Toronto-based rock and roll revivalists Original Pairs unleash “Star Guitar,” a dark and defiant anthem to DIY spirit and six-string glory. Fueled by a caveman riff and retro-psych energy, the track is equal parts glam rock snarl and garage band grit – a love letter to every barstool shredder with something to prove.
Written in homage to the final days of Toronto’s storied Dakota Tavern, the song captures the bittersweet end of a beloved venue where the band once played regularly. “They stopped giving bands beer, the doorman disappeared, the sound tech ghosted – we knew it was over,” says guitarist/vocalist Andrew Frontini. “But we plugged in anyway. Because the show must go on.”
Recorded live off the floor at Lincoln County Social Club, the band powered through four tracks in one day. Exhausted and unraveling, they built in four silent beats to bridge two takes – only for keyboardist Jon Loewen to forget and play through the pause. That happy accident became the final cut, later crowned by a synth solo tracked in one take on John Dinsmore’s vintage Moog, giving the song its warped, nostalgic edge.
Billboard-charting pop artist BAYLA is back with a powerful new single, “Anxious.” Known for her anthemic sound and fearless vulnerability, BAYLA continues to inspire fans with music that breaks stigma and speaks truth in and outside of the LGBTQ+ communities. In support of the release, proceeds from “Anxious” will be donated to Canadian mental health organizations, further highlighting the importance of awareness and support.
“Anxious” offers an honest take on the often hidden reality of living with anxiety. Rather than framing it as something sad or shameful, BAYLA infuses the track with upbeat production and quirky energy, crafting a pop anthem that’s more theme song than tragedy. “I didn’t want the song to feel sad in any way,” she shares. “I wanted it to reflect the experience of anxiety in a real, empowering way because even when it’s hard, we’re not alone.”
“Anxious” is a raw, heartfelt track that explores the emotional rollercoaster of living with anxiety – a subject I know intimately and wanted to address with honesty and empowerment. It’s about not being ashamed of your mental health – it’s a part of who we are. – BAYLA
Alternative rock singer-songwriter Peter Landi returns with “Dandelion” – a shimmering, psychedelic-leaning anthem inspired by summer nostalgia, altered states of consciousness, and the cosmic rhythm of nature. Leaning into classic ‘80s tones with big drums and chorus-drenched guitars, the track delivers a swirling blend of dreamy textures and catchy hooks.
“Dandelion” grew out of a spontaneous moment: Landi picked up a book from a little free library in his Toronto neighbourhood, hoping to spark inspiration. One word – summit – set off a chain reaction. “I started thinking about what you’d see from a summit: mountains, the sky, nature… something bigger than yourself,” he says. “That led me to thinking about actually being high and in an altered state of mind. ‘Dandelion, I miss you all the time,’ was the first thing I sang when I started strumming and it all flowed from there.”
The production mirrors that psychedelic arc. “The song is about a psychedelic experience, so I wanted the final chorus to be the climax of the trip,” says Landi. “Every section of the song is happening all at once – the verse guitar part, the open drums, melodic leads, and the word ‘Dandelion’ all swirling around each other to create this big cosmic moment that abruptly ends.”
Experimental indie-pop duo Allegories continue their genre-melding resurgence with “DREAMCRUSHER,” a dreamy and ethereal single that reflects on ambition, disillusionment, and creative rebirth.
Initially conceived as a simple ukulele sketch, “DREAMCRUSHER” took on a life of its own through Allegories’ unorthodox creative process. Without hearing any melody or lyrics, Jordan Mitchell built an entirely new instrumental world from Adam Bentley’s initial chord progression. Bentley then responded with a final version that drew inspiration from both his original vision and Jordan’s atmospheric reimagining.
“I think there’s an almost conflicting nature to the song in both the overall narrative and the sound design,” Bentley says. “This song embraces the annihilation of dreams but also the beauty of what grows in their place.”
The track’s title isn’t just a poetic flourish – it’s a recurring personal moniker Bentley uses with tongue-in-cheek self-awareness.
“I have jokingly referred to myself as the ‘DREAMCRUSHER,’ not because I’m cynical, but because of my own outsized goals and working with others who also chase wildly ambitious dreams,” he explains. “The song holds both the devastation and the quiet hope that something even more magical might emerge.”
A synth-drenched blend of dream-pop and experimental electronic, “DREAMCRUSHER” is both mournful and transcendent. The result is a sonic meditation on the necessity of starting over and the hope that can be found in creative renewal.
“Comeback Morning” doesn’t beg for your attention. It doesn’t try to dazzle with clever production tricks or polished perfection. It feels more like that quiet, electric moment of survival.
MASSEY is not your typical frontman. He is more of a conjurer, someone who pulls whole arrangements out of thin air with nothing but his voice.
Listen here:
And the stellar line up of musicians on this one is no joke. Charlie Wooton’s bassline has weight, Oravetz and Groover on guitar keep it lean and expressive, and Doug Belote’s drums give the whole track its steady heartbeat. Then there is Lemmler’s Hammond organ – warm, wide and grounding and the 504 Horns who elevate it even further.
But more than any single performance, what sticks is the overall vibe.
“Comeback Morning” very much sounds like it was built on real trust between players, and on MASSEY’s belief in second chances. That message that “The comeback is always sweeter,” a phrase borrowed from his father, is the kind of line you believe because you can hear that MASSEY does.
It’s a big hearted, soul driven reminder that even after the darkest nights, the light still shows up and sometimes its in a song.
About MASSEY
MASSEY showed up like a spark — fully formed, voice first — when producer JoeBaby Michaels caught wind of something wild, soulful and unmistakably original.
At the center of it all is MASSEY who sings, hums, whistles and scats every idea into being. Think James Brown if he built the bones of the song from the air.
There’s something visceral about the way MASSEY approaches music. Songs begin as voice memos — grooves and hooks born of walks, dreams, gut feelings — and get fleshed out by a tight circle of trusted collaborators, especially his guitarist and writing partner Peter Oravetz. The result is music that feels lived in but alive, rooted in New Orleans funk and soul, laced with rock grit and retro R&B swing.
In just a handful of releases, MASSEY has already made noise. His first few singles have racked up over 600,000 views collectively, with each new track carving out more of his singular identity.
With his debut album Reason For Being dropping soon and a slate of live performances kicking off with NOLA JazzFest, MASSEY is stepping fully into the spotlight.
With his new single “Superman,” DaddyPhatSnaps delivers a powerful and emotionally nuanced track that reshapes what it means to bear the weight of expectation. The Long Beach-based artist continues to build his own lane, merging hip-hop with a profound respect for anime, gaming, and comic book narratives.
Although “Superman” arrives during a wave of cultural interest in the iconic character, it is anything but a response to trends. The track stands as a statement of identity and endurance, using the Superman figure not as decoration but as a mirror. Where some artists reach for capes and symbols, DaddyPhatSnaps looks deeper. He interrogates what it means to be relied on when you are barely holding yourself together. The result is a striking piece of music that finds its power not in fantasy but in truth.
The production is bold and cinematic, layering orchestral flourishes and heavy rhythms into a sonic backdrop that feels both expansive and deeply intimate. Rather than being overshadowed by the instrumental weight, DPS anchors the track with a vocal performance that blends precision with vulnerability. Each lyric lands with intention. His flow is complex but controlled, and his delivery reveals a depth that goes far beyond surface references.
At the heart of “Superman” is a challenge to the mythology itself. DaddyPhatSnaps does not present himself as untouchable or unbreakable. Instead, he explores the quiet pressure of being expected to show up, to fix, to protect. There is weariness in the verses, but also courage. He does not claim invincibility. He claims the will to continue.
This is what makes the track resonate so deeply. It is not escapism. It is recognition. For those who grew up with comic book icons and digital avatars, the message lands with clarity. The metaphor is familiar, but the delivery is fresh. DPS speaks the dialect of a generation that has found strength in vulnerability and power in shared understanding.
He has long been a figure at the intersection of creative fandom and independent artistry. His work is not an imitation of popular media but a contribution to it. He does not sample culture from a distance. He lives inside it and creates from within. That authenticity is the reason his fanbase continues to grow, not only in size but in dedication.
“Superman” is more than a musical release. It is a chapter in an ongoing conversation between artist and listener. It offers no false promises and no easy answers. Instead, it offers a mirror, an acknowledgment, and a moment of clarity. In a world saturated with noise, this track listens back.
With each release, DaddyPhatSnaps proves that hip-hop still has the capacity for reinvention. He is not following trends. He is shaping something lasting. “Superman” is not about saving the world. It is about surviving it. And in that survival, there is strength.
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