VIDEO VOYAGEUR: 3 Q’S WITH MAD AGNES

The trio, Mad Agnes, is well known for their captivating on-stage charisma and presence as well as their jaw-dropping musicianship. This unique blend has enchanted listeners worldwide for decades, and the group has built a reputation on their uniquely charming and intriguing sound. 

Mad Agnes, (Margo Hennebach, Adrienne Jones, and Mark Saunders), combines elements of folk, Americana, and acoustic styles with intricate harmonies that entice the ear with lyricism and wit, pointing the listener towards internal introspection.   

Their latest album release, “Likely Story” shows how each song carries a real intellectual depth, exploring universal themes like love, loss, change and reinvention in a very original way. The arrangements are rich with guitars, mandolin, ukulele, and piano alongside inventive three-part harmonies that infuse each track of this release. 

Mad Agnes’ sophisticated vocal harmonies and impeccable musical arrangements have long enraptured music critics, garnering them comparisons to esteemed folk groups such as Steeleye Span and Fairport Convention. 

We caught up with Mad Agnes to discuss the music video to accompany their new single release, “Beauty of this World,” written by Margo Hennebach. 

Tell us the story of this song. Why did you choose to visualize it specifically in this way?

Because I wrote the song while hiking on the trails around our house in rural CT, I wanted to focus on the beauty I see around me everyday—a beauty that needs no fanfare, flowering trees, sunsets, or dramatic waterfalls.  Mark filmed 95% of the video in our backyard on a misty day in early spring.  The only scene away from our home is of a group of singers gathered from around the world blessing a table of food, captured from our time in Italy last June.  It fit the song’s lyric too perfectly to ignore.

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What inspired this video (visuals, storyline, etc.)?

When I take a moment to slow down, I’m inspired by living in such an extraordinary world. 

I’m surrounded by beauty, wildlife and flora, and I hear music everywhere.  I’m especially grateful for the humans I can share this with including my larger community, dear friends, and my special someone. 

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What was the process of making this video?

Originally I wanted the video to be artistically animated with watercolors or oils–colorful and lighthearted–but then we had a deadline!   Looking out the window and seeing the misty rain, we both knew how great the light would be, so we sprang into action.  I grabbed my red top, we went outside for some test videos and realized very quickly that we had what we wanted.  For good measure, we brought out the piano and filmed the beginning and end of the song.  

Mark moved the camera around me so I could interact with it more naturally and he could capture more of the setting.  We worked quickly because of the threat of heavier rain, and we both knew what we wanted.  The video was filmed and edited that day.

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With grand piano, cello, double bass, acoustic guitar and unexpected background vocals, “Beauty of This World” is a wonderful introduction to spring and summer as nature blooms once again. 

Having enchanted audiences across the globe and graced the stages of prestigious venues such as The Bitter End (NYC) and festivals like The Kerrville Folk Festival (TX) and Fairport’s Cropredy Convention (UK), Mad Agnes’ performances are nothing short of spectacular and leave an unforgettable impression wherever they go. 

Catch up with their latest album “Likely Story” out now! 

Stay up to date with Mad Agnes on their Website. 

Check out all of Mad Agnes’  music on Spotify, Apple Music and YouTube music. 

Video Voyageur: Perfect Strangers Video Voyageur

Loud, fast, and catchy, Perfect Strangers deliver modern hard rock with classic implementations. Their live shows are energetic and packed with roaring sounds, just like their brand new album, Social Decay. Focus track, “Tear Me Apart,” offers an adrenaline rush, spotlighting the band at their very best.

As a bystander, lead vocalist and guitarist Anthony Vitanza saw alcohol being abused and observed that “it’s all fun and games from their perspective but to everyone else it’s a real drag.” The ever-growing drinking problem of the song’s protagonist starts to tear them apart.

1Tell us the story of this song, why did you choose to visualize this song specifically? 

This song came about after a really long stint of writers block and lack of inspiration. I had been writing a lot of riffs and pretty much had a lot of the instrumentation for Tear Me Apart finished. I really loved how the instrumentation was coming along but the song was lacking in the lyrical department. After a night out with some friends I had noticed a lot of drinking going on and as the one person who wasn’t doing any drinking that night I had to deal with a lot of drunken antics that were just getting annoying as the night progressed and that inspired the lyrical premise of the song. The choice to visualize this song was mainly due to it being one of the main singles and one of the stronger songs on the new record but we wanted to keep the visuals somewhat away from the main concept of the song. 

2.What was the inspiration behind this video (visuals, storyline, etc.)? 

The main inspiration for the video of this song was just using a bunch of footage we captured of ourselves recording this song as well as the rest of the record. We wanted to keep it fun and fresh!

3.What was the process of making this video?

The process of making this video was really simple but honestly a lot of fun. We were recording the record at Catherine North studios in Hamilton, ON and we wanted to record ourselves on video while making the record. At the end of the weeklong recording sessions we had about 25 minutes of video and we picked the best parts for the music video for Tear me apart!
Perfect Strangers released their first EP, self-titled, in 2022, followed by their second EP, Running From A Nightmare, in 2023. Social Decay was inspired by hard rock music of the ’70s and ’80s, and indie rock music of the early 2000s. Produced and arranged by Anthony Vitanza, it was mixed at Catherine North Studios by Will Crann.

Pop/Rock Trio, Royal Castles, Introduce the Groovin’ and Cheeky “I Don’t Think I Like You”

Energetic, hard hitting and hooks for days, Royal Castles make nostalgic but contemporary garage-power-pop. Hailing from Guelph, Ontario, the three-piece blend riffy guitar licks, wooly bass and ear-candified harmonies. They have partnered again with Zane Whitfield (The Glorious Sons, The Blue Stones, Luella) who produced their sophomore album, Just The Hits (2021), on five new songs for their EP called Singles Night.

“I Don’t Think I Like You” is their summer vibe song. It’s the focus track from Singles Night. Put it on and go for a long drive!

“There was a friend who had been around for years; someone we all thought we liked, because we were supposed to like him,” songwriter Jordan Gabriel explains. “He was a part of the crew. But as time went on, that little nagging feeling became clearer and clearer. We just didn’t like him.”

In the era of streaming where every song is its own piece of content, the idea was to release each of the five tracks as singles. So why not call it out in the name? Lyrically, these songs mark a shift towards storytelling and allegory. Royal Castles have also upped the production level to craft poppier, catchier tunes.

“Our fascination with pop has continued to influence us lyrically, thematically and from a crafted production standpoint,” says Jordan Gabriel. “We are chasing the elusive earworm. And we simply want to bring our audiences a little bit of head-bobbing happiness.”

ECMA ‘Songwriter of the Year’ Kellie Loder Shares Romantic Track “Honey I’m Scared” from New LP ‘Transitions’

Described as, “a multi-genre marvel,” Kellie Loder (they/them) is a JUNO Award nominated singer-songwriter who began their musical journey on the shores of Newfoundland & Labrador, lending to their unmatched songwriting prowess, and distinctive blend of folk, Americana and indie pop influences.

Loder’s highly anticipated fourth studio album, Transitions, offers a stunningly crafted masterpiece of stories of love, heartbreak and life. Produced by Cory Tetford in Dartmouth, Nova Scotia, the focus track “Honey I’m Scared” came about in a writing session, where co-writer Keith Mullins shared an anecdote. “His girlfriend, Tracey, was in the next room and he proceeded to tell me that they were at Toronto’s 360 Restaurant the night before and she was really afraid of heights,” Loder shares, which inspired the song title.

“Transitions: we’re always changing, evolving, growing, learning, and becoming, where pain is always necessary and pleasure is always nice, but we must embrace both. May you stop chasing what isn’t yours and accept the love you can give yourself.” – Kellie Loder

Loder’s signature sound coupled with their magnetic stage presence has earned them notable accolades including, “Songwriter of the Year,” and “Fan’s Choice Entertainer of the Year” at the 2023 East Coast Music Awards, and placed as first-runner-up on Canada’s Got Talent (2022).

 Folk Singer Tennyson King Collaborates with Country Singer Lindi Ortega on Sentimental Song, “Where I Make My Home”

Tennyson King is an award-winning, nomadic, folk musician from Hong Kong and Canada with a charismatic stage personality and magnetic energy. Pairing songs written in English, Mandarin and Cantonese with kick drum, Zhongruan, electric and acoustic guitar, he captivates audiences with positivity, interactive songs, and playful stories of life on the road. He’s appeared solo from great halls to intimate theatres and brings his band to festival stages with a restorative sound that brings crowds to their feet; folk-rock infused with earthy roots, pop, and subtle psychedelic ear candy.

The first of three upcoming collaborations with notable fellow Canadian songwriters, “Where I Make My Home” is a song that highlights the recognition that home can be found within ourselves, the people we love, the strangers we meet, and in magical places we never knew we’d find. 

Written in a small Canadian mountain town by JUNO-nominated singer-songwriter Lindi Ortega and Tennyson King, the song was inspired by their experiences of life on the road – traveling from city to city, venue to venue, arriving and leaving in the dark, feeling the loneliness of a nomadic lifestyle, and battling homesickness amidst the constant unknown. Ultimately, the song reflects on finding comfort in the realization that happiness can be created wherever we choose to make our home.

“Lindi and I became friends after many hiking and snowshoeing adventures,” says Tennyson King. “We eventually wrote this song and recorded it in the house I was renting, surrounded by mountains, between our hiking adventures. We had long talks about life on the road as a touring artist, and the idea of finding home in our own happiness. I was happily calling Creston, BC, my home and ending up there, meeting Lindi was all a happy accident during my travels.”

Julian Taylor Shares Self-Compassionate Americana Single, “Weighing Down”

4x JUNO Award nominated, Toronto based singer-songwriter Julian Taylor is sharing the first glimpse of his upcoming new album, Pathways, the downtempo yet empathetic “Weighing Down.” Pathways will be released on September 27th.

Following his recent critically acclaimed albums, 2020’s The Ridge and 2022’s Beyond The Reservoir, Taylor considers Pathways to be centered around finding one’s happiness. “It’s about trying to find a way to simplify our lives and look for what really matters and makes us feel at home within our own hearts, soul and mind,” he explains.

Taylor wrote “Weighing Down” during a time of overwhelm over the constant pressures we face in this world, as he also grappled with navigating the heaviness of some of his own life decisions and where they had led him.

Pedal steel guitar cries against the warmth of Taylor’s vocals, coupled with acoustic guitar and drums that are intentionally barely there. The song’s backing vocals are intended to make the recording sound “warm and connected to a haunting but optimistic place in the human psyche,” Taylor details.