All Y’all Records Launches with Spectacular Showcase Event on June 1st

All Y’all Records, a new independent record label founded by Dave Hedeman of the Gone Ghosts and Nick Stroud of Heat Preacher, is set to make its debut with an exciting launch party on June 1st at Local 506. This event promises to be a significant moment for the North Carolina music scene, featuring a diverse lineup of talented artists and bands. With decades of combined experience in the local and regional music industries, Hedeman and Stroud aim to support and elevate up-and-coming musicians through their innovative approach to the music business.

A New Vision for Independent Artists

All Y’all Records was born out of a shared vision to do things differently. Hedeman and Stroud, both veterans of the North Carolina and regional music scenes, recognized the need for a label that truly supports independent artists. The music industry has undergone significant changes in recent years, often to the detriment of musicians who don’t have the backing of major labels. All Y’all Records seeks to address these challenges by providing artists with the resources, connections, and support they need to thrive.

“We’ve seen it all throughout our musical careers, and we understand how difficult it can be for independent artists to navigate the modern music landscape,” said Hedeman. “Our goal with All Y’all Records is to create a community where artists can share knowledge and experiences, helping each other succeed.”

A Celebration of Local Talent

The launch party at Local 506 will showcase a lineup of bands and musicians that exemplify the spirit and diversity of All Y’all Records. The event will feature performances by:

  • OLD HEAVY HANDS (Greensboro, NC) – Known for their compelling blend of heartfelt southern rock, influenced by the Muscle Shoals tradition and DIY punk rock.
  • LORD NELSON (Charlottesville, VA) – Drawing on a rich history of campfire sing-a-longs, barn parties, and metal thrashing, their music exudes a sense of tradition and belonging.
  • COUNTRY CRUEL (Chapel Hill, NC) – Inspired by legends like John Prine and Doc Watson, they deliver loud, hard country music with an honest edge.
  • JACK THE RADIO (Raleigh, NC) – Roots-rockers who blend rock, blues, Americana, folk, and country into a unique tapestry of swampy southern sounds.
  • HEAT PREACHER (Chapel Hill, NC) – Combining alternative rock, soul, and indie influences to create a modern musical experience.
  • REESE MCHENRY (Chatham Co, NC) – A prolific songwriter and performer whose rock songs mix humor with catchy hooks.
  • THE GONE GHOSTS (Carrboro, NC) – Creating their version of American rock with themes of love, loss, and heartache.
  • CHARLES LATHAM & THE BORROWED BAND (Durham, NC) – Marrying vintage psychedelic country-rock with idiosyncratic songwriting.
  • THE YARDARM (Chapel Hill, NC) – Offering alternative rock with a distinctly North Carolina twang.
  • CRENSHAW PENTECOSTAL (Winston Salem, NC) – Delivering dive bar arena rock.

Event Details

  • Date: Saturday, June 1, 2024
  • Venue: Local 506, 506 W Franklin St, Chapel Hill, NC 27516
  • Doors Open: 4:00 PM
  • Tickets: Presale – $15, Day of – $20
  • Purchase Tickets: Local 506 Events

This launch event is not just about celebrating the inception of All Y’all Records; it’s about fostering a sense of community and collaboration among North Carolina musicians. “We believe that by amplifying each other’s unique strengths, we can advance everyone’s careers,” said Stroud. “This is a chance to support local music, enjoy a wide range of musical styles, and be part of a movement that values collaboration over competition.”

Don’t miss this opportunity to experience some of the best music North Carolina has to offer and to be part of a new era in the independent music scene. Get your tickets today and join us at Local 506 for an unforgettable evening of live music and community spirit.

All Comes “Full Circle” for Artist Sandy Hall

Hailing from Vukovar, Croatia, Sandy Hall is the fresh face with the killer vocals that the classic rock scene needed. Growing up in a house full of music, she’s been singing since a very young age leading her to travel around the world and gain once-in-a-lifetime experiences. Sandy has had the opportunity to support and open for national performers including Joan Jett and the Black Hearts in 2017, and over the years seasoned artists like Eddie Money, Heavens Edge, Kip Winger, Dan Reed, and the list goes on. Sandy spends most of her time as the “Ann Wilson” in a Heart tribute band called Kick It Out which has led her to tour up and down the east coast playing in large festivals, theaters, and casinos. In addition to that, she has written and recorded her entrancing album titled ‘Full Circle’. 


Sandy shares “This album is very personal to me because I was able to express myself not only through my voice but also by co-writing the majority of the songs with John Ignatius Callaghan and Chris DeMuro. The songs are about what we all universally experience and reflect upon in our lives; love, friendship, loss, self-acceptance, disappointment, nostalgia, time and home. What makes it very special is that every person that is on this album I have known for quite a bit of time, I deeply respect, admire and consider a friend.”

Featuring 12 unique tracks, Sandy uses her silky vocals to carry listeners on a deep journey through the throes of life, love, and all the above. While she perfectly encapsulates that classic rock/pop sound, she brings in elements of her heritage with an instrumental Croatian flair on songs like “The River Calls Me Home” and “Fall From Grace”. “The River Calls Me Home” is a nostalgic tune about the Danube River in Croatia and how strongly Sandy feels pulled to it. “Fall From Grace” takes a far more introspective view on how we use admiration and unrealistic expectations to put someone on a pedestal. Then the hard realization that comes from discovering they are human and perhaps that weakness we now know is within us all.

In 2021, Sandy won the Artist of the Year Award in the rock category at the Josie Music Awards and has been nominated every year since. Her strive to keep all of her songs on a deep, personal level is what keeps us all coming back for more. Sandy claims “I hope what comes across is my “humanness”, my “realness”. In a world of AI, photo filters, social media presence that is constructed and purposefully designed to show an illusion of the perfect day, perfect life… I hope to be able to show more of the truth and reality of life.” 


Sandy was recently nominated for several Josie Music Awards (Largest Independent Indie Artist Award Show) which will take place at the Grand Ole Opry on October 27, 2024 including Album of the Year for “Full Circle”

 A Short Walk to Pluto Release Sad but Hopeful Single “Nothing to Fear”

A Short Walk to Pluto has developed a tremendous social media presence through TikTok and Instagram, where they regularly debut original music and covers of well-known classics. It was through that online presence that the quartet was discovered and endorsed by Howard Stern on his SiriusXM radio show. 

The quartet dives headfirst into the whirlwind of change on their new single, “Nothing to Fear. It’s about the bittersweet dance of leaving behind what’s familiar to chase the unknown. 

Though much of their success is owed to their social media engagement, it is their genre-defying original music and energetic live performances that have generated a loyal, consistent, and far reaching following. 

June Body Share Melancholic Single “Take Our Time Back” from Forthcoming LP ‘Last Everythings’

Swaying between the punchiness of modern rock and the nostalgic tones of ’90s alternative, June Body‘s rawness and forthright lyrical delivery throws back to the likes of Death Cab for Cutie and The Weakerthans. 

“Take Our Time Back” is the latest single from the trio’s third album, Last Everythings (June 7, 2024); a snow globe of the scenes before, during, and after a breakup. It is a venture into the subtle, heartbreaking domestic details of an ending.

“I ended a year-long relationship that I realized I wasn’t ready to be in from the start,” lead vocalist/guitarist Connor James elaborates about the new track. “I fell in love with a great person, but a voice in the back of my mind kept telling me it wasn’t meant to be. ‘Take Our Time Back’ is about the guilt of having to break their heart, and wondering if they’re wishing they could take back the time we had together.”

Hearsing Entice on Bold New Single + Video for “Montauk”

Introducing Hearsing, the brainchild of Avery Murphy and Jordan Taylor, a musical project deeply rooted in their shared journey from high school to professional stardom. Their musical odyssey began within the confines of high school corridors, where they co-founded the surf punk ensemble SUBPAR alongside Lukas Henderson and Austin Corona. Since then, these talented individuals have embarked on their own notable ventures in the music scene, spanning projects like LILACS, Jean Dawson, and Lizzy McAlpine.

Their collaboration within SUBPAR bore fruit with the release of the band’s eponymous album, which garnered over 3.5 million streams on Spotify and maintained a robust monthly listenership of over 21.5k. This early success laid the foundation for Hearsing to germinate, drawing upon their surf punk origins while infusing it with a tapestry of nostalgic melodies and a diverse array of newfound influences, ultimately crafting a unique brand of western music that is distinctly their own.

https://www.youtube.com/watch?v=evkZi15YI0c

In March of 2021, Hearsing unveiled their inaugural offering—a self-titled collection of home-recorded tracks that served as a precursor to their burgeoning musical expedition. However, it is in the year 2024 that they truly come into their own, as they unleash their debut professional studio EP, aptly titled “Pastoral.” Recorded under the meticulous guidance of producer and singer-songwriter Henry Chadwick, whose impressive repertoire includes collaborations with esteemed acts like Jesse Daniel and Coffis Brothers, “Pastoral” encapsulates the essence of Hearsing’s artistic evolution. Additionally, the EP features the deft drumming of Ellington Peet, known for his work with bands like Runnner and Babehoven, adding a layer of dynamism to the sonic landscape.

Accompanying the release of “Montauk,” the lead single from “Pastoral,” is a visually captivating music video that serves as a visual companion to the ethereal soundscape of the track. Directed by the brilliant Diego Diaz Lundquist, the video transports viewers on a cinematic journey through landscapes both familiar and otherworldly. With mesmerizing imagery and evocative storytelling, the video offers a glimpse into the boundless creativity and artistic vision of Hearsing, promising an immersive experience that perfectly complements the introspective mood of the song.

Listen and watch here:

Hearsing reveals of the track:

“We wrote Montauk back in 2022, and it was one of the first songs I wrote where I realized not everything had to be directly about real things in my life. Everything gets interpreted so allegorically anyways, real or not, so for Montauk we got to really have fun making up characters and a world that the song could live in. Montauk is really rooted in metaphors concerning the natural world, the chorus “I feel like a star now, look at the way look at the way that my hair shines, I feel like a star now, just look up in the sky tell me if I’m right” is really exemplary of that. On its face it gives this kind of upbeat optimistic reading of feeling like a superstar or something shiny, but in reality I feel like it would be pretty lonely to be a star out in space, shining millions of miles away for others to see. And I think there’s kind of a double meaning there too because I imagine being some big famous star on earth could also feel similar.

The song is accompanied by a music video made by our brilliant friend, Diego Diaz Lundquist. The video was filmed on 8mm film and is so imagistically rich, it feels really immersive, like it allows you to live in the world that the song exists in. But the video contrasts the made-up lyrical content of the song in that it was filmed in very real areas that are personal and special to us, and it features us, as well as a bunch of our close friends. So the video feels very grounded in something real, which in turn grounds the song and ties it to the way we feel it will live in the world once it’s released, not as something made-up or far off, but something very personal that will be present and will serve to soundtrack important moments in people’s lives, whether those be moments of nostalgic past, pressing present, or longing future.”

What sets “Pastoral” apart is not just its impeccable production or the pedigree of its collaborators, but the sheer depth of emotion and creativity that permeates each track. From the wistful nostalgia of “Montauk” to the infectious energy of “Hearsing,” the EP traverses a diverse sonic terrain, seamlessly blending elements of surf punk, indie rock, and Americana to create a sound that is both timeless and refreshing.

As Hearsing prepares to embark on the next phase of their musical journey, their sights set on conquering new horizons and captivating audiences around the globe, they invite listeners to join them on this exhilarating ride. With “Montauk” serving as the harbinger of their sonic expedition, Hearsing is poised to make an indelible mark on the musical landscape, one soul-stirring melody at a time.

Faint Halos Releases Enchanting New Single “Skyline Hill”

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Paul Hashemi, the frontman of Faint Halos, has released his new single “Skyline Hill.”

This is the second single from his forthcoming album I Can See a Million Lights, due out in August 2024. 

This track beautifully captures the tranquility of a summer evening at the Mann Center for the Performing Arts in Philadelphia, and reflects Hashemi’s inspiration drawn from the city’s unique blend of intimate locales and expansive views.

During his time at the Mann Center, Hashemi observed the city from a distance, gaining a fresh perspective. He remarked on how Philadelphia’s small, familiar places contrast with the vast, unified view seen from afar, which inspired the song’s lyrics.

“Skyline Hill” features a deliberately simple arrangement with acoustic and electric guitars, keys, bass, drums, and vocals. Lead guitar, played with an eBow, highlights Hashemi’s innovation, using a “fluttering” technique to create a unique sound.

This technique involved playing a trill with his left hand while manipulating the eBow to control volume, a process that required extensive experimentation and multiple takes to perfect.

“Skyline Hill” was recorded, produced, and mixed in Hashemi’s home studio in Berwyn, PA, with additional vocal recordings in North Carolina. As one of the first pieces written for the new album, it stands out with its airy, minimalist arrangement and haunting guitar melodies.

Paul Hashemi’s musical journey spans classical training, touring with rock bands in the ’90s, followed by a hiatus to focus on career and family.

The pandemic really reignited his creativity, leading to the formation of Faint Halos and the creation of I Can See a Million Lights. This debut album delves into introspective themes with poignant lyrics and dynamic arrangements, marking an exciting new chapter.

Connect with Faint Halos: Website // Facebook // Instagram // Spotify // Soundcloud // YouTube Music