Introducing Malade, the gloss-pop project of Montreal-based singer, songwriter and producer Camille Brown. RnB groove meets crafty pop in this playful, maximalist endeavor.

“Give Up”, produced by her longtime friend and engineer Damien Muller, is Malade’s latest single and most earnest girlpop effort. A hot pink earful, the track exudes post-breakup acrimony, which Malade’s vocals express almost as a mockery. Countermelodies shimmer atop a gloating bass and textured drums. “I’m on the other side of a time where I had to let go of some relationships that weren’t serving me,” she reminisces. “The hyperfeminine pop persona that emerged from that pain was almost like a guardian angel, or a shield to me. The next few releases from this project really reflect that sugar coated, lacquered coping.”

Creating one of this fall’s most anticipated original drama series, Julien Christian Lutz (Director X) unveils the original soundtrack for Robyn Hood, with the release of “Run This Hood” by The Hood (feat. Tia Bank$, SLM, Bouff). Available via Wax Records, the pulsing track opens the series’ first episode, hooking the audience and setting the dark, dramatic tone of the original scripted series, premiering Wednesday September 27th at 10pm ET/PT only on Global and STACKTV.

Featuring the vocals of Canadian rappers Tia Bank$, SLM, and Bouff, The Hood is a fictional hip-hop group at the centre of the Robyn Hood series. “Run This Hood” is the first of three original tracks that back the modern adaptation of the classic tale that Julien Christian Lutz (Director X) has spent nearly a decade bringing to life. With an impactful soundtrack that continues to push the show’s gripping commentary of today’s social climate, Robyn Hood breaks ground in a way that has yet to be seen in the realm of Canadian television. 

The eight-episode, one-hour contemporary re-imagining of the Robin Hood legend follows fearless heroine Robyn Loxley and anti-authoritarian masked hip-hop band, The Hood, as they call out injustices and fight for freedom and equality in the city of New Nottingham. Handpicked by Julien Christian Lutz (Director X) himself, “Run This Hood” was written by Davi Alexandre Magalhaes de Almeida and Nick Jarjour, and produced by Ryan Stewart and Jamie Appleby. 

Tristan Rene is a sonic whisperer, a conjurer of ethereal melodies grasped from the collective consciousness, brought forth in a singular voice that’s at once reverent and deeply resonant.  

His voice is of the world, channeled through his family’s vast origins. Born in Montana to a Jewish West Indian mother and a Mallorcan father, he was raised in Washington D.C. before making his way to Montreal, where he was drawn to the city’s poetic energy and gothic aesthetic.

“Light Up Garden” was born from a guitar melody one summer ago in Mallorca. Tristan was sitting on the terrace of his father’s house, singing and playing guitar without any real intent. Lo and behold, the rest of the song came to him when he was alone again in Montreal. “Loneliness is the truth behind my music,” Tristan affirms. 

Vancouver-based rock singer Charlie PS has a sound that can be described as a sonic melting pot. Inspired by a wide variety of rock and blues from legends of the 20th century such as Stevie Nicks and Ann Wilson, to modern rock artists that include Grace Potter and ZZ Ward, Charlie borrows elements of strong vocals and energetic riffs and uses them to create her own blended sound rooted in modern-rock.

Prompted by a tendency to consider the worst case scenario, “Down to the Devil” is the latest single from her upcoming EP, Even If It Kills Me. The main hook, “Take my oh-weary soul, Take me down, down to the devil,” came to her after watching prison shows and noticing a recurring theme of southern influenced soundtracks. The chain sound was captured by continuously dropping an industrial chain on the studio floor until it made just the right sound to use as a sample, in order to call back to the inspiration.

Reminiscent of 90’s alt-icons like Fiona Apple, Ash Molloy is vulnerable, raw, and unfiltered in her approach to music. A multi-instrumentalist with a degree in neuroscience, she’s full of surprises as she bares it all with her deep-cut takes on sexuality, body-shame, and life as a woman. Not fitting the mold in her small town of St John’s, Newfoundland, Ash is an absolute force of an artist, making a name for herself with her unique vocals, cutting lyrics, and sheer tenacity to get her message and music out into the world.

The majority of the music for her newest release, “Viv,” was already written for a woman by that name. Ash had never met her but loved how her name looked so she kept it. Now she has a song and a tattoo on her body named after a woman she only wound up meeting a month ago. It’s a song about losing yourself in the summer and that feeling you get when you’ve drank a little too much and start looking at people a bit differently. 

Montreal-raised, Toronto-based certified Afrobop queen, Aiza, is claiming her own sovereignty on her debut album. Featuring 11 tracks which showcase her unique blend of soulful afropop and R&B, Sovereignty is in the words of Aiza herself, “an ode to the many lessons I’ve learned to become the empowered and unapologetic woman I am today.” 

“The album dives into my experiences dealing with heartbreak, healing my inner child, honoring my lineage and boldly owning the fact that I’m a star.”

Working with her longtime partner and producer, C The Reason, as well as an established team of collaborators including Divinity Roxx, Beyoncé’s former bassist and music director, Aiza has crafted a collection of songs which own her power.

As the album’s wise and percussive title track establishes, “f*ck it I’m coming through: young, Black, gifted and beautiful!” 

Creating a hypnotic soundscape of drums, bass, and synths, Aiza and C The Reason share a compass for the equal parts vulnerable and boundary establishing songs to come.

Sovereignty features previously released singles, including the playful Afropop of “Majimbo,” Aiza’s French language “eff around and find out” anthem, “Kité,” the delectable and self-assured “Alright,” as well as the album’s debaucherous and seductive lead single, “Cocoa Butter.” 

During the three years it took to complete Sovereignty, Aiza explains that she “chose to bet on [herself] over and over again, even when [she] had no idea how it would come together.”

“To my precious and growing tribe around the world, thank you for believing in this little Burundian girl from Montreal. I have never been more proud to put out a project and I can’t wait for you to listen to it on repeat. May this album become the soundtrack to powerful awakenings and unforgettable nights spent dancing under the moonlight.”