Bobby Vickers, performing under his iconic alter ego Bud E. Luv, delivers a striking revival of the classic “Music to Watch Girls By” that both honors the song’s history and reframes it for modern times.

In his new interpretation, Bud E. Luv expertly balances nostalgia with fresh, sophisticated flair, crafting a rendition that feels both familiar and entirely new.

Watch the music video here:

Bud E. Luv is no stranger to reinventing classic tunes. Created by Vickers more than 35 years ago, the character has become a fixture in San Francisco’s vibrant music scene, with performances at legendary venues like Bimbo’s, The Fillmore, and Paradise Lounge.

Bud E. Luv’s alter ego allows Vickers to explore an array of musical genres, from jazz and swing to pop, all while remaining timeless. His extensive career has taken him to stages across major cities like New York, Los Angeles, Seattle, and Boston, where he’s performed for prestigious audiences, including at events like the MTV-televised Osbourne vow renewal and Super Bowl Eve celebrations.

The black-and-white music video accompanying this release is directed by Tom Donald, the founder of San Francisco’s hiTrecords.

Set in the elegant Mr. Tipple’s Jazz Club, the sparse backdrop of empty seats evokes a sense of introspection, drawing the viewer into Bud E. Luv’s contemplative performance.

The mysterious figure of Ilana Niernberger, who is Luv’s only member in the audience, adds a layer of intrigue. Her eventual disappearance is most reminiscent of an Ingmar Bergman film and gives us a symbolic and haunting touch, suggesting that what we admire often exists only in fleeting moments.

Vocally, Bud E. Luv offers a smooth, nuanced performance that strips away the kitsch associated with some earlier versions of the song.

This includes Andy William’s popular but often overly polished rendition. Luv’s phrasing, rich with emotion and subtlety, brings out the layers of complexity within the song, making it clear that his version is not merely about watching or objectifying but also about celebrating people in all of their diversity.

Tom Donald’s direction also plays a pivotal role in modernizing the piece. By focusing on the respectful recognition of beauty rather than its objectification, Donald transforms “Music to Watch Girls By” from a product of its era into a meditation on human connection.

He smartly acknowledges the original’s historical context without being confined by it, presenting a version that speaks to contemporary sensibilities:

“The world is there and meant to be recognized, valued, and respected,” Donald says. “Mr Luv understands the essential dynamic between people; he’s lived long enough and seen enough of the world to know that it’s not about degrading the visage, but instead honoring and celebrating it in all its forms.”

This project reinforces Bud E. Luv’s status as a timeless entertainer. His ability to adapt to changing times while maintaining the integrity of his performance persona is impressive.

For fans of classic standards as well as newcomers, this is a definitive version of “Music to Watch Girls By” that deserves attention.

Keep up to date with Bud E. Luv on his Website.