Among the latest to emerge from a Texas psych-rock tradition that goes back more than fifty years, Houston’s Cactus Flowers announce the November 17th release of their sophomore full-length Elation with the new video for  “Dead Moon Rising.”

Watch the video here:

Once again, frontwoman/bandleader Jessica A.M. channels the power of a live volcano through her guitar rig, her tone pouring through your speakers like scorching lava. Meanwhile, her mystical lyrics convey a dreamlike, starry-eyed romanticism spiked with a bite of attitude. Raised by a mom who photographed bands for Rolling Stone during the magazine’s counter-culture heyday, Jessica was, believe it or not, a late bloomer when it came to playing rock music. Originally, her path seemed to point in the direction of her formal violin training. But once she discovered the electric guitar in college, the die was cast. And when she met drummer and musical soulmate Mark Carcamo, a chemical reaction catalyzed, giving rise to Cactus Flowers’s intoxicating cocktail of psychedelia, fuzz, doom and classic rock.

“It took me like 7 or 8 years to craft my sound,” Jessica explains. But once it clicked, there was no turning back. Recorded by Grammy-winning producer Steve Christensen (Khruangbin, Steve Earle), Elation is a super-charged, almost monolithic realization of the band’s vision, which now includes bassist John Griffin (who produced the band’s debut full-length, 2019’s Incantations). Fittingly enough, the band wrote the bulk of Elation on numerous desert drives from Texas to the West Coast. Taken together, the songs take the listener on a fuzz-soaked musical journey of inner self discovery.

From the scenic state of New Hampshire comes this band that defies simple genre labels, blending pop, alternative, and indie influences into their dynamic sound. Their musical style draws comparisons to iconic acts like Bare Naked Ladies, Weezer, and the popular Harry Styles, yet they’ve crafted a sound that’s uniquely theirs. Their musical journey has earned them the prestigious New England Music Award, a testament to their undeniable talent and creativity.

Their new EP, “If It Feels Right,” released today, provides an intriguing insight into the band’s collective vision, bringing it to life.

Onstage, this remarkable band has shared platforms with a range of accomplished artists, solidifying their status in the industry. From captivating performances alongside Matt Nathanson to collaborations with The Guess Who and Jason Derulo, they’ve established themselves as a versatile and sought-after act.

Their music often explores the relatable landscape of high school experiences, evoking a sense of nostalgia that resonates deeply with listeners. Through their lyrics and melodies, they transport audiences back to their youth, addressing the universal issues faced during those formative years. Their songs aren’t merely notes but powerful narratives that connect on a profoundly personal level.

Their stage presence is an explosion of high energy. Known for their electrifying performances, they leave audiences exhilarated and craving more. Each song they play exudes a captivating energy that holds the crowd spellbound, proving that music has the ability to break barriers and create unforgettable moments.

As this band continues to evolve and shape their unique musical identity, they stand at the cusp of an exciting journey filled with new heights of creativity and innovation. With a devoted fan base and a reputation for powerful live shows, the future holds endless opportunities, and their musical journey is one eagerly awaited by all.

The latest release from Night Wilds, the progressive alt-rock band, is their track “Control,” a charged addition to their eagerly awaited debut album, “All That Should Have Been,” set for release in Spring 2024. This musical piece plunges into the intricate corridors of the human mind, weaving a captivating tapestry of light and shadow while expanding on the album’s enthralling storyline.

“Control” guides listeners through a gripping narrative of a fractured mind in search of peace. The song unfolds a haunting dialogue between a young boy and the shattered facets of his inner self, grappling with an offer of solace that comes at an extraordinary cost. It’s a profound tale of decisions made for survival and the haunting echoes of those pivotal choices.

Much like their previous track “Confusion,” this song embodies the band’s commitment to storytelling through music, blurring the boundaries between entertainment and enlightenment.

Night Wilds’ debut album, ‘All That Should Have Been,’ a 17-track rock opera, narrates the story of a boy trapped in a brutal circus, performing under the command of a deranged ringleader. It’s a cathartic journey of healing and self-discovery, echoing the band and lead songwriter Seth’s dedication to authenticity and personal growth, akin to the themes explored in “Control.”

In “Control,” the music resonates with cinematic drama, offering an intense and captivating experience. The rock ‘n’ roll energy propels the narrative forward, inviting listeners to immerse themselves in the grandeur of the music.

“Control” by Night Wilds transcends being just a song; it’s an immersive experience, a poignant testament to music’s power in exploring the intricacies of the human mind and offering hope, even in the darkest moments.

Sound Strider creates a unique sonic art form, drawing from a diverse tapestry of waveforms meticulously chosen from expansive data forests. With artistic finesse, these carefully selected sonic components are intricately woven together, offering an auditory journey unlike any other. This wizardry of sound transcends boundaries, effortlessly blending organic analog elements with intricate digital complexities.

In the newly released single “Psychedelic Ritual,” Sound Strider emerges as a enigmatic sound maestro, conjuring elaborate sonic tapestries adorned with ethereal beats and captivating glitched-out melodies.

Driven by an unyielding passion for sonic exploration, Sound Strider fearlessly ventures into unexplored territories, unveiling a captivating spectrum of unearthly sounds. In this sonic expedition, acoustic and digital sources seamlessly intertwine, creating pulsating rhythms that transport listeners to a realm where reality and imagination blend, allowing the latter to take center stage.

Within Sound Strider’s spectral alchemy, the result is nothing short of magical—an entrancing auditory voyage that whisks the listener to extraordinary soundscapes. His compositions are adorned with mesmerizing polyrhythms that guide the mind through uncharted territories. It’s akin to weaving a musical tapestry that takes the audience on a customized, psychedelic, and ethno-funk odyssey tailored for the information age.

Sound Strider’s sonic craftsmanship showcases the boundless potential of manipulating sound, where data forests serve as an endless wellspring of inspiration and the fusion of analog and digital elements leads to an ever-evolving sonic cosmos. Within this realm, he is a sonic sorcerer, conjuring auditory experiences that captivate the imagination and offer a sonic journey unlike any other, leaving an enduring mark on the landscape of contemporary music.

The trio EMP, rooted in the heart of Texas, is a musical force formed by the exceptional talents of Alex Erhardt, Nathan Mays, and Maxx Salazar. Their sound is a dynamic fusion, drawing from a diverse mix of influences such as progressive rock, jazz, post-punk, and electronic music. EMP’s music is a collision of rhythm, energy, immersive ambience, and an unyielding passion for unexplored musical territories. They bring a vibraphone to a knife fight, consistently emerging victorious and leaving behind a trail of sonic marvels. Their latest release, “Tryst Issues,” encapsulates the essence of their musical journey.

Each EMP composition is a musical expedition, inviting listeners along on a thrilling adventure. Their unique sound is crafted from vintage tones, intricately woven from collective imagination and fervent musical intensity. “Tryst Issues” came to life swiftly, inspired by a mix of a Dead Kennedys melody, elements from a favorite book (“Seven Footprints to Satan” by A. Merrit), and an ominous recording using an old telephone mic.

EMP’s music is an auditory odyssey, painting vibrant sonic landscapes and pushing the limits of instrumental expression. Their goal isn’t just making music but crafting an immersive experience where every note and rhythm carries emotion and invites exploration.

In the ever-changing realm of music, EMP stands as a symbol of artistic innovation, blending diverse influences into a captivating tapestry of sound. Their performances and compositions showcase the infinite possibilities within instrumental music, evolving their melodic language and promising more thrilling adventures for their audience.

David Lotey-Goodman, better known as Lowgo, is a fast rising 23-year-old electronic music producer whose background as a jazz pianist sets him apart from the crowd. His deep passion for music began at two years old, when his parents offered him a small toy keyboard as a gift. This set him on a lifelong path of musical exploration. His experimentation with music software has led him to develop a unique style, using both traditional and innovative musical techniques.

His notable released collaborations include Lou Phelps, Veggi, Speng Squire, Mosey (Pierre Sarkozy), Kris the $pirit, Benita, Jayde, Tibe, Jonathan Emile and more. Lowgo continues to collaborate with various artists around the world such as Zach Zoya, PT, CJ Flemmings, Clerel and Joseph Tilley, with no plans on stopping.

Highlighted single, “Soap Opera Pretty” (with Zach Zoya), comes off the sophomore self produced EP From Here as track one to set the tone of an EP delving into other moods as Lowgo explains: I’ve rarely delved into themes of heartbreak and darker subject matter. This EP represents an effort to change that.

The four track EP features a different vocalist on each single and is produced in Lowgo’s purposeful style of tension and release in song structure, and more retrospective lyricism.