kind of like this song that’s on the record called ‘We’re All Animals,’ just is sort of a personal realization sometimes that you’re not in control, people can be cruel, life can be cruel. But also the positive side of that too. So I think maybe Wildlife has the idea of animals and how we’re probably closer to that than we’ve wanted. But that’s what it means, I think, to me anyway! You may get a different answer from someone else in the band.

 What’s your favorite song on the new record?

 I will say my favorite is the one called ‘Secrets,’ because I just love the melody and I love every time we play it. It’s personal so it feels meaningful when I sing it, particularly meaningful, not that the other ones aren’t meaningful. That one is very close to my heart.

 What’s it like being the only girl in an all boy band?

 Sometimes it’s overwhelming, a little overwhelming. I grew up with brothers so I’m kind of used to that dynamic anyway so I think it’s fairly natural for me to be around a bunch of guys, since that’s how it worked growing up. Sometimes I urn for a female friend when I’m out on the road. Every now and then I get to go on tour with other bands that have girls and that’s always a delight.

 Do you think it’s harder for women in indie rock in general to have to prove themselves as great musical forces?

 I don’t know if it’s harder for women that it is men, but women are definitely outnumbered. I think doing anything when you’re kind of up against a lot of other guys, maybe it can be a little intimidating at times. For me personally which is probably the best way to speak about it, I think I feel like I wish I had a man’s voice. Because I really love sort of scratchy voices like Bob Dylan, the guy’s voice from The National, so many examples. So many male voices that I love, but there’s a lot of female voices that I love too. I always feel that everytime I sing it’s very ‘pretty’ and I like my voice a lot, but it doesn’t have that deep dark thing that it seems that male voices can do. But then again you go to somebody like Stevie Nicks, she has a great, strange, dry voice. Maybe I just need to smoke a lot of cigarettes.

 How does the songwriting process occur for the band?

It is somewhat collaborative. Basically we don’t have one way we stick to necessarily but generally it happens that either Tristan or I write a song and record a demo to give it flavor. Then we’ll bring the demos we made to the guys and we’ll knock it out and be like ‘here it is, does it do anything for you?’ And so the one we tend to gravitate to we record it downstairs in our basement and just trying to open them up and making them a Headlights song, not just a Erin song or a Tristan song.

What’s your favorite part about recording in general?

At least with modern technology you’re limitless as far as with what you can do. You can put 15 keyboard tracks, no problem. I really love arrangements like that with lots of melody and tons of keyboards, I’m a keyboard player. I also enjoy pulling back every now and then but really I tend to just want to keep putting more and more onto a song to our drummer’s dismay because the does all the recording. He has to tell me to stop usually! I love the aspect that you can just dive into your song and create this musical landscape and that’s unique to recording for me.

 What’s your favorite part about being on tour?

I like traveling. We live in Champaign, well Tristan and I live in Champaign, it’s a lovely little town but it does get boring. When we leave it’s the feeling of ‘Yes I got out!’ so I get to see the world again. I love traveling and particularly like going to the west coast just because the drive there is so beautiful, and I love New York City that’s always an exciting place to be. I think the traveling and the performing every night, the waiting part is a little bit hard when you’re sitting in the van and there are so many hours of nothing to do. But once we get to have a drink and then we play it’s really fun.

What inspires you to write music?

 I don’t really know. I don’t know why I started writing music, except I always gravitated towards playing music. Even when I was very little I always wrote my own little songs on the piano so I guess it’s hard to say. The music just sort of comes to you I guess.

 Did you record Wildlife yourself?

 We recorded it ourselves, but actually the credit should go mostly to our drummer. He’s really the brains behind the recording operation.

 How would you describe the difference between the new record and the first two albums?

I think that this one is a little darker, sonically and lyrically. At least something we try to do, or like doing are kind of writing songs that straddle sort of hopefulness with a darker edge. I think that remains. We try to just go into a recording studio with an open mind and see what comes out. Having some basic idea set before we go in and because of that each record is pretty different from the last record, and that’s kind of what we like to do. It’s boring to do the same thing over and over again.

 Who are your influences?

 They’re so many of them. Harry Nilsson, you know the song ‘The Point’? ‘Me and My Arrow,’ I love that one. I’m a big Stevie Nicks fan and Fleetwood Mac. I really love Emmylou Harris. It’s so hard for me to narrow this down especially using the rolodex of musician’s in your mind and you don’t know where to stop. Most I’m drawn to really neurotic music, edging towards that. There are so many fantastic band’s I’ve loved over the years like The Kinks, Bob Dylan, Neil Young. I kind of tend to listen to a lot of older stuff. Carole King, newer bands, I really love the new Grizzly Bear record. Influences just come from so many different places. Some of it’s musical, some of it’s lyrical. It’s a person or something you have done, so it’s hard to say it comes from one place only. Definitely it’s centered around a lot of melody.

 Are you excited about playing the new songs on the road?

Yes very much so! After you play 200 or something shows a year, the same songs over and over again it’s exciting to put new flavors into your setlist. It’s nice and fresh to play for people.

What’s your favorite song to play live?

Right now, honestly, I love playing the new song ‘Secrets.’ I love playing that song, it really seems to go over well everytime we play it. It’s a very dynamic song.

If you weren’t in The Headlights, what would you be doing?

Riding a horse off into the sunset! Am I allowed to say that? I have no future ahead of me as you can see. I’m a musician first and riding horses into the sunset second. There’s no health insurance in my future unless Obama gets his way, which I’m crossing my fingers. To anyone reading this just know I like the public option. Selfishly!

 Where do you see The Headlights in 10 years from now?

We’re all be fat! If the guys read that I’m going to be in trouble

Best answer ever.

Except for me!

Check out Headlights on MYSPACE

Order Wildlife at POLYVINYL RECORDS

Dry Your Tears, Owen is Here.

Owen’s Mike Kinsella is one of the busiest men in indie rock. Juggling musical projects and now a baby, somehow he manages to create the most interesting sound out there. Owen just released New Leaves (Polyvinyl), the newest record yesterday and there is only one word for it: Brilliant. Our writer Elissa Suh talked to Mike over the phone on September 10th and got the inside scoop of everything Owen.

Elissa: So I heard you played a show last night in boston…

Mike Kinsella: Yeah I flew back today and just sort of got up from my nap, now I’ve got the baby in a stroller.

Congratulations! I heard you are now a husband. How old is the baby?             

Thanks! She’s just over five months.

I know youve been doing a couple college shows. Do you prefer to play in smaller venues like that?

 It’s funny because yesterday the show was on the quad. But yeah in general I prefer smaller venues. The thing with college shows is they pay really good money. They just have a huge budget, so they usually make it worth your while.

 So it’s not that you hate playing large shows and large crowds?

 No, it’s more that you’ve got to fight to be quiet, so I prefer smaller shows.

 I think it’s fitting to your music and your style. I read some stuff from your Myspace page about supposed fans and haters. (www.myspace.com/mybandowen). Is that real?

Yeah, it’s really stupid, but it’s real. I think there are a couple of them that I think are genuine; people are mad at me or something, and then there’s a couple of people who just think it’s funny.

 Well we have an idea of what the Owen hates are like. Obviously some of them are misinformed. What are the fans like?

 Pretty polite. I would like to say kind of well-read… good looking, you know what I mean. You know, the cream of the crop; the best that society has to offer.

 Haha. What’s the weirdest thing a fan has ever done?

It’s just weird now with the internet. People ask a lot of random things like recently somebody wrote  “It’s my friend’s birthday, can you call up and say happy birthday? or leave a voicemail?” I didn’t even respond. I hate singing into the phone and I think it’s sort of weird. I can’t imagine when I was growing up, calling up… Morrissey and being like “HEY MORRISSEY sing to my friend!”

You have a lot of literary references. Are you well read?

 Oh, no. I’m just faking it.

 What’s the last book you’ve read?

 I usually start books and get attached to one theme or part of the plot and then most of them I don’t finish but I’ll wonder what happened to that part, or that guy, and sort of write it myself, and sometimes the reference shows up in my song. But I get way too addicted to television and sports.

So you’re pretty well rounded then.

My wife’s a high school teacher, she reads all the time.  So Id like to think she can teach me of the importance of reading and I can teach her the importance of….. 

A touchdown?

 A touchdown! Scoring more points to beat your opponent.

New Leaves comes out in a few weeks (released yesterday 9/22). I’ve heard it’s a departure as the title says, both musically and thematically, but when I listened to the title track I was pleasantly surprised to find it still retained that sort of biting quality. At some point it says “You’ll spend your whole fucking life walking”. I thought it was kind of ironic given the title, and it seems that people are expecting more heartfelt lyrics.

 I just did an interview where the kid was like,” I’ve heard you’ve totally changed in this record!” I don’t think it’s too different. I think New leaves is maybe the new perspective from which I’m writing from, which is a totally old dude, maybe. I still like to write about the same things. I think the same situations inspire me, but not the same perspective or the way I deal.  I’m still sort of critical of people. I don’t think I got real nice all of a sudden. I’m not giving anybody free passes all of a sudden. Haha.

You said you are inspired by situations, by what’s going on with you and your emotions. I guess how relevant is what you write to what you’re feeling? How reflective are they?

Most of the songs start with one or two lines. I’ll write a line or two and it might be a month later or year later that the whole song is written around it. Maybe to finish it off I’ll embellish or I’ll think of a way to make it more narrative.

 So it’s definitely a combination of how you’re feeling plus the editing process.

Yeah, it’s definitely not a stream of consciousness. I don’t fill pages and pages at one moment. It’s a song. And then there will be two lines from here and I’ll write a few more  there.  One will be third persona and one might be first person and I’ll fit them together somehow.

I understand that songwriting and making music in general can be really cathartic. Does it ever make you feel vulnerable? Or do you ever think “Hey, the person I’m writing this song about totally knows it?”

 It’s funny because I’ve been asked that because my music is pretty expressive and I usually dismiss it. But recently I realized that it is like an outlet. Maybe I don’t feel like I need to get it off my chest because I’ve just been getting it off my chest, without even realizing it. But within the past week I just sort of noticed that. Every so often a song will be about something or somebody but it doesn’t happen that much anymore. I used to write songs about girls and maybe a few times it got a little awkward but now they’re more…I don’t know if it’s more general or more specific, but they’re about things that hopefully more people can relate to without having specific information.

Alternative Press “Chicago’s most unhappy troubadour”.  How do you feel about that? Do you consider yourself a sad person?

No, I’m a very non-sad person. I think music is  a way to express the parts I’ve been down about.  I don’t think my songs are that sad. They’re mostly just critical. Maybe ten years ago I was pining over girls more but I think the situation, these are the reasons why, but it’s not sad. I think the music is sort of low-key and somber, but that’s because my favorite bands were always low-key and somber.

 You seem very observant. like you said, you’re critical. You’re not pining, you’re just able to see what’s going on in a relationship or given situation.

 Hopefully it’s just observational, and not about awkward or uncomfortable topics. I understand  certain songs, like when I read about my dad dying like, who the hell wants to listen to that? So I try to write it in a way that’s a little joke, or ironic so its not just super super heavy.

 Do you have a favorite song on the new album?

 There are certain parts. Like a guitar part I’ll play a million times and I’m like “Oh that’s so cool!” Just little moments where I get excited about it. But I don’t know if I have a favorite song. Each song I try to have a moment where it comes in and changes the song somehow.  But yeah it’s like choosing your favorite baby.

 I see I see. Not that I have songs or babies..

 Well what do you like?

 Film.

 It’s like picking your favorite movie.

What is your favorite movie? 

Right, I can’t answer that!

 What goes into choosing your set list?  How far ahead of time do you decide?

It’s not spontaneous because there’s a lot of tuning involved. So I play songs relative. What’s relative to what’s before and after. But for these upcoming  shows, I’m learning a couple off the new record that I haven’t played just because people who have seen me before don’t have to hear the same 12 songs every time.

 Are you ever surprised at the requests?

Any sort of hint that anybody’s sort of listening to the song makes me uncomfortable. I never think about the fact that once the album comes out, people are listening to these songs. Any time there’s an allusion, I get sort of creeped out. But when they request a song, depending on where I am tuning wise, there’s probably a good chance I won’t be able to play it.

 Any song you won’t play?

 You’re probably talking about ‘Never Meant’ maybe?

 Oh I wasn’t referring to anything specifically.

 I think there are two or three songs my wife refuses me to play so I sort of forgot how to play those.  I’m not really against learning some of them. Some of them are 6 or 7 minutes long on the album and it’s just me and guitar and it’s hard to keep that interesting so I think some songs are better for a live setting.

 You recently got married and had a child, while writing the last album. Did that in anyway change its content? The people thinking you’ve turned into this happy man is attributed to the fact that you’re married and settled down.

 It’s just part of the process. I definitely enjoy being married. There’s definitely a transition period like, “Oh i love this girl i’m totally married to her its awesome! I’m going to the bars and get drunk,” and she’s like “Why would you do that? we’re married,”and I’m just like, “Oh it’s what i do.” You have to figure out your new role, you know? 

 Yeah, I’ve been happy all the time.  Some of these songs are written, maybe when I wasn’t happy. There are bands that write these songs and they’re real upbeat. Sometimes that is how i’m like… oh man I don’t feel like playing these sad songs. There was a band yesterday…this band was playing this pop punk or something and it was positive and you know what? They’re forcing it too. It’s really really hard, unless you’re playing watered down bland music like Jack Johnson, to each night be in that mood, to be totally flat, and I have no interest in playing really watered down music like Jack Johnson.

 So what’s the best way to get over a breakup?

 Um. [pause] alcohol and just being social. That would be my advice.

 What new music have you been listening to?

I don’t listen to music too much. I listen to sports talk or NPR in the car. I’ve got these albums of popular bands done in a style that a baby would enjoy, like all bells and flutes. So I’ve got a Ramones album I’ve been listening to a lot, a Cure album and then the Radiohead album for babies. So I guess a lot of baby music.

Haha. That makes sense for now. What’s happens in the future now?

I think I’m in a good place. I’ve played enough and satisfied that urge, and traveled enough to have satisfied that urge. Honestly, just continue what I’m doing. Hopefully write more concise or better songs.  So maybe in five years I will have written the best song ever written… No that probably won’t happen. I’ll be doing this in the next five years. 

Check out Owen on MYSPACE