Video Voyager: Tadgh Billy King’s “mirror”

Irish alt rock artist Tadgh Billy King’s (pronounced like “Tiger” without the “er”) earliest memories are of literally living above a beloved New York City music venue, The Local 269, his parent’s owned and operated. During that formative time, he soaked in the rock, punk, jazz, and pop that soundtracked the bar’s existence.

This melting pot of sounds would be a template for his own unbound musical explorations where he often explored the music of the Ramones, Green Day, and Nirvana, alongside studying classical vocal and guitar techniques. 

The self-reflective and introspective post punk and alt goth “mirror” is at once ethereal and chaotic, brash and sweet. Filled with chilling guitar ambience, goth-y, thick baritone vocals, and crushing walls of sound, it all leads up to a viscerally anthemic, gazy, wild, final chorus.

The music video reflects the darker, more gothic style of the song. He plays with angles and mirrors to symbolize his internal examination and self-reflection.

We got a chance to speak with Tadgh about the music video for “mirror”:

Tell us the story of this song, why did you choose to visualize this song specifically in this way.

Mirror is a song about self reflection. Its me taking a second to examine myself and take stock. At the time of writing it I was looking at where I’d come from, where I am now and how I’ve changed as a person over the last few years. I wanted the video to take the song further in this direction. With the visuals, I wanted to really lean into the goth rock-y style of the music and the introspective meaning behind the lyrics. I wanted to keep everything looking as dark and moody as possible to match the moodiness of the song.

What was the inspiration behind this video (visuals, storyline, etc.)?

I’ve always really liked when artists are able to tell a larger story over a few different music videos. Even if its just a small easter egg or connection between their videos, I always appreciate it. I’m trying something like that with these videos and mirror, like “sit and wait,” is one piece of a larger story that will become clearer as more videos of mine come out. 

I wanted this video to feel like a weird dream. I wanted to go a little deeper with this idea of self reflection and examination. This is where the visuals of me with my reflection come in. I wanted it to feel like I was stuck in this liminal space and by filming it on black it allowed me to play around with angles and have me really “examine” myself. I’ve also always been interested in playing around with the idea of reality and how dreams can sometimes feel so real it can sometimes really take a second to discern what’s a genuine memory of something that happened in real life and what’s a memory of a dream. 

What was the process of making this video? 

There were two main shoots for this video. The first shoot was done in a rehearsal studio here in Dublin that has these big floor to ceiling windows. We hung up some black material and filmed me standing next to the mirror at different angles singing the song and a few takes of me playing some of the guitar parts. Then the second shoot was me in the car. I chose some visually interesting locations around Dublin for me to get in and out of the car and then drove around the city shooting me from the back seat looking into the rearview mirror and the front seat. 

I really wanted to play with what was real and what was the dream to try and give a sense that by the end of the video, when I get out of the car, its hard to tell if I’m still dreaming or not. Most of that came down to the editing process. This is the part of the process where I was really able to experiment with the different “mirror-on-black” angles and what meaning and feeling they give depending on the orientation. The car shots were pretty easy to edit, I could visualise what I wanted for them from the beginning of planning the video and was really pleased with how they turned out lighting-wise as that was just a complete luck of the draw. 

It was a fun video to make. There will be another one for my next single “breathe out” that will come soon after the single is released on the 21st of July.

Connect with Tadgh Billy King via:
Website // Instagram // Facebook // Twitter // YouTube // TikTok // Spotify

Liam Barrack Shares the Struggle on “Tryin’”

Liam Barrack is a Canadian singer-songwriter who has been produced by Juno award winners and has a unique aesthetic and musical architecture.  Liam, who graduated from Bishop’s University in Quebec, did a joint degree in Music and Computer Science. While he thoroughly enjoys the latter, he loves Music above all else, and has dedicated himself to learning multiple instruments including guitar and piano.

His latest single in his early rising discography “Tryin’” is a breezy and brightly bouncing indie-pop tune.  Hidden in the joyous arrangement are heavier lyrics about Liam’s struggle with executive dysfunction and often straining relationships due to not being as reliable as he intends. 

“The song is about managing a relationship with someone while hardly being able to manage yourself. It’s about wanting to keep something you’re losing, and making promises of change – ultimately that you’re “Trying”.”

Matt Zaddy Debuts New Single “What Comes Around”

With a sound that seamlessly blends folk rock and modern soul, there’s something for every music fan to love about singer/songwriter Matt Zaddy. For his new single, Zaddy went back in the studio with Emmy award winning and Juno nominated producer Ross Citrullo (The Sheepdogs, Julian Taylor Band). Together with Ross’ own version of the “Wrecking Crew,” and Matt’s partner in life and music, Heather Christine, this team of heavy hitters led to the high-energy result that is “What Comes Around.”The song was inspired by the struggle to do what you love. When we’re busy, we don’t always think about the difficulties and hard times we all face in life. Despite how hard it is, all we can do is try to be positive, reflect, and remember to take it one day at a time; to fight another day to do what we love. This song is like a conversation that Zaddy is having in the mirror, or a conversation with his wife. In essence, “What Comes Around” blends the uncertainty that comes with the daily grind with the hope you need to move forward, in a way that is motivating.

Liam Benayon Unveils Dance Anthem “Don’t Call Me At A Party”

Toronto-based dance pop producer, songwriter, and artist Liam Benayon combines the sounds and textures of classic anthemic dance pop, with a brutally honest modern perspective in lyrics.

He’s now serving up a bombastic earworm with his upcoming single “Don’t Call Me At A Party.” Born out of a frustrating encounter with a now ex-best-friend, the track chronicles the feelings of FOMO, betrayal, and the comically lackluster experience of college parties. Featuring the real voicemail that incited the events in the song, the track anchors its wrath in hard hitting 808’s, fluttering synthesizers, and a vengeful vocal performance.

“My lifelong dream is to write a huge pop hit and hear it in a gay club while a drag queen performs a number to it and the whole place is going absolutely insane,” says Benayon. “I’ll die happy when that happens.”

Ctrl+V Debuts Epic Single“Curtain”

The duo of Harry Parsons and Elliott Butt (Sweetboy Musik) in Ctrl+V (pronounced Paste) are like a rock band trapped inside of a nightclub. The Newfoundland rave punk band is influenced by darkwave, hard rock, and a dash of punk music. 

Their song “Curtain” is about a person being infatuated with someone, and not being able to do anything about it. Parsons was drawn to the symbolism of a curtain and the visual of a curtain closing at the end of a play. Thus, the storyline of the song became a fictional play, in which one character is battling for the affection of another character.

Once the song was written, Ctrl+V sought the guidance of Ted Sablay for feedback (touring guitarist with The Killers and a mentor of Parsons), and had the song mixed by Mark Needham (who mixed the debut Killers album, Hot Fuss). 

“This song is more or less a ballad, but it’s produced like a heavy/hard-rock song,” says Parsons. “That production style is what Ctrl+V is all about… we take really sweet, romantic, glittery sounds and serve them up heavy.”

Rock Outfit The Man Put a New Spin on an Old Classic

Garnering over 45 million global streams to date, The Man Who have proven that their signature blend of rock meets pop anthems are a welcome addition to today’s genre-defying landscape. With their music becoming the backdrop of the North American sports scene, top tier sync features rolling in, and smashing alt rock radio airplay, The Man Who are redefining what it means to be a Canadian rock band.

Now, they unveil an evocative cover of “Dreams” by ‘90s alt icons The Cranberries. “An incredible song can transcend time and space,” The Man Who states. “‘Dreams’ is one of those songs, so putting our own darker spin on it felt so therapeutic.”

Separated by over 2000 miles, The Man Who formed after several writing trips led to settling in Toronto, ON. Experimenting with anything they could get their hands on, they developed their sound in a basement studio, demoing song after song. Whether writing with an acoustic guitar or a fuzzed out bass and an 808, The Man Who pushes the barriers of rock and pop.