Erik Lankin of Montreal (Tiohtià:ke) is revealing the second classical composition taken from his forthcoming debut album, The Icarus Album, a reinterpretation of the myth of Daedalus which Lankin has used to grapple with the death of his father, who he lost to suicide.

In both the original myth and Lankin’s reinterpretation, Daedalus constructs the wings used in his failed lift off out of feathers and wax. 

The composition “Feathers and Wax” unfurls with rich anagrammatic piano melodies and guiding strings, growing into tormented sound design which flows into the beginning of previously released first single, “Daedalus Requiem.”

“We had to choose between recording the track on a half million dollar Fazioli piano or my dad’s baby grand Yamaha which he left me when he died. In the end we made the sentimental choice,” Lankin explains.

Jason Bhattacharya is a multi-dimensional creative whose main focus is production, songwriting and recording. Bhattacharya has been featured on umpteen records as a session musician and producer, and creates solo works under the pseudonym Granny Smith. The past 3 years Bhattacharya has also worked in the music department for Netflix, Sony Pictures and Paramount Television Studios. 

Originally, the songs from his new EP, River of Memory, like “River of Memory ii” were recorded as a score to the Dylan Mitro short film, Ripples. In the end, Dylan used music not from these sessions for the film, so Bhattacharya wanted to find a way to share this soundtrack with the world. 

This is the first instrumental piano music he’s released, and it was all improvised while watching the film – inspired by the way a river flows naturally. The only instruments heard on the recording are an acoustic piano & a Juno Synthesizer.

The titles represent the natural flow of time and space. “Ripples” are the ebbs and flows of life and the “River of Memory” is the continuous looking back on an ever-changing self. “Pastel” is the many colors that we have in our palette to decorate the shifts as well as the way we remember them. The album concludes with “River of Memory ii” where all systems are a go and the flow is fully in motion. 

“I’m trying to make the most organic music I can make,” says Jason Bhattacharya of Granny Smith. “I don’t like to edit very much & I’m trying to put out the most honest versions of the expressions I’m creating.”

Experimentation is the soul of Sunshine Express, one of the most prolific bands to emerge from Niagara’s fast-growing alternative scene. MattUU (vocals & guitar), JassChau (sampler) and AidanR (bass) embody an unorthodox pioneering spirit with colourful songs, striking visuals and a dazzling, electronic approach to rock ‘n’ roll.

On “UNSHINE,” Sunshine Express’ audacious new single, the band further embraces their affinity for live recording, enlisting drummer Justin Dobbelsteyn to push spontaneity and experimentation to the max. Singer MattUU delivers dry-humour nihilism—first slow, then fast, then faster—with anthemic zeal. An icy, warped piano cuts through a turbulent rock instrumental—first frenetic, then dizzying, then kaleidoscopic.

In the age of laptop mixes, algorithmic niches and lonely doom scrollers, S.EX is spearheading—and invites you to join—an alternative charge; venturing outside the box, fusing genres and championing the chaotic, communal spirit of rock ‘n’ roll.

Pop-oriented R&B singer and songwriter Shalli exudes an authentic storytelling talent that conveys both vulnerability and strength. Born in Canada from Dominican and Jamaican parents, she began composing music at 14. Her unique and powerful voice has captivated the hearts and minds of countless souls worldwide. A survivor of the 2004 Boxing Day tsunami, Shalli took that experience and channeled it into her songwriting. Since then, she has had a successful presence online, releasing 14 singles that have garnered millions of organic streams.

The fusion is deep in “Freezing,” Shalli’s new single that encompasses modern Afrobeat from West Africa, R&B from America and dancehall in the lyrical approach. Explosive, danceable and contagious – it’s a perfect display of the undeniable vibe that only Shalli brings.

Whether it’s through her timeless music, unfiltered conversations or advocacy for cultural awareness, Shalli creates art that is inspired by the world around her.

The band name Jackie and her brother aptly describes the new Toronto-based duo. Jackie and Mark Andrade make emotional, reflective music from their home studio with a DIY sound and aesthetic. 8 years apart in age, in a relationship impacted by years of familiarity and family dynamics, it was later in life that the siblings decided to work on several songs that had sat unfinished and forgotten. 

With a shared love for catchy, pop-inspired sounds that they listened to across different decades, their debut single “You’ve Changed” uses ‘80s inspired emotionally charged production to explore the fears and inevitability of growing up. Written together, this coming of age track features Jackie on vocals and synth with Mark on guitar, drums, and bass. 

Bad Buddy is the musical collaboration between Emily Bachynski (vocals, guitar), Andrea Vissia (guitar, vocals) and Geoffrey Hamdon-O’Brien (drums). The band is a genre-defying musical spectacle, casually time traveling from wartime boogie-woogie bops, to glitterball heartbreak slow dances, to eye-gushing punk bloodbaths. 

The Edmonton band which launched their career in 2016 has been described as putting on “… a totally raucous and amazing show all around: psychedelic surf, punk, pop, you name it – though above all it [feels] like something NEW” (Edmonton Journal), and the proof is in the performance. The electric energy of the live show is amplified by the exceptional songwriting ability possessed by the band. Self-identifying as “Motown-surf-punk,” the band commands attention, painting powerful, sonic pictures drawn from real-life inspirations. 

 “Cheerleader? Nah, I’m the QB,” Andi Vissia sings in “Q.B.” The quarterback is the star of the football show – the main event, baby! “Q.B.” marks the first co-write between Andi and Bad Buddy’s main songwriter, Emily Bachynski. 

Andi wrote this song during a significant period of change when she was feeling insecure about her abilities as a musician and felt judged by people who she thought were going to be supportive. 

Despite several setbacks with the music video shoot, Bad Buddy are extremely pleased with the result. The music video for “Q.B.”, conceptualized by Andi and directed by Emily, features the band members growing increasingly exasperated by other people telling them what to do. 

“I feel like I had an idea for this music video years ago – way before the song had presented itself to me,” says Andi. “One of my experiences as a woman in this industry is having people think I’m there because of a man (my partner or others), or just having people underestimate my experience and credibility.”