
The recently released album, “Crash Course Volumes – Volume 1: Blue Light Special,” marks the latest offering from the band Animals in Denial.
Created by the multi-talented punk rock writer, musician, and performer Christian Imes, Animals in Denial is the result of his musical journey that began when he acquired his first guitar at the age of 14. Imes, a self-taught guitarist, has been a part of local bands and eventually forged his own path in the music scene, demonstrating dedication and focus.
Imes’ remarkable journey, coupled with his experience with Asperger’s syndrome, adds an extra layer of inspiration to his artistic endeavors.
The album features a captivating fusion of metal, rock, and punk rock, carving out its unique niche. Imes, who has written and produced all the tracks, showcases his diverse musical influences. The EP includes new tracks like “Catch Me,” a dynamic song infused with the resonance of a guitar, a zoom A1 processor, and a Baritone Antiqua Squier. The track, inspired by the pop songs of the 1950s in the style of Buddy Holly, reflects Imes’ personal connection, particularly with his wife.
Imes’ composition “Hope” is a rhythmic blend of percussion, jazz improvisation, and hip-hop groove. The track exhibits a swing, featuring Abelton computer elements, chorus riffs, and Fender guitar. Imes describes the inspiration behind the song, envisioning a fusion of Hendrix’s blues with a jazzy feel, resulting in a natural and groovy composition.
“Crash Course Volume 1” signifies Imes’ artistic growth, showcasing enhanced skill and a more comprehensive sound compared to previous releases.
The song “Reminder” exudes fun and draws inspiration from a touch of country swing in its chorus. Crafted as a love note to Imes’ wife, the track expresses affection and appreciation, influenced by Cheap Trick with a pop-oriented element and a catchy chorus.
As a one-man show, Imes has significantly developed this album, reflecting the evolution of his musical abilities and creative journey over the years.
Noteworthy is the fact that the initial releases in this series were rough demo tracks, now remixed and remastered using a combination of studio upgrades and AI tools. The album’s cover art, generated with AI using prompts from Imes, exemplifies the embrace of technology in the creative process.
Imes expresses excitement about the future of AI in the creative realm, emphasizing the need for artists to embrace new tools collaboratively.
“Crash Course Volumes, Volume 1” kicks off a series of EPs revisiting songs written by Imes, now brought to life with the production capabilities he lacked in their initial creation. This album represents a long-awaited platform for these songs to receive the attention they deserve.