VIDEO VOYAGEUR: 3 Q’s WITH SHELLY RUDOLPH

Portland’s own Shelly Rudolph is back with her latest single release, “I Love LOVE”.

This soulful and funky track celebrates the universal power of love. Shelly teamed up with jazz-soul artist Charlie Hunter, trumpeter Cyrus Naibipoor, and drummer Reinhardt Wolfgang Melz, to deliver a rich, layered sound that’s sure to make you groove.

“I Love LOVE” started as a poem before transforming into a song, capturing the playful and sweet essence of love in all its forms.

Hunter’s groove-driven guitar/bass hybrid sets a compelling foundation, while Rudolph’s sultry vocals twist and shimmy over it, creating an infectious and heartfelt anthem. Following her drum-less, chamber jazz album “The Way We Love,” this new track marks a departure in sound but not in spirit, maintaining her core mantra of celebrating love always.

1. Tell us the story of this song. Why did you choose to visualize it specifically in this way?

”I Love LOVE” began as a poem, as many of my songs do, but when I stepped up to the mic I started singing! Thus, a song was born. 

Lyrically, it is playful and sweet but the message is deep: love in any/every flavor, in any/every combination is to be savored and celebrated.  

As a follow up to my album “The Way We Love” this unabashedly sassy number has a decidedly different sound but my mantra and life mission remain the same: LOVE always, always. That’s all we are here for.  

I wanted the video to express this feeling of joyful flow, freedom of expression and unabashed celebration, which I think the ecstatic-dance element captures. The multi-layer effects represent the myriad “flavors” of love being expressed and celebrated, all at once. 

2. What inspired this video (visuals, storyline, etc.)?

The iconic videos by Desrée – “You Gotta Be” -and D’Angelo – “How Does It Feel? – were the initial inspiration for this video. I love the way their solo presence invites the audience in, invoking an experience of immediacy, intimacy, vulnerability and power; all qualities that love demands and inspires. 

The color-palette was inspired by night-blooming flowers and late night dancing… vibrant and dark, embracing and sensual.  

3. What was the process of making this video?

I collaborated with the wonderful Derich Hartfeil of Fortem Films on this project.

A few ago he created an amazing, ethereal aerial dance video for my song “Butterfly Heart,”, and I knew I wanted to work with him again. We seemed to be on the same page artistically and easily. After sharing the music, lyrics and mood-conveying images with him we met up at a cool studio in industrial Portland for the shoot. It was a bit nerve-wracking at first to dance around by myself with a flurry of cameras around me but soon enough I swept away with the fun of it all and I love how Derich edited the footage to convey this sense getting swept away in the swirling dance of love. 

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“I Love LOVE” was recorded by Sacha Muller, mixed by Bob Stark and mastered by Nick Moon.

Vocals and songwriting by Shelly Rudolph, Charlie Hunter on hybrid guitar, Reinhardt Wolfgang Melz on drums and the trumpet arrangement and performance by Cyrus Nabipoor.

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With a music career spanning over two decades, Shelly Rudolph has become a firm fixture in Portland’s music scene, with a devoted following who enjoy her dynamic performances and soul-stirring vocals.

Her influence has also grown internationally, with placements on Spotify and Pandora, and airplay on jazz radio stations across Europe, Japan, Indonesia, as well as the Middle East!

Don’t miss out on this fresh, soulful take on the timeless theme of love — listen to “I Love LOVE” now on Spotify

Keep up to date with Shelly Rudolph on her Website.

Follow on Facebook and Instagram.

Music can be streamed on Spotify, Soundcloud, Apple Music and YouTube Music.

Video Voyageur: 3Qs with Marshall Dane

Canadian singer-songwriter Marshall Dane is a natural born storyteller whose journey has been shaped by a life full of victories and setbacks. He doesn’t shy away from sharing his vulnerabilities and emotions, making him and his music both relatable and heartfelt. His unique blend of country, rock and singer-songwriter has, to date, earned him five nominations for Male Artist of the Year at the Country Music Association of Ontario awards.

What sets Marshall apart is his use of American Sign Language (ASL) to communicate with the Deaf community. As the son of a minister, he was raised with a strong sense of compassion and inclusivity. Since learning ASL in 2017, he has been incorporating the language into his performances to break down barriers and make his music accessible.

He co-wrote his new single, “No Need To Speak,” with award-winning singer-songwriter Rosanne Baker Thornley (RBT). “The motive was my appreciation, understanding and conviction that we don’t need words to understand each other. We just need to pay attention, use our eyes, our hearts,” says Marshall. “If there’s someone you love and you need them to know how strongly you feel, that they can count on you in that moment, this song will support you.”

Watch + share the official “No Need To Speak” music video: https://youtu.be/9vpJHY5Bne4

  1. Tell us the story of this song, why did you choose to visualize this song specifically? This song was inspired by my relationships within the Deaf community. The values added to my life from learning Sign Language include the desire to stay connected to people visually, looking them in the eyes and letting them know I understand. The decsion to include an ASL interpreter directly in the video as opposed to in a seperated box in the top corner, was to show the intent that this wasn’t an after thought, but rather, the whole thought…this was the intent, to show the Deaf and Hearing communities the bond I feel when using Sign Language.
  1. What was the inspiration behind this video (visuals, storyline, etc.)?

    After shooting my last video and putting Vera’s interpretation in a frame in the top right corner of the frame, I started to feel like I wanted her directly in the video for this one…maybe all videos, going forward. The location and scene set up was conceptualized by my writing partner Rosanne Baker Thornley. The scene set as a living room couch in the middle of a field with side tables and lamps, set the mood for the conversation between Vera and Myself…that we would stay connected, not turn away from each other, and do our best to understand what the other is saying. I had no idea how beautiful Artem Mykhailetskyi would make the final piece of art look, but it’s exactly what I envisioned. We knew we would have the sun sitting behind the couch at approximately 4pm…and we’d have no sun by 5:25…so we stayed focused and were efficient with our time….runnning back and forth the the vehicles to warm up in between takes.
  1. What was the process of making this video?

    The video took place on a freezing cold, 40km winds, wintery November day in 2023. With a limited indie budget, we had a crew of 3, myself and Vera (ASL interpreter). With a borrowed farm field and everyone bringing items to recreate a living room scene in the back 40, we rehearsed our plan, and with 5 takes only, we captured the entire video as the sun fell. We had 1 hour and 15 minutes to shoot during the desired sun positioning. Although we gave Artem (Video Director) the instruction to keep Vera’s hands present in the composition of the shot, we let him have free reign on “how to shoot’ her hands…which took the ‘typical’ filming of ASL interpretation from the linear, head on framing usually seen in broadcasts, which led to the beautiful and flowing style that Artem used to capture Veras words as he swept in and out of frame.

Video Voyageur: 3Qs with Jackie and her brother

Being in a band with family is not always easy; a relationship impacted by years of familiarity and family dynamics. The duo, aptly named Jackie and her brother, decided to work on several songs that remained unfinished and forgotten. The result is a new project from Jackie and Mark Andrade. The name, Jackie and her brother, is a simple way to describe their dynamic and their shared love for catchy, pop-inspired bands that they listened to across different decades as they grew up.

We often wonder, and reflect on our life. It’s a healthy part of being human. We’re also told to stay in the present and live for the future. This dichotomy pulses at the centre of their second single, “Best Days,” where Jackie and her brother turn the focus backward wondering if our best days are already gone.

1Tell us the story of this song, why did you choose to visualize this song specifically? 

I wrote these lyrics during a dark time in life when I truly considered that all my best days had already happened. In the two years to come, I realized that things were only getting better and better everyday. Whenever my brother and I talk about life and where we came from, its nice for us to remember our childhood days and how our parents brought us up. 

We’re a weird and creative family so it only felt fitting that we highlight the two people that made us. 

2. What was the inspiration behind this video (visuals, storyline, etc.)? 

This song is about memories of the past and that voice inside your head wondering if the best days have already passed you by. 

Our parents are celebrating their 50th anniversary this summer and they’re taking a trip down memory lane. We’ve been reflecting on their best days as a family lately and, well, they are ultimately responsible for the creation of this band/sibling music project. So this visualizer is a bit of a thank you to them and also a showcase of the two people we came from. 

3. What was the process of making this video?

I somehow convinced my parents to have a dance party in their yard. They’re both goofy and fun and weird like my brother and I, so it was an easy ask. After I saved the recording, my talented friend Steve Niilo edited and effected the clips using his magic computer skills. My brother and I like to collaborate with friends and local artists as much as possible and we will continue this trend into our next release- coming very soon!
“The ending has samples of our younger family members laughing and shouting ‘best days’ with their entire life ahead of them,” explains Jackie Andrade. “The addition of these samples adds another interesting layer to the song. When were your best days? Childhood? Or are they happening right now?”

From Bossa Nova Vibes to Smooth Jazz Bliss in Marla Lewis New Single “Te Quiero A Ti”

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New Jersey born artist Marla Lewis has had a remarkable career as a singer, songwriter, and educator.

Her brand new, original single “Te Quiero a Ti”, offered in both Spanish and English renditions, radiates an enchanting groove and ambience.

Marla’s impeccable vocals, reminiscent of the finest bossa nova melodies, is accompanied by a sophisticated arrangement. With elements such as flute, piano, acoustic bass, electric guitar, drums, and lush backing vocals, the song allows Marla’s voice to shine. 

Originally, Marla had written a really beautiful tune, but could not come up with lyrics to her liking so she asked her friend Dave Kinnoin to write them. Loving what he came up with, the song was recorded on Marla’s first “Songbook” album. As she had always wanted to have it translated into Spanish, it was not until a few more years that she met Melissa Sanley who was able to use the same instrumental tracks as the previous recording: 

“My life was touched by a real life angel — that’s the best way to describe it! I signed up for a Peer Networking program offered by the Grammy organization (I’m a voting member), and they paired me with Melissa Sanley.  Talk about Divine intervention! A superb singer, songwriter, recording artist — she speaks four languages, and now she is my voice teacher! 

But I digress — I played her a song from my first Songbook album to see if she liked it enough to translate it into Spanish.  It had some Spanish words in the lyrics that were written by Dave Kinnoin (I wrote the melody).  She told me the title was not correct Spanish! OMG!  She changed it to “Te Quiero a Ti,” translated the lyrics, coached me on every line, created the cover art, sang backup vocals, and made the lyric video!” 

In essence, the song is warm, very romantic and has a vulnerable vibe too. The powerful and simple message is – New Love, for everyone! 

Taking inspiration from an eclectic array of musical influences including Ella Fitzgerald, big band, folk music from around the world, The Beatles, Laura Nyro, Carole King, James Taylor, Michael Franks, and Phoebe Snow, Marla has made her mark with music that involves different styles and genres. 

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For 25 years, Marla worked as an elementary school teacher, a role which ignited her passion for writing songs that are both educational and entertaining for children. This led to significant achievements, notably her song “Leap of Faith”, co-written with Nancy Schimmel, which was featured on the Grammy-winning children’s album “All About Bullies … Big and Small” in 2011.

Her dedication to children’s music is also evident in her award winning albums “I Love to Talk to Plants” (2009) and “We All Laugh in the Same Language” (2007). Produced by the renowned Bob Stander, both of these albums have earned prestigious awards such as the Parent’s Choice Gold and NAPPA Gold. Marla’s songs have also received First Prize and Finalist honors in various national and international competitions. 

Marla’s career took a new direction with her venture into smooth jazz and American standards; with her first album in this genre, “Songbook”, this was a significant shift and was met with critical acclaim. Produced by two-time Grammy award winning producer / engineer Bob Stander, “Songbook” features 14 original tracks that critics have described as “pure bliss.”

Building on this success, Marla released Songbook Volume 2 (SBV2), which further explores smooth jazz, cabaret, and American standards. This album, also produced by Bob Stander, comprises six original tracks showcasing Marla’s vocal talents alongside an accomplished ensemble: Mike Ricchuiti on piano, Teddy Kumpel on electric guitar, Rob Jost on acoustic bass, Matt Miller on drums, Erik Lawrence on sax, Daniel Sadownick on percussion, and Adam Minkoff and Gabby Scherba on backing vocals influenced by the Manhattan Transfer. The album’s first single, “Enchantée,” has achieved remarkable success, reaching #1 on the World Indie Charts and #2 on the Euro Indie Charts.

Her latest single, “Te Quiero a Ti,” is a fantastic song rich in musical influences as well as vibrant passion. Listen to “Te Quiero a Ti” on Spotify now!

Find out more about Marla Lewis on her Website.

Follow on Facebook, Instagram and Twitter.

Stream music on Spotify, Soundcloud, and YouTube Music.

From Hopeless to Hopeful, Mike Repic (of 40 Sons) Inspires with High-Energy Single “Alive”

Out of the ashes of seclusion and addiction, Mike Repic rises up through desperation to bring a unique, honest and modern sound. Blending pop and rock sensibilities, while not shying away from acoustic, electronic and orchestral nuances, Repic’s songs spark a modern, yet classic approach into the medium. 

Creating dark, thoughtful, sensitive, but ultimately hopeful music with an optimistic narrative, “Alive” is Repic’s triumphant new release. “It’s about walking through hell, only to come out the other side and realize you’re still living in fear. After getting off of drugs I’ve had to give my head a shake and tell myself ‘look at what you’ve gone through in your life, this shouldn’t scare you.’ It’s ultimately an uplifting song to give myself a kick in the ass to not be afraid to go after the things I want in life.”

For 10 years, singer/songwriter/guitarist Mike Repic was frontman of acclaimed Canadian rock band 40 Sons. Now venturing on his own, he is tapping into new sounds, with a new spirit, and a new range of musical ideas while maintaining his focus on recovery and enlightenment. 

Indie Rock Songwriter Tom Hanley Releases the Upbeat Call to Action, “Take It Away” Written with Nixon Boyd

Originally from Uxbridge, Ontario, Tom Hanley began his musical journey as the singer/guitarist in a slew of pop punk bands with “terrible names,” performing at high school parties. It was there he fell in love with playing in bands and writing music. In college, he started a six-piece funk band, JUICE, recording and touring for eight years. After years of deliberation, countless wedding band gigs, and 60 songs written later, he’s ready to go off on his own and release music as a solo artist. 

Tom teamed up with songwriter and producer, Nixon Boyd (Hollerado, Dizzy), and wrote the song “Take It Away” over Zoom together.

Take It Away” is about the rising cost of living in Toronto and in Canada in general, and how tough it has been for our generation to get a foothold. With rent, gas and housing prices skyrocketing, countless artists, families, venues and businesses have been forced to close or leave Toronto to seek more affordable alternatives. In Tom’s opinion, this has been a major contributing factor to the erosion of Toronto’s artistic community and has taken a serious toll on the mental health of young people today. 

“This song makes me want to go out and do something to change how our country is being run,” says Tom Hanley. “To change the narrative we are telling the next generation. What they should work towards and the path they should take because it’s not leading to the same results that it did even ten years ago.”